Culture
John Sterling may return to call Yankees postseason
John Sterling may come out of retirement to call the New York Yankees’ postseason, according to sources briefed on WFAN, the Yankees and Sterling’s plans.
Early this season in April, Sterling, 86, stepped away from the booth after 36 years. The Yankees held a retirement ceremony for him. A trio of Rickie Ricardo, Justin Shackil and Emmanuel Berbari has replaced him.
This week, Sterling made a brief appearance in the Yankees booth, teaming up with analyst Suzyn Waldman to call a few innings.
Over the next few days, he is expected to discuss with Audacy New York president Chris Oliviero if he will return for the playoffs, according to a person briefed on the plans. Oliviero, who oversees WFAN, has not officially asked Sterling yet.
“The ball is in their court,” Sterling said. “They would have to ask. I would feel bad for the guys who have done the games all year.”
Oliviero declined to comment.
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While it is possible that WFAN and the Yankees could have Sterling call home playoff games, initial indications from those briefed on discussions is that he would need to commit to all home and road playoff games. Travel was one of the major reasons Sterling retired in April. On Thursday, via phone, he said the scheduling of the playoffs makes that aspect easier.
If he returns, Sterling could call a few regular-season games to tune up.
Regardless of whether he returns or not in October, Sterling is expected to resume retirement after the season.
The Yankees and WFAN would then consider Ricardo, Shackil and Berbari for the job while also conducting a national search.
Recently, WFAN and the Yankees had FS1 “Breakfast Ball” co-host Craig Carton call some games. While Carton is not a full-time candidate, team and radio executives liked what they heard and would invite him back. It is unlikely to happen this season as Carton’s “Breakfast Ball” responsibilities go into full swing in September.
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(Photo: Brandon Sloter / Icon Sportswire via Getty Images)
Culture
From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel
When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.
This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.
There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.
Their first impressions fill a nearly page-long paragraph. Here’s how it begins.
Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.
But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.
It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.
See the full list of the 10 Best Books of 2025 here.
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