Culture
At the Olympics, a murky question for the Seine: Will it be clean enough to swim in?
Follow our Olympics coverage in the lead-up to the Paris Games.
PARIS — It’s been quite the spring in Paris, with the city set to host the Olympic Games for the first time in 100 years.
Temporary stadiums are rising at the foot of the Eiffel Tower, in the plaza next to the Orangerie (home of the Monet murals), in the gardens of Versailles. Most people though will never see what may be the most important Olympic facility, the $1.5 billion underground tunnel and water tank that is supposed to make the Seine, the river that flows through the heart of the city, suitable for the triathlon and the marathon swim races and beyond.
Yes, you read that right — swimming in the Seine. The river that makes hearts melt, the site of countless marriage proposals, where for years, couples would “lock their love” by writing their names on a padlock, attaching it to the Pont des Arts and tossing the key into the water. It is also the river that only those who crave a baptism by murk, sewage, fecal refuse and various other detritus would think of heading for a dip, which has been illegal for roughly a century.
The organizers of the Paris Games tried this out with some test events last year, including a triathlon. Kirsten Kasper, a longtime triathlete who will make her Olympic debut in Paris, was there. She remembers standing on the starting dock, “looking up at the Eiffel Tower, and just smiling.”
The “looking up” part probably had something to do with that.
Men’s triathletes dive into the Seine last summer as part of the test for the 2024 Olympics. A $1.5 billion underground system is meant to help clean the polluted waters. (Bertrand Guay / AFP via Getty Images)
As for the smile, that jibes with what Lambis Konstantinidis, the director of planning and coordination for the Paris Games, heard when he asked athletes about their time in the river.
“There was not one that did not say it was not a unique experience,” he said.
That is one way to describe it.
Whether any of the Olympians and Paralympians preparing to compete in the Seine get the chance to swim in the river remains an open question. It turns out that a $1.5 billion water tank intended to catch sewage during rainstorms that would normally flow into the river — plus years of forcing houseboats, ships and factories to stop polluting the river — can only do so much.
Officials inaugurated the Austerlitz water basin, which is located underneath the Austerlitz train station on the river’s Left Bank in the southeast quadrant of the city, in early May. It can hold 13.2 million gallons of water — enough to fill 20 Olympic-sized swimming pools.
In late May, rain fell on Paris for a week. That wreaked havoc with play at the French Open and rendered the Seine unswimmable because the rain overwhelmed the tank and tunnel system, and street runoff and fecal matter flowed into the river once more.
Officials knew this could happen. They know it might happen during the Olympic Games, though late July and early August, when the Games will take place, are generally warm and dry in the French capital. They hope weather patterns hold.
World Aquatics, the world governing body for swimming, recommends that organizers of open water events consider alternative locations to manage a drop in water quality on race day. Paris officials considered their options, but ultimately decided to hope it doesn’t rain, and that the warm sun of a typical Paris summer can kill enough of the dangerous bacteria.
There is no Plan B, other than postponing races for a few days to let the yucky water flow downstream. They say they could also turn the triathlon into a duathlon, comprised only of cycling and running, but there’s no pristine lake on the city’s outskirts on standby for the 6.2-mile swim race.
“Nothing will be done to put the athletes at risk,” Konstantinidis said.
Paris organizers are counting on a newly constructed water basin beneath the Austerlitz train station to keep the Seine clean during the Olympics and beyond. (Christine Poujoulat / AFP via Getty Images)
Whether the water will be clean enough for competition has become a quadrennial conversation for Olympic organizers who have increasingly leaned toward locating these events in scenic waters that look great on television. Racing in open water isn’t all swimming off the coast of Kona, Hawaii, at the Ironman World Championships. But the tradeoff for beautiful sights on television and competitions in the heart of the cities that host them is often water that is kind of gross.
In 2016, Rio wanted to put the swimmers off the beaches of Copacabana, which for years have been the receptacles for the city’s sewage. Five years later, Tokyo had the swimmers compete in Odaiba Marine Park in the city’s busy harbor, which also harbors plenty of the city’s sewage and runoff. Officials installed a series of screens that were supposed to catch some of the harmful bacteria from the excess flow.
Morgan Pearson, a favorite to medal in triathlon for the U.S., said the water in Tokyo was “much murkier” than what he experienced at the test event last year in Paris. He skipped a practice swim in the river because he figured getting more familiar with the current wasn’t worth the risk of possibly getting sick.
“I’ve been in cleaner water in my life,” Pearson said of the Seine, “but there wasn’t anything that stuck out.”
Indeed, bacteria rarely does.
Like all organizers of major open water competitions, the people in charge of the Paris Games will comply with the World Aquatics standards for safe swimming set by the World Health Organization for the levels of bacteria most closely associated with sewage contamination — E. coli and enterococci.
The open-water venue will certainly pop on TV, but health concerns for athletes swimming in the Seine will persist through the Olympic races. (Bertrand Guay / AFP via Getty Images)
That requires a classification of “good water quality” which, for those microbiology majors out there, means less than 500 “colony-forming units” of E. coli per 100 milliliters of water and less than 200 units of enterococci. A colony-forming unit is a collection of cells. The Seine will also have to pass an eye test for murkiness and floating debris. The tests are supposed to take place several days ahead of the competitions and at multiple locations along the course.
Taylor Spivey, another member of the American triathlon team, grew up lifeguarding on the beaches of southern California near Los Angeles. She knew from an early age that swimming after a rainstorm was a bad idea. She has not forgotten it. She swam in the Seine last year during the test event.
“No one got sick,” she said with a smile.
The prayer of all Olympic organizers is that the Games leave a legacy and change their cities. For the French, making sure the competitors in the Olympics and Paralympics are not the last ones to swim in the Seine is a major part of that.
There are canals in the city that already allow limited swimming. The city plans to open three swimming areas along the river in 2025, assuming the Austerlitz water basin can do its job and the city’s residents are ready to take this very specific leap of faith.
“Parisians are getting used to the idea” of swimming in the urban waterways Konstantinidis said, “but they will need to see it.”
GO DEEPER
How Lucas Oil Stadium turned into a swimming pool for the U.S. Olympic Trials
(Top illustration: Dan Goldfarb / The Athletic; photo: Tim Clayton / Corbis via Getty Images)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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