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Carlos Amezcua: Sam Rubin was a giant personality, and my friend

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Carlos Amezcua: Sam Rubin was a giant personality, and my friend

Sam Rubin, the KTLA entertainment journalist, died Friday at 64. Rubin became a fixture of Los Angeles television after joining the station in 1991 as a reporter on “KTLA Morning News.” He worked alongside Carlos Amezcua, a co-anchor of the innovative morning show. In his own words, Amezcua remembers his friend and longtime colleague.

Sam Rubin was the spark that ignited the success of “KTLA Morning News.” His passing leaves a huge void not only in our hearts but also in the Hollywood entertainment community.

He was loved and even revered in some circles. All who needed attention for their films, music, TV shows and comedy could count on Sam to be there for them. He had a giant personality with a soft touch and was equal parts mischievous and solid journalist.

He was all those things to those who watched and interacted with him, but to me, he was my friend Sammy. He really didn’t like to be called that any more than I liked him calling me Chuck, but such was our relationship. On the air, we carried on with laughter, sarcasm and wild-eyed enthusiasm. He knew what our audience wanted and delivered every single time — he never failed, not once.

When he came to us, Barbara Beck and I were told to go easy on this new guy they were bringing in. They wanted to try him out to be the Hollywood reporter. I don’t know what the bosses were afraid of, but we were welcoming and kind to this brash young man, full of bravado and quirky mannerisms. He sat down, delivered his stories and began to engage us in conversation, which surprised us. That was the beginning of the magic that Sam Rubin would bring to “KTLA Morning News.” I loved his wit, his smarts, his daring approach to entertainment coverage. He was not to be denied!

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A “KTLA Morning News” reunion for the 20th anniversary of the show. From left: Michelle Ruiz, Jennifer York, Mark Kriski, Barbara Beck, Sam Rubin, Carlos Amezcua and Eric Spillman.

(KTLA)

I began to learn what buttons to push and what would set him off. I challenged his movie reviews and caught him in a fib now and again. It was sport for Barbara, Mark Kriski and I, and we loved every minute of it. The show became a hybrid news and entertainment program, unlike anything Los Angeles or America had seen before.

What I often say about Sam is that he connected us to Los Angeles. He knew L.A. better than any of us. He knew the people, the showbiz players and he spoke their language. Sam and I had many spirited conversations about what he was doing, and I told him we would all back him up if the bosses ever got in his way. To their credit, the bosses never did, and our show became one of the most successful programs in L.A. history. For more than 30 years he gave it all he had. He was unwavering, cheerful, magnanimous and driven. At 64, he could outwork any reporter half his age.

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The last time we had drinks together, we were both a bit melancholy. Time had passed too quickly, and we talked about all the stuff we still wanted to do in our old age. He was excited about his family, especially his children, and we shared stories about our kids. He was a very loving man who made everyone around him better. He loved his entertainment team, who worked tirelessly to fulfill his creative and sometimes kooky ideas.

For me personally, I will always be grateful that he listened to my suggestion that we promote Latino talent. Sam invited a young George Lopez and a parade of Latino actors, writers and musicians who were not seen on any other morning show in the country. My Latino community loved him, and I respected his efforts and was grateful that he made all of that happen.

KTLA's Sam Rubin and Jessica Holmes, on a set with Countdown to the Emmys on a screen.

KTLA’s Sam Rubin and Jessica Holmes.

(Allen J. Schaben / Los Angeles Times)

The whole morning news team experience in those early years was like lightning in a bottle. The daily roll call, as the show started, declared who you would see on the show: “Carlos Amezcua, Barbara Beck, Mark Kriski — weather, Sam Rubin — entertainment, Eric Spillman, Michele Ruiz and Jennifer York in Skycam5!” What a lineup, what bravado! It took a large and dedicated team to make it all work, though Sam would sheepishly love to take most of the credit!

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There is no denying that he was the central catalyst that made “KTLA Morning News” the powerhouse that it continues to be today. His mark on the broadcast is undeniable and indisputable. He was an original, a genius, my colleague, but most of all, he was my dear friend. I’ll miss you, Sammy. Rest in peace. Love, Chuck.

Movie Reviews

Michael Jackson documentary set to release after massive re-write

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Michael Jackson documentary set to release after massive re-write
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‘Michael’ — a new movie about the King of Pop – is drumming up big buzz. The film was produced in-part by the co-executors of the late singer’s estate, and has some critics questioning whether it is too focused on sanitizing the singer’s troubled image.

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‘Clayface’ trailer teases DC Studios’ first proper horror movie

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‘Clayface’ trailer teases DC Studios’ first proper horror movie

The DC universe is going full on body horror.

DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.

Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.

The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.

According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”

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“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.

Who is Clayface?

Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”

Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.

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Other versions of Clayface have been introduced in various media since.

Who is in ‘Clayface’?

The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.

Who are the ‘Clayface’ filmmakers?

Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).

The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.

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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.

As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.

During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.

Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.

“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.

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“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”

As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.

Shigeru Miyamoto says he was surprised by Mario Galaxy Movie reviews.

While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.

The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.

Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.

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“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.

“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.

“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”