Entertainment
Holland Taylor brings the late Texas Gov. Ann Richards’ story to the stage one last time
The identify could take a minute to position, however level out Holland Taylor to anybody with discernment and acclaim is bound to observe. Recently, there’s been loads of alternative to gush.
Taylor, who gained a 1999 Emmy Award for enjoying a sexually forthright decide on the ABC collection “The Follow,” has been thriving on this period of streaming tv. In simply the final yr, she has stolen scenes as an old-guard feminist English professor who refuses to go gently into pressured retirement on Netflix’s “The Chair” and because the community’s unflappable chairwoman of the board on the second season of Apple TV+’s “The Morning Present.”
A stage actress by temperament and coaching who discovered better alternatives in tv, Taylor is again within the theater lately, reprising her Tony-nominated efficiency because the late Texas governor Ann Richards. “Ann,” a one-person play she felt compelled to put in writing, has its official opening on the Pasadena Playhouse on March 26. This West Coast premiere is the final time Taylor plans to carry out the present.
Richards, a red-state Democrat with a folksy method and a prepared wisecrack, appeared made for tv, as anybody conversant in her political speeches or occasional sit-downs with talk-show host Larry King can attest. For a lot of, she was a voice of motive in a sea of partisan madness. Her fashionable crop of white hair introduced the arrival of humorous widespread sense, a valuable American useful resource that has been in restricted provide since her loss of life in 2006.
Talking on a rehearsal break within the Playhouse’s good-looking library, Taylor acknowledges that it’s time to listen to from Richards. Since “Ann” had its Broadway debut at Lincoln Heart’s Vivian Beaumont Theater in 2013, the world has seemingly gone to hell in a handbasket, struggling the twice-impeached presidency of Donald Trump, a lethal pandemic, an rebellion, and now a scorching battle in Europe.
Taylor is a stage actress by temperament and coaching who discovered better alternatives in tv.
(Mariah Tauger / Los Angeles Occasions)
It’s laborious to not marvel what Richards would have manufactured from this embarrassment of calamities or the current alarming developments in her house state of Texas below a governor who by no means met a wedge problem he didn’t need to electorally exploit.
“Ann was very reasonable,” Taylor says. “She was like a normal in the best way she took in actuality. I guarantee you she would have the ability to look coldly at every part that’s occurring and say the disintegration of this, that and the opposite factor in all probability introduced this about. Whereas I’m entering into mattress and pulling the covers over my head.”
It’s outstanding the best way Taylor drops into Richards’ central Texas accent when talking about her, as if she’s all of the sudden develop into possessed by the Lone Star icon. Taylor isn’t a mystical woo-woo kind however speaking about “Ann” brings out the latent Shirley MacLaine in her.
“I’m not superstitious,” she says. “And I’m not significantly religious both. Besides on this occasion, I believe I used to be drafted.”
Taylor seems vaguely heavenward as she says this. She has no different rationalization. She had by no means written a play earlier than, and he or she is aware of that she and Richards come from totally different worlds.
Born in Philadelphia and educated at Bennington School, Taylor has excelled at taking part in characters with a sure sandpapery sangfroid. However she shares Richards’ ardour for equality in addition to her indefatigable work ethic.
She did her homework. After years of intensive analysis, she instructed herself she’d higher begin writing or she wouldn’t be ambulatory when it got here time to carry out the play, which tells the story of Richards’ political rise whereas giving us a glimpse of the governor breathlessly at work to revive religion in democracy.
Earlier than starting rehearsal, Taylor takes a second to stretch.
(Mariah Tauger / Los Angeles Occasions)
A prop letter addressed to Gov. Ann Richards rests on a desk in a rehearsal room.
(Mariah Tauger / Los Angeles Occasions)
“As soon as I began creating the world, stuff would come to me that, I swear to God, I had a again channel,” she says. “I’m no Ann Richards, however I get her for some motive.”
Taylor remembers her one assembly with Richards vividly. “I had lunch together with her and [gossip columnist] Liz Smith, who was her nice previous pal from Texas. This was lengthy earlier than I used to be all for taking part in her. I used to be so excited after I met her, I hardly knew what to do with myself. We had been already on the desk at Le Cirque when she walked in with that shock of white hair. Heads snapped. She may as effectively have been Mick Jagger.”
When Richards died, Taylor was devastated. “She was younger, solely 73,” she says. “I simply thought she’d at all times be there, like that favourite aunt who provides you religion on this planet. It struck me after some time that what was occurring was unnatural, as a result of I didn’t actually know her. That’s when it got here to me that I needed to do one thing inventive, as a result of I used to be overwhelmed with a lot feeling. If I had been a non secular particular person, I completely would have mentioned that I used to be known as by the heavenly angels to do that. However not being spiritual, I can nonetheless say it. As a result of how did this occur? Individuals don’t determine they’re going to put in writing a play and analysis it for 3 years once they’re of their 60s.”
Nor do they usually choose to not renew their contract on a blockbuster sitcom in order that they’ll pursue a mission they’re unsure of realizing. Taylor was an everyday on “Two and a Half Males” when the will to put in writing “Ann” seized maintain of her.
“The present was a juggernaut hit,” she remembers. “By the sixth yr, when your contract ends, everyone assumes you’re going to remain. And I did keep, however solely as a visiting particular person. I used to be already centered on ‘Ann,’ which grew to become my be-all and end-all, so I didn’t reup.”
“As soon as I began creating the world, stuff would come to me that, I swear to God, I had a again channel,” Taylor says. “I’m no Ann Richards, however I get her for some motive.”
(Mariah Tauger / Los Angeles Occasions)
Taylor was pushed to honor “a public servant who was in it for all the suitable causes — to make folks’s lives higher.” However in creating the play, she additionally gave herself one thing lengthy overdue — a Broadway position commensurate together with her presents.
Singlehandedly delivering this tour de pressure takes each ounce of her power. After the New York run, Heart Theatre Group was , however Taylor mentioned she was too depleted to “stroll throughout to Starbucks, a lot much less to cross the stage of the Ahmanson.”
The theater was Taylor’s main focus when she moved to New York after school. “I had no ambition to do motion pictures,” she says. “I didn’t suppose I had the seems, however I wasn’t actually even considering of it. I learn theatrical biographies after I was younger, of Katharine Cornell and Eleonora Duse. I learn concerning the theater life and fell in love with its traditions, the backstage society, the going out afterwards to your favourite boîte for a drink.”
She was an skilled working actor earlier than she studied appearing in earnest with the one and solely Stella Adler, Marlon Brando’s trainer. “I used to be shocked, as a result of I took some courses at her studio and noticed that this lady actually had a way,” she says. “She additionally had a rare character, the sort of character that leaves such a dent on you. Once they say one thing, it’s eternally.”
It was Adler who inspired Taylor to take the position on the sitcom “Bosom Buddies” that modified the trajectory of her profession. “She instructed me that to be employed within the theater now — we’re speaking 1979, 1980 — it’s a must to have a nationwide identify,” Taylor recollects. “Individuals need TV names, and that I ought to take the job and get recognized.”
She quickly settled in L.A. till, earlier than she knew it, the town grew to become her house and TV her major line of labor. She has continued to do theater, however Hollywood has been a jealous taskmaster.
Director Benjamin Endsley Klein blocks a scene with Taylor throughout a rehearsal.
(Mariah Tauger / Los Angeles Occasions)
After receiving her microphone, Taylor takes a seat in preparation for the primary costume rehearsal.
(Mariah Tauger / Los Angeles Occasions)
A jobbing actor of essentially the most distinguished caliber, Taylor harks again to the modesty of her stage beginnings: “I didn’t have an enormous agent again in these days. I didn’t come out of Juilliard or Yale. I stumbled into New York with out understanding a soul, and with out having a dime. I inform a lie. I had $2,000. And I stumbled alongside with none steerage into this or that job.”
When Taylor gained her Emmy for enjoying Decide Roberta Kittleson on “The Follow” in 1999, she walked as much as the rostrum, lifted an eyebrow and, with an ironic wave of her hand, broke the viewers up with one phrase: “In a single day!” Her success, after all, has been something however.
Using excessive at 79, she’s lastly in a position to choose and select her tasks. “There’s a lot work occurring in tv that actors have an opportunity to be in primarily a repertory state of affairs, the place they’ll play three or 4 fairly totally different components in a single yr and actually construct one thing.”
She and her associate, Sarah Paulson, signify the very best at school of this new appearing period. Do they share commerce secrets and techniques at dinner or swap intelligence on Ryan Murphy tasks earlier than bedtime?
“We don’t discuss how we do what we do, however we’ll admire some explicit second in one another’s work that was unbelievably sensible or touching or distinctive,” she says. “I can let you know that she surpassed my highest expectation of her as Linda Tripp [in the FX series “Impeachment: American Crime Story”]. “I’m nonetheless staggered by that efficiency. Each second counted. There was not a second that wasn’t intentional, that wasn’t stuffed with artwork and poetry.”
Once I reward the flawlessness of her efficiency as Professor Joan Hambling on “The Chair,” Taylor beams with gratitude. “I really like after I get the prospect to play not a default Holland Taylor position,” she says. “I’ve been so usually forged as chilly, brainy, wealthy, imply, superior. To start with, I’m none of these issues. Nevertheless it’s simply so boring to at all times be forged that approach, so when somebody sees me one other approach I’m simply thrilled.”
Taylor’s microphone is put in inside her hair below a wig cap. A custom-made wig is then positioned atop her head.
(Mariah Tauger / Los Angeles Occasions)
“Ann” had its premiere in spring 2013.
(Mariah Tauger / Los Angeles Occasions)
Taylor discovered Joan, a Chaucer specialist who’s been combating in opposition to the patriarchy her complete profession, particularly exhilarating to play for her lack of self-importance: “She doesn’t contact comb to hair. She’s an previous woman who wears lipstick as a result of that’s the very last thing to go. It was so unimaginable to be on a tv present with a unadorned face. However holy God, after I noticed how I seemed!”
In particular person, Taylor’s wit and matter-of-fact intelligence radiate heat. She listens, one of many qualities that separates first-rate actors, even when she’s not on set.
Relearning the script for “Ann” has been a Herculean activity. This Pasadena Playhouse manufacturing was scheduled to happen in spring 2020. Taylor was memorizing the position when the COVID-19 pandemic pressured theaters to shut. She’s understandably nervous about performing onstage once more.
“I had held up Patti LuPone, who’s a pal,” she says. “She’s taking part in in ‘Firm’ now in New York. I went to the opening, and I assumed, ‘Patti’s staying secure.’ Then she bought COVID. I can not get it, as a result of nobody can go on for me. The theater would undergo. And but how can I essentially save myself from it, if she couldn’t? It appears like a roll of the cube.”
Bringing again Ann Richards is well worth the danger for her. “Up to now two years of this pandemic, I’ve thought what a picture she is for the assumption that there’s goodness in management,” she says. “Ann was of the standpoint that leaders will come. At any time when anybody complained concerning the terrible state of politics, she’d say, ‘Give up that whining. Any individual’s going to return, somebody who’s an actual chief.’”
Taylor, impressed from above, slides into Richards’ Texas drawl as if it had been the sound of hope itself.
Taylor seems at herself within the mirror of her dressing room earlier than a full costume rehearsal.
(Mariah Tauger / Los Angeles Occasions)
“Ann was of the standpoint that leaders will come,” Taylor says. “At any time when anybody complained concerning the terrible state of politics, she’d say, ‘Give up that whining. Any individual’s going to return, somebody who’s an actual chief.’”
(Mariah Tauger / Los Angeles Occasions)
‘Ann’
The place: Pasadena Playhouse, 39 S. El Molino Ave., Pasadena
When: 8 p.m. Wednesdays-Fridays, 2 and eight p.m. Saturdays, 2 p.m. Sundays. (Test for exceptions.) Ends April 24.
Tickets: $30 and up
Contact: (626) 356-7529 or pasadenaplayhouse.org
Operating time: 2 hours, 5 minutes (consists of one 15-minute intermission)
/cdn.vox-cdn.com/uploads/chorus_asset/file/24566698/Logitech_Lift_Mouse_for_Mac_Lifestyle_Press_Image.jpg "Logitech has ‘no plans’ for a subscription mouse")
What did American gymnasts Simone Biles and Suni Lee do first after leading Team USA to gold in the team all-around final? Discuss what TikTok sounds to use, naturally.
Biles, the eventual individual all-around winner, chose a crunching sound as she and her teammates mimed biting their gold medals in a TikTok video that has since amassed 120 million views. Lee, the Tokyo Olympics all-around winner, chose to lip dub Kanye “Ye” West’s “I guess we’ll never know” Grammys speech, drawing 43 million views.
The pair’s social media usage mirrors the larger trend of Olympic athletes meme-ing and becoming memes themselves. Compared to the quieter 2020 Tokyo Games, postponed due to COVID-19 and the least-watched Olympics ever for NBC, this iteration has no shortage of viral moments.
Here are some of the most popular Paris Olympics memes.
The muffin man
Olympians have turned to social media to share their experiences from the Olympic village — from the cardboard beds to the dining hall food. One athlete took the internet by storm with his love of one specific food item: the dining hall’s chocolate muffins.
Now nicknamed the “muffin man” by social media users, Henrik Christiansen is beloved online. The Norwegian swimmer, who has more than 400,000 TikTok followers, went viral for his love of the chocolate pastry. He has posted multiple videos about the baked good to popular sounds with captions that include “when bae is looking like a snack” and “muffin reigns supreme.”
“The way I saw the muffin and knew whose account I just scrolled onto,” a TikTok user commented.
Chef Gordon Ramsay even joined in on the fun, commenting, “I think I need to try one now…”
Christiansen has inspired his fellow Olympians, including American sprinter Gabby Thomas and swimmer Abbey Weitzeil, to review the muffin.
Pommel horse guy
At the Paris Olympics, the U.S. men’s gymnastics team broke a 16-year dry spell and earned bronze, thanks in part to pommel horse specialist Stephen Nedoroscik.
The glasses-wearing, Rubik’s Cube-solving gymnast spent almost 2½ on the bench waiting for his turn on the pommel horse. The NBC broadcast even included a countdown clock to his routine. During the hours of waiting, Nedoroscik won over the internet.
After the routine, social media conversation exploded and the gymnast was dubbed “Clark Kent” for his superheroic athletic abilities and calm demeanor.
“Obsessed with this guy on the US men’s gymnastics team who’s only job is pommel horse, so he just sits there until he’s activated like a sleeper agent, whips off his glasses like Clark Kent and does a pommel horse routine that helps deliver the team its first medal in 16 years,” one X user wrote.
One gym owner even told the Washington Post that Nedoroscik has increased boys’ interest in gymnastics. Nedoroscik also took home the bronze in the individual pommel horse event. No other male American gymnast earned an individual medal.
Turkey’s shooter
While most Olympic sharpshooters use futuristic-looking goggles and ear coverings, one shooter didn’t need any gear to get the job done.
The 51-year-old Turkish shooter Yusuf Dikeç rocked a regular pair of eyeglasses and a hand in his pocket. Dikeç stood out next to the decked-out athletes from competing nations. Nonchalant as can be, he ended up nabbing silver in the mixed team 10-meter air pistol event, earning the country its first-ever medal in shooting.
Since then, internet users have used juxtaposing images of Dikeç next to his competitors.
One X user captioned a split photo of Dikeç and a South Korean shooter wearing specialized lenses with, “Girls packing for a trip vs guys packing for a trip.”
Others have turned the moment into a generation meme, with the shooters with fancy gadgets representing Generation Z and the relaxed Turkish shooter embodying Generation X.
After Swedish pole vaulter Armand Duplantis won the event, he copied Dikeç’s memed pose in celebration.
The bulge that cost a medal
While Sweden’s Armand Duplantis clinched gold in the pole vault, France’s Anthony Ammirati was left medal-less after his crotch caught on the crossbar.
Of course, social media immediately went to work discussing and meme-ing the situation.
“A french pole vaulter knocked the crossbar off with his pole…whoops,” one X user quipped.
Many described it as the best way to lose.
“Some consolation prize having your weapon cause you to lose the pole vault. Like a platinum medal, that,” an X user wrote.
The loss of the medal opened up new opportunities for Ammirati. Adult entertainment company CamSoda offered the athlete $250,000 for a 60-minute show.
Bob the cap catcher
When a swimmer’s cap fell into the pool, Paris sent a Speedo-clad worker to collect the headpiece. Viewers immediately grew obsessed with “Bob the cap catcher.” Many tweets refer to Bob as a “legend.”
“Ok maybe i do have a dream job,” one user wrote.
“My man Bob the Cap Catcher is the GOAT and I will die on this hill,” another declared.
Bob even gained a fan in Snoop Dogg. “That’s my guy,” the rapper, a special correspondent for NBC, said during the network’s broadcast.
‘Unfortunately, I was not chosen’
The memes don’t end with the Olympians. Athletes are revisiting their biggest fails on social media.
Along with some variation of the caption “Unfortunately, I was not chosen for the team,” users can be seen falling off diving boards or flying off the uneven bars.
Lee got in on the action, parodying the popular videos.
“Unfortunately i was selected for the olympics,” she wrote below a video of her balance beam fall on Monday.
Lady Parmesan
Olympic athletes can earn a lot of sponsorships. They often go the classic route: modeling sportswear brands. Italian gymnast Giorgia Villa had a more unconventional approach: eating cheese.
Villa, a part of the women’s team that took home silver, had an old sponsorship deal with Parmesan cheese maker Parmigiano Reggiano.
“I need the people to know that olympic silver medalist giorgia villa is sponsored by parmesan cheese and regularly posts pics of herself with giant wheels of cheese,” one X user posted alongside pictures of the athlete with wheels of cheese.
“It hurts to see people living your dream (being sponsored by parmesan cheese) (not an olympic silver medal),” another user responded.
By revealing the killer’s identity early, TRAP turns upside down Shyamalan’s usual formula of waiting until the end to deliver a big twist. This change enables the knife-sharp script to dish out a treasure trove of surprises the rest of the way, especially in the third act. Josh Hartnett delivers a knockout performance in the lead role. TRAP has only a few strong obscenities and profanities. Also, much of the violence is implied and offscreen. However, the scary ending alternates between some nice moral resolutions and a surprisingly dark, disappointing final twist.
Dominant Worldview and Other Worldview Content/Elements:
Mixed pagan, moral worldview as police and others heroically try to stop a serial killer and there is a beautifully done moment of redemption for a side character, but the movie also has a surprisingly dark twist that shows bad forces winning at another moment;
Foul Language:
Five obscenities (including one “f” word), one GD profanity, 18 light profanities (mostly OMGs);
Violence:
A man trips a drunk woman so that she falls hard down some concrete steps, a man is seen in scary peril several times, and a man is tasered in a long and intense scene, but most of the other violence is just discussed or unseen.
Sex:
No sex;
Nudity:
A man is shirtless in one scene in a non-sexual context;
Alcohol Use:
Woman is briefly shown stumbling drunkenly;
Smoking and/or Drug Use and Abuse:
No smoking or drugs; and,
Miscellaneous Immorality:
A man uses deception and threats throughout the movie and has been living a double life as a serial killer while lying to his wife and children for many years.
TRAP is the latest thriller with a twist from writer-director M. Night Shyamalan (THE SIXTH SENSE, SIGNS). It centers on a seemingly nice and perfect suburban dad named Cooper (Josh Hartnett), who takes his tween daughter Riley (Ariel Donoghue) to see her favorite pop singer, Lady Raven (Saleka Shyamalan) in concert. Cooper discovers the arena is swarming with police and FBI agents who have locked the concert down as a trap to catch a brutal serial killer called “The Butcher.”
The movie breaks the usual Shyamalan formula by not just having a huge twist near the end, but actually giving away a big surprise just 15 minutes into the movie. That’s when Cooper goes into a bathroom stall and looks intensely at a livestreamed video of a young man named Spencer, who’s chained up in a basement and screaming for help.
Cooper doesn’t offer help, because the movie reveals he’s actually the Butcher. So now viewers are taken along for a nail-biting ride, as Cooper tries to figure out how to outwit the cops and federal agents in numerous clever ways to try to make it out of the concert without being caught.
You may think that that’s the entire point of the rest of the movie, but it’s just the starting point for an incredible amount of twists that take the movie in new directions seemingly every few minutes, leaving viewers rattled as their expectations are upended over and over. Rather than having just one big twist, TRAP has at least a dozen of them. Some of these twists might seem far-fetched as they happen to some viewers. However, some stunning revelations and twists in the third act make everything come together.
Josh Hartnett had a few shots at stardom in the early 2000s that never quite took off at that time. He’s largely been off the radar for well over a decade. Here, however, he makes a tremendous comeback with what might be the best role of his career, as he perfectly crosses the lines between sweet family man and psychopath with ease. His too-large grin and gee-whiz attitude in his moments of trying to appear like an innocent, average dad bring some clever dark humor to the story.
Saleka Shyamalan is the filmmaker’s daughter and portrays the pop singer, Lady Raven. This might seem like an obvious nepotistic showcase, but she delivers a surprisingly strong acting turn. As her character’s drawn into the action in the third act, the young actress gives a smart and compassionate performance that helps keep the movie running strong.
Also, the movie’s pop songs fit the musical genre well. They sound like they could actually play on the radio alongside Taylor Swift. This helps give the movie some extra plausibility that was sorely lacking in the laughably bad songs in Harry Connick, Jr’s current movie FIND ME FALLING on Netflix. That said, the movie’s weak spots lie in two slow segments that drag out concert scenes unnecessarily for five minutes apiece. Despite these annoying scenes, the intensity of the main story overcomes this problem.
TRAP should be commended for having a minimal amount of obscenities. However, it does have one “f” word, a strong profanity and a bunch of light profanities. The movie is incredibly intense the further it delves into the serial killer’s battle against the police. However, much of the violence is implied and unseen. This is a truly impressive feat for a movie that’s sometimes full-on frightening.
TRAP has no sexual content or explicit nudity. However, it has a mixed worldview. Without giving anything away, the movie alternates between some nice moral resolutions and a surprisingly dark final twist. The mixed ending in TRAP makes the movie slightly excessive.
Entertainment
'David Makes Man' and 'Billions' actor Akili McDowell arrested, charged with murder, theft
Actor Akili McDowell, a TV actor whose credits include series “David Makes Man” and “Billions,” is behind bars for his alleged killing of a 20-year-old man in Houston.
McDowell, 21, was charged with murder and theft and arrested last week, according to the Harris County jail database. Houston officials allege that McDowell is responsible for the death of Cesar Peralta in a July shooting.
“This is an unfortunate situation and I am in prayer for Akili and those impacted by this tragedy. I respectfully have no comment at this time,” Jonell White, McDowell’s manager, said in a statement shared with The Times.
The Harris County Sheriff’s Office said deputies responded July 20 to an incident in the parking lot of an apartment complex at 13503 North Thorntree in northeast Houston. Police said in a statement that a man, later identified as Peralta, suffered gunshot wounds in the incident and was pronounced dead at the scene. McDowell allegedly fled the site of the shooting, police said.
McDowell was booked Aug. 1 and remained in jail Monday on $400,000 bond for the murder charge and $210 for the theft charge. He is due to appear in court Tuesday.
The investigation into McDowell’s alleged killing of Peralta is ongoing, police said.
McDowell’s TV credits also include “The Astronaut Wives Club,” “Chase the Lion” and “I Am Athlete.” He has also starred in films including “The Waterboyz” and “Criminal Activities.”
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