Culture
'Just do the best you can': Exhaustion is part of it for the Women's Open field
ST. ANDREWS, Scotland — Stacy Lewis is back sitting at the top table of the media room, answering a belated question from someone too shy to shout over the gusts of wind during the press conference.
Her five-year-old daughter Chesnee wants to know if she can get a swimming pool — “a big one” — if her mum wins here, as she did in 2013.
“I think I might be able to sort you out, girlie,” says Lewis.
Eleven years have passed since the Texan shot birdie-birdie on the final two holes to clinch the Women’s Open by two shots. The second shot into 17 remains the best of her career, so much so that the 5-iron is the only club she has kept for her office.
But in that time, as motherhood has usurped golf in her list of priorities and made her less tunnel-visioned, the demands of the LPGA Tour have become even more all-consuming.
This year’s tour started with two Florida events and ends with another three in the Sunshine State. The intervening 10 months? A map of tangled zig-zags across the United States, Canada, Europe and Asia that would not look out of place in Chesnee’s school jotter.
This week’s Open is the fifth major in as many months, not including the Olympic Games at France’s Le Golf National earlier this month. St. Andrews closes the majors season, but with the Solheim Cup in September and another Pacific leg this fall visiting China, South Korea, Malaysia, Japan and Hawaii in the space of just 35 days, the schedule is rammed and not ending anytime soon.
We only ask the most important questions in this press conference!!!
Chesnee asked mom @Stacy_Lewis if she could get a swimming pool 🥰😂 pic.twitter.com/bhqgapR1Yz
— LPGA (@LPGA) August 21, 2024
Across the 33 combined LPGA Tour stops and majors this year, there are more than 215 hours of pure flying time. The overall mileage adds up to more than three trips around the world.
This is not a new problem — last year’s schedule included a record-breaking 18 occasions with more than 2,000 miles between tour stops. This season there was the travel to China and intra-continental visits to Thailand and Malaysia; criss-crossing from west coast Los Angeles to east coast New Jersey in May; June’s see-sawing from Michigan to the PGA Championship in Washington state and back again to Michigan, two six-hour flights with just four days rest in between each.
Eight-and-a-half months into the season, with winds of 40-45 mph forecast for Thursday and many players having not been able to play the Scottish Open to reacquaint themselves with links golf, can it be expected that any player is at the top of their game? “Probably not, no,” said Lewis, who is Team USA’s captain for the Solheim Cup in Virginia next month. “Those who played the Olympics, you talk to most of them and it’s just emotionally so taxing that week. So no, our schedule, especially Olympic years, is really, really tough.
“There’s been a lot of talk of schedule lately but also at the same time, I’ve been doing this for 15 or 16 years. You learn how to deal with it, and you learn how to be ready in those moments and really just do the best you can.”
GO DEEPER
The Women’s Open is at St. Andrews. The Old Course is ready to challenge the field
Since 2009, the purse at the Women’s Open has increased from $2.2 million to $9 million, a 409 per cent increase — tripling since AIG started sponsoring the tournament in 2020.
Lewis described the improvement in infrastructure and facilities at the Women’s Open as “night and day” compared to 2013 but believes their hands are tied when it comes to finding ways to ease the gruelling schedule.
“I think that’s the ideal but a lot of it is when do sponsors want to play and when do we get the golf courses?” she said.
“We don’t have the luxury of the PGA Tour that says, ‘We’re giving you X amount of dollars and we’re playing this week.’ We don’t have the money to just throw around.
“We are kind of at the mercy of sponsors. We are at the mercy of golf courses and it’s the nature of where we are. Would we like to be better? Yeah, absolutely. I think our team behind the scenes works like crazy on it but we’re a global tour, and I want to compete against the best players every week.
“So to do that, we’ve got to go play in Thailand because we have players from Thailand. We’re going to go play in Korea because we have players from Korea. I think that’s just the nature of it. It’s more getting into your head, to me, that this is a global tour. You say you’re going to go play on the LPGA Tour, this is also what you signed up for.”
World number one Nelly Korda, having won six tournaments in seven starts between January and May, including the Chevron Championship, has earned more than $3 million this year in prize money.
That allows her the luxury of skipping the full Asia swing, a seven-week lay-off early in the year that was sandwiched between her winning streak. But even the two-time major winner had to withdraw from the JM Eagle LA Championship in April, citing exhaustion.
Nelly Korda has taken frequent weeks off this season, a luxury not all LPGA pros can afford. (Michael Reaves / Getty Images)
Lexi Thompson opened up the conversation around the mental and physical demands of the LPGA Tour in May when she announced she was retiring at the end of the season, aged just 29.
She spoke about how “lonely” and all-consuming life on tour has been since she qualified for her first U.S. Open at 12 but believes there are ways the load could be lessened.
“The schedule for sure,” said Thompson. “I think all the travel gets a lot. I think the flow of schedule could be better. Certain events could be back-to-back that are close to each other. We travel a lot out of the country but it is a global tour so that comes with it, and we’re very lucky for the sponsors that we have outside the country.
“There is a little less weight on my shoulders after the announcement because it has been on my mind for a few years, so it’s something that’s been inside that nobody really knew about or what was going to happen.”
Catriona Matthew claimed her only major at the Open in 2009, winning at Royal Lytham & St Annes just 11 weeks after giving birth. Now 54 years old and making her last appearance at her home tournament, Matthew does not know how she managed to tour with her two children in the following years.
To keep chasing another major in a field so deep Lewis counts 60 per cent as having the potential to win requires supreme resilience.
Lydia Ko is looking to end an eight-and-a-half-year major drought this week but the Australian comes in hot after winning gold in Paris, becoming the 35th woman to be inducted into the LPGA Hall of Fame.
She remains the youngest female to ever win on the LPGA Tour after her triumph at 15 years old, but 12 years later there was an immediate dose of realism about how long she is willing to overcome the sore backs she experiences in the morning — and whether she may bring forward her planned retirement at 30.
“In ways, it can be scary because I’ve played golf since I was five,” said Ko.
“This is my life whether I like it or not and golf has given me so much for me to be thankful for on and off the golf course.
“As much as we are very grateful to be able to do what we love and compete at a high level, I think there is the other side of things that you have to consider. As someone that’s maybe closer to that point in my career than when I was a rookie, you come to realise all of these things, and you respect the player for the decision that she came up with.”
There are players still determined to join the majors club, most notably England’s Charley Hull whose attitude towards a recent shoulder injury captures the mindset needed to cope with this relentless schedule.
“My shoulder just got a little bit tight so I have acupuncture in it every other day because when it’s cold, it can play up a bit,” she said.
“I’ve got degenerate arthritis in it, as well. So when it does get cold, it gets a bit stiff. I just try to keep it warm.
“Apart from that, I’m healthy and ready to go.”
(Top photo: Luke Walker / Getty Images)
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
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