Culture
Trump vs. the Bureaucrats
Much of what the Civil Service does takes place behind the scenes instead of on center stage. Basic public goods that Americans take for granted, like clean air and safe drinking water, rely on a complex infrastructure of regulation and enforcement. The American way of making policy means that benefits, such as they are, are often channeled through the tax code. The political scientist Suzanne Mettler calls this invisible work “the submerged state.”
During the first decades of the 20th century, the rapid growth of the administrative state aroused suspicions. When President Franklin D. Roosevelt created new federal agencies and programs in the 1930s to address the Depression, small-government conservatives were outraged. A group of businesspeople created the American Liberty League to attack the New Deal on constitutional grounds, charging it with executive branch overreach — a “strategic choice,” says the legal scholar Gillian Metzger, who notes that any attempt to go after the New Deal for burdening elite economic interests would have been a hard sell to a suffering public. In the lurid rhetoric of one Liberty League pamphlet, “The federal bureaucracy has become a vast organism spreading its tentacles over the business and private life of the citizens of the country.”
Conservative denunciations of the administrative state have continued to couch objections in terms of the Constitution and bureaucratic treachery. In “Unmasking the Administrative State” (2019), the conservative political scientist John Marini warned that the growth of government bureaucracy “had opened up the prospect of the greatest tyranny of all.” Two years later, Trump’s 1776 Commission published a report that compared President Woodrow Wilson to Mussolini: “Like the progressives, Mussolini sought to centralize power under the management of so-called experts.”
Fears of an undemocratic, overweening bureaucracy haven’t only served as a right-wing talking point. Some of the administrative state’s most pointed critics have been intellectuals on the left, like the anthropologists James C. Scott and David Graeber, each of whom has argued that a domineering bureaucratic state is hostile to local ways of living. But anarchist critiques like theirs are harder to marshal into a mass political movement. In 2015, a time when the Tea Party, a MAGA precursor, was already well underway, Graeber lamented that the right had figured out how to politicize antipathy toward the bureaucracy, deploying the rhetoric of “anti-bureaucratic individualism” to push through a free-market agenda that guts social services while bolstering business interests.
An ‘Unrelenting, Fantastical Assault on Specialized Knowledge’
The MAGA thrashing of bureaucracy, though, is of a different order. The political scientists Russell Muirhead and Nancy L. Rosenblum distinguish between critiques of government and Trump’s vows to hobble it. “Every modern state is an administrative state,” they declare in their spirited new book, “Ungoverning: The Attack on the Administrative State and the Politics of Chaos.” They take a common complaint about bureaucracy — its inescapability — to highlight its necessity. A bureaucracy filled by professionals and experts who administer the day-to-day functions of governing is the price we pay to live together in a big, complex, populous society.
Culture
Video: ‘Flesh’ by David Szalay Wins 2025 Booker Prize
new video loaded: ‘Flesh’ by David Szalay Wins 2025 Booker Prize
transcript
transcript
‘Flesh’ by David Szalay Wins 2025 Booker Prize
David Szalay became the first British Hungarian to win the prestigious Booker Prize for his novel “Flesh.”
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“I think fiction can take risks. I think it’s one of the things that it can do. It can take aesthetic risks, formal risks, perhaps even moral risks, which many other forms, narrative forms, can’t quite do to the same extent.” “I think all six of the books in the short list really, you know, not — it’s not saying this is the headline theme, but there is that theme of reaching out, wanting a connection.”
By Shawn Paik
November 11, 2025
Culture
Test Yourself on the Settings Mentioned in These Novels About Road Trips
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights the starting points or destinations of five novels about road trips. (Even if you aren’t familiar with the book, most questions offer an additional hint about the location.) To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
Culture
This Poem About Monet’s “Water Lilies” Reflects on the Powers and Limits of Art
In the midst of the world’s unrelenting horribleness, it’s important to make room for beauty. True! But also something of a truism, an idea that comes to hand a little too easily to be trusted. The proclamation that art matters — that, in difficult times, it helps — can sound like a shopworn self-care mantra.
So instead of musing on generalities, maybe we should focus our attention on a particular aesthetic experience. Instead of declaring the importance of art, we could look at a painting. Or we could read a poem.
A poem, as it happens, about looking at a painting.
Hayden did not take the act of seeing for granted. His eyesight was so poor that he described himself as “purblind”; as a child he was teased for his thick-framed glasses. Monet’s Giverny paintings, whose blurriness is sometimes ascribed to the painter’s cataracts, may have revealed to the poet not so much a new way of looking as one that he already knew.
Read in isolation, this short poem might seem to celebrate — and to exemplify — an art divorced from politics. Monet’s depiction of his garden, like the garden itself, offers a refuge from the world.
But “Selma” and “Saigon” don’t just represent headlines to be pushed aside on the way to the museum. They point toward the turmoil that preoccupied the poetry of Hayden and many of his contemporaries.
“Monet’s ‘Waterlilies’” was published in a 1970 collection called “Words in the Mourning Time.” The title poem is an anguished response to the assassinations of Robert F. Kennedy and the Rev. Dr. Martin Luther King Jr., and to the deepening quagmire in Vietnam. Another poem in the volume is a long elegy for Malcolm X. Throughout his career (he died in 1980, at 66), Hayden returned frequently to the struggles and tragedies of Black Americans, including his own family.
Born in Detroit in 1913, Hayden, the first Black American to hold the office now known as poet laureate of the United States, was part of a generation of poets — Gwendolyn Brooks, Dudley Randall, Margaret Danner and others — who came of age between the Harlem Renaissance of the 1920s and the Black Arts movement of the ’60s.
A poet of modernist sensibilities and moderate temperament, he didn’t adopt the revolutionary rhetoric of the times, and was criticized by some of his more radical peers for the quietness of his voice and the formality of his diction.
But his contemplative style makes room for passion.
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