Culture
Atletico Madrid’s links with radical ultras is a story of violence, emotion and change
Sunday night’s dramatic derby with city rivals Real Madrid put Atletico Madrid’s relationship with the radical block of fans that gather inside their ground under a new global spotlight.
After Real Madrid took the lead, Atletico captain Koke and manager Diego Simeone pleaded for calm with balaclava-wearing supporters, who had thrown objects onto the pitch at rival goalkeeper Thibaut Courtois for his supposedly provocative celebrations.
The match was suspended for 20 minutes before Angel Correa’s 95th-minute equaliser gave Simeone’s side a 1-1 draw.
After the final whistle, Atletico’s players celebrated in front of the section where the small number of supporters involved in the object-throwing regularly congregate — behind the goal at the south end of their Estadio Metropolitano, which on Sunday welcomed a record crowd of 70,112.
The whole night shone a spotlight on the more radical elements of Atletico’s support, especially the Frente Atletico ‘ultras’ (fans marked out for their choreographed and fanatical support) and their long and complicated relationship with the club’s hierarchy and the current team.
It also drew further attention to the stormy relationship between the Spanish capital’s two biggest football clubs, including historical grievances on the Atletico side, and the racist abuse Real Madrid’s Vinicius Junior has suffered around recent meetings between the sides.
Here, The Athletic dives into the deeper questions behind what happened.
Who are the Frente Atletico?
The Frente Atletico was formed in 1982, originally influenced by ultras movements in Italy and the UK. Atletico recognised it as an official supporters club and encouraged them as they brought atmosphere with chants and banners, motivated players and attracted bigger crowds to the stadium. Frente leaders got to know then-Atletico president Jesus Gil, occasionally socialising with Atletico players and appearing on Spanish radio shows in the 1980s.
Over time, Frente members holding more radical right-wing views took control of the group. They were also attracted by money-making opportunities, as Atletico facilitated the sale of blocks of match tickets that the Frente leadership could control. This continued after Atletico were converted into a private company in 1992, with Gil and film producer Enrique Cerezo taking control in a move Spain’s supreme court later deemed illegal — but no action followed as the court also said that the statute of limitations had passed.
There was often violence involved with the Frente. In the 1980s, some members would ‘defend’ Atletico fans from opposition ultras at away games. There were also clashes with police.
The group became increasingly radical. Frente members attacked and killed Real Sociedad supporter Aitor Zabaleta near Atletico’s old Vicente Calderon stadium in 1998. Despite this, Frente retained its privileges with the club, continuing to sell match tickets and storing its banners and drums at the Calderon.
More recently, in November 2014, Deportivo La Coruna ultra Javier ‘Jimmy’ Romero Taboada was killed during an organised fight between Depor and Atletico fans before a game at the Calderon.
How could such a group still be allowed into Atletico’s stadium?
After Romero Taboada’s death, Atletico revoked the Frente’s official status and banned some members from the Calderon. Over the next few years, Atletico began to modernise on and off the pitch, most notably moving to the Estadio Metropolitano on Madrid’s outskirts. Twelve consecutive seasons of Champions League football under Simeone have brought extra revenue and status as one of Europe’s elite clubs.
But Frente-aligned clothes, banners and chants are still a part of the Metropolitano’s matchday experience. Incidents are less frequent but still serious, including an Atletico ultra displaying a Nazi swastika at a game in May 2018 and a far-right banner flown in their section of the stadium during that year’s Europa League final against Marseille in Lyon.
There have also been battles for control of Atletico’s most radical fans and the moneymaking opportunities presented by the Frente ‘brand’, such as ‘official’ scarves and T-shirts. A man was hospitalised in January 2018 after a fight between members of different hardcore Atletico groups outside the Metropolitano. A new radical group, ‘Suburbios Firm’, has emerged — its members are already banned from attending home games, but sometimes support the team away.
In practical terms, especially within the stadium, the ‘Frente’ is now more of an idea than an actual group of paid-up members. Ultras from the 1990s and 2000s are older and less likely to attend matches. The club recognise an ‘animation section’ of fans behind the goal but they have long ended the practice of facilitating blocks of tickets for sale by ultras leaders.
Atletico say they can only ban individuals from the stadium after they have committed a crime and that it is impossible (and illegal) to take collective action against groups of people without evidence of wrongdoing. “We cannot expel 200 people from the stadium because someone believes they belong to a certain group or because they wear a certain T-shirt,” a club spokesperson told The Athletic. “The image might be awful, but there has to be a crime committed for action to be taken.”
After Sunday’s events, an Atletico statement said the club was committed to “working with the police to locate those involved, one of whom has already been identified”.
Were they involved in the racist abuse of Vinicius Jr?
Last December, four members of Frente Atletico were charged over the hanging of an effigy dressed to resemble Vinicius Jr from a bridge near Real Madrid’s training ground in January 2023. The mannequin was hung next to a 16-metre banner that read “Madrid hates Real” and was displayed hours before a Madrid derby in the Copa del Rey quarter-finals.
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After last season’s Metropolitano ‘derbi’, police identified individuals who were caught on camera racially abusing the Brazilian. Atletico revoked their status as club members, banning them from the stadium. Similarly, when one ‘fan’ racially abused Athletic Bilbao’s Nico Williams in April, he was also expelled and banned.
Before Sunday’s game, messages on social media circulated with some apparent Atletico fans urging supporters to wear masks to the game to avoid detection by cameras when making racist insults, specifically calling Vinicius Jr a monkey.
No racist abuse of Vinicus Jr was reported on Sunday, although there were chants against him when Madrid’s team bus arrived and whistles for his every intervention on the pitch.
Instead, the focus switched to Courtois, a former Atletico player who moved from Chelsea to Real Madrid in 2018.
How does Atletico’s self-image fit with all this?
Atletico fans, players and club officials have historically identified themselves as scrappy underdogs who fight against authority and power — especially against their richer and more glamorous city rivals. That self-image is deeply rooted within the club and most Atletico fans are convinced the media and authorities support Real Madrid.
Atletico went 14 years without a win against Real Madrid (1999-2013) and still feel that any victory for Atletico over Madrid is a victory for the little guy.
“These are difficult times and people identify with us as we are fighting against many adversities,” said then-Atletico midfielder Tiago in 2014 as Simeone’s side won that season’s league title — their third in 37 years. “We’re like Robin Hood.”
Simeone’s style of football — with its emphasis on hard work and physicality — fits Atletico’s traditions and the emotional connection with the stadium has played a key role. After each game, Atletico’s players salute all four corners of the stadium, starting with their more hardcore fans.
On Sunday, when the game was stopped after objects were thrown at Courtois, Atletico captain Koke and long-serving defender Jose Maria Gimenez ran behind the goal to speak with the fans in the area the objects had come from. Simeone also approached them, making a ‘calm down’ gesture.
After the game, as usual, Atletico’s players gathered on the edge of the penalty area to applaud the Fondo Sur (the hardcore group of fans who congregate behind the goal at the stadium’s south end), which many felt could be seen as a gesture of support for their behaviour during the game.
What do most Atletico fans think?
As the Frente is not an official group, nobody knows exactly how many members it has or how many regularly attend games. Some ultras who lead chants behind the goal have often covered their faces with scarves or balaclavas to avoid identification.
The vast majority of Atletico fans do not like the Frente at all. Many keep away from the bars where the hardcore ultras drink before games and also steer clear of them in the stadium.
Divides within the fanbase are clear. In November 2022, the Fondo Sur left their area empty for the first half of a game against Espanyol, protesting the team’s poor displays. Fans in other areas of the stadium loudly whistled them when they did enter.
On Sunday evening, when the referee took the players off the pitch in the second half, this divide was again evident. Amid a surreal silence in most of the ground, ultras behind the goal continued to chant and jump and down, only to be met by whistles from other areas of the ground. There were also whistles when the team went to applaud the Fondo Sur on the final whistle.
“I was there and I was one of those who whistled the Frente,” said one Atletico fan (as the supporters consulted for this article work in football, they spoke anonymously to protect their position). “Atletico fans are fed up and embarrassed by what happened.”
Another supporter said: “Ninety-nine per cent of the people in that stand are normal, but those who dominate are the brainless ones.”
Atletico’s ‘embattled underdog’ identity can blend into a feeling of persecution among regular fans, not just Atletico’s more radical ultras. Many agreed when Simeone said after Sunday’s game that Courtois bears responsibility for the way he celebrated Madrid’s opening goal. TV pictures showed him mouthing, ‘Vamos’ (come on) as he moved his hand towards the stands — a proactive gesture, in the view of home fans. Moments before the goal, chants of, “Courtois die” had been heard.
Courtois is not popular among Atletico fans. Since joining Real Madrid, they feel he has been disrespectful towards his former team, who he represented from 2011 to 2014. Like all players who have made more than 100 Atletico appearances, he has a plaque on the ‘centenary players’ walk’ on the stadium concourse. As they always do whenever Courtois plays at the Metropolitano with Real, Atletico fans left rubbish and other debris on his plaque.
What does the rest of Spanish football make of Atletico’s hardcore fans?
After Romero Taboada’s death in 2014, there was a concerted effort from Spanish football authorities to weaken ultras’ influence, even trying to keep them out of stadiums.
Many other clubs — including Real Madrid and Barcelona — have banned individuals and groups. They have also introduced their own ‘official’ animation sections, which are more tightly controlled by club authorities, so behaviour can be more easily policed.
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La Liga’s reputation took a battering following the global uproar at the racist abuse that Vinicius Jr suffered in Valencia’s Mestalla stadium last year and the league’s executives have since reacted much more seriously to any incidents of racism within or around Spanish stadiums, and also online.
La Liga’s official response on Sunday evening to the events inside the stadium was relatively restrained, with a post on X saying there was “zero tolerance for any acts of violence inside or outside our stadiums”.
Local coverage of the events, which made many headlines in international media, was also quite restrained. There were no angry op-eds calling for the Metropolitano to be closed or for the complete banning of all ultras from Spanish stadiums.
The Spanish Football Federation and La Liga have yet to decide what punishment Atletico will receive for Sunday’s incident. They could try to close parts of the stadium for a few games, but that may be difficult to impose. Real Betis successfully appealed such a sanction when a Sevilla player was hit by an object thrown from the stands in January 2022. Atletico also successfully appealed in April when a section of the stand was closed for two games after Williams was racially abused, arguing that it was unfair to punish a whole group for the behaviour of one individual.
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What about Atletico’s international image and the club’s medium-term future?
The evolution of Atletico into one of Europe’s elite clubs continued this summer, with the investment of more than €200million (£166.6m; $222.2m) in big international stars, including Julian Alvarez and Conor Gallagher.
It added to a feeling that Atletico’s hierarchy are looking to take a big leap forward. This summer, €70m was raised from the club’s shareholders, which include UK-Israeli company Quantum Pacific and U.S. investors Ares Management Corporation. Chief executive Miguel Angel Gil Marin laid the first stone at a new training ground on a site beside the Metropolitano.
Many within the Spanish football industry believe that Gil Marin and Cerezo will sell their controlling interest in Atletico to foreign investors. Sunday’s disgraceful scenes, which echoed around the world, will not have helped drum up interest.
When reporters asked Cerezo on Sunday afternoon about the online hate messages about Vinicius Jr, he first said, “At Atletico Madrid, I don’t consider that there is anyone anti-racist or racist.” Later, at the stadium, he clarified to broadcasters DAZN that he “meant to say that we all have a responsibility to fight against racism”.
Atletico are keen to project a more modern positive image and have launched campaigns in the stadium and online to educate their fans.
“’We Love Football’ is a project to channel all of our actions aimed to build a sport where diversity, inclusion, respect and tolerance inspire society,” the club’s website says.
On Sunday, Atletico quickly released a statement saying the club was working with police to identify all individuals who threw objects onto the pitch and that they will be banned from attending games. Since Sunday, Atletico have also changed their statutes so that fans who wear masks to avoid identification can be immediately expelled from the stadium.
There is an awareness at Atletico — within the club and among the fans — that their image has been badly damaged. The vast majority of fans are adamant that the Frente does not represent their views and the club say they are doing all they can to stamp out their influence — but the connection is still strong between the team and the section of the stand where there is continuing anti-social (and worse) behaviour.
“The image of the players talking to fans wearing balaclavas, and then going to applaud the stand at the end of the game, was terrible,” said another Atletico fan. “The club still has a lot of work to do.”
(Top photo: Gonzalo Arroyo Moreno/Getty Images)
Culture
‘Everybody listens’: Nick Saban caps a significant rookie season on ESPN
The Worldwide Leader in Employing Former Coaches and Players has made many prominent hires over the years, but Nick Saban slots into a class of his own.
Multiple eras of ESPN management never hid their desire to bring Saban into their orbit, and I remember reporting an item in August 2014 on Saban’s wowing ESPN staffers during a long conversation at The Langham Hotel in Pasadena, Calif., the day before the national championship game. The NFL is ESPN’s most important property, but in many ways, college sports make ESPN go.
Saban, represented forever by CAA, the talent agency that essentially has an office in ESPN’s headquarters in Bristol, Conn., clearly was intrigued by broadcasting, and ESPN finally landed its man last February. Think of Tommy Lee Jones chasing Harrison Ford in “The Fugitive,” except this story ends with Ford getting a multimillion-dollar deal to talk college football.
Saban was in the middle of the “College GameDay” set Monday night in Atlanta as part of a two-hour pregame show. He also pulled halftime duties. The iconic show now centers around Pat McAfee, who brings energy and unpredictability, and Saban, who has been charged with bringing gravitas.
Saban has delivered that in his opening year. Monday night in Atlanta, he offered a nice piece of copy early in the pregame:
“The most important thing in games like this is who can keep the main thing the main thing,” Saban said. “There’s a lot more disruptions when you are playing in a national championship game. You travel at a different time. You practice in a different place. You have more media obligations. Everybody has won three big games. Both teams won a big game last week.
“How do they handle the whole idea of, ‘Am I relieved that we got to this point or am I going to go get the gold?’ People remember the ‘Miracle On Ice.’ We beat Russia, and that was like what everybody remembers. We had to go beat Finland the next week (Editor’s note: It was actually two days later) to win the gold medal. Somebody has to step up tonight and win the gold medal.”
What GameDay lacked for a couple of years was someone right off the field, whether a player or coach, and that’s where Saban has been significant. Broadcasters do not impact viewership outside of a rare few (maybe Howard Cosell and Charles Barkley), and I’m not sure Saban falls in this category, but the data is the data: “College GameDay” averaged 2.2 million viewers during the regular season, its most-watched season ever and a 6 percent increase from 2023.
Jim Gaiero, who has been the lead producer of “College GameDay” for the past nine years, said he was intimidated by Saban when the former Alabama coach first joined the show.
“Just because he’s Nick Saban,” Gaiero said. “I didn’t really know him that well. I thought he would be that same coach who’s yelling at Lane Kiffin and demanding perfection in everything we do. I was definitely intimidated. Now he busts my chops more than any human being. I am his punching bag, and it’s fun. He’s very funny and a ball-buster.
“He was always good on TV, and when the camera’s on, he’s on. So it was about learning things like how do you introduce a point that leads to an XO tape, or where you direct yourself during a conversation.
“I remember early in the season I was talking to him, and I said, ‘If you are going to go to Dez (Desmond Howard) next, make sure you’re looking at Dez.’ He’s like, ‘Well, why didn’t you tell me this before?!’ I was like, ‘Well, I didn’t want to give you everything at once.’ We’ve added stuff each week, and he’s grown so much since the beginning of the season.
“The thing is, whenever he makes a comment, everybody listens. He doesn’t have throwaway comments. There are some analysts who tend to repeat what their co-analysts just said. It’s almost like an echo. But when he speaks, it’s a unique perspective that nobody else has ever had.”
It is very intentional to place Saban in the middle of the set, as opposed to an end, because Gaiero said it is easier for the other panelists to interact with him. (You don’t want newcomers on the edge of a set because it makes it tougher for them to get acclimated to the conversation.) Gaiero said GameDay benefited from Saban’s already knowing all its on-air members before becoming one.
“The best moments for our chemistry are the Friday meetings because Nick will tell a few stories, and everyone is on the edge of their seats listening,” Gaiero said. “It can be as silly as a recruiting story or the time he played at this stadium. He tells the story, and we’re all laughing, and he’s laughing and smiling. He’s like, ‘I don’t know if you guys want that on the show,’ and we’re all like, ‘My God, that’s definitely in the show!’”
Gaiero said Saban’s best moments this year were his “nothing” speech from October and when he discussed changing his coaching style from transactional to transformative. (They submitted the latter for the Sports Emmy nomination process.)
The next evolution for Saban, according to Gaiero, is to refine his preparation process. The producer wants him to talk to as many coaches as he can during the offseason and, of course, watch tape.
The program would be wise in Year 2 to dial back on the genuflecting of Saban. His resume speaks for itself — no need for the on-air cast to go overboard in deifying him. Saban also has been at his best when fewer people are on set. That was the case in the 7-7:30 p.m. ET hour Monday, when he was prominently featured alongside McAfee, Howard and host Rece Davis.
“He now knows what he needs to do on television,” Gaiero said. “Early on in the season, we might mention 30 games on a production call, and he’d want to know which games I wanted him to focus on. I told him early on to think of everything like a funnel. We’re going to start off with a lot of games and teams, and then as the weeks go by, certain teams are going to fall by the wayside because they’re not going to matter anymore. His preparation can be simplified going into next year.
“I think he definitely sees himself as a broadcaster now, and he’s seeking the feedback to be a better broadcaster. This isn’t just a one-year or two-year thing for him.”
(Photo: Butch Dill / Getty Images)
Culture
The Most Anticipated Book Adaptations of 2025: Movies and TV Shows
New Year, new reading goals. It’s that season again when anything feels possible: Maybe this is the year you’ll finally tackle that dust-laden copy of “Infinite Jest” sitting on your shelf, or earn your “I finished ‘The Power Broker’” mug. And for binge watchers, it’s also the perfect chance to study up by diving into the books that are being adapted into movies and TV shows in 2025. Here are some of the thrillers, romances, sci-fi page turners and detective novels coming soon to a screen near you.
This is a running list. Check back for more updates as the year goes on.
By Matthew Quirk
Peter Sutherland is an F.B.I. agent who works at the White House, monitoring an emergency phone line that seldom rings. One night, he receives a distressing call from a woman named Rose Larkin, who reports that two people have just been murdered. What follows is a whirlwind of action and suspense as the two become entangled in a conspiracy involving high-level corruption and espionage.
Season 2 of “The Night Agent” premieres on Netflix on Jan. 23.
By Arthur Conan Doyle
There have been no shortage of screen versions of Sherlock Holmes, Doyle’s beloved British detective: According to the Guinness Book of World Records, the persnickety genius is the second-most portrayed literary character in the history of film. In “Watson,” the latest adaptation, however, the focus is on Dr. John Watson, Holmes’s loyal confidant and the frequent narrator of his escapades. Though the series is not inspired by a specific book or story, “A Study in Scarlet” is a delectable primer on the two men’s longstanding friendship.
“Watson” premieres on CBS and Paramount+ on Jan. 26.
By Dav Pilkey
In this spinoff of Pilkey’s “Captain Underpants” universe, Dog Man — a part-dog, part-human police officer — and his eccentric friends battle villains and solve crimes. Blending humor, action and heart, the graphic novel series teaches young readers about friendship and bravery — all brought to life through colorful illustrations and quirky anthropomorphic characters. It has already been adapted into an Off Broadway musical. Now it heads to the big screen.
“Dog Man” premieres in theaters on Jan. 31.
By Helen Fielding
In this third installment of Fielding’s series about an endearingly hapless British diarist, Bridget Jones is adjusting to widowed life after the death of her husband, Mark Darcy. Raising her two young children as a single mother now in her 50s, she juggles her career and navigates romantic mishaps with characteristic wit and self-deprecating humor. The book, our critic wrote, “is not only sharp and humorous, despite its heroine’s aged circumstances, but also snappily written, observationally astute and at times genuinely moving.”
“Bridget Jones: Mad About the Boy” premieres on Peacock on Feb. 13.
By Michael Bond
Paddington was still in Peru when he first appeared on the big screen in 2014. Now, over a decade later, he returns to his home country with his adopted Brown family in the third installment of this fan-favorite film series, inspired by Bond’s beloved books. Dozens of titles, including novels, picture books and short story collections, have been published since the clumsy brown bear made his print debut in 1958, but “A Bear Called Paddington” remains a perfect introduction to the marmalade enthusiast.
“Paddington in Peru” premieres in theaters on Feb. 14.
By Giuseppe di Lampedusa
In this 1958 novel, now being given the mini-series treatment, Prince Don Fabrizio Corbera grapples with the decline of his aristocratic family’s status in 1860s Sicily, as Giuseppe Garibaldi leads the Risorgimento campaign to overthrow the monarchy and unite Italy as one nation-state. Lampedusa was himself the last in a line of Sicilian princes, and he drew heavily on his own family’s story to craft this tale about the rise of a new bourgeois class and Prince Fabrizio’s struggles to find his place in a rapidly changing world.
“The Leopard” premieres on Netflix on March 5.
By Edward Ashton
Mickey, an “expendable” worker on a remote ice planet, knows he will most likely die on the job. But no matter: Cloning exists in this space colony and, after one version of Mickey dies, a new one will regenerate. After Mickey7 goes missing on a space mission, Mickey8 is immediately created. The only problem? Mickey7 is still alive. (And in case eight regenerations weren’t enough, the director Bong Joon Ho takes it 10 steps further in his film adaptation, “Mickey17,” starring Robert Pattinson as Mickey.)
“Mickey17” premieres in theaters on March 7.
By Dennis Tafoya
Ray and his best friend, Manny, met in a juvenile detention facility. Nearly two decades later, they’ve found a way to make a living by posing as D.E.A. agents and raiding drug houses in Philadelphia. It’s a simple and lucrative grift — until a poorly chosen mark puts them in the cross hairs of a dangerous kingpin. High-speed car chases, bloody violence and many flying bullets ensue.
“Dope Thief” premieres on Apple TV+ on March 14.
By Hilary Mantel
“The Mirror and Light” is the final book in Mantel’s “Wolf Hall” trilogy, which chronicles Thomas Cromwell’s rise to power in Henry VIII’s capricious court. It’s a sinewy, imaginative work of historical fiction that delights in the psyche of a man whose political maneuvering and ambitions lead him to the pinnacle of power — and to his own undoing. The actor Mark Rylance, who won a BAFTA for his portrayal of Cromwell in the 2015 mini series that covered the trilogy’s first two novels, returns for this final chapter.
“Wolf Hall: The Mirror and the Light” premieres on PBS on March 23.
Culture
Unrivaled’s an instant hit, but can the new women’s basketball 3×3 league sustain?
MEDLEY, Fla. — Outside a custom-built arena on the outskirts of Miami, a line of fans waited to sit on a throne composed largely of basketballs. They wrote personal answers on a sign asking, “What does Unrivaled mean to you?” Empowerment. Leadership. Community. Future. Not even some evening rain could extinguish the buzz that had been building since 2023, when fans learned about the creation of this new 3×3 women’s basketball league.
As fans filed into the 850-seat Wayfair Arena on Friday night for the opening night of Unrivaled, they sported a tapestry of WNBA gear. But many wanted new apparel, too, crowding into the gift shop an hour before tipoff. The least expensive single ticket cost north of $300, but fans flocked to support their favorite WNBA stars and witness a new chapter of women’s basketball history.
At tip-off before the first game of a doubleheader, co-founders Napheesa Collier and Breanna Stewart posed at center court for a photo to capture the moment before they competed against each other.
The nationally televised contests aired back to back on TNT, highlights replayed on SportsCenter, and a clip of Skylar Diggins-Smith sinking the league’s first game-ending shot amassed millions of views across various social media platforms.
In its opening weekend of games, Unrivaled has undoubtedly commanded attention. But to carve out a permanent space in women’s basketball, it needs to accomplish what many other start-up sports leagues have historically failed to do: sustain.
Unrivaled executives say the league’s long-term success has been set up by its stable foundation — signing renowned WNBA stars, attracting big-brand sponsors, capitalizing on lucrative investments and inking a multi-year television deal.
“I think we put ourselves in a great position to be successful right away, but it’s a marathon,” said league president Alex Bazzell, a basketball skills trainer and Collier’s husband. “We’re not running out there from Day 1 trying to get millions of viewers out of the gate. It would be tremendous, but we’re gonna be here for a little while.”
Phee with the steal and Sky got it done 😮💨🔥 pic.twitter.com/CtpkLUnznR
— Unrivaled Basketball (@Unrivaledwbb) January 18, 2025
Before Unrivaled filled its rosters with 22 WNBA All-Stars, it started with just two — Stewart and Collier. Like many of their WNBA peers, the star forwards share a history of spending months overseas during the offseason and competing professionally abroad to supplement their WNBA incomes and sharpen their games.
The routine sparked brainstorming between them. Bazzell first pitched Unrivaled to Stewart in late 2022. “(We were) trying to make women’s basketball continue to be relevant in the offseason from a professional standpoint,” she said.
From the beginning, both players were on constant phone and Zoom calls. They met with investors, relaying their experiences from their years in countries such as Turkey, France, China and Russia. They explained why they believe top women’s basketball players should be marketed in the U.S. during the WNBA offseason and how Unrivaled could offer comparable domestic competition and salaries on par with high-paying overseas clubs.
They wanted to convince stakeholders that Unrivaled wouldn’t be just a novelty but that the league would have staying power. “(Stewart and Collier were) instrumental because when brands come in they act like founders,” Bazzell said.
The two players, alongside other Unrivaled executives, sold their idea to major brands and to deep-pocketed investors, including Gary Vaynerchuk, U.S. soccer star Alex Morgan and NBA legend Carmelo Anthony.
Bazzell said the league already has “far exceeded” the first-year revenue expectations it pitched to initial investors. “We’re focused on building a great business, but for the time being we don’t have to worry about money,” he said.
That is partially because of its media rights deal — a six-year $100 million agreement with Warner Bros. Discovery, according to a source with knowledge of the agreement — and a robust sponsorship roster.
The day before tipoff last week, Stewart paused for a moment and pointed out a banner displaying some of Unrivaled’s partners: Ally, Under Armour, Samsung Galaxy, Sephora. “People are walking that walk and also talking that talk,” she said.
The question is: Will they continue?
Unrivaled’s launch comes at a time of unprecedented attention on women’s basketball. Record-breaking viewership, attendance and media deals became commonplace for women’s college basketball and the WNBA over the last two years.
“You couldn’t have landed this at a better time,” said David Levy, an Unrivaled investor who is the former head of Turner Sports and current co-CEO of Horizon Sports and Entertainment.
Bazzell said Unrivaled operates with a “startup mentality.” Executives might create rules one day and unload boxes the next. The league, of course, is still unproven. But unlike many other short-lived start-up leagues, key to Unrivaled’s early success is that its most important members are verifiable stars.
“A lot of times leagues go away because they don’t have the best of the best playing in them,” Levy said. “Unrivaled didn’t start with names nobody knew or people that didn’t make the WNBA. This is the best of the best.”
Early on, Unrivaled executives recognized attracting top talent would be critical to creating visibility on TV, with partners and on social media. With nearly two-dozen WNBA All-Stars — Stewart, Collier, Brittney Griner, Sabrina Ionescu, Angel Reese among them — and seven No. 1 WNBA Draft picks, name recognition isn’t an issue.
To keep so many stars in the U.S., they knew the importance of paying salaries competitive with top overseas clubs. Unrivaled said it is the highest-paying American women’s sports league in history, with salaries averaging north of $200,000.
Its 36 players are more than just talent in Unrivaled, too. A substantial portion of the league’s equity — around 15 percent — is allocated to players. “We’re proud to be here also as investors,” Diggins-Smith said. “All of us being investors, (we) really care about this product and (it) really doing well… You want it to sustain.”
GO DEEPER
How Unrivaled became a welcome alternative for WNBA players’ overseas offseasons
Three-time WNBA MVP A’ja Wilson and rookie sensation Caitlin Clark are among those not playing in Unrivaled. The league made overtures to rookie Clark, but she elected to sit out the inaugural season, as she recovers from a nonstop last 12 months. Clark’s WNBA salary — around $75,000 — is supplemented by her countless endorsement deals, and she told Time she felt training privately in her own space would be beneficial. Clark, though, didn’t rule out playing in the league in the future. If she does, Levy said, interest in the league will “catapult,” surely propelling its long-term outlook. But he stressed that Unrivaled isn’t built around one person.
Unrivaled already has a high-profile media rights partnership, which is critical to its financial foundation and will be important in its ability to grow.
Initially, Unrivaled executives wondered if the league would need to broker a revenue-sharing deal with a potential TV or streaming partner before getting a licensing deal once the season launched. But they quickly found that multiple parties were interested in a licensing agreement with at least four companies in the final bidding, Levy said.
Bazzell relied on Levy and John Skipper, the former president of ESPN and another early Unrivaled investor, to tap into their professional networks and help find a partner.
Things crystallized this summer when Bazzell met with TNT Sports CEO Luis Silberwasser while in France for the Olympics. Having reach outside of traditional broadcast windows was important to Unrivaled, Bazzell said, as founders recognized the importance — both financially and culturally — of having broad social media reach. Warner Bros. Discovery’s portfolio including Bleacher Report, House of Highlights and HighlightHer (recently renamed B/R W) made it especially appealing.
WBD was ideal, executives said, because of everything it had under one roof: widespread TV distribution (all games will air on TNT or TruTV, and stream on Max), ancillary production, and social media strongholds, a key component of Unrivaled’s business strategy. Warner Bros. also financially invested in Unrivaled, as a sign of its deep commitment to the league’s success.
Getting WBD and Unrivaled founding partner, Ally, on board were critical in the avalanche of partnership deals that followed. (Ally has pledged a 50/50 media spend to support men’s and women’s sports equally.)
Under Armour senior lead for global sports marketing, Tamzin Barroilhet, first met with Bazzell in the summer of 2023. A former college and overseas pro player, Barroilhet said she was “hooked” on the concept and Unrivaled’s deal with WBD helped convince the apparel brand to sign on as the official outfitter. Unrivaled is Under Armour’s highest-profile women’s basketball partnership, and a number of other brands also struck deals in women’s basketball for the first time. Sephora’s agreement with the league is the beauty company’s first partnership with any sports league.
Unrivaled’s scarcity was also intriguing to prospective investors. The league runs only 10 weeks. Its $8 million salary pool is one of its two largest categorical allocation of funds. As a single-site operation, it has a lower operational cost than many other start-up leagues, which Bazzell said minimizes its burn rate.
“(When you) keep the product at a premium level and ultra-competitive, you have some opportunities to pique interest,” he said.
The league announced in December it had raised an additional $28 million (on top of the $7 million in its seed round) from investors, including Milwaukee Bucks star Giannis Antetokounmpo, tennis star Coco Gauff, swimmer Michael Phelps, and South Carolina women’s basketball coach Dawn Staley. A number of its initial investors, including Anthony, Morgan and UConn women’s basketball coach Geno Auriemma, committed additional capital.
“We have new people trying to rush in and now we’re getting to a point where you have to be selective,” Bazzell said.
How Unrivaled engages and grows its audience is paramount to its future.
League officials stress TV ratings will be just one aspect of that answer. “It’s part of a puzzle,” Levy said. “How many people are following (on social media)? What are they doing? How many people are sharing? How much is the fan base interacting with it? How much is merchandise going up? There are going to be so many different metrics that I think are going to play into this.”
Part of their build involves recruiting the next generation. Aliyah Boston, the Indiana Fever center and 2023 No. 1 pick, said college players she’s talked to aim to play in the WNBA and Unrivaled. LSU star Flau’jae Johnson has an NIL deal with Unrivaled, and UConn’s Paige Bueckers, who is the presumed No. 1 pick in this April’s WNBA Draft, has an NIL deal and equity in the league. Bueckers plans to play in Unrivaled when she turns pro.
USC’s JuJu Watkins won’t enter the WNBA until 2027, but when she enters the pro ranks, Unrivaled will have a spot for her. She was among the December investors and is optimistic about the league’s future and sustainability.
When those players set foot in Unrivaled, the league will almost assuredly be different. This season, all 10 weeks of action take place at the Florida facility, but a tour model for competition is planned for next year.
GO DEEPER
Can Unrivaled’s 3×3 style benefit WNBA players?
The locations are yet to be determined but Unrivaled is targeting non-WNBA cities and college towns. Bazzell said it wouldn’t visit more than four cities and the league will still have a home base. The operational cost, Bazzell said, would be similar as it’s likely only four teams would travel to a given stop. Important to maintaining a premier player experience, the league would use charter airfare to transport its players.
“We want to go to different markets to help grow the game and bring a touch point to hopefully a lot of young girls around the country that are looking up to these players and haven’t been able to see them play in person,” Bazzell said.
Taking the league on the road will bring logistic challenges, but league executives believe it will help grow Unrivaled’s business and open it to even more fan opportunities. Barroilhet, the Under Armour executive, foresees potential youth clinics and camps in conjunction with Unrivaled’s tour. Brands could produce activations at different venues, furthering engagement and reach.
Ensuring the WNBA’s top players participate will be critical to Unrivaled’s sustainability, and perhaps some are less interested in any travel necessary for touring. WNBA salaries drastically increasing in the next CBA — the league is negotiating a new agreement with the WNBPA — could also diminish part of a player’s financial lure to the new league. Plus, while TV ratings aren’t fully indicative of overall fan interest, they still remain a datapoint that will impact the league’s viability, especially when media rights conversations begin for a second time.
Yet for now, the stars seem delighted to be in the new venture. Throughout Friday and Saturday’s action, Unrivaled athletes from other teams sat around the arena and watched their peers, enjoying the moment. Fans approached players like Jackie Young, Rhyne Howard and Natasha Cloud for selfies. Onlookers cheered not only for athletes playing, but for those wandering the aisles. “It’s a very intimate setting,” Jewell Loyd said.
Maintaining that connection will build fan loyalty. But for television audiences, the game — the appeal of watching the best players in the world perform — will have to remain at the forefront.
“At the end of the day, the product needs to be great for fans to continue to want to watch it,” Bazzell said. “You can capture people’s attention, but how do you keep people’s attention? It’s done through the most competitive product possible, which is really what we’re adamant on, day in and day out.”
(Top photo of Kahleah Copper: Carmen Mandato / Getty Images)
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