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FIFA report: Saudi 2034 World Cup bid has ‘medium’ human rights risk

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FIFA report: Saudi 2034 World Cup bid has ‘medium’ human rights risk

FIFA, the world governing body for football, released on Friday night its evaluation report for Saudi Arabia’s bid to host the men’s World Cup in 2034, awarding the nation a higher score for bidding requirements than it granted the successful Canadian, American and Mexican joint bid for the 2026 edition, while declaring the risk assessment for human rights to be “medium”.

FIFA also claim in their report that there is “good potential” for the competition to act as a “catalyst” for reforms within Saudi Arabia, saying it will “contribute to positive human rights outcomes”. Amnesty International described FIFA’s observations as “an astonishing whitewash” of Saudi Arabia’s human rights record.

The bid report also declared the bid by oil-rich Saudi to have demonstrated a “good commitment to sustainability” while FIFA acknowledges that the Saudi bid presents an “elevated risk” in terms of timing due to the climate of the country.

FIFA, which ordinarily holds men’s World Cups in June and July, says the bidder did not stipulate a proposed window for the tournament but pledged to collaborate to “ensure the tournament’s success”, implying we may see a repeat of the 2022 edition in Qatar which was shifted to the winter months to allow for the safety of participants and supporters.

FIFA ranks its World Cup bids out of five and awarded the Saudi bid a score of 4.2, higher than the so-called United bid for 2026, which was rated 4.0. For the Women’s World Cup in 2027, Brazil’s successful bid was ranked 4.0, while the defeated joint bid of Belgium, the Netherlands and Germany was given a score of 3.7.

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FIFA released its report in an email to media at 12.33am Central European Time on Saturday morning. Almost immediately, reports emerged in Middle Eastern English-speaking outlets such as the Saudi Gazette, declaring that the Saudi bid had received the highest ever score from FIFA when bidding for a World Cup.

The Saudi bid for the 2034 World Cup had already been considered a nigh-on inevitability because it was the only bidder for the tournament. This outcome developed after FIFA announced a mega-edition bid for the 2030 World Cup, which would be hosted across three continents (Africa, Europe and South America) and six countries (Morocco, Spain, Portugal, Argentina, Uruguay and Paraguay).

This ruled those three continents out of bidding for the following World Cup in 2034, while the joint U.S., Canada and Mexico event for 2026 ruled out a return to North America due to FIFA’s principle of confederation rotation.

This left the Saudis with a clear run in the absence of a rival from elsewhere in Asia or Oceania, subject to a vote of member nations at the FIFA Congress on December 11, which was widely seen as a formality.

FIFA’s report say their evaluation “consulted various sources, including the bidder’s human rights strategy, the mandated context assessment, as well as direct commitments from the host country and host cities, together with all contractual hosting documents, all of which notably contain provisions relating to respecting human rights in connection with the competition”.

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Tennis stars Ons Jabeur (far left) and Aryna Sabalenka tour the Saudi 2034 bid exhibition in October (Katelyn Mulcahy/Getty Images for WTA)

However, The Athletic revealed last month how 11 organisations — including Amnesty International, Human Rights Watch, a Saudi Arabian diaspora organisation and human rights groups specialising in the Gulf region — raised major concerns about the credibility of a report for FIFA entitled “Independent Context Assessment Prepared for the Saudi Arabian Football Federation in relation to the FIFA World Cup 2034”.

The independent context assessment, produced by the Saudi arm of global law firm Clifford Chance, excluded a large number of internationally recognised human rights from its assessment, saying this was because “either Saudi Arabia has not ratified the relevant treaties or because the Saudi Football Federation did not recognise them as ‘applying’ to the assessment”.

This meant it avoided delving into matters many would consider pertinent to Saudi, notably relating to freedom of expression, association and assembly, as well as LGBTQI+ discrimination, the prohibition of trade unions, the right to freedom of religion and forced evictions.

The report said that the scope of its assessment was “determined by the Saudi Arabian Football Federation in agreement with FIFA”, suggesting that FIFA itself approved the omissions. Both the Saudi Football Association and FIFA did not respond when approached by The Athletic at the time.

In a press release by the rights groups, they claimed that “Saudi Arabia’s already dire human rights record has deteriorated under the de facto rule of Crown Prince Mohammed bin Salman” and cited a “soaring number of mass executions, torture, enforced disappearance, severe restrictions on free expression, repression of women’s rights under the male guardianship system, LGBTI+ discrimination, and the killing of hundreds of migrants at the Saudi Arabia-Yemen border”.

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“As expected, FIFA’s evaluation of Saudi Arabia’s World Cup bid is an astonishing whitewash of the country’s atrocious human rights record,” added Steve Cockburn, Amnesty International’s head of labour rights and sport. “There are no meaningful commitments that will prevent workers from being exploited, residents from being evicted or activists from being arrested.

“By ignoring the clear evidence of severe human rights risks, FIFA is likely to bear much responsibility for the violations and abuses that will take place over the coming decade. Fundamental human rights reforms are urgently required in Saudi Arabia, or the 2034 World Cup will be inevitably tarnished by exploitation, discrimination and repression.”

The FIFA bid evaluation, published on Saturday morning, leans heavily on the Clifford Chance report. It does not make any references to the terms “LGBTQI+”, “sexuality” or “sexual orientation”, while the only mention of women’s rights within Saudi Arabia can be found with references to the growth of the women’s game and women’s participation in football within Saudi.

The bid evaluation says that Saudi “has made significant strides in developing interest and grassroots participation for women and girls, and at the elite level”.


A model of Jeddah Central Development at the Saudi 2034 World Cup exhibition in Riyadh (Fayez Nureldine/AFP via Getty Images)

The bid, which ranks by low, medium or high, also gives a medium level of risk to stadiums, transport and accommodation, as well as the previously explained “event timing”. Stadiums are awarded a 4.1 rating out of five, despite eight of the proposed 15 stadiums for the tournament being new-builds. FIFA said this presented a “slightly elevated” risk profile.

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The bid evaluation says the Saudi bid submitted commitments from the government to “respect, protect and fulfil internationally recognised human rights in connection with the competition, including in the areas of safety and security, labour rights (in particular fundamental labour rights and those of migrant workers), rights of children, gender equality and non-discrimination, as well as freedom of expression (including press freedom)”.

FIFA says the Saudis have committed to “equitable wages”, as well as “decent working and living conditions for all individuals involved in the preparation and delivery of the FIFA World Cup, including through the establishment of a workers’ welfare system to monitor compliance with labour rights standards for tournament-related workers”.

They also say the Saudis will “engage with the International Labour Organisation (ILO) in relation to its commitment to upholding international labour standards in all activities associated with the competition.” The treatment and rights of migrant workers were among the biggest talking points before and during the 2022 World Cup, staged in neighbouring Qatar.

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FIFA simultaneously released its report for the sole bid for the 2030 World Cup, which will be held in Spain, Portugal, Morocco, Uruguay, Argentina and Paraguay. The 2030 bid, which does not have a rival, will also be voted on by the member nations on December 11. It also received a rating of 4.2 out of 5, with the only medium risk factors judged to be stadiums, accommodation, transport, and the legal framework of the tournament.

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The “sustainable event management” and “environmental protection” of a competition held across three continents was judged to be a “low” risk.

The report says that the “environmental impact assessment and initial carbon footprint assessment by the bidder, together with the commitments, objectives and mitigation actions outlined, provide a good foundation for the development of effective strategies towards managing the negative impacts of the tournament on the planet and protecting the environment”.

(Top photo: Christopher Pike/Bloomberg via Getty Images)

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Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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