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Hammer Museum pays tribute to departing director Ann Philbin at star-packed gala

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Hammer Museum pays tribute to departing director Ann Philbin at star-packed gala

Hammer Director Ann Philbin was given the celebrity treatment at the museum’s star-packed gala Saturday night as a host of arts and culture luminaries, including Jodie Foster, Mark Bradford, Hilton Als, k.d. lang, Lari Pittman and Will Ferrell took to the stage during an elaborate sit-down dinner to sing her praises as she readies to retire after 25 years.

Guest speakers took on a tone of reverence as they paid tribute to Philbin’s many accomplishments, noting that she had emerged as a trailblazer, helping to transform the arts landscape in Los Angeles with her deep historical knowledge, her commitment to up-and-coming artists and her enthusiasm for a scene that in the last quarter-century has seen Los Angeles define itself as one of the world’s preeminent meccas of fine art.

Artist Bradford recalled meeting Philbin in 1999, a time when he didn’t know if he’d be able to scrape together a few dollars to pay the valet after attending parties she‘d invited him to. He remembered her as both bold and vulnerable — a woman who could persuade collectors to give her their finest pieces while at the same time worrying about whether or not her haircut was up to par.

Als launched into a tender speech, delivered like a poem, beginning with, “I’m very nervous because I really love Annie and I don’t want to mess up.”

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Multiple speakers noted that the museum, once called the Armand Hammer Museum, had morphed from a bland corporate organization into a vibrant cultural center under Philbin’s care. Halfway through the night, lang received a rousing standing ovation after singing a soulful rendition of Leonard Cohen’s “Hallelujah.”

The evening’s most raucous note came when comedian Ferrell made an unannounced cameo, striding up to the podium to declare that Philbin isn’t who she says she is, but rather a woman named “Tiffany Sullivan.”

“Let me tell you what the real Annie Philbin is like,” Ferrell said. “She was arrested twice at the Rose Bowl swap meet trying to sell Mark Bradford paintings. Often, she is seen walking around the museum with an empty martini glass in her hand, just licking works of art …. She once told Joni Mitchell that her music wasn’t good and that nothing good ever came from Canada.”

His jokes were followed by a slide show of Philbin accosting famous artists like David Hockney and Ellsworth Kelly in the Hammer men’s room.

“She is an H.R. nightmare,” Ferrell said, concluding, “Don’t be fooled by Annie. She’s never leaving this place. Just like Trump, she’s going to barricade herself inside her office and nationalize the National Guard.”

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By the time Philbin took the stage, she was almost too emotional to speak. “I am not a pretty crier,” she said. “I am really ugly when I cry.”

Later, when the chocolate dome cake and white wine signaled the meal’s end, and the DJ cranked the music, Philbin was once again all smiles — hugging Los Angeles County Museum of Art Director Michael Govan and greeting a seemingly endless array of well wishers.

Outside the event, about 20 UCLA faculty members protested, calling for amnesty to be granted to pro-Palestinian students arrested on campus recently. Speakers, including Foster and Philbin, acknowledged acknowledged the Gaza protests.

The evening also included a DJ set by D-Nice and an art component by Pae White. Other attendees included Alexandra Hedison, Viveca Paulin Ferrell, Keanu Reeves, Alexandra Grant, Jane Fonda, Owen Wilson, Ava DuVernay, Rufus Wainwright, Dana Delany, Joel McHale and Julian Morris.

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Movie Reviews

Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.

As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.

During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.

Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.

“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.

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“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”

As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.

Shigeru Miyamoto says he was surprised by Mario Galaxy Movie reviews.

While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.

The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.

Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.

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“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.

“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.

“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”