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The Open Championship psychology: How to thrive at one of golf's toughest tests

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The Open Championship psychology: How to thrive at one of golf's toughest tests

The gusts are practically blowing you over. Your socks are getting soggy. A treacherous pot bunker lingers in the corner of your eye. These are the physical sensations of the Open Championship, but the real challenge of this major test is psychological.

This week at Royal Troon, you’ll hear the broadcast analysts talk about the best links players as the ones who stay patient. They take their medicine. They grind it out. But beyond the cliches, what do the mental hurdles of an Open actually entail? What are the specific goals and necessities that allow one to prevail during a championship like this one at Royal Troon?

Acceptance

At the Open, players face a mental examination that doesn’t just require plotting around well-protected greens and fairways. Much of this test is simply out of the player’s control. You cannot control the wind and the rain. Nor the tee time draw: Only Mother Nature knows if you’ll play in a light breeze or just short of a hurricane. Discovering what lie you end up with in the sand is a relentless shock to the system.

Dr. Morris Pickens, a veteran PGA Tour sports psychologist, said accepting unfavorable outcomes is a learned skill specific to the Open. It all stems from knowing how to evaluate shots.

Pickens defines four categories for how to “label” a golf shot, and he maps it out in a four-quadrant graph, with two axes: “execution” and “result.” The four sections of the chart are as follows: good execution-good result, good execution-bad result, bad execution-good result, and bad execution-bad result.

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Pickens, who coached Zach Johnson and Stewart Cink to Open Championship victories and currently works with Keegan Bradley and recent PGA Tour winner Davis Thompson, asserts that in this tournament, you have to both anticipate, accept and appropriately react to the “good-bads” — in other words, a well-executed shot that didn’t turn out how you desired.

“In the Open, you’re going to get a lot of ‘good-bads,’ especially when you turn back into the wind,” Pickens says. “Maybe you played well on the front, maybe it’s been pretty easy and you’re 4-under. But you’re still going to hit some good shots that get bad results. And if you’re not careful, you’re going to lose your mind. Instead of shooting 1-over coming in, you’re going to shoot 4-over.”

At The Open, Pickens advises his players to control their emotions using this visual evaluation. The uncontrollable nature of the tournament conditions means that you’re going to get some “good-bad” outcomes, but you’re also going to get some “bad-goods” — in other words, lucky breaks. You have to appreciate and anticipate both, truly embracing the peaks and valleys of links golf, to keep your mental game in check.

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Royal Troon’s changing winds brought carnage to this Open Championship

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“You hope to grind out a decent score,” said Jon Rahm, who posted a 2-over 73 on Thursday.

Commitment

When dealing with factors out of one’s control, the best practice is to be ultra-specific with your pre-shot vision. Pickens describes commitment as “knowing where you want to hit the ball,” but many players mistake commitment for confidence or comfort. And that conflation can be a dangerous path.

“Confident means, ‘I know where this ball is going to end up.’ But you can’t know that. There are imperfections on the green. There are wind gusts,” Pickens says. “You don’t have to feel ease over the ball to hit great golf shots. You don’t have to feel comfortable, emotionally. There’s not one player, if they’re honest, who feels comfortable over the 18th tee shot at Augusta or at TPC Sawgrass. Those are physically demanding shots. I talk my players away from that — it’s not the goal. The goal is to be committed, and to trust your routine.”

Seeking confidence and comfort over the ball will only lead to disappointment and unrealistic expectations, and at the Open Championship, that can cause a quick downward spiral.

Commitment means utilizing the information at your disposal, devising a plan, and sticking to it. Crosswinds — which many players have described as one of Royal Troon’s most devilish challenges — make that practice particularly difficult. During links golf, the known variables can change in an instant, but it is the player’s job to know when to adjust. There’s a difference between feeling physically uncomfortable before a swing — because of improper aim, swirling winds, etc. — and feeling mental discomfort. Pickens advises his players not to ask questions while walking up to the ball, whether they’re asking themselves or their caddie. The self-talk has to be determined before the execution: Whatever happens in the lead-up to the shot is the only thing a player truly has control over at the Open. You can’t risk derailing it.

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Scottie Scheffler and other top contenders in the Open Championship will have to handle tough lies. (Harry How / Getty Images)

Resilience

You’re going to get kicked in the teeth at the Open. Whether it’s a funky bounce or a sudden gust at the worst time possible, there are going to be moments that force you to pick yourself up off the ground. But not every player has it in them. Acceptance, moving on from a wayward shot or a big number, is one thing. Finding the will to bounce back from the blips is another. It’s difficult to do — especially multiple times throughout a round.

“At some point, people lose their resilience,” Pickens says. “Then they start short-changing the process. They don’t pick good targets, they slap the ball around. They do that because they know they’re not going to be disappointed — because they didn’t put that much into it. It’s a way to protect your ego.”

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Open champions don’t let that happen. They pick themselves back up. Over, and over and over again.

“Resilience is saying no, I’m willing to put myself out there again to be disappointed again,” Pickens says. “A resilient player thinks to themselves, I’m not going to slap it around and let that habit start. Even if I miss the cut by five shots, I’m going to play this out.”

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A score will determine this Open. Some sort of concoction of birdies, pars and bogeys or worse. A three-putt. A hole-out. A 350-yard drive. But the eventual winner and his competitors will know that this championship is conquered first and foremost between the ears. The Open Championship is a mind game.

(Top photo of Rory McIlroy: Ross Kinnaird / Getty Images)

Culture

Can You Name These Novels Based on Their Characters?

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Can You Name These Novels Based on Their Characters?

Welcome to Lit Trivia, the Book Review’s regular quiz about books, authors and literary culture. This week’s challenge asks you to identify a novel’s title based on the characters in the text. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books if you’d like to do further reading.

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Culture

Do You Know Where These Famous Authors Are Buried?

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Do You Know Where These Famous Authors Are Buried?

A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself — or have a lasting influence on an author. With that in mind, this week’s literary geography quiz highlights the final stops for five authors after a life of writing. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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Whatever you do, don’t think of a bird.

Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?

Before you answer, read this poem, which is quite literally about not thinking of a bird.

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Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.

Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.

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Wallace Stevens in 1950.

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Walter Sanders/The LIFE Picture Collection, via Shutterstock

As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.

Are those worlds real?

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Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.

Until then, we find consolation in fangles.

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