Culture
WNBA players say the troubling side of its rise is racism and threats
As the WNBA has reached wildly successful highs this season in viewership and attendance, players say the boom long coveted throughout women’s basketball has come with unfortunate consequences. During these playoffs, athletes who would normally be focused on winning have instead shared a swell of complaints of being targeted with racist, misogynistic, homophobic and threatening attacks.
The rise in harassment, players say, has taken a mental toll. Some question how the league has considered their well-being as it has managed an influx of attention that followed the college stardom of Caitlin Clark and Angel Reese into the pros.
A few players have made more drastic moves, deactivating some of their social media accounts or heavily limiting their engagement, despite the clear and often critical income potential that comes from marketing directly to fans.
Phoenix Mercury center Brittney Griner said fans have voiced racist taunts at her and others. Reese said AI-generated nude images of her have circulated online.
Connecticut Sun guard DiJonai Carrington shared on Instagram a graphic email sent to her with threats of violence and a racist slur, following a moment during the first game of the playoffs in which Carrington inadvertently poked one of Clark’s eyes. Carrington’s partner, NaLyssa Smith, who plays with Clark on the Indiana Fever, wrote on X that Carrington has even been followed.
Alyssa Thomas said she and her Sun teammates had faced the most intense racist bullying she has encountered in 11 WNBA seasons as they faced the Fever and ended Clark’s rookie season.
“With more exposure, we’re seeing more of those people come out and say their words online,” Sky forward Brianna Turner said. “They talk their talk, but I highly doubt they’re watching any games or any content. They’re just there to spread hate and be messy online when they couldn’t care less about what happens in the WNBA or about any players, either.”
Yall can clown me all you want im never gonna stop advocating for respecting players. Respectfully, feel free mute or block if that’s a trigger for you. Please protect your peace
— Brianna Turner (@_Breezy_Briii) September 22, 2024
The troubling messages have been at odds with the welcoming environment the league and its players — the majority of whom are Black and many in the LGBTQ+ community — sought to create over the past three decades. As it fought for financial stability and credibility with media and fans since its 1996 inception, the WNBA has increasingly considered itself a haven for inclusivity.
Some players say that environment has been stained by new factions of fans bringing toxicity to the sport, treating the WNBA and its players as fodder for culture-war arguments during a polarizing period in American society.
“I appreciate the new eyes,” Sky forward Isabelle Harrison said. “But if this comes with hate and bigotry and racism and even people who look like me bashing me, keep it offline because it’s so hurtful, and you don’t know how that affects people.”
That dimension has added a complexity to the developing play and rivalry of Clark, who is White, and Reese, who is Black. Clark won Rookie of the Year honors and guided the Fever to the playoffs. Reese’s season ended in early September with a wrist injury, but not until she had already set WNBA records for consecutive double-doubles and rebounds in a season.
Fever forward Aliyah Boston said some people are simply being opportunistic. “It’s easy to attach yourself to the Fever because we have a lot of attention around us right now, and it’s so easy to say, ‘Well, I’m a Fever fan, I’m an A.B. fan, I’m a Caitlin fan and just (spew) hate off of that — and that’s never OK,” she said.
Tension bubbled early this season as some fans and sports commentators accused veteran WNBA players of feeling jealous of Clark’s stardom and claimed she was being targeted in games. Even though that notion was widely dismissed by players, fouls on Clark quickly became hot topics to debate — with conversations devolving into personal insults or worse.
A Chicago Tribune op-ed likened a hard foul on Clark by Sky guard Chennedy Carter to “assault,” and an Indiana congressman wrote an open letter to the WNBA commissioner airing his grievances about the foul. Charles Barkley lambasted WNBA players for being “petty” and “jealous” of Clark’s popularity, while Sheryl Swoopes, on multiple occasions, seemed to downplay Clark’s accolades. ESPN personality Pat McAfee apologized for calling Clark a “White b—-” on his show during a segment in which he mused about her stardom and her race.
“It is discouraging that we’re losing the conversation around the skill of these players and it’s being overshadowed by the politicized nature of their presence,” said Ajhanai Keaton, an assistant professor of sports management at UMass Amherst.
The scrutiny of Clark throughout the season frequently went beyond her play and her comments about games.
Her social media presence is mostly limited to retweets of Iowa and Fever posts, with some sharing of content from her commercial sponsors. She recently created a buzz by liking a Taylor Swift Instagram post that endorsed Kamala Harris for president, although Clark did not formally endorse Harris herself and simply encouraged voting in the November presidential election when asked to explain her action.
She denounced the use of her name to push divisive agendas online, calling it “disappointing” and “unacceptable.” “Those aren’t fans,” she said Friday. “Those are trolls, and it’s a real disservice to the people in our league, the organization, the WNBA.”
Still, much of the conversation carries on regardless of her participation.
“She’s trying to get her bearings and develop her game and take her game to the next level and be on this bigger stage,” New York Liberty forward Jonquel Jones said earlier this season. “And she’s really handling it well. It’s the fan base that’s going crazy and making it a race war and all this other stuff.”
The league released a statement last week condemning online harassment of players. But commissioner Cathy Engelbert previously faced criticism, including from the players association, for lauding the league’s rivalries when asked in a CNBC interview about “menacing” comments players receive.
“The league should have taken a stance a long time ago, and not waited for it to get this kind of deep, and this far on what’s tolerated and what’s not,” Liberty guard Sabrina Ionescu said.
Sun guard DiJonai Carrington said she’s been targeted with threatening messages this season. (Elsa / Getty)
Las Vegas Aces guard Chelsea Gray, when asked how the league could have protected players throughout the season, said: “Probably make a statement earlier than what they did.”
The WNBA’s recent statement mentioned involving law enforcement when necessary to protect players. The league monitors online threats and works with teams and arenas on safety issues, and with local law enforcement, when necessary. It employs security in each market to help players. All 12 teams also have dedicated security who travel with them to games.
The Chicago Sky introduced a partnership this season with an app company that uses AI to shield players from directly seeing negative posts about them on their phones. Before the start of the season, the WNBA provided information and resources to players about mental health as part of a routine annual meeting.
Liberty forward Breanna Stewart, who said she has reported some messages to team officials, wants the league to host more sessions focused on dealing with internet harassment. “There could be probably more training,” she said. “What should you do if you get those messages?”
Some players said they have removed social media apps — especially X — to avoid attacks, but that can come at a cost. Endorsement deals often hinge on engagement with fans online. A robust following on social media can become a key source of income. That’s especially important in a league with a mean player salary of about $110,000 this season, according to HerHoopStats — a figure well below what most male professional athletes make in top North American leagues.
Sparks guard Zia Cooke said she deactivated her X account earlier this season to avoid negative comments but remained on TikTok and Instagram because of potential additional earnings. “If it were really up to me, I would deactivate all of my accounts just because I’m trying to stay mentally locked in as far as basketball and finding my way in this game,” she said.
Boston said she deleted some of her social media accounts to avoid vitriolic criticism as the Fever got off to a 1-8 start this season.
The spread of legalized sports betting in the United States has also become a prompt for fans sending angry messages to WNBA players. Dream wing Rhyne Howard said she has received threatening messages about her “messing up random parlays” after poor performances, a complaint similarly heard in men’s leagues.
But often, WNBA players said, attacks against them feel much more personal, focused on their racial and sexual identities rather than their basketball abilities.
“Our world is so polarized based on race,” said professor Ketra Armstrong, the University of Michigan’s director of the Center for Race and Ethnicity in Sport. “When people talk about race, oftentimes it privileges whiteness, and when they talk about gender, it privileges maleness. This is not unique to sport, this is not unique to Caitlin Clark. It’s the way of the world and it’s been that way in every domain, be it in politics, be it in business, be it in social movements and civil rights.”
Reese, who has more than 4 million followers on Instagram and more than 600,000 on X, has kept a steady stream of engagement even as she has been frequently criticized. She said she occasionally needs to take breaks from social media to avoid vitriol and that she leans on robust support from people around her.
“We’re still human,” Reese said, adding: “Sometimes we do have to take some time away.”
— The Athletic’s Grace Raynor and Sabreena Merchant contributed to this report.
(Illustration: Dan Goldfarb / The Athletic; Photo: iStock)
Culture
Book Review: ‘When the Forest Breathes,’ by Suzanne Simard
WHEN THE FOREST BREATHES: Renewal and Resilience in the Natural World, by Suzanne Simard
It’s the summer of 2023 and the Canadian forest ecologist Suzanne Simard is sitting tucked in the knobby embrace of an Amazonian tree trunk, imagining that she too is a tree as she “reached out with leaves unfurling to greet the sun.” She can feel the rat-a-tat of woodpeckers on her bark, the stretch of her roots in the soil below. She draws strength from a sense of family: “The trees were in my blood. They were my kin.”
But in Simard’s new book, “When the Forest Breathes,” trees are not just supportive relatives. They are teachers and healers, capable of communication and perception, a woodland congregation in which young trees grow “in halos” around their elders. Back in Canada, she describes a forest visit that further amplifies that sense of magic, a moment in which she stands beneath aged cedars, “the supernatural trees, the grandmothers,” listening as they whisper wisdom on the breeze.
All of which brings a heady, inspirational quality to her writing as she urges readers to hear the forest as she does. “Nature is waiting for us to listen,” she writes, “and to learn.” The siren quality of her message is almost tangible, as is the allure of gaining knowledge from the Zen master inhabitants of the ancient forests.
And yet. I find myself considering the message in my annoyingly cautious, science-writerly way. Would I find it inspiring to be pecked by a woodpecker? Probably not. Have I ever thought of myself as a tree? Probably never. Is this the measured language we hear from most scientists? Not even close. Simard emphasizes this point in the book: her growing sense of alienation from the methodologies of Western science, its tendency to obsess over small details and, as she sees it, miss the forest for the trees. “I found myself longing to push back against these rigid boundaries,” she writes, and to find “other ways of seeing and knowing the natural world.”
This longing derives in part from her collaborations with Indigenous scientists on Canadian forest management, which led her to deeply admire their more holistic approach to nature. She cites studies showing that “Indigenous-held land,” including forests, “contained some of the most biodiverse and carbon-rich ecosystems in the world.” Amid perilous global climate change, Simard is drawn to their loving attitude to nature as her “philosophical and spiritual home.”
Increasingly, she feels more anchored in their worldview than in that of her longtime research community. A professor of forest ecology at the University of British Columbia, Simard published her first semi-autobiographical book, “Finding the Mother Tree,” in 2021, and it became an international best seller. In it she wove her central theory about the forest — that trees “talk” to one another through an underground network of connective fungi, fostering an intergenerational system in which older trees protect and help the younger ones — with her own experience of grief and illness, emphasizing the parallels between the lives of trees and those of humans.
Despite the book’s rapturous public reception, the scientific community’s response was often unenthusiastic. Other biologists accused her of exaggerating the evidence for cooperation among organisms at the expense of “the important role of competition in forest dynamics.” They worried she was selling a forest story that might be only partly true. And they disliked her use of anthropomorphizing descriptors like “mother tree,” which suggested these organisms should be valued for their similarities to humans, instead of for their own remarkable biology.
Simard admits to having been hurt and frustrated by these accusations, to which she responded with a point-by-point rebuttal in a scientific journal. She returns to these grievances in the new book, where she expresses resentment for the demeaning accusation of anthropomorphism (“the mere utterance of the word” in Western science “suggests the scientist who makes this blasphemous mistake is not an objective observer, but rather impure, intuitive and subjective, perhaps lacking integrity”), and the resistance to her efforts to do justice to the inherent poetry of the forest.
This book is not, however, a rejection of the insights that good science — including Simard’s own — can bring. She provides examples of experiments showing how the heavy machinery used by loggers destroys the ability of the forest floor to sequester carbon; and how clear-cutting of old-growth forests can turn wooded lands into places that release carbon into the atmosphere rather than absorbing it.
Given the urgency of climate change, Simard’s dissatisfaction with the standard research model is in many ways a dissatisfaction with communication. If we are to protect our endangered forests, she argues, then science needs to be less timid in its messaging. She urges her colleagues to take a lesson from the First Nations people who fight for what they believe. To “stand tall in the wind,” as the Mother Trees do.
WHEN THE FOREST BREATHES: Renewal and Resilience in the Natural World | By Suzanne Simard | Knopf | 310 pp. | $30
Culture
Do You Recognize These Snappy Lines From Popular Crime Novels?
Welcome to Literary Quotable Quotes, a quiz that tests your recognition of classic lines. This week’s installment celebrates lines from popular crime novels. (As a hint, the correct books are all “firsts” in one category or another.) In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the novels if you’re intrigued and inspired to read more.
Culture
Xia De-hong, 94, Dies; Persecuted in China, She Starred in Daughter’s Memoir
Xia De-hong, who survived persecution and torture as an official in Mao Zedong’s China and was later the central figure in her daughter’s best-selling 1991 memoir, “Wild Swans: Three Daughters of China,” died on April 15 in Chengdu, China. She was 94.
Ms. Xia’s death, in a hospital, was confirmed by her daughter Jung Chang.
Ms. Chang’s memoir, which was banned in China, was a groundbreaking, intimate account of the country’s turbulent 20th century and the iron grip of Mao’s Communist Party, told through the lives of three generations of women: herself, her mother and her grandmother. An epic of imprisonment, suffering and family loyalty, it sold over 15 million copies in 40 languages.
The story of Ms. Chang’s stoic mother holding the family together while battling on behalf of her husband, a functionary who was tortured and imprisoned during Mao’s regime, was the focus of “Wild Swans,” which emerged out of hours of recordings that Ms. Chang made when Ms. Xia visited her in London in 1988.
Ms. Xia was inspired as a teenager to become an ardent Communist revolutionary because of the mistreatment of women in the Republic of China, as well as the corruption of the Kuomintang nationalists in power. (Her own mother had been forced into concubinage at 15 by a powerful warlord.)
In 1947, in Ms. Xia’s home city of Jinzhou, the Communists were waging guerrilla war against the government. She joined the struggle by distributing pamphlets for Mao, rolling them up inside green peppers after they had been smuggled into the city in bundles of sorghum stalks.
Captured by the Kuomintang, she was forced to listen to “the screams of people being tortured in the rooms nearby,” her daughter later wrote. But that only stiffened her resolve.
She married Chang Shou-yu, an up-and-coming Communist civil servant and acolyte of Mao, in 1949.
It was then that disillusionment began to set in, according to her daughter. The newlyweds were ordered to travel a thousand miles to Sichuan, her husband’s home province. Because of Mr. Chang’s rank, he was allowed to ride in a jeep, but she had to walk, even though she was pregnant, and suffered a miscarriage as a result.
“She was vomiting all the time,” her daughter wrote. “Could he not let her travel in his jeep occasionally? He said he could not, because it would be taken as favoritism since my mother was not entitled to the car.”
That was the first of many times that her husband would insist she bow to the rigid dictates of the party, despite the immense suffering it caused.
When she was a party official in the mid-1950s, Ms. Xia was investigated for her “bourgeois” background and imprisoned for months. She received little support from Mr. Chang.
“As my mother was leaving for detention,” Ms. Chang wrote, “my father advised her: ‘Be completely honest with the party, and have complete trust in it. It will give you the right verdict.’ A wave of aversion swept over her.”
Upon her release in 1957, she told her husband, “You are a good Communist, but a rotten husband.” Mr. Chang could only nod in agreement.
He became one of the top officials in Sichuan, entitled to a life of privilege. But by the late 1960s, he had become outraged by the injustices of the Cultural Revolution, Mao’s blood-soaked purge, and was determined to register a formal complaint.
Ms. Xia was in despair; she knew what became of families who spoke out. “Why do you want to be a moth that throws itself into the fire?” she asked.
Mr. Chang’s career was over, and both he and his wife were subjected to physical abuse and imprisoned. Ms. Xia’s position was lower profile; she was in charge of resolving personal problems, such as housing, transfers and pensions, for people in her district. But that did not save her from brutal treatment.
Ms. Xia was made to kneel on broken glass; paraded through the streets of Chengdu wearing a dunce’s cap and a heavy placard with her name crossed out; and forced to bow to jeering crowds.
Still, she resisted pressure from the party to denounce her husband. And unlike many other women in her position, she refused to divorce him.
Twice she journeyed to Beijing to seek his release, the second time securing a meeting with the prime minister, Zhou Enlai, who was considered a moderate. Ms. Xia was “one of the very few spouses of victims who had the courage to go and appeal in Peking,” her daughter wrote in “Wild Swans.”
But Ms. Xia and her husband never criticized the Cultural Revolution in front of their children, checked by the party’s absolute power and the fear it inspired.
“My parents never said anything to me or my siblings,” Ms. Chang wrote. “The restraints which had kept them silent about politics before still prevented them from opening their minds to us.”
She was held at Xichiang prison camp from 1969 to 1971 as a “class enemy,” made to do heavy labor and endure denunciation meetings.
The camp, though less harsh than her husband’s, was a bitter experience. “She reflected with remorse on the pointlessness of her devotion,” her daughter wrote. “She found she missed her children with a pain which was almost unbearable.”
Xia De-hong was born on May 4, 1931, in Yixian, the daughter of Yang Yu-fang and Gen. Xue Zhi-heng, the inspector general of the metropolitan police in the nationalist government.
When she was an infant, her mother fled the house of the general, who was dying, and returned to her parents, eventually marrying a rich Manchurian doctor, Xia Rui-tang.
Ms. Xia grew up in Jinzhou, Manchuria, where she attended school before joining the Communist underground.
In the 1950s, when she began to have doubts about the Communist Party, she considered abandoning it and pursuing her dream of studying medicine, her daughter said. But the idea terrified her husband, Ms. Chang said in an interview, because it would have meant disavowing the Communists.
By the late 1950s, during the Mao-induced Great Famine that killed tens of millions, both of her parents had become “totally disillusioned,” Ms. Chang said, and “could no longer find excuses to forgive their party.”
Mr. Chang died in 1975, broken by years of imprisonment and ill treatment. Ms. Xia retired from her government service, as deputy head of the People’s Congress of the Eastern District of Chengdu, in 1983.
Besides Ms. Chang, Ms. Xia is survived by another daughter, Xiao-hong Chang; three sons, Jin-ming, Xiao-hei and Xiao-fang; and two grandchildren.
Jung Chang saw her mother for the last time in 2018. Ms. Chang’s criticism of the regime, in her memoir and a subsequent biography, made returning to China unthinkable. She told the BBC in a recent interview that she never knew whether her mother had read “Wild Swans.”
But the advice her mother gave her and her brother Xiao-hei, a journalist who also lives in London, was firm: “She only wanted us to write truthfully, and accurately.”
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