Connect with us

Culture

Ronald Reagan’s New Economic Order, and What It Meant for America

Published

on

Gerstle fastidiously recreates the brand new order Reagan needed to place as a substitute. It had its origins, he says, in classical liberalism’s religion within the free market because the guarantor of each particular person liberty and the widespread good. Within the mid-Twentieth century a handful of European intellectuals and their American acolytes gave that religion a brand new title — neoliberalism — and an institutional house in a scattering of generously funded analysis establishments and iconoclastic college economics departments. From there it seeped into the correct wing of the Republican Occasion, the place Reagan embraced it because the revelation he believed it to be. However Reagan was no mental. He was a popularizer, expert at turning neoliberalism’s abstractions into sound bites that within the dire circumstances of the late Nineteen Seventies managed to look concurrently common-sensical and inspirational. Authorities wasn’t the answer, he stated repeatedly. It was the issue. Lower its regulation, slash its taxes, decrease its commerce obstacles and capitalism’s genius can be launched, the American dream restored.

Reagan additionally insisted that the federal government had overreached in its promotion of racial change, a place that was meant, Gerstle says, to anchor the white South’s vote. There’s quite a lot of fact to that argument, nevertheless it doesn’t go far sufficient. When Reagan denounced affirmative motion or busing or welfare queens, he was enjoying to the racial animus that coursed by means of locations like Allen Park, the place whites made up 97 p.c of the inhabitants, as a lot as he was enjoying to Mississippi’s prejudices. In November he misplaced majority-Black Detroit. However he swept its segregated suburbs.

Over the following eight years Reagan laid the neoliberal order’s foundations. Gerstle emphasizes its market aspect — the administration’s busting of the air-traffic controllers’ union, its deregulation of key industries, its dramatic discount of the wealthiest People’ tax price and its try to assemble a Supreme Courtroom hostile to the New Deal order — which, because it turned out, launched the power of greed greater than it did the genius of {the marketplace}. The administration’s racial insurance policies, Gerstle says, centered on the drug conflict it waged on younger Black males, although he might have chosen any variety of different positions as properly — from the ravaging of public housing to the quiet resegregation of public faculties — so completely was race embedded within the Reagan Revolution.

What Reagan created, Invoice Clinton consolidated. The financial story is simple. Having stumbled by means of his first two years in workplace, Clinton claimed neoliberalism as his personal, proudly selling the globalization of producing, the deregulation of banking and telecommunication, and a fiscal coverage designed to persuade traders that they might make as a lot cash beneath a Democratic authorities as they might beneath a Republican one. By the flip of the twenty first century the American financial system had been remade, its previous industrial base changed by the wondrous world of excessive tech, excessive finance and high-end actual property. The racial story was extra difficult. Clinton celebrated multiculturalism as a marker of the nation’s vitality, Gerstle says. However he additionally doubled down on Reagan’s racialized law-and-order campaigns and accomplished the assault on the welfare state, whilst the brand new financial system was hitting poor communities with explicit power. By the top of the Clinton years, Allen Park’s median family revenue was 15 p.c decrease than it had been when Reagan stopped by for a beer. Detroit’s had tumbled by 39 p.c.

There the neoliberal order remained, all however untouchable in its orthodoxy, till the crash of 2008. In that seismic occasion Gerstle sees a dynamic very like the one which had shattered the New Deal order. At its middle stood Barack Obama, the erstwhile champion of hope captured, in Gerstle’s telling, by a coterie of Clinton-era advisers satisfied that neoliberalism might proper itself. To Obama’s left a brand new era of social Democrats demanded a state-directed reconstruction of the financial system, whereas a brand new era of Black activists turned the horror of racial violence and a brilliantly phrased hashtag right into a mass motion. However it was the correct that introduced down the neoliberal order with a candidate who understood the way to exploit the frustrations and furies of these whites the brand new financial system had left behind. Donald Trump’s mixture of anti-elitism, hyper-nationalism and uncooked racism didn’t win him the favored vote in 2016. However it received him Allen Park.

Advertisement
Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Culture

Stephen King, Sarah Jessica Parker and More Share Their Top Books of the 21st Century

Published

on

Stephen King, Sarah Jessica Parker and More Share Their Top Books of the 21st Century

Stephen King

Stephen King has written more than 60 books, many of which have been adapted for film and television. His latest is the story collection YOU LIKE IT DARKER.

“Atonement,” by Ian McEwan “Christine Falls,” by Benjamin Black “The Goldfinch,” by Donna Tartt “Gone Girl,” by Gillian Flynn “No Country for Old Men,” by Cormac McCarthy “Oryx and Crake,” by Margaret Atwood “The Paying Guests,” by Sarah Waters “The Plot Against America,” by Philip Roth “The Sympathizer,” by Viet Thanh Nguyen “Under the Dome,” by Stephen King

1 of these, so far, appears on the 100 Best list.
(This page will update throughout the
week.)

Min Jin Lee

Min Jin Lee has written two novels: FREE FOOD FOR MILLIONAIRES and PACHINKO, which was one of The Times’s 10 Best Books of 2017.

“All the Light We Cannot See,” by Anthony Doerr “Behind the Beautiful Forevers,” by Katherine Boo “Brooklyn,” by Colm Tóibín “The Buddha in the Attic,” by Julie Otsuka “Educated,” by Tara Westover “Evicted,” by Matthew Desmond “Gilead,” by Marilynne Robinson “The Known World,” by Edward P. Jones “Nickel and Dimed,” by Barbara Ehrenreich “Redeployment,” by Phil Klay

Karl Ove Knausgaard

Karl Ove Knausgaard is a Norwegian writer and essayist best known for MY STRUGGLE, a series of six autobiographical novels.

“2666,” by Roberto Bolaño “The Argonauts,” by Maggie Nelson “The Days of Abandonment,” by Elena Ferrante “The Flame Alphabet,” by Ben Marcus “The Kingdom,” by Emmanuel Carrère “Never Let Me Go,” by Kazuo Ishiguro “Small Things Like These,” by Claire Keegan “Storm Still,” by Peter Handke “Train Dreams,” by Denis Johnson “Voices from Chernobyl,” by Svetlana Alexievich

Advertisement

1 of these, so far, appears on the 100 Best list.
(This page will update throughout the
week.)

Bonnie Garmus

Bonnie Garmus is the author of LESSONS IN CHEMISTRY, which was named Barnes & Noble’s book of the year in 2022.

“Between the World and Me,” by Ta-Nehisi Coates “Demon Copperhead,” by Barbara Kingsolver “Educated,” by Tara Westover “Genome,” by Matt Ridley “Harry Potter and the Half-Blood Prince,” by J.K. Rowling “A Heartbreaking Work of Staggering Genius,” by Dave Eggers “Henry David Thoreau,” by Laura Dassow Walls “Pobby and Dingan,” by Ben Rice “The Underground Railroad,” by Colson Whitehead “The Worst Hard Time,” by Timothy Egan

Nana Kwame Adjei‑Brenyah

Nana Kwame Adjei‑Brenyah’s debut novel, CHAIN-GANG ALL-STARS, was one of The Times’s 10 Best Books of 2023.

“Drinking Coffee Elsewhere: Stories,” by ZZ Packer “Ghost Of,” by Diana Khoi Nguyen “Greenwood,” by Michael Christie “Look,” by Solmaz Sharif “Pachinko,” by Min Jin Lee “Pastoralia,” by George Saunders “Sing, Unburied, Sing,” by Jesmyn Ward “Stories of Your Life and Others,” by Ted Chiang “Tenth of December,” by George Saunders “The Underground Railroad,” by Colson Whitehead

1 of these, so far, appears on the 100 Best list.
(This page will update throughout the
week.)

Advertisement

Junot Díaz

Junot Díaz is an author whose books include THE BRIEF WONDROUS LIFE OF OSCAR WAO, which won the 2008 Pulitzer Prize for fiction.

“Americanah,” by Chimamanda Ngozi Adichie “Behind the Beautiful Forevers,” by Katherine Boo “Brother, I’m Dying,” by Edwidge Danticat “Kingdom Animalia,” by Aracelis Girmay “The Known World,” by Edward P. Jones “Out,” by Natsuo Kirino “The Savage Detectives,” by Roberto Bolaño “Say Her Name,” by Francisco Goldman “Stories of Your Life and Others,” by Ted Chiang “Tuff,” by Paul Beatty

Sarah Jessica Parker

Sarah Jessica Parker is an Emmy-winning actress and the founder of Zando’s literary imprint, SJP Lit.

“An American Marriage,” by Tayari Jones “The Bee Sting,” by Paul Murray “A Burning,” by Megha Majumdar “A Constellation of Vital Phenomena,” by Anthony Marra “The Corrections,” by Jonathan Franzen “The Goldfinch,” by Donna Tartt “A History of Burning,” by Janika Oza “The Nickel Boys,” by Colson Whitehead “Say Nothing,” by Patrick Radden Keefe “Wave,” by Sonali Deraniyagala

James Patterson

James Patterson has written more than 200 books across various genres, including collaborations with Bill Clinton and Dolly Parton. His latest books include CONFESSIONS OF THE DEAD, which he wrote with J.D. Barker, and TIGER, TIGER.

“11/22/63,” by Stephen King “The Book Thief,” by Markus Zusak “Educated,” by Tara Westover “The Girl with the Dragon Tattoo,” by Stieg Larsson “Gone Girl,” by Gillian Flynn “Harry Potter and the Goblet of Fire,” by J.K. Rowling “Kitchen Confidential,” by Anthony Bourdain “Life,” by Keith Richards with James Fox “Mystic River,” by Dennis Lehane “Seabiscuit,” by Laura Hillenbrand

Advertisement

Elin Hilderbrand

Elin Hilderbrand, often referred to as the queen of beach reads, recently announced that SWAN SONG, released in June, would be the last of her Nantucket summer novels.

“Alice & Oliver,” by Charles Bock “American Wife,” by Curtis Sittenfeld “Dirt Music,” by Tim Winton “Euphoria,” by Lily King “Every Last One,” by Anna Quindlen “Fates and Furies,” by Lauren Groff “Hamnet,” by Maggie O’Farrell “Luster,” by Raven Leilani “May We Be Forgiven,” by A.M. Homes “The Night Circus,” by Erin Morgenstern

Annette Gordon‑Reed

Annette Gordon-Reed is a professor at Harvard University whose 2008 history, THE HEMINGSES OF MONTICELLO, won both a Pulitzer Prize and a National Book Award…

… and she also included it on her ballot, telling us,
“I couldn’t help it.”

“Between the World and Me,” by Ta-Nehisi Coates “The Emperor of All Maladies,” by Siddhartha Mukherjee “Gilead,” by Marilynne Robinson “The Hemingses of Monticello,” by Annette Gordon-Reed “The Immortal Life of Henrietta Lacks,” by Rebecca Skloot “The Metaphysical Club,” by Louis Menand “The Plot Against America,” by Philip Roth “The Underground Railroad,” by Colson Whitehead “The Warmth of Other Suns,” by Isabel Wilkerson “Wolf Hall,” by Hilary Mantel

Advertisement

1 of these, so far, appears on the 100 Best list.
(This page will update throughout the
week.)

Rebecca Roanhorse

Rebecca Roanhorse is a Hugo- and Nebula-winning science fiction and fantasy novelist whose works include BLACK SUN and TRAIL OF LIGHTNING.

“Ancillary Justice,” by Ann Leckie “Exhalation,” by Ted Chiang “The Fifth Season,” by N.K. Jemisin “The Ministry for the Future,” by Kim Stanley Robinson “The Only Good Indians,” by Stephen Graham Jones “The Paper Menagerie and Other Stories,” by Ken Liu “Ring Shout,” by P. Djèlí Clark “The Round House,” by Louise Erdrich “The Saint of Bright Doors,” by Vajra Chandrasekera “Selected Stories,” by Theodore Sturgeon

Marlon James

Marlon James is the author of five novels, including A BRIEF HISTORY OF SEVEN KILLINGS, which won the 2015 Booker Prize.

“2666,” by Roberto Bolaño “As Meat Loves Salt,” by Maria McCann “Evicted,” by Matthew Desmond “The Fifth Season,” by N.K. Jemisin “The Good Lord Bird,” by James McBride “The Line of Beauty,” by Alan Hollinghurst “Pachinko,” by Min Jin Lee “Skippy Dies,” by Paul Murray “Wolf Hall,” by Hilary Mantel “The World Is What It Is,” by Patrick French

Advertisement

Roxane Gay

Roxane Gay is an editor, essayist and author whose best-selling nonfiction includes BAD FEMINIST and HUNGER. She is also a contributing Opinion writer for The New York Times.

“The Amazing Adventures of Kavalier & Clay,” by Michael Chabon “The Brutal Language of Love,” by Alicia Erian “Girl, Woman, Other,” by Bernardine Evaristo “Heavy,” by Kiese Laymon “Her Body and Other Parties,” by Carmen Maria Machado “NW,” by Zadie Smith “Pachinko,” by Min Jin Lee “Room,” by Emma Donoghue “Salvage the Bones,” by Jesmyn Ward “State of Wonder,” by Ann Patchett

Jonathan Lethem

Jonathan Lethem is a writer best known for his 1999 novel MOTHERLESS BROOKLYN.

“Aurora,” by Kim Stanley Robinson “Dear Cyborgs,” by Eugene Lim “The Employees,” by Olga Ravn “Erasure,” by Percival Everett “Hawthorn & Child,” by Keith Ridgway “Houses of Ravicka,” by Renee Gladman “How the Dead Dream,” by Lydia Millet “The Last Samurai,” by Helen DeWitt “Pity the Beast,” by Robin McLean “Trance,” by Christopher Sorrentino

Sarah MacLean

Sarah MacLean is an award-winning romance writer whose most recent novel is KNOCKOUT.

“After Hours on Milagro Street,” by Angelina M. Lopez “Again the Magic,” by Lisa Kleypas “Bet Me,” by Jennifer Crusie “Circe,” by Madeline Miller “Dark Needs at Night’s Edge,” by Kresley Cole “Forbidden,” by Beverly Jenkins “Georgie, All Along,” by Kate Clayborn “Hana Khan Carries On,” by Uzma Jalaluddin “A Heart of Blood and Ashes,” by Milla Vane “Ravishing the Heiress,” by Sherry Thomas

Advertisement

Ed Yong

Ed Yong is a Pulitzer Prize-winning science journalist and the author of AN IMMENSE WORLD and I CONTAIN MULTITUDES.

“Bel Canto,” by Ann Patchett “Chain-Gang All-Stars,” by Nana Kwame Adjei-Brenyah “A Day in the Life of Abed Salama,” by Nathan Thrall “Exit West,” by Mohsin Hamid “H Is for Hawk,” by Helen Macdonald “The Immortal Life of Henrietta Lacks,” by Rebecca Skloot “Saving Time,” by Jenny Odell “The Swimmers,” by Julie Otsuka “This Is How You Lose the Time War,” by Amal El-Mohtar and Max Gladstone “Trust,” by Hernan Diaz

1 of these, so far, appears on the 100 Best list.
(This page will update throughout the
week.)

Thomas Chatterton Williams

Thomas Chatterton Williams, a staff writer at The Atlantic, is the author of LOSING MY COOL and SELF-PORTRAIT IN BLACK AND WHITE.

“All Aunt Hagar’s Children,” by Edward P. Jones “Biography of X,” by Catherine Lacey “Eat the Document,” by Dana Spiotta “Ideas of Heaven: A Ring of Stories,” by Joan Silber “Malcolm X,” by Manning Marable “The Round House,” by Louise Erdrich “Runaway,” by Alice Munro “Stay True,” by Hua Hsu “Veronica,” by Mary Gaitskill “The Warmth of Other Suns,” by Isabel Wilkerson

Advertisement

Paul Tremblay

Paul Tremblay is an award-winning horror novelist whose latest book is HORROR MOVIE.

“2666,” by Roberto Bolaño “House of Leaves,” by Mark Z. Danielewski “Lady Joker, Vol. 1,” by Kaoru Takamura “The Maniac,” by Benjamín Labatut “Never Let Me Go,” by Kazuo Ishiguro “No Country for Old Men,” by Cormac McCarthy “The Only Good Indians,” by Stephen Graham Jones “Our Share of Night,” by Mariana Enriquez “Treasure Island!!!,” by Sara Levine “The Underground Railroad,” by Colson Whitehead

Nick Hornby

Nick Hornby is best known for comic novels like HIGH FIDELITY and ABOUT A BOY.

“The Amazing Adventures of Kavalier & Clay,” by Michael Chabon “Austerity Britain,” by David Kynaston “Billy Lynn’s Long Halftime Walk,” by Ben Fountain “Empire Falls,” by Richard Russo “Gilead,” by Marilynne Robinson “Olive Kitteridge,” by Elizabeth Strout “On Beauty,” by Zadie Smith “Pictures at a Revolution,” by Mark Harris “Random Family,” by Adrian Nicole LeBlanc “Say Nothing,” by Patrick Radden Keefe

1 of these, so far, appears on the 100 Best list.
(This page will update throughout the
week.)

Scott Turow

Scott Turow is an attorney and writer best known for legal thrillers like PRESUMED INNOCENT and THE BURDEN OF PROOF.

“Bel Canto,” by Ann Patchett “Dreamland,” by Sam Quinones “The Good Lord Bird,” by James McBride “My Brilliant Friend,” by Elena Ferrante. Translated by Ann Goldstein. “On Tyranny,” by Timothy Snyder “The Orphan Master’s Son,” by Adam Johnson “The Story of a New Name,” by Elena Ferrante. Translated by Ann Goldstein “The Story of the Lost Child,” by Elena Ferrante. Translated by Ann Goldstein “Thinking, Fast and Slow,” by Daniel Kahneman “Those Who Leave and Those Who Stay,” by Elena Ferrante. Translated by Ann Goldstein

Advertisement

1 of these, so far, appears on the 100 Best list.
(This page will update throughout the
week.)

Daniel Alarcón

Daniel Alarcón is a novelist (LOST CITY RADIO) and contributing writer at The New Yorker whose long-running Spanish-language podcast, Radio Ambulante, is distributed by NPR.

“The Brief Wondrous Life of Oscar Wao,” by Junot Díaz “Citizen,” by Claudia Rankine “Exit West,” by Mohsin Hamid “The Known World,” by Edward P. Jones “Lincoln in the Bardo,” by George Saunders “My Brilliant Friend,” by Elena Ferrante. Translated by Ann Goldstein. “NW,” by Zadie Smith “Random Family,” by Adrian Nicole LeBlanc “The Savage Detectives,” by Roberto Bolaño “Say Nothing,” by Patrick Radden Keefe

Honorée Fanonne Jeffers

Honorée Fanonne Jeffers is a poet and professor of English at the University of Oklahoma. Her debut novel, THE LOVE SONGS OF W.E.B. DU BOIS, was one of The Times’s 10 Best Books of 2021.

“Brother, I’m Dying,” by Edwidge Danticat “Built from the Fire,” by Victor Luckerson “Feminism Is For Everybody,” by bell hooks “Gathering Blossoms,” by Alice Walker “The Known World,” by Edward P. Jones “A Mercy,” by Toni Morrison “The Source of Self-Regard,” by Toni Morrison “Stamped from the Beginning,” by Ibram X. Kendi “Ties that Bind,” by Tiya Miles “The Warmth of Other Suns,” by Isabel Wilkerson

Advertisement

Lucy Sante

Lucy Sante is a writer whose last book, I HEARD HER CALL MY NAME, is a memoir of her gender transition.

“Anniversaries,” by Uwe Johnson. Translated by Damion Searls “Feral City,” by Jeremiah Moss “The Friend,” by Sigrid Nunez “It Gets Me Home, This Curving Track,” by Ian Penman “Jacket Weather,” by Mike DeCapite “The Mars Room,” by Rachel Kushner “Same Bed Different Dreams,” by Ed Park “The Savage Detectives,” by Roberto Bolaño “Stay True,” by Hua Hsu “Voices from Chernobyl,” by Svetlana Alexievich

Gary Shteyngart

Gary Shteyngart has written five novels, one of which, ABSURDISTAN, was named one of The Times’s 10 Best Books of 2006.

“Bangkok Wakes to Rain,” by Pitchaya Sudbanthad “The Collected Stories of Amy Hempel,” by Amy Hempel “Educated,” by Tara Westover “Exit West,” by Mohsin Hamid “The Master,” by Colm Tóibín “Netherland,” by Joseph O’Neill “Outline,” by Rachel Cusk “Postwar,” by Tony Judt “Veronica,” by Mary Gaitskill “The Warmth of Other Suns,” by Isabel Wilkerson

Anand Giridharadas

Anand Giridharadas is a writer and former foreign correspondent whose books include THE PERSUADERS and WINNERS TAKE ALL.

“The Argonauts,” by Maggie Nelson “Behind the Beautiful Forevers,” by Katherine Boo “Dark Money,” by Jane Mayer “Far From the Tree,” by Andrew Solomon “A Little Life,” by Hanya Yanagihara “Maximum City,” by Suketu Mehta “My Struggle: Book 2,” by Karl Ove Knausgaard “One of Us,” by Asne Seierstad “Random Family,” by Adrian Nicole LeBlanc “The Year of Magical Thinking,” by Joan Didion

Advertisement

Jessamine Chan

Jessamine Chan’s debut novel, THE SCHOOL FOR GOOD MOTHERS, was named by Barack Obama as one of his favorite books of 2022.

“Chain-Gang All-Stars,” by Nana Kwame Adjei-Brenyah “Cinema Love,” by Jiaming Tang “Easy Beauty,” by Chloé Cooper Jones “Invisible Child,” by Andrea Elliott “Kairos,” by Jenny Erpenbeck “Matrix,” by Lauren Groff “Minor Feelings,” by Cathy Park Hong “Never Let Me Go,” by Kazuo Ishiguro “Pure Colour,” by Sheila Heti “Torn Apart,” by Dorothy Roberts

Michael Robbins

Michael Robbins is the author of several poetry collections, including WALKMAN and THE SECOND SEX.

“Alien vs. Predator,” by Michael Robbins “Communal Luxury,” by Kristin Ross “Cruel Optimism,” by Lauren Berlant “Fossil Capital,” by Andreas Malm “Keats’s Odes,” by Anahid Nersessian “Lila,” by Marilynne Robinson “Planet of Slums,” by Mike Davis “Poemland,” by Chelsey Minnis “Stolen Life,” by Fred Moten “Veronica,” by Mary Gaitskill

Advertisement

Alma Katsu

Alma Katsu is a genre-spanning writer whose books include RED WIDOW and THE HUNGER.

“Gone Girl,” by Gillian Flynn “Jonathan Strange and Mr Norrell,” by Susanna Clarke “Lincoln in the Bardo,” by George Saunders “The Little Friend,” by Donna Tartt “The Little Stranger,” by Sarah Waters “Never Let Me Go,” by Kazuo Ishiguro “The Only Good Indians,” by Stephen Graham Jones “The Swimmers,” by Julie Otsuka “The Time Traveler’s Wife,” by Audrey Niffenegger “Wolf Hall,” by Hilary Mantel

Megan Abbott

Megan Abbott is the Edgar-winning author of 11 novels, including DARE ME, THE TURNOUT and BEWARE THE WOMAN.

“Blonde,” by Joyce Carol Oates “Gone Girl,” by Gillian Flynn “Life After Life,” by Kate Atkinson “A Little Life,” by Hanya Yanagihara “Lost Girls,” by Robert Kolker “My Sister, the Serial Killer,” by Oyinkan Braithwaite “Nemesis,” by Philip Roth “Random Family,” by Adrian Nicole LeBlanc “Winter’s Bone,” by Daniel Woodrell “The Year of Magical Thinking,” by Joan Didion

Joshua Ferris

Joshua Ferris has written five novels, including THEN WE CAME TO THE END, which won the 2008 PEN/Hemingway Award.

“The Corrections,” by Jonathan Franzen “The Gathering,” by Anne Enright “Gilead,” by Marilynne Robinson “The Known World,” by Edward P. Jones “No Country for Old Men,” by Cormac McCarthy “No One Is Talking About This,” by Patricia Lockwood “NW,” by Zadie Smith “The Savage Detectives,” by Roberto Bolaño “Tinkers,” by Paul Harding “Wolf Hall,” by Hilary Mantel

Advertisement

Ann Napolitano

Ann Napolitano is a novelist whose last book, HELLO BEAUTIFUL, was the 100th pick of Oprah’s Book Club.

“Americanah,” by Chimamanda Ngozi Adichie “The Brief Wondrous Life of Oscar Wao,” by Junot Díaz “Cloud Atlas,” by David Mitchell “Demon Copperhead,” by Barbara Kingsolver “Far From the Tree,” by Andrew Solomon “Homegoing,” by Yaa Gyasi “The Master,” by Colm Tóibín “Station Eleven,” by Emily St. John Mandel “The Underground Railroad,” by Colson Whitehead “Wolf Hall,” by Hilary Mantel

1 of these, so far, appears on the 100 Best list.
(This page will update throughout the
week.)

John Irving

John Irving is the author of THE WORLD ACCORDING TO GARP, THE CIDER HOUSE RULES and A PRAYER FOR OWEN MEANY, among other novels.

“The Absolutist,” by John Boyne “Burma Sahib,” by Paul Theroux “Cutting for Stone,” by Abraham Verghese “Last Night,” by James Salter “The Nix,” by Nathan Hill “Peeling the Onion,” by Günter Grass “A Saint from Texas,” by Edmund White “Shadow Country,” by Peter Matthiessen “Warlight,” by Michael Ondaatje “Why Be Happy When You Could Be Normal?,” by Jeanette Winterson

Advertisement

Tiya Miles

Tiya Miles is a professor of history at Harvard University whose books include ALL THAT SHE CARRIED, which won the 2021 National Book Award for nonfiction, and the just-published NIGHT FLYER.

“Frederick Douglass,” by David W. Blight “The Hemingses of Monticello,” by Annette Gordon-Reed “Less,” by Andrew Sean Greer “The Omnivore’s Dilemma,” by Michael Pollan “People Love Dead Jews,” by Dara Horn “The Round House,” by Louise Erdrich “Salvage the Bones,” by Jesmyn Ward “The Swerve,” by Stephen Greenblatt “The Underground Railroad,” by Colson Whitehead

1 of these, so far, appears on the 100 Best list.
(This page will update throughout the
week.)

Jami Attenberg

Jami Attenberg is a writer whose new novel, A REASON TO SEE YOU AGAIN, comes out in September.

“Bright Dead Things,” by Ada Limón “The Corrections,” by Jonathan Franzen “Fun Home,” by Alison Bechdel “Grief Is For People,” by Sloane Crosley “Heavy,” by Kiese Laymon “How to Write an Autobiographical Novel,” by Alexander Chee “Just Kids,” by Patti Smith “Pachinko,” by Min Jin Lee “There Are More Beautiful Things Than Beyoncé,” by Morgan Parker “True Biz,” by Sara Novic

Stephen L. Carter

Stephen L. Carter, a professor at Yale Law School, has written critically acclaimed nonfiction as well as six novels, including THE EMPEROR OF OCEAN PARK.

“Bourgeois Dignity,” by Deirdre McCloskey “Exit West,” by Mohsin Hamid “The Fabric of Civilization,” by Virginia Postrel “The Human Stain,” by Philip Roth “Inventing The Enemy,” by Umberto Eco “March,” by Geraldine Brooks “The Overstory,” by Richard Powers “Silence,” by Jane Brox “That All Shall Be Saved,” by David Bentley Hart “What It Means When a Man Falls from the Sky,” by Lesley Nneka Arimah

Advertisement

1 of these, so far, appears on the 100 Best list.
(This page will update throughout the
week.)

Sarah Schulman

Sarah Schulman is a novelist, playwright and nonfiction writer whose most recent book is LET THE RECORD SHOW.

“Citizen,” by Claudia Rankine “The Freezer Door,” by Mattilda Bernstein Sycamore “Memorial Drive,” by Natasha Trethewey “Minor Detail,” by Adania Shibli “The Rediscovery of America,” by Ned Blackhawk “They Were Her Property,” by Stephanie E. Jones-Rogers “Vanguard,” by Martha S. Jones “The Viral Underclass,” by Steven W. Thrasher “We Could Have Been Friends, My Father and I,” by Raja Shehadeh “The Women’s House of Detention,” by Hugh Ryan

Elizabeth Hand

Elizabeth Hand is the author of 20 novels, most recently A HAUNTING ON THE HILL.

“The Enchanted,” by Rene Denfeld “Henry Darger,” by John M. MacGregor “Ill Will,” by Dan Chaon “James Tiptree Jr.,” by Julie Phillips “Just Kids,” by Patti Smith “The Little Stranger,” by Sarah Waters “Magic for Beginners,” by Kelly Link “Night of the Living Rez,” by Morgan Talty “The Old Ways,” by Robert Macfarlane “Pattern Recognition,” by William Gibson

Advertisement

Dion Graham

Dion Graham is an actor whose award-winning audiobook narrations include Jonathan Eig’s KING and Colson Whitehead’s CROOK MANIFESTO.

“American War,” by Omar El Akkad “Black Leopard, Red Wolf,” by Marlon James “Chasing Me to My Grave,” by Winfred Rembert “The Dark Forest,” by Cixin Liu “Evicted,” by Matthew Desmond “A Heartbreaking Work of Staggering Genius,” by Dave Eggers “His Name Is George Floyd,” by Robert Samuels and Toluse Olorunnipa “King: A Life,” by Jonathan Eig “Washington Black,” by Esi Edugyan

Jeremy Denk

Jeremy Denk is a classical pianist and the recipient of a MacArthur Foundation “genius grant.” His memoir, EVERY GOOD BOY DOES FINE, was published in 2022.

“Austerlitz,” by W.G. Sebald “Consider the Lobster,” by David Foster Wallace “Jeff in Venice, Death in Varanasi,” by Geoff Dyer “A Little Devil in America,” by Hanif Abdurraqib “Luster,” by Raven Leilani “The Possessed,” by Elif Batuman “Random Family,” by Adrian Nicole LeBlanc “The Rest Is Noise,” by Alex Ross “Runaway,” by Alice Munro “Sound Within Sound,” by Kate Molleson

Morgan Jerkins

Morgan Jerkins is a journalist, editor and the author of several books, including THIS WILL BE MY UNDOING.

“Barracoon,” by Zora Neale Hurston “Colorless Tsukuru Tazaki and His Years of Pilgrimage,” by Haruki Murakami “Erasure,” by Percival Everett “The Future Is History,” by Masha Gessen “Girl, Woman, Other,” by Bernardine Evaristo “How to Say Babylon,” by Safiya Sinclair “In the Dream House,” by Carmen Maria Machado “Looking for Lorraine,” by Imani Perry “Sing, Unburied, Sing,” by Jesmyn Ward

Advertisement

Michael Roth

Michael Roth is the president of Wesleyan University.

“The Amazing Adventures of Kavalier & Clay,” by Michael Chabon “The Argonauts,” by Maggie Nelson “In Love,” by Amy Bloom “Lose Your Mother,” by Saidiya Hartman “Lost Children Archive,” by Valeria Luiselli “On Earth We’re Briefly Gorgeous,” by Ocean Vuong “Septology,” by Jon Fosse. Translated by Damion Searls “Thinking, Fast and Slow,” by Daniel Kahneman “The Topeka School,” by Ben Lerner “A Visit From the Goon Squad,” by Jennifer Egan

Ryan Holiday

Ryan Holiday is the author of 12 books, including RIGHT THING, RIGHT NOW and THE DAILY STOIC, and co-owns a bookstore in Bastrop, Texas.

“Caste,” by Isabel Wilkerson “The Choice,” by Edith Eger “Deep Work,” by Cal Newport “How the Word Is Passed,” by Clint Smith “Mastery,” by Robert Greene “The River of Doubt,” by Candice Millard “The Road,” by Cormac McCarthy “So You’ve Been Publicly Shamed,” by Jon Ronson “The Tiger,” by John Vaillant “Tunnel 29,” by Helena Merriman

Advertisement
Continue Reading

Culture

Euro 2024 day 23: England's 'cheat code' water bottle and can the Dutch go all the way?

Published

on

Euro 2024 day 23: England's 'cheat code' water bottle and can the Dutch go all the way?

The semi-finals line-up for Euro 2024 is complete.

With France and Spain having assured themselves of places in the last four yesterday, England and the Netherlands followed them with victories today.

Both quarter-finals were tight and dramatic, in different ways. England once again looked laboured and devoid of imagination for much of their meeting with Switzerland, only to squeeze through thanks to Bukayo Saka’s brilliant individual goal — which cancelled out Breel Embolo’s opener — and then some heroics in the penalty shootout.

The Dutch, meanwhile, came from behind against Turkey to reach their first European Championship semi-final in 20 years, setting up a meeting with England in Dortmund on Wednesday.

Our writers dissect the major talking points.

Advertisement

England’s penalty secret? It’s all about the bottle

There didn’t seem to be much in it at first.

Cole Palmer had just scored England’s first penalty in their shootout with Switzerland and Manuel Akanji was sauntering forward to make his response. Jordan Pickford, the England goalkeeper, began to trot over too, before suddenly doubling back.

Pickford had forgotten something — his water bottle, which was rather oddly wrapped in a towel. Having picked it up, he moved back to his goal and placed the bottle, still wearing its towel, next to the side netting.

Having made Akanji wait a bit longer by moving forward to inspect the penalty spot, Pickford settled back on his goal line. Akanji had a short run-up and struck the ball with his right foot, but Pickford was one step ahead. He plunged to his left, parried the penalty away and England had an advantage they were never to relinquish.

Advertisement

Good fortune? Not so much. This was actually a triumph of subterfuge for England and their team of analysts who had studied the penalties of all Switzerland’s players, noted where they tended to place them and printed out their findings for Pickford to stick on his water bottle.

The analysis was captured by a photographer at the ground but Pickford was taking no chances in the moments before Akanji’s penalty — hence his decision to wrap the bottle in that towel.

And England’s backroom staff had clearly done their homework well. They had deciphered that Akanji was likely to shoot to his right, so the best way for Pickford to play the percentages was to dive left — which he duly did.


Pickford’s water bottle with the instruction for Akanji’s penalty (we have circled it here)

Having got it right first time, it was surprising Pickford did not follow his bottle’s advice on all the penalties.

Fabian Schar took their second one but rather than pretending to dive right before actually diving to his left — as his bottle instructed — Pickford did the reverse, faking left and jumping right. Schar’s penalty unfolded as the bottle had predicted, to his right, where the net was vacant.

Advertisement

Pickford did follow his bottle for the final two Swiss penalties: Xherdan Shaqiri struck his to the right, but it was too well placed and his shot just evaded Pickford’s fingertips.

The only penalty where the bottle was proved wrong was for Zeki Amdouni on the fourth kick. Pickford held his ground and dived low to his left, as he had been briefed, but Amdouni outwitted him by going to his right.

Thankfully for England, that one save was enough. And if their semi-final against the Netherlands on Wednesday also goes the distance, do not be surprised to see Pickford’s bottle and towel make another appearance.

Andrew Fifield


Saka stars — but where is Kane?

When Saka starts well, England start well. He was their best player in the first half against Serbia in their opening match of Euro 2024, when he repeatedly had the beating of marker Andrija Zivkovic, and today he was again.

Advertisement

It was no coincidence that the first half today was England’s best since they started the tournament nearly three weeks ago. Pushed high and wide in possession, in a formation that almost looked like a 3-4-3, Saka was up against left wing-back Michel Aebischer. And he easily had the beating of him.

So many times in the first half, Saka took advantage of the fact that England were getting the ball to him far faster than they had been against Slovakia in the previous round. Saka got into good positions, put crosses in and forced corners. The only frustration was that England were never able to turn any of those crosses into serious shots on goal.


Bukayo Saka was a star for England (Clive Mason/Getty Images)

Striker Harry Kane, who was prone to dropping deep throughout the match, ending up playing in defence at points in the second half, was unable to get on the end of any of Saka’s deliveries. Kane was substituted in extra time after an accidental touchline collision with England’s manager, Gareth Southgate.

Without the ball, Saka had to run back and cover Ruben Vargas, but he did that diligently. And when England needed him most, Saka delivered with the crucial equaliser, just when his team looked completely out of ideas.

Jack Pitt-Brooke

Advertisement

Can the Netherlands go all the way?

An unconvincing run, a manager who not many are convinced by, a couple of come-from-behind wins and a feeling that being in the good half of the draw is the only reason they are in the semi-finals… for England, read the Netherlands.

But here they are, in the final four of the Euros for the first time since 2004. So, how good are their prospects of winning just a second major tournament in their history?

Well, Turkey preyed on their weaknesses in today’s quarter-final, especially via set pieces and crosses, while Austria also took advantage of a badly organised defence when consigning them to third in the group stage. But the Dutch have got plenty going for them too.


The Netherlands celebrate beating Turkey (Stu Forster/Getty Images)

Again like England, when they’re confident and in full flow, showing composure and intensity, they can be great to watch, as was the case when beating Romania 3-0 in the round of 16.

Tonight, they had to show resolve, spirit… and some tactical acumen from manager Ronald Koeman with his second-half changes.

Advertisement

Three-goal Cody Gakpo is an obvious threat (who Turkey dealt with well until he crept in at the back post to take advantage of some dozy defending and help score the winner, via Mert Muldur’s own goal), while if Jerdy Schouten, Tijjani Reijnders and Xavi Simons are given time and space in midfield they can play — and then some.

Denzel Dumfries is always a pacy danger from full-back and then there’s big Wout Weghorst to throw into the mix off the bench for some aerial carnage.

England will have plenty to think about.

On current form, Wednesday’s semi-final in Dortmund looks too close to call.

Tim Spiers

Advertisement

Guler departs… as a star

While a Barcelona teenager — Spain’s Lamine Yamal — has rightly been garnering attention throughout the tournament for his sparkling performances, one from their arch-rivals Real Madrid has emerged as someone equally thrilling.

Arda Guler of Turkey may not have played too often for Madrid last season, mostly owing to injury, but he ended his debut year at the Bernabeu in fabulous form (five goals in five games) and brought that momentum to Euro 2024.


Arda Guler has been a star at Euro 2024 (Odd Andersen/AFP via Getty Images)

His second assist of the tournament against the Netherlands today was a beauty. Turkey and Guler, after a slow start, had come into the game via a series of threatening set pieces which the Dutch struggled to cope with, and the opening goal was an extension of that.

Picking up a cleared corner on the right of the box, Guler was itching to try to work the ball onto his favoured left foot and whip it into the box.

With no angle to do that, the 19-year-old, who also hit the post with a free kick in the second half, reluctantly took a swish with his right… and delivered a picture-perfect outswinging cross that completely befuddled goalkeeper Bart Verbruggen, who resembled someone who had half-crossed a road only to recoil and hesitate when seeing a speeding motorbike careering their way.

Advertisement

Verbruggen neither jumped to claim the ball nor reversed to his goal line. He was helpless. Step forward Samet Akaydin at the back post, only playing because of Merih Demiral’s suspension, and he planted an easy header into the net.

Guler’s tournament may be over now, but you sense that this is just the start of a glittering career, for club and country.

Tim Spiers

What’s next?

  • Spain vs France (Tuesday, 8pm BST; 3pm ET)
  • Netherlands vs England (Wednesday. 8pm BST; 3pm ET)

(Top photo: Carl Recine/Getty Images)

Continue Reading

Culture

Mark Gastineau doesn't need your attention anymore

Published

on

Mark Gastineau doesn't need your attention anymore

LEBANON, Pa. — Narrow evergreens tower over the split-level house, lining the long driveway. Arborvitae, they are called. There are 145 of them, and not one has a branch out of place.

When Mark Gastineau and his wife came to see this property for the first time a few years ago, he stopped at the trees that are the color of the uniform he once wore. The realtor told them to come inside and look around, but Gastineau didn’t need to go inside. All he needed to see were the trees.

“They’re the most beautiful trees in the world,” he says. “I love them.”

Gastineau was one of the most accomplished pass rushers in NFL history. But more than that, he was a star. After games ended and his teammates left, he sometimes stayed on the Shea Stadium field so he could feel the crowd’s roar in his chest. He sat on talk show couches for David Letterman, Oprah and Dick Cavett. He won the 1985 “Superstars” competition in Miami and was featured in a six-page spread for “Playgirl” magazine titled, “Mark Gastineau: Out of Uniform.”

Gastineau still is the kind of person who turns heads at the grocery store, with thick black hair slicked back into a mullet that would stick out from the back of a helmet if he still wore one. But he’s 67 now, living with the reverberations of the life he led.

Advertisement

Like many of yesterday’s football heroes, Gastineau has cognitive issues. Headaches come and go, and he tires more quickly than before. At one point he thought he had Parkinson’s, but he says two neurologists have ruled that out.

Gastineau survived Stage 3 colon cancer in 2019 — he wore a colostomy bag for a year — but the chemo left him with neuropathy. If offered, he’ll take a hand when getting out of a chair.

As he gazes out at his Arborvitae, what’s certain is Mark Gastineau isn’t Mark Gastineau anymore.


In his dreams, he was a rodeo cowboy, but as a child growing up on his family’s ranch in the White Mountains of Arizona, Gastineau lacked confidence. Other kids bullied him.

In 2019, Gastineau told the New York Post he had been repeatedly raped as a child, starting when he was 11, by a worker on the ranch. Terrified for his family’s safety, he explained to the Post, he had repressed the memories for more than four decades.

Advertisement

Gastineau repressed nothing else. Everything was a plea for acknowledgment. He was labeled an attention seeker. Really, he was an attention needer.

He performed his first sack dance at Round Valley High School in Arizona, then began a college experience that settled at East Central Oklahoma, an NAIA school. He had 27 sacks there and danced plenty.

Speed was his gift, so he worked to enhance it by running downhill in his driveway over and over in an early adaptation of overspeed training. When an NFL scout timed him in the 40-yard dash, Gastineau ran 4.6 seconds at 265 pounds. In disbelief, the scout told him to do it again. After another 4.6, the scout said his watch must have been off. He tried another, and Gastineau ran a 4.59.

Jets coaches were in charge of the North team at the 1979 Senior Bowl and needed a last-minute replacement player. New York’s Connie Carberg, the NFL’s first female scout, researched the possibilities. She phoned Gastineau to feel him out and was impressed by his determination and enthusiasm, so she recommended him.

His performance was so impressive that he was voted the most outstanding defensive lineman on the North team, and the Jets drafted him in the second round.

Advertisement

Mark Gastineau was a pioneer of both the quarterback sack and the post-sack celebration. (Tom Berg / Getty Images)

Gastineau rushed the passer like fire on a trail of gasoline.

“Dominant is the first word that comes to your mind,” fellow Jets defensive lineman Joe Klecko says. “In his best days as a pass rusher, I don’t think there was any better.”

Weighing as much as 290 pounds, Gastineau bench-pressed 400 and squatted 600. With the hunting instincts of a big cat — and an edge from the steroids he admits to taking — Gastineau went after quarterbacks with bloodlust.

“If the quarterback got up, I didn’t do my job,” Gastineau says.

In his third season in 1981, he had 20 sacks, one-half less than the league-leading Klecko. When the NFL made sacks an official statistic two years later, Gastineau’s 19 topped the league. Fans started calling the Jets’ D-line of Gastineau, Klecko, Marty Lyons and Abdul Salaam “The New York Sack Exchange.” Team publicist Frank Ramos used it in press releases.

Advertisement

After sacks, Gastineau celebrated by pumping his arms, jumping and punching a fist to the sky. “I’d just go nuts,” he says.

“He was like a young colt, full of energy, enthusiasm and passion,” Carberg says.

“I’d have to believe that Mark singlehandedly made the sack a glamorous play and made the NFL start keeping the sack as a meaningful statistic,” Jets coach Joe Walton once said. “He brought attention to it like no one before.”

The look-at-me wasn’t always well received, however. In 1983, Rams offensive tackle Jackie Slater took offense and went after Gastineau, precipitating a melee that saw 37 players fined.

Advertisement

It was the first of two brawls that week for Gastineau. Early one morning at Studio 54, the New York nightclub where celebrities and trouble always could be found, noses were broken and arrests made. Gastineau was convicted of misdemeanor assault and sentenced to 90 days of community service.

Klecko, the throwback, and Gastineau, the throwforward, were a fierce tandem on the field but an uncomfortable one away from it. “I didn’t like what he was doing at all,” says Klecko, the leader of the defense. “But he liked that spotlight.”

At one point, Klecko led Gastineau into trainer Bob Reese’s office. He closed the door and locked it. Then he pounded his thick index finger into Gastineau’s shaved chest.

“Your sack dance is killing us,” he told him. “You have to cut this s— out.”

The point was made.

Advertisement

“I was definitely afraid of Klecko,” he says. “He was two years above me, strong as an ox and knew how to intimidate.”

It wasn’t just the sack celebrations that created rifts. The reviews on Gastineau’s run defense were mixed. His relentlessness and ability to penetrate often resulted in running backs being dropped in the backfield, but on other plays, his gap assignment looked like a wide-open highway.

“Mark worried about the statistics more than I or anybody else did,” Klecko says. “He always wanted to get to the quarterback right away, so we used to have to make coverups on the run.”

An opportunity arose for a New York Sack Exchange poster, but Gastineau’s agent tried to make it a Gastineau poster. Eventually, after hard feelings, he was talked into posing with the others.

When teammates took issue with how he drew attention to himself, Gastineau purposely drew more, wearing a mink coat and driving a Rolls-Royce, a Ferrari and a Lamborghini. “Just to get back at them and piss them off,” he says.

Advertisement

Walton, however, told Klecko to go easy on Gastineau. The coach acknowledged having two sets of rules — one for the rest of the players and one for Gastineau. He was the only one allowed to use the telephone in the trainer’s room. If he was late for meetings — and he often was — no one was to say anything. Gastineau’s father, Ernie, ran the 40-yard dash with players.

“That team was full of cliques and petty jealousies,” says then-Jets wide receiver Wesley Walker, who recalls one teammate spitting a wad of chewing tobacco in Gastineau’s soda cup when he wasn’t looking.

Walker didn’t have a problem with the sack dances — “Those are things I enjoyed,” he said. “He didn’t do it in a malicious way. He created something. A lot of guys do that now.” But before the 1984 season, the NFL passed a rule that said players who participated in prolonged, excessive or premeditated celebrations would be penalized 15 yards. It was referred to as “The Gastineau Rule.”


Despite his production, Gastineau’s New York Sack Exchange teammates Joe Klecko (center) and Marty Lyons (right) had little love for him while he was playing. (Focus on Sport / Getty Images)

With 22 sacks that year, Gastineau set a record that stood for 17 seasons. “I just remember him bringing it every play,” says Hall of Fame Houston Oilers offensive lineman Bruce Matthews, whom Gastineau beat for one of those sacks.

The sacks won him fans but not friends. Teammates voted running back Freeman McNeil most valuable player on the Jets after he rushed for 1,070 yards — 13th-most in the NFL. At the Pro Bowl that season, one of five he played in, Gastineau had four sacks and two forced fumbles on the way to being named MVP. Then Klecko swiped Gastineau’s helmet and gave it to Raiders Pro Bowler Howie Long as a souvenir.

Advertisement

In a 1986 divisional-round playoff against the Browns, Gastineau was determined to knock quarterback Bernie Kosar out of the game. In the fourth quarter, Gastineau hit him with such fury and force that he popped three teeth from his mouth.

The hit was gratifying but only momentarily. It was third-and-24, and Gastineau was assessed a roughing-the-passer penalty that kept alive a touchdown drive that enabled Kosar and the Browns to win in double overtime. Gastineau’s teammates refused to speak to him afterward.

When players went on strike the following summer, Gastineau crossed the picket line, saying he needed the money to pay his estranged wife. As he was entering the Jets facility, teammates spit on his car. He got out of the car swinging.

While he was still married to his first wife, Gastineau began seeing Brigitte Nielsen, the 6-foot-1 Danish model known for her roles in “Red Sonja” and “Rocky IV” fresh off relationships with Sylvester Stallone and Arnold Schwarzenegger.

Nielsen had her people get in touch with his people after she saw him in a televised interview wearing nothing but a towel. They became the Taylor and Travis of their day. “People” magazine featured them on the cover, calling them “a pair of humongous lovebirds … unable to keep their hands or lips off each other.”

Advertisement

Through the first seven games of the 1988 season, Gastineau seemed revitalized. He was selected to serve as a game captain for the first time in his career, drew praise from teammates and was leading the AFC in sacks. He attributed his success to his happiness with Nielsen. But the relationship eventually became a wedge between him and the Jets.

Walker walked into an elevator at the team hotel and saw the two of them, expecting an introduction, but Gastineau never looked up, never said a word.

“I loved Mark and all my teammates,” Walker says. “But I think he did things that didn’t give a good indication of the type of person he really was. He got to be such a superstar that he kind of elevated himself over everybody.”

On Oct. 21, 18 days after Gastineau had three sacks in a game against the Chiefs, the 31-year-old stunned his team by announcing his retirement, citing Nielsen’s ovarian cancer diagnosis that was later discovered to be a precancerous condition.

After quitting football, Gastineau and Nielsen had each other’s names tattooed on their derrieres and partied from New York to Denmark to Scottsdale to Los Angeles. They broke up. She accused him of hitting her. They got back together. She got pregnant. Wherever they went, they saw spots from photo flashes. Gastineau says his drinking became a demon. It would be evident many times in the next dozen years or so.

Advertisement

After a tumultuous couple of years, Gastineau and Nielsen split for good in 1990. There was a comeback attempt in the Canadian Football League that lasted just four games, then a short-lived reincarnation as a boxer, where some of Gastineau’s opponents admitted throwing fights. He faced drug charges in 1993 after being arrested with 200 amphetamine pills at Sky Harbor International Airport in Phoenix and was eventually sentenced to three years of probation.

Multiple women accused Gastineau of domestic abuse, including Nielsen and his second wife. He denies those allegations. In 1998, he was charged with misdemeanor assault, menacing and criminal possession of a weapon against his then-girlfriend, who became his second wife shortly thereafter (a year later, he was arrested for violating a protection order she obtained against him).

Gastineau pled guilty and was sentenced to undergo counseling. He failed to show up and was sentenced to serve weekends in jail. When he skipped a weekend, he was ordered to spend one year at a residential treatment center in the Bronx. He says his attorney wrongly advised him that he could leave the state. When he did, he was arrested and sentenced to 18 months in prison.

At Rikers Island, the Bronx jail known for violence, abuse and squalor, he says inmates tried to intimidate him and shake him down for money. “Sometimes it was really, really, really scary,” he says. One day a Jets game came on the prison television. And he saw a player wearing No. 99 — his number. “How did I get here?” he asked himself.

This was the bottom. Right where he was supposed to be.

Advertisement

Gastineau has found peace at home with Jo Ann and Gracie. (Dan Pompei / The Athletic)

After 11 months, Gastineau was released from Rikers. When he had been in the residential drug treatment program, he met congregants of Times Square Church who invited him to attend a service there.

Whenever Gastineau met people at the church, he introduced himself by saying, “Mark Gastineau, New York Jets.” He saw himself as who he had been, not who he could be, and this made him wonder if God — or anyone else — could love him. He met with Pastor David Wilkerson, who founded the nondenominational church. “You are not Mark Gastineau anymore,” Wilkerson told him. “You are now a child of God.”

In 2005, he met a realtor who didn’t know anything about him. “Wait until you read about me,” he told her. “I’m not in the Hall of Fame. I’m in the hall of shame.”

She read about him and then came to believe he wasn’t Mark Gastineau anymore. “I went by how he treated me,” says Jo Ann Gastineau, who became his third wife in 2007.

Mark led Jo Ann to Times Square Church, which was just what she needed. And she was just what he needed. They volunteered to scrub the church’s public toilets and joined the choir. For a weekly rehearsal, they drove from New Jersey, which sometimes took hours. They took the drive again on Sundays to perform at three services — 10 a.m., 3 p.m. and 6 p.m.

Advertisement

“He couldn’t sing that well, so we put him in the top row,” pastor Carter Conlon says. “He said he thought it was because he was tall. But it was because the top row was the farthest from the microphone.

“I didn’t know anything about sports, but the sports fans couldn’t believe the same Mark Gastineau who played for the New York Jets was wearing a robe, clapping his hands, crying and singing.”

But Gastineau was still struggling with something — he couldn’t forgive Klecko. Conlon told him unforgiveness would hurt him more than Klecko and implored him to let it go. The former teammates were together for an appearance in 2020 in New Jersey, shortly after Klecko had shoulder surgery. Gastineau suggested they pray for healing. Klecko was deeply appreciative.

“I was a young kid,” Klecko says now. “If I could go back, I probably would have been more accepting of his way and tried to talk to him more about it. Once the game is set aside, you have a different life. There is no confrontation between us anymore. I wish him all the best.”

These days, whenever they see each other, Gastineau asks about Klecko’s family, and that means everything to Klecko.

Advertisement

“I shouldn’t have done the things that I did,” Gastineau says. “The playboy attitude I had basically brought me into an atmosphere that was really wrong.”

He was once the highest-paid defensive lineman in the NFL, and players around the league envied “Gastineau money.” But during his cancer ordeal, money was tight. A GoFundMe effort helped. His old teammate Lyons organized a fundraiser, and some powerful people stepped up anonymously.

Gastineau gets by now. Paychecks from appearances help. He established a scholarship fund through Times Square Church that benefits at-risk youth with “passionate desire to serve Jesus through sports or music-related ministries.”

Gastineau finished his career with 107 1/2 sacks — 0.78 sacks per game played. The only players with a better sacks-per-game rate in history are T.J. Watt, Deacon Jones, Myles Garrett and Reggie White. Sports Illustrated’s Paul Zimmerman once ranked him history’s seventh-greatest pass rusher. Yet with his complicated legacy, Gastineau has never been a semifinalist for the Pro Football Hall of Fame.

“To me, he is equally deserving as Joe Klecko for the Hall of Fame,” Matthews says. “When you were preparing to play the Jets, you highlighted him, and he still produced. I think that’s the epitome of a Hall of Fame player.”

Advertisement

When Klecko was inducted into the Hall of Fame last year, Gastineau attended. Klecko once said it would be an injustice if Gastineau was inducted. He thinks differently now, saying he would vote for him.

Being a Hall of Famer would be nice. But Gastineau doesn’t need a gold jacket. He doesn’t need to be noticed anymore.

“I have a wonderful life, a wonderful wife and this little dog,” he says, looking down at Gracie, their Golden Retriever who won’t stop giving affection. “They both love me, and that’s everything I need, you know?”

(Illustration: Sean Reilly / The Athletic; photos: Focus on Sport, Rick Stewart /Getty Images, Dan Pompei / The Athletic)

Advertisement
Continue Reading

Trending