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Book Review: ‘A Crack in Everything,’ by Marcus Chown

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Book Review: ‘A Crack in Everything,’ by Marcus Chown

A CRACK IN EVERYTHING: How Black Holes Came In From the Cold and Took Cosmic Centre Stage, by Marcus Chown


When writing about the complexities of our universe, the astronomer turned author Marcus Chown goes straight to the deep end. His book, “A Crack in Everything,” tells the stories of scientists on the quest to demystify black holes, and it starts with Albert Einstein’s counterintuitive description of gravity.

That gravity is a force — some invisible pull attracting your pencil to the floor — is an illusion, Einstein suggested. What we perceive as gravity is instead the warping of space and time around a massive object, like how plopping a bowling ball onto a soft mattress will curve the sheets surrounding it.

It was a revelation that completely upended the way physicists thought about the universe. But, Chown explains, it also led to a horrifying realization. If that massive object was squeezed small enough, like a star that has run out of fuel and collapsed under its own weight, the warping around it would grow so steep and so powerful that the object would simply cease to exist. Einstein’s new theory of gravity, known as general relativity, gave birth to a monster that he never escaped: the black hole, a cosmic entity with the mass of millions or billions of suns that will devour anything in its wake.

“They are the stuff of physicists’ nightmares,” Chown writes, the afterlives of too-big, burned-out stars swallowed by their own gravity, creating an infinitely dense pit of who-knows-what, because in the belly of a black hole, the laws of physics just stop making sense. As the author concludes, “No wonder Einstein never believed in black holes.”

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Chown’s book is primarily a chronicle of the researchers who helped make black holes believable, not just for the Einsteins but for everyone else. He has plumbed the historical record and conducted interviews with pioneers like the New Zealand mathematician Roy Kerr and the British astronomer Paul Murdin, weaving into the stories of their lives and work the uncanny mechanics of the invisible bête noire they helped reveal.

At times, Chown’s writing is downright poetic. Two black holes “locked in a death spiral,” he writes, “launched a tsunami of tortured space-time” — gravitational waves that reverberated across the cosmos and, notably in 2015, into the detectors of eagerly awaiting astronomers on Earth, direct proof that black holes exist. But elsewhere, Chown’s scientific descriptions are difficult to follow, even dizzying. How does the average reader comprehend, for example, that inside a black hole, “space and time become so distorted that they effectively swap places”?

The best parts of “A Crack in Everything” lie between the passages of scientific flair, where Chown brings the heroes of physics past alive. We see Karl Schwarzschild of the Schwarzschild radius, the equation describing the size of a black hole, making his discovery while suffering from painful, chronic skin blisters as a soldier in World War I. Years later, we glimpse Subrahmanyan Chandrasekhar of the Chandrasekhar limit, a way to identify the stars that might someday become black holes, doing his calculations by starlight on the deck of a steamship bound for Cambridge, his mind ranging “freely among the embers of dying suns.”

Each chapter in the first half of the book introduces one or two protagonists to root for on their way to the next big discovery. But as the knowledge develops, so too do the scientific instruments and methods, and the number of people needed to push the science forward balloons. By the 1990s it is impossible to keep track of all of the players involved, and Chown mostly abandons his main-character strategy. That does not, however, impact his ability to set up the stakes for each new breakthrough and detail all of the magic and mishaps that come with doing science.

It may be difficult to relate to the genius required to ponder cosmic enigmas. But Chown makes sure you empathize with the rush to get to publication first; the utter exhaustion of consecutive 16-hour night shifts at the observatory, piecing together the first picture of a black hole; and the despair that astronomers felt when the first images from the Hubble Space Telescope came back blurry.

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Chown wants us to think a little more tenderly of black holes, too. They are not destructive monsters gobbling up everything in their vicinity, but rather passive predators, waiting for prey to fall their way. Nor are they always ominously black, but often “the most brilliant beacons in creation,” stirring up some of the brightest light in the universe as they feed. By the time you finish “A Crack in Everything” you will see black holes for what they really are: vibrant, spinning hearts around which star matter whirls, coaxing the growth of galaxies and forming a path for the emergence of planets, even life itself.


A CRACK IN EVERYTHING: How Black Holes Came In From the Cold and Took Cosmic Centre Stage | By Marcus Chown | Apollo | 334 pp. | $30

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Can You Name These Novels Based on Their Characters?

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Can You Name These Novels Based on Their Characters?

Welcome to Lit Trivia, the Book Review’s regular quiz about books, authors and literary culture. This week’s challenge asks you to identify a novel’s title based on the characters in the text. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books if you’d like to do further reading.

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Do You Know Where These Famous Authors Are Buried?

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Do You Know Where These Famous Authors Are Buried?

A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself — or have a lasting influence on an author. With that in mind, this week’s literary geography quiz highlights the final stops for five authors after a life of writing. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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Whatever you do, don’t think of a bird.

Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?

Before you answer, read this poem, which is quite literally about not thinking of a bird.

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Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.

Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.

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Wallace Stevens in 1950.

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Walter Sanders/The LIFE Picture Collection, via Shutterstock

As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.

Are those worlds real?

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Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.

Until then, we find consolation in fangles.

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