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We needed comic relief in 2024. Here are 5 stand-up specials where we found it

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We needed comic relief in 2024. Here are 5 stand-up specials where we found it

Hasan Minhaj’s Off With His Head, Hannah Einbinder’s Everything Must Go, and Ronny Chieng’s Love to Hate It were some of the specials that cracked us up this year.

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“In some ways, stand-up comedy is like a documentary of your own life,” explains Mike Birbiglia in his recent special Good One: A Show About Jokes. By that measure, there were some really good – and funny – documentaries this year.

Hasan Minhaj shared hilarious conversations with his immigrant dad. Tom Papa enjoyed the freedom of being an empty nester. Fortune Feimster got huge laughs as she mimed a fight with her wife while stuck in a train’s quiet car, and Ali Wong detailed her sexual escapades as a newly divorced woman.

Here are some of our favorite stand-up specials from 2024: 

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Ronny Chieng: Love to Hate It (Netflix)

Ronny Chieng: Love To Hate It

Ronny Chieng: Love To Hate It

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In his new special, Ronny Chieng agrees with some of his MAGA friends that America’s not doing great right now. “Our kids’ math scores are down. Our children’s science scores are down,” he laments. Underlying Chieng’s jokes are some unflattering truths. When his MAGA friends tell him they would “die for their country,” Chieng’s reply is, “Why aren’t you willing to learn math, also for your country? … We’re losing the engineering jobs to Asia.”

He says he’s constantly trying to get his mom off social media. “Baby boomers don’t have the antibodies to deal with the Internet,” he exclaims, “They can’t remember a single password … but for some reason can make any piece of misinformation go viral.” Fortunately, Chieng is charming enough to make looking in the mirror funny.

Hasan Minhaj: Off With His Head (Netflix)

Hasan Minhaj: Off With His Head

Hasan Minhaj: Off With His Head

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Hasan Minhaj says his “white, NPR tote bag friends” can’t understand why so many Mexicans voted Republican when President-elect Donald Trump once called them “rapists.”

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“I’m like, ‘Chelsea,’” Minhaj instructs in his special, “‘Do you know what I would let a politician call me if I could pay 0% income tax?’”

Like Chieng, Minhaj isn’t just telling jokes, funny as they are. He’s commenting on bigger issues like generational trauma and cultural differences. “White people: you’re not even the best at racism,” he quips before talking about how some South Asians discriminate against each other.

As much as he teases others, Minhaj self-mocks plenty. “Insufferable,” he says of the time he corrected Ellen DeGeneres’ pronunciation of his name.

Hannah Einbinder: Everything Must Go  (Max)

Hannah Einbinder: Everything Must Go

Hannah Einbinder: Everything Must Go

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“Humanity is a toxic, abusive husband,” says Hannah Einbinder, pausing between almost every word, “And climate change is just planet Earth recognizing her worth and filing for a divorce.” She then proceeds to impersonate the earth, sun and moon, commenting on the state of affairs.

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It takes years of practice to perfect a full hour of stand-up. Einbinder’s drawn out pacing in her first full-length special might be off-putting for some, but I found it refreshing.

Einbinder’s mood swings from seductive to cartoonish to professorial. She tells delightfully wicked stories about her teen years as a friendless stoner and a competitive cheerleader. She describes herself as “feral” when she’s on her period. To prove it, she drops to the ground on all fours, slinks around and hisses, doing what she calls “my Benedict Cumberbatch doing motion capture for The Hobbit.” That moment alone is worth the price of admission.

Mike Birbiglia in Good One: A Show About Jokes  (Peacock)

Mike Birbiglia in Good One: A Show About Jokes

Mike Birbiglia in Good One: A Show About Jokes

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“Origin Stories,” “Workshopping” and “Finding Your Voice” are names of some of the chapters in Mike Birbiglia’s latest special. Equal parts autobiography and stand-up deep dive, we find out he was raised hearing his dad insist, “Don’t tell anyone” about personal stories. Birbiglia’s made a successful career doing exactly that. We learn about him getting bullied as a kid (“Running away works,” he jokes), his methodical approach to his sets (“So many different index cards,” marvels Seth Meyers) and watch how, with a little tweaking, a one-liner goes from just ok to a winner. True students of the art form soak up wisdom from their elders.

Early in his career, Birbiglia told a joke about Oprah when he opened for George Lopez. Afterward, he asked the veteran comedian for advice. Lopez told him, “You should make fun of yourself before you make fun of other people.” That is good advice for just about anyone.

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Michelle Buteau: A Buteau-ful Mind at Radio City Music Hall (premieres Dec. 31 on Netflix)

Michelle Buteau: A Buteau-ful Mind at Radio City Music Hall

Michelle Buteau: A Buteau-ful Mind at Radio City Music Hall

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Michelle Buteau is like the smart, fun, unfiltered friend who’s got your back. Her descriptions of the people in her life are hilariously specific, like her “sassy” five-year-old daughter: “Hazel has the energy of a 53-year-old Black woman that works at the DMV,” Buteau declares, “She walks up on the playground and she’s like, ‘Is this what y’all meant to do?’”

Buteau admits to feeling “rundown” as a working mother of twins, “like the door at the end of the movie Titanic. Just like less buoyant, and everyone’s climbing on. My whole family’s trying to take a seat and my whistle won’t work.”

Her stories of “vibing” with a lizard at a reptile sanctuary and being high on edibles at a Knicks game are comedy jewels. Buteau says she wants to make “millions of dollars” doing comedy that makes people feel “safe, seen, secure, heard and entertained” and asks the audience to let Dave Chappelle know he should do the same.

And before we go …

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A few more notable 2024 moments in the world of stand-up: The documentary Outstanding: A Comedy Revolution explored the history of LGBTQ comedy, Jamie Foxx went back to his stand-up roots to talk about the stroke that landed him in the hospital, Kevin Hart took home his Mark Twain Prize, and Nikki Glaser crushed it at The Roast of Tom Brady.

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‘The Invite’ is a marriage comedy with sex and heart

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‘The Invite’ is a marriage comedy with sex and heart
What happens when a simple dinner party goes off the rails? That’s the premise of The Invite, a very good new comedy directed by Olivia Wilde. Wilde also stars alongside Seth Rogen as a couple who invite their neighbors over for a meal, played by Penelope Cruz and Edward Norton. And it’s a heck of a dinner party, full of frank talk about sex and its complications.If you like slightly absurd relationship comedies, check out these episodes:’Mr. & Mrs. Smith’ is a stylish take on spy marriageIn Tina Fey’s ‘The Four Seasons,’ marriage is far from a vacationConnect with Pop Culture Happy Hour:Letterboxd / FacebookOur weekly newsletterSupport Pop Culture Happy Hour+
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L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?

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L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?

I met Dan on Hinge.

He lives in Woodland Hills, and I live in Venice. In Los Angeles, this is considered a long-distance relationship. In another city it might be nothing. Here, it’s a factor.

But I believe that with the right person, you can make anything work, so I stay open. I’m a native New Yorker, and if I were living in Brooklyn and a guy lived on the Upper West Side, that would be a 45-minute subway ride, which is truly nothing in New York. So with that same logic, I try to have flexibility with men in L.A.

When we started planning our first date, Dan suggested three options: a hike on mushrooms, a wine tasting or a walk on the beach.

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A hike on mushrooms is something I’d only do with someone I already trust, not someone I just met online. I don’t do first-date hikes because I don’t like feeling trapped if the guy’s a dud. So I chose the wine tasting.

Then I learned the wine tasting was in West Hills.

On a Friday night, driving there from Venice would be insane. So I said I didn’t want to meet there because of the traffic. He suggested Malibu. That was also not ideal on a Friday.

I was getting annoyed — this was a pink flag because in my dating world, the guy is supposed to come to the woman’s neighborhood in the early days. I’ve gone out with plenty of men from the Valley who effortlessly suggested they come to me. It’s not rare or impossible.

I suggested he come to the Westside. I didn’t specifically say Venice, and in hindsight, I probably should have. He landed on Brentwood, which was manageable for both of us. On our first date, we met at an Irish pub on Wilshire Boulevard. He was cuter and more interesting than I had expected, and with the Guinness flowing, we had fun.

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When I got home, he texted me: “Well, I like you 🙂 Less the tik tok and the lack of rock music in your life, but it’s not a deal breaker — there are other qualities 🙂 What are your thoughts?”

I noticed the slight negativity but was mostly dazzled that a man texted immediately after the date to say he liked me. In the modern dating economy, this felt rare.

The next day, both of our evening plans fell through, so we made a last-minute date. The wine tasting he originally suggested still sounded like fun, and although it meant me driving to the Valley, I was up for it now that we’d met.

We sipped flights at Malibu Wines & Beer Garden in its airy, romantic courtyard and played a flirty version of Truth or Dare. Halfway through, he dared me to kiss him.

We ended with sushi on Ventura Boulevard and a short make-out session in his car. He invited me to Thanksgiving at his uncle’s, which felt too soon, but also sweet.

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After the second date, he texted and said he had his kids that week and was also hosting an event on Thursday, so his only day to meet was Wednesday. I said great.

On Tuesday night, he checked if we were still on, and I said yes.

Then he texted: “I’m flexible on time but not on location. I have a big event on Thursday, hopefully you can come to me again.”

My stomach tightened. This again?

So I texted back: “I drove to you last time, which was a bit of an exception for me especially in the early days, but the wine tasting location sounded special. Usually guys come to my area. How about we switch it up this time?”

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He replied: “I appreciate the effort! Because of my event, I’d rather be close to a computer just if needed … Here is what i offer:
— I’ll come to your area anytime next week/end
— Lunch/dinner on me
I want to continue where we stopped last time 😉 No pressure of course, but let’s snuggle”

I responded: “Ok let’s meet next week. Snuggles sound nice … let’s see what happens …”

Then he wrote: “So I won’t see you tomorrow?”

I replied: “Unless you wanna come to me and bring your laptop along, let’s rain check until you have more flexibility.”

He said: “Dang, you are hard. I’ll let you know tomorrow around midday if it’s ok.”

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And then — surprise — he decided to come.

He drove to Venice for a 5 p.m. date. He said his ETA was 5 p.m., and it ended up being 5:25 p.m., typical 405 Freeway.

When he showed up, he was in a cranky mood. On our way to KazuNori in Marina del Rey, I thanked him for picking me up and told him I think it’s hot when the guy comes to the girl.

“You’re just saying that because you want me to come to you more,” he said, not playfully, but aggressively.

That was basically the end for me. But there I was, in his car, heading to dinner. So I stayed pleasant and tried to make the best of it.

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I shared that in the early stages of dating, I find it’s good etiquette for the guy to come to the woman’s neighborhood. He immediately disagreed and started ranting about how dating rules are ridiculous and how they swing in women’s favor. He resented paying for dates and declared he wasn’t looking to “sponsor a woman’s life.”

“If women want equality and equal rights,” he said, “then it should apply all across the board, including dating, and the man shouldn’t have to pay.”

I said women don’t actually have equal rights because we get paid less than men and often receive lower salaries than men in the same position.

I tried to change the subject and reset the mood, but he insisted we keep hashing it out.

I tried to explain masculine/feminine dynamics: providing and protecting, giving and receiving.

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“What does the man get out of this arrangement?” he asked.

It was like watching someone’s personality warp into Mr. Hyde. Then he brought up another point: He’s a single dad of two kids, so he gets tired; and because I don’t have kids, that should factor into who drives where.

At this point, I was barely engaging and focused on eating my hand rolls, and I couldn’t wait to get home.

The check came, and I happily split it, wanting nothing further from him.

In the car back to my place, he remarked: “It’s obvious we’re never gonna see each other again.”

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Obvious, but did it need to be stated?

Then he showed me a Spotify playlist he’d made for me of his favorite electronic music, because he knows I like EDM.

“Oh, that’s sweet,” I said.

“Yeah, that’s how I show interest. Through things like this, not who drives to who,” he replied.

When I got out of the car, we wished each other luck, and I headed inside and shut the door.

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Two hours later, he sent me the playlist. I’ve yet to listen to it.

It wasn’t the distance that ruined it. It was the resentment. I’m not looking for a man who feels burdened by the effort. I’m looking for a man who sees the value of courting a woman in the first place.

The author is a writer, comedian and former psychologist who lives in Venice. She is the creator of the new vertical series “Manfari.” She’s on Instagram: @solange_neue and @manfari.show.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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Smithsonian chief emphasizes ‘accuracy and integrity’ after White House report

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Smithsonian chief emphasizes ‘accuracy and integrity’ after White House report

Lonnie Bunch III is the 14th Secretary of the Smithsonian. He’s pictured above in September 2017.

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J. Scott Applewhite/AP

In a memo addressed to staffers sent Tuesday, the secretary of the Smithsonian, Lonnie G. Bunch III, defended the institution after the White House issued a 162-page report that characterizes the National Museum of American History as a place which has become “subject to institutional capture by a radical, activist ideology that is fundamentally opposed to telling the noble, honest story of the great country we know and love.”

In his email, which NPR has obtained, Bunch wrote in part: “While there will always be room for improvement, this report is not a fair characterization of the work and totality of the National Museum of American History. At the Smithsonian, our work is driven by scholarship, accuracy and an uncompromising commitment to tell the fullness of America’s story. As public servants and the keepers of this institution, we are charged with helping a nation find understanding, hope and clarity and as part of that duty, we are dedicated to excellence, reflection and growth.”

He continued: “We remain focused on what grounds us: a steadfast commitment to scholarship, nonpartisanship, independence, accuracy and integrity. For nearly 180 years, the Smithsonian has worked alongside partners across government — from the White House to Congress to our governing Board of Regents — guided by our enduring mission to increase and diffuse knowledge. That purpose remains: to pursue knowledge with rigor and to serve the American public with clarity and care.”

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The White House report was issued on July 4 by the Domestic Policy Council under the title “Saving America’s Story: How Ideological Capture at the Smithsonian Institution’s National Museum of American History Erases Our Heritage.”

The council faults the National Museum of American History on a multitude of fronts, saying it underemphasized the Founding Fathers and early colonial and Revolutionary history; was not sufficiently celebratory of the country’s 250th anniversary; and that it engaged in “anti-white,” “illegal alien” and transgender activism.

It also accuses the museum of trying to “indoctrinate” teachers and students through its exhibitions, programming and teaching resources.

In the report, the council also specifically criticizes museum director Anthea Hartig, who has led the National Museum of American History since 2019 and is concurrently the president of the Organization of American Historians, calling her “an activist advancing an ideological agenda contradictory to the museum’s founding purpose of fostering patriotism.”

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