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Loretta Lynn, coal miner’s daughter turned forthright country queen, dies at 90 | CNN

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Loretta Lynn, coal miner’s daughter turned forthright country queen, dies at 90 | CNN



CNN
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Loretta Lynn, the “Coal Miner’s Daughter” whose gutsy lyrics and twangy, down-home vocals made her a queen of nation music for seven many years, has died. She was 90.

Lynn’s household mentioned in a press release to CNN that she died Tuesday at her residence in Tennessee.

“Our treasured mother, Loretta Lynn, handed away peacefully this morning, October 4th, in her sleep at residence in her beloved ranch in Hurricane Mills,” the assertion learn.

They requested for privateness as they grieve and mentioned a memorial will probably be introduced later.

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Lynn, who had no formal music coaching however spent hours on daily basis singing her infants to sleep, was recognized to churn out totally textured songs in a matter of minutes. She simply wrote what she knew.

She lived in poverty for a lot of her youth, started having youngsters by age 17 and spent years married to a person vulnerable to ingesting and philandering – all of which turned materials for her plainspoken songs. Lynn’s life was wealthy with experiences most nation stars of the time hadn’t had for themselves – however her feminine followers knew them intimately.

“So after I sing these nation songs about ladies struggling to maintain issues going, you could possibly say I’ve been there,” she wrote in her first memoir, “Coal Miner’s Daughter.” “Like I say, I do know what it’s prefer to be pregnant and nervous and poor.”

Lynn scored hits with fiery songs like “Don’t Come Dwelling A’ Drinkin’ (With Lovin’ On Your Thoughts)” and “You Ain’t Lady Sufficient (To Take My Man),” which topped the nation charts in 1966 and made her the primary feminine nation singer to put in writing a No. 1 hit.

Her songs recounted household historical past, skewered awful husbands and commiserated with ladies, wives and moms all over the place. Her tell-it-like-it-is model noticed tracks comparable to “Rated X” and “The Tablet” banned from radio, whilst they turned beloved classics.

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 “I wasn’t the primary girl in nation music,” Lynn advised Esquire in 2007. “I used to be simply the primary one to face up there and say what I believed, what life was about.”

 She was born Loretta Webb in 1932, considered one of eight Webb youngsters raised in Butcher Hole within the Appalachian mining city of Van Lear, Kentucky. Rising up, Lynn sang in church and at residence, whilst her father protested that everybody in Butcher Hole might hear.

Her household had little cash. However these early years had been a few of her fondest reminiscences, as she recounts in her 1971 hit, “Coal Miner’s Daughter”: “We had been poor however we had love; That’s the one factor that daddy made positive of.”

As a younger teenager, Loretta met the love of her life in Oliver “Doolittle” Lynn, whom she affectionately known as “Doo.” The pair married when Lynn was 15 – a truth cleared up in 2012, after the Related Press found Lynn was just a few years older than she had mentioned she was in her memoir – and Lynn gave beginning to their first of six youngsters the identical yr.

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“After I acquired married, I didn’t even know what pregnant meant,” mentioned Lynn, who bore 4 youngsters within the first 4 years of marriage and a set of twins years later.

“I used to be 5 months pregnant after I went to the physician, and he mentioned, ‘You’re gonna have a child.’ I mentioned, ‘No means. I can’t haven’t any child.’ He mentioned, ‘Ain’t you married?’ Yep. He mentioned, ‘You sleep together with your husband?’ Yep. ‘You’re gonna have a child, Loretta. Imagine me.’ And I did.”

The couple quickly headed to Washington state in quest of jobs. Music wasn’t a precedence for the younger mom at first. She’d spend her days working, principally, selecting strawberries in Washington state whereas her infants sat on a blanket close by.

However when her husband heard her buzzing tunes and soothing their infants to sleep, he mentioned she sounded higher than the woman singers on the radio. He purchased her a $17 Concord guitar and acquired her a gig at an area tavern.

It wasn’t till 1960 that she’d document what would turn out to be her debut single, “Honky Tonk Woman.” She then took the music on the street, taking part in nation music stations throughout the USA.

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After years of arduous work and elevating youngsters, telling tales together with her guitar appeared like a break.

 “Singing was simple,” Lynn advised NPR’s Terry Gross in 2010. “I believed ‘Gee whiz, that is a simple job.’ ”

The success of her first single landed Lynn on the stage of the Grand Ole Opry in Nashville and, quickly, a contract with Decca Data. She rapidly befriended nation star Patsy Cline, who guided her via the celebrity and style of nation stardom till her stunning demise in a aircraft crash in 1963.

 Cline “was my solely girlfriend on the time. She took me below her wing, and after I misplaced her, it was one thing else. I nonetheless miss her to this present day,” Lynn advised The Denver Put up in 2009. “I wrote ‘You Ain’t Lady Sufficient to Take My Man,’ and he or she mentioned, ‘Loretta, that’s a rattling hit.’ It shocked me, since you don’t anticipate any person like Patsy Cline to let you know that you’ve a success. Proper after she handed, I put the document out, and it was a success.”

Lynn’s battle and success turned the stuff of legend, an oft-repeated story of youth, naivete and poverty.

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From “Fist Metropolis” to “You’re Lookin’ at Nation,” Lynn all the time sang from the center, whether or not she was telling off a lady fascinated about Doo or honoring her Appalachian roots. However her music was removed from standard.

She rankled the conservative nation institution with songs like “Rated X,” in regards to the stigma fun-loving ladies face after divorce, and “The Tablet,” wherein a lady toasts her newfound freedom because of contraception – “They didn’t have none of them tablets after I was youthful, or I’d have been swallowing them like popcorn,” Lynn wrote in her memoir.

She documented her upbringing within the bestselling 1976 memoir “Coal Miner’s Daughter,” co-written with George Vecsey. A 1980 biographical movie by the identical title received an Academy Award for actress Sissy Spacek and introduced Lynn wider fame. Lynn’s success additionally helped launch the music careers of her sisters, Peggy Sue Wright and Crystal Gayle.

Lynn’s legend confronted questions in 2012 when The Related Press reported that in census data, a beginning certificates and marriage license, Lynn was three years older than what most biographies acknowledged. It didn’t mar Lynn’s success, however did make the oft-repeated tales of her teen marriage and motherhood much less excessive.

“I by no means, by no means considered being a task mannequin,” Lynn advised the San Antonio Categorical-Information in 2010. “I wrote from life, how issues had been in my life. I by no means might perceive why others didn’t write down what they knew.”

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Lynn all the time credited her husband with giving her the boldness to first step on stage as a younger performer. She additionally spoke in interviews, and in her music, in regards to the ache he triggered over their practically 50 years of marriage. Doolittle Lynn died in 1996 after years of issues from coronary heart issues and diabetes.

In her 2002 memoir, “Nonetheless Lady Sufficient,” Lynn wrote that he was an alcoholic who cheated on her and beat her, whilst she hit him again. However she stayed with him till his demise and advised NPR in 2010 that “he’s in there someplace” in each music she wrote.

“We fought sooner or later and we’d love the subsequent, so I imply … to me, that’s relationship,” she advised NPR. “If you happen to can’t combat, for those who can’t inform one another what you suppose – why, your relationship ain’t a lot anyway.”

Lynn received quite a few awards all through her profession, together with three Grammys and plenty of honors from the Academy of Nation Music. She earned Grammys for her 1971 duet with Conway Twitty, “After the Fireplace is Gone,” and for the 2004 album “Van Lear Rose,” a collaboration with Jack White of the White Stripes that launched her to a brand new technology of followers.

Then President Barack Obama awards the Presidential Medal of Freedom to Loretta Lynn in 2013.

 She was inducted into the Nation Music Corridor of Fame in 1988, and her music “Coal Miner’s Daughter” was inducted into the Grammy Corridor of Fame in 1998. She obtained a Grammy Lifetime Achievement Award in 2010, and in 2013, she was awarded the Presidential Medal of Freedom.

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 President Barack Obama mentioned Lynn “gave voice to a technology, singing what nobody wished to speak about and saying what nobody wished to consider.”

Her profession and legend solely continued to develop in her later years as she recorded new songs, toured steadily and drew loyal audiences effectively into her 80s. A museum and dude ranch are devoted to Lynn at her residence in Hurricane Mills, Tennessee.

“Working retains you younger,” she advised Esquire in 2007. “I ain’t ever gonna cease. And after I do, it’s gonna be proper on stage. That’ll be it.”

Lynn was hospitalized in 2017 after struggling a stroke at her residence. The next yr she broke a hip. Her well being pressured her to stop touring.

In early 2021, on the age of 89, she recorded her fiftieth album, “Nonetheless Lady Sufficient.”

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The title music, which she sang alongside successors Carrie Underwood and Reba McEntire, gave the impression of a mission assertion that captures the ethos of her profession:

“I’m nonetheless girl sufficient, nonetheless acquired what it takes inside;

I understand how to like, lose, and survive;

Ain’t a lot I ain’t seen, I ain’t tried;

I’ve been knocked down, however by no means out of the combat;

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I’m sturdy, however I’m tender;

Smart, however I’m robust;

And let me let you know relating to love;

I’m nonetheless girl sufficient.”

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Movie Reviews

The Last Republican movie review (2024) | Roger Ebert

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The Last Republican movie review (2024) | Roger Ebert

The documentary “The Last Republican” follows the final months in office of Congressman Adam Kinzinger, who represented two districts in Illinois over the span of 12 years. Kinzinger was one of a handful of Republicans who stood against President Donald Trump, refusing to support him in 2016, then going after him more straightforwardly after Trump lost the election of 2020 and tried to overturn the results by inciting a mob that stormed the Capitol on January 6, 2021, causing multiple deaths. Unlike other Republicans, including then-Senate minority leader Mitch McConnell and then-Speaker of the House of Representatives Kevin McCarthy, Kinzinger never walked back or even softened his position on Trump’s role in Jan. 6 in order to help position Trump for re-election and stay close to the party’s power center. Kinzinger instead made his opposition to Trump the defining part of his identity.

He started a podcast titled “Country First Conversations”” and a political action committee to fund anti-Trump candidates and later supported President Joe Biden and then Vice President Kamala Harris for president and spoke at the Democratic convention. After voting against Trump’s first impeachment, Kinzinger voted for his second impeachment and later said he regretted not voting for the first one.

He also became one of 35 Republicans to support the formation of a committee to investigate the attacks on the Capitol and served on the committee himself. There’s grimly funny segment showing House speaker Nancy Pelosi, a Democrat, announcing that Kinzinger was going to serve on the Jan. 6 committee before actually asking him, and a snippet of McCarthy casually referring to Kinzinger and another Trump critic, Wyoming Republican senator Liz Cheney, as “Pelosi Republicans.” When Cheney lost her primary in Wyoming to her former advisor Harriet Hageman—who briefly opposed Trump, then supported him again—Kinzinger accused conservative pastors of “failing their congregations” by encouraging support for Trump. He is now a CNN commentator.

The title telegraphs the point-of-view of the movie’s director, Steve Pink (“Gross Pointe Blank”). Pink is progressive who disagrees with most of what Kinzinger stands for politically (the movie opens with Kinzinger baiting Pink by calling him a “communist”). Pink positions Kinzinger as one of the last true or real Republicans, primarily because Kinzinger consistently advocated for the rule of law where Trump was concerned and, in Kinzinger’s words, put “country over party.”

This is, of course, a questionable framing, good for branding and sparking arguments on podcasts but not much else. There are plenty other examples of Republicans positioning themselves above the law at various points in the last 50 years, and it’s not as if Democrats have a spotless record in that regard either. In any given era of American history, the “true” Republicans are whichever ones define the identity of the party, and at this particular juncture, it’s not people like Kinzinger.

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“The Last Republican” also mostly elides Kinzinger’s positions on various issues, seemingly to make him more palatable here as a Capra-esque hero who is exclusively defined by standing up to corruption, and against a politician that the filmmaker also opposes. (Kinzinger had a much more progressive record on anti-discrimination legislation than most Republicans, but still voted with Trump 90% of the time, blamed China for spreading COVID, and voted in 2017 to repeal parts of the Affordable Care Act.)

This is not to say that Kinzinger’s opposition to Trump isn’t evidence of integrity and a willingness to sacrifice power for principle. That’s plainly the case, and it’s driven home in a scene where Kinzinger and his wife Sofia Boza-Holman sit on a couch in their house cradling their newborn son while watching the House vote to censure Kinzinger and Cheney for serving on the Jan. 6 committee. But there’s a more nuanced movie that could’ve been made covering the same period in Kinzinger’s life, one that took fuller measure of the ancient proverb “the enemy of my enemy is my friend”—though, to be fair, the very end of the movie humorously acknowledges what strange allies Pink and Kinzinger are, at least as far as this project is concerned.

The movie also gives a strong sense of Kinzinger as a person walking against the winds of change and dealing with tendencies in the American character that elude party definitions. “Everybody’s self-centered,” he tells Pink. “That’s the fight now of my next part of life, fighting against that cynicism.”

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Jonathan Majors’ ex-girlfriend Grace Jabbari drops defamation lawsuit against the actor

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Jonathan Majors’ ex-girlfriend Grace Jabbari drops defamation lawsuit against the actor

Jonathan Majors and ex-girlfriend Grace Jabbari are moving forward from yet another legal battle, nearly a year after the former Marvel star’s high-profile assault and harassment criminal trial last winter.

“Creed III” actor Majors and movement coach Jabbari mutually agreed Thursday to dismiss the latter’s civil lawsuit that accuses her ex-boyfriend of battery, assault and defamation. According to court documents reviewed by The Times, the two parties entered a “stipulation of voluntary dismissal” that did away with Jabbari’s suit with prejudice — meaning that she cannot refile the same complaint in New York federal court.

Jabbari filed her lawsuit in March. The complaint had also accused Majors of intentional infliction of emotional distress and malicious prosecution. Jabbari’s lawsuit was a result of Majors’ alleged “pattern of pervasive domestic abuse that began in 2021 and extended through 2023,” legal documents said. The lawsuit echoed allegations that were central to the “Ant-Man & the Wasp: Quantumania” star’s domestic violence criminal case.

Majors was convicted last December of assault and harassment but also acquitted of an additional assault charge and aggravated harassment. Moments after the verdict, Marvel swiftly fired the “Last Black Man in San Francisco” breakout — another major blow to his professional career.

Majors’ then-attorney Priya Chaudhry, in response to Jabbari’s civil suit, told The Times in March that the complaint came as “no surprise.” In April, a New York judge decided that Majors would not serve jail time and ordered the actor to complete a 52-week in-person batterer’s intervention program and continue with his mental health therapy.

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Jabbari’s attorney Brittany Howard on Friday praised her client for her “tremendous courage,” adding in a statement to The Times that the case “has been favorably settled.”

“We hope that [Jabbari] can finally put this chapter behind her and move forward with her head held high,” Howard added.

A legal representative for Majors did not immediately respond to The Times’ request for comment.

Since his sentencing, Majors has kept a relatively low public profile — weighing in on Marvel’s newest chapter in brief paparazzi exchanges and occasionally appearing alongside actor Meagan Good at Hollywood events.

Days before agreeing with Jabbari to dismiss her civil case, Majors and Good revealed they are engaged. They announced their betrothal Sunday at Ebony’s Power 100 Gala. “We met here two years ago,” Majors told E! News.

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Good, the “Divorce in the Black” star who accompanied Majors during his New York trial last year, said he made two proposals and she was “very shocked and it was wonderful.”

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Wicked movie review: Cynthia Erivo and Ariana Grande waltz into our hearts in this gravity-defying extravaganza 

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Wicked movie review: Cynthia Erivo and Ariana Grande waltz into our hearts in this gravity-defying extravaganza 

Cynthia Erivo, left, and Ariana Grande in a scene from the film ‘Wicked’
| Photo Credit: UNIVERSAL PICTURES

She did not eat grass as a child nor is she seasick, insists the green-skinned Elphaba (Cynthia Erivo) in Wicked, the movie adaptation of the Broadway musical which in turn was inspired by Gregory Maguire’s 1995 novel, ‘Wicked: The Life and Times of the Wicked Witch of the West’.

After Maleficent, which looked at the Sleeping Beauty story from the antagonist’s point of view, here is another revisionist look at the famous wicked witch from the other side of L. Frank Baum’s 1900 novel ‘The Wonderful Wizard of Oz’.

For those who came in late (like in all those Phantom comics), director Jon M. Chu (Crazy Rich Asians) provides a précis of events where Dorothy liquefied the Wicked Witch of the West and went home to Kansas down the Yellow Brick Road with her dog Toto, The Cowardly Lion, The Tin Man and The Scarecrow. As the people of Oz celebrate the death of the Wicked Witch, the Good Witch, Glinda (Ariana Grande), joins in.

When one of the good people of Oz asks her about the Wicked Witch, Glinda admits to knowing her and it is time for a flashback. Elphaba was the daughter of the Governor of Munchkinland, Thropp (Andy Nyman). The colour of her skin, thanks to her naughty mum (Courtney-Mae Briggs), meant Elphaba was always rejected and made fun of by those around her.

Wicked 

Director: Jon M. Chu

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Cast: Cynthia Erivo, Ariana Grande, Jonathan Bailey, Peter Dinklage, Michelle Yeoh, Jeff Goldblum

Runtime: 160 minutes

Storyline: The story of how a misunderstood little green girl became the all-powerful Wicked Witch of the West

She feels responsible for her paraplegic younger sister, Nessarose’s (Marissa Bode) condition too. When she comes with her father to drop Nessarose at the stately Shiz University in Oz, her father insists she stay to see Nessarose is properly settled in. The Dean of Sorcery, Madame Morrible (Michelle Yeoh), sees Elphaba’s power and proposes to teach her to control her magic. Glinda or Galinda as she is known then, is pretty, pink and popular. While she wants to study sorcery under Madame Morrible, she is not prepared to have Elphaba as a roommate as suggested by Morrible.

Despite the initial hiccups, the two very different girls become friends, bonding over a wild party at the Ozdust Ballroom. Elphaba is sensitive to the undercurrents at Oz including the fact that animals are being excluded and losing their voice as the history professor, a goat named Doctor Dillamond (Peter Dinklage) reveals. The campus is in a tizzy when the handsome and determinedly shallow Winkie prince, Fiyero Tigelaar (Jonathan Bailey) joins Shiz. Though Elphaba dreams of meeting and impressing The Wonderful Wizard of Oz (Jeff Goldblum), so that she can ask him to change her skin colour when she finally does meet him, that is not what she asks for.

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Cynthia Erivo, left, and Ariana Grande in a scene from the film ‘Wicked’

Cynthia Erivo, left, and Ariana Grande in a scene from the film ‘Wicked’
| Photo Credit:
GILES KEYTE

Wicked works wonderfully well on so many levels. It is a study of what makes people do the things they do, or think the way they do. It is a look at what is considered normal and what creates a villain, all the while celebrating the joys and tears of being different.

Wicked is a musical, with gloriously choreographed songs and an action film with breathtaking stunts. The sets, physical and CGI, are eye-popping, especially the library with its books (rare and medium rare as Glinda helpfully points out) stacked in gigantic wheels — wish Fiyero did not step on books though. The girls’ room, the Ozdust Ballroom, the Emerald City, the weird and wonderful train that takes Glinda and Elphaba to Emerald City, and many more, are all glorious sonnets to the imagination.

Erivo and Grande own their roles, singing, dancing and dueling with gusto while Bailey is delightful as the callow, charming Prince. Yeoh is grandly inscrutable and there is special joy in watching Goldblum do a jig. The 160 minutes of Wicked slip by in a Technicolor flash and the fact that there is Part II, coming out in 2025 puts a jolly song in one’s heart.

Wicked is currently running in theatres

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