Culture
The Open Championship psychology: How to thrive at one of golf's toughest tests
The gusts are practically blowing you over. Your socks are getting soggy. A treacherous pot bunker lingers in the corner of your eye. These are the physical sensations of the Open Championship, but the real challenge of this major test is psychological.
This week at Royal Troon, you’ll hear the broadcast analysts talk about the best links players as the ones who stay patient. They take their medicine. They grind it out. But beyond the cliches, what do the mental hurdles of an Open actually entail? What are the specific goals and necessities that allow one to prevail during a championship like this one at Royal Troon?
Acceptance
At the Open, players face a mental examination that doesn’t just require plotting around well-protected greens and fairways. Much of this test is simply out of the player’s control. You cannot control the wind and the rain. Nor the tee time draw: Only Mother Nature knows if you’ll play in a light breeze or just short of a hurricane. Discovering what lie you end up with in the sand is a relentless shock to the system.
Dr. Morris Pickens, a veteran PGA Tour sports psychologist, said accepting unfavorable outcomes is a learned skill specific to the Open. It all stems from knowing how to evaluate shots.
Pickens defines four categories for how to “label” a golf shot, and he maps it out in a four-quadrant graph, with two axes: “execution” and “result.” The four sections of the chart are as follows: good execution-good result, good execution-bad result, bad execution-good result, and bad execution-bad result.
Pickens, who coached Zach Johnson and Stewart Cink to Open Championship victories and currently works with Keegan Bradley and recent PGA Tour winner Davis Thompson, asserts that in this tournament, you have to both anticipate, accept and appropriately react to the “good-bads” — in other words, a well-executed shot that didn’t turn out how you desired.
“In the Open, you’re going to get a lot of ‘good-bads,’ especially when you turn back into the wind,” Pickens says. “Maybe you played well on the front, maybe it’s been pretty easy and you’re 4-under. But you’re still going to hit some good shots that get bad results. And if you’re not careful, you’re going to lose your mind. Instead of shooting 1-over coming in, you’re going to shoot 4-over.”
At The Open, Pickens advises his players to control their emotions using this visual evaluation. The uncontrollable nature of the tournament conditions means that you’re going to get some “good-bad” outcomes, but you’re also going to get some “bad-goods” — in other words, lucky breaks. You have to appreciate and anticipate both, truly embracing the peaks and valleys of links golf, to keep your mental game in check.
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“You hope to grind out a decent score,” said Jon Rahm, who posted a 2-over 73 on Thursday.
Commitment
When dealing with factors out of one’s control, the best practice is to be ultra-specific with your pre-shot vision. Pickens describes commitment as “knowing where you want to hit the ball,” but many players mistake commitment for confidence or comfort. And that conflation can be a dangerous path.
“Confident means, ‘I know where this ball is going to end up.’ But you can’t know that. There are imperfections on the green. There are wind gusts,” Pickens says. “You don’t have to feel ease over the ball to hit great golf shots. You don’t have to feel comfortable, emotionally. There’s not one player, if they’re honest, who feels comfortable over the 18th tee shot at Augusta or at TPC Sawgrass. Those are physically demanding shots. I talk my players away from that — it’s not the goal. The goal is to be committed, and to trust your routine.”
Seeking confidence and comfort over the ball will only lead to disappointment and unrealistic expectations, and at the Open Championship, that can cause a quick downward spiral.
Commitment means utilizing the information at your disposal, devising a plan, and sticking to it. Crosswinds — which many players have described as one of Royal Troon’s most devilish challenges — make that practice particularly difficult. During links golf, the known variables can change in an instant, but it is the player’s job to know when to adjust. There’s a difference between feeling physically uncomfortable before a swing — because of improper aim, swirling winds, etc. — and feeling mental discomfort. Pickens advises his players not to ask questions while walking up to the ball, whether they’re asking themselves or their caddie. The self-talk has to be determined before the execution: Whatever happens in the lead-up to the shot is the only thing a player truly has control over at the Open. You can’t risk derailing it.
Scottie Scheffler and other top contenders in the Open Championship will have to handle tough lies. (Harry How / Getty Images)
Resilience
You’re going to get kicked in the teeth at the Open. Whether it’s a funky bounce or a sudden gust at the worst time possible, there are going to be moments that force you to pick yourself up off the ground. But not every player has it in them. Acceptance, moving on from a wayward shot or a big number, is one thing. Finding the will to bounce back from the blips is another. It’s difficult to do — especially multiple times throughout a round.
“At some point, people lose their resilience,” Pickens says. “Then they start short-changing the process. They don’t pick good targets, they slap the ball around. They do that because they know they’re not going to be disappointed — because they didn’t put that much into it. It’s a way to protect your ego.”
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Open champions don’t let that happen. They pick themselves back up. Over, and over and over again.
“Resilience is saying no, I’m willing to put myself out there again to be disappointed again,” Pickens says. “A resilient player thinks to themselves, I’m not going to slap it around and let that habit start. Even if I miss the cut by five shots, I’m going to play this out.”
A score will determine this Open. Some sort of concoction of birdies, pars and bogeys or worse. A three-putt. A hole-out. A 350-yard drive. But the eventual winner and his competitors will know that this championship is conquered first and foremost between the ears. The Open Championship is a mind game.
(Top photo of Rory McIlroy: Ross Kinnaird / Getty Images)
Culture
Do You Recognize These Lines From Popular Science Fiction?
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Culture
Finding Wisdom in a Poem by Wendy Cope
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
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