Culture
Alexi Lalas and Stu Holden – bold, opinionated but never just 'fine'
“I’ve worked with Alexi for 10 years,” says Stu Holden, Fox Sports analyst and former United States men’s national team midfielder. “He’s one of the first people that I am asked about. They say: ‘What’s that guy like off-camera?’.”
It is a thought many may share while watching Alexi Lalas, the formerly goatee-bearded U.S. central defender who rose to prominence at the 1994 World Cup, now best known for his tinderbox contributions on American soccer television.
He comes with a significant soccer pedigree, recording almost a century of caps for his country and playing in Italy’s Serie A and Major League Soccer. A signpost of his influencer status came in 2021 when the world governing body, FIFA, undertook a feasibility study as part of a failed attempt to introduce a biennial World Cup. Lalas was invited along to a seminar hosted by former Arsenal manager Arsene Wenger as part of a cohort that included Brazilians Ronaldo and Roberto Carlos, former Denmark and Manchester United goalkeeper Peter Schmeichel and Australia’s Tim Cahill.
On U.S. television, Lalas, 54, a studio analyst for Fox during the European Championship and Copa America this summer, is bold and direct in his opinions. This week, he has already compared the England national team to the Dallas Cowboys, saying the English are as “insufferable as they are talented”.
And over 40 minutes in a Manhattan coffee shop, he is no different. Topics cut across the future of Gregg Berhalter as coach of the U.S. men’s national team (“We’re letting the players off the hook”, he insists), or his “video game” approach to social media. This is a dose of pure, undiluted Lalas. Sitting beside him, ordering a piccolo coffee (“Don’t encourage him,” Lalas says, when I ask what a piccolo involves), is the more reserved Holden, 38, who also packs a punch in his analysis.
I tell Lalas that some people took a deep breath when I mentioned I was due to interview him. He smiles. First and foremost, Lalas says he sees his studio role as “hopefully having an interesting and informative take, and doing it in an entertaining way”.
He stirs. “But I’m in the entertainment business. I am a performer. When you say that, sometimes people cringe. By no means am I saying that I can’t be authentic and genuine. But I recognise the way I say something is as important as what I say.
“When I go on TV, I put on a costume and when that red light goes on, I don’t want people changing the channel. I don’t care if you like me or you don’t. I am as human as I possibly can be with the recognition that, on television, things have to be bigger and bolder.”
Holden interjects: “He’s one of my good friends. People ask me: ‘Does he believe everything he says?’. And I say, ‘We have the same conversations at the bar that we have on air’.
“I’ve learned from Alexi that you have to be interesting in this business to have longevity. Whether that’s the role that he plays, still authentic to who he is and the opinions he carries — but maybe a little bit of juice on there to fire it up — you never want to be in between. You never want to be in the middle of it, where people are just like, ‘Ah, that guy’s fine’. So be on one side, be bold, don’t care about opinions, but be authentic to who you are. And that’s who he is — on and off camera.”
Holden made 25 appearances for the USMNT but a career that included Premier League spells at Sunderland and Bolton Wanderers was cruelly cut short by injury. He and Lalas apply diligence to their output, often meeting with coaches, players or front-office staff the day before the match to explain to viewers what the team is seeking to achieve.
Lalas on the US team at 1994 home World Cup (Photo: Michael Kunkel/Bongarts/Getty Images)
As time passes, they are more distant from a modern locker room but Holden says it’s important “to take people inside the tent”.
“It’s not as common in England,” he adds, “but it is ingrained in American sports television where they will go to NFL practice, sit with the coaches, get exclusive breakdowns of play. Europeans have a hard time understanding this when they come here. Patrick Vieira (when he was manager of New York City FC) didn’t want to meet with us. Frank de Boer (at Atlanta United), too. Often the European or South American coaches are like, ‘Why are you guys in here?’.”
They believe that being that little bit detached, in terms of age, allows them to come down harder, when appropriate, on those they analyse. I suggest that many within the sports industry police themselves carefully when on television or radio these days, cautious about a public backlash.
“Life’s too short and f*** them,” Lalas says, bluntly.
“Ultimately, I’m talking about soccer. I know we get incredibly passionate and emotional about these things — something I love about sports. I try to be honest and sometimes it comes off in different ways and people perceive it differently. It’s one thing over a keyboard but it’s a very different type of interaction in normal life. There are people that come up to me who disagree with me but we have a cordial, civil and respectful conversation, even if we vehemently disagree about things on and off the soccer field.”

His on-screen character, he says, takes inspiration beyond sports broadcasting. “It is an element of a shock jock, an element of political commentary, an element of late-night television host. And then when it came to actual sports, I grew up in the ESPN age where the hot take was happening, but then I also like Gary Lineker (the former England international striker and long-time presenter of the BBC’s football coverage in the UK).
“The way he talks about things, you almost forget that he was a player — and not just a player, but a f***ing great player. When I hear him talk about the game and life, even if I agree or disagree with the way he does it, it makes me forget that he was once this great player because it’s interesting, informative and entertaining in the way he does it. And so I have a lot of respect for what he’s carved out.”
Lineker and Lalas share another thing in common, in that both men appear to be in a love-hate relationship with social media. Lineker’s show Match of the Day, the BBC’s Premier League highlights programme, was plunged into crisis last year after the corporation took a dim view of his political commentary on Twitter, now known as X.
If Lineker is on the centre-left, Lalas appears to be a political antidote, recently announcing on Twitter that he will be attending the Republican National Convention in Milwaukee. Like Lineker, he seems unable to resist being sucked into the vortex of culture war politics. He shared posts recently that appear sympathetic to Donald Trump and is in regular playful combat with his social media detractors. Yet he has already said that he places so much more value on in-person interactions. So why bother with X?
“I’m sure there’s an element of addiction that I will cop to,” he acknowledges. “It’s just the world in which we live. There is an element of ego. But I’m also under no delusions that I’m not solving the world’s problems. Nobody gives a s*** what the hell I have to say about most of this stuff. First off, Twitter is an information machine.”
But it can also be a misinformation machine.
“At times,” he laughs. “It depends on who you ask or where you look. I look at it almost as a video game that I play.
“There’s an element of poking the bear and being provocative that I enjoy. When it comes to things off the field, like politics, there is a cathartic release to being honest, especially in this day and age. There was a time we were all so bold. And now we live at times, unfortunately, in fear of the real backlash that can come from just saying something people disagree with. Whether it’s politics or sports, I don’t want to live in a world like that. Maybe this is just the way I retaliate.
“I’m not saying that it’s smart or prudent, especially if it can be alienating to people. When it comes to separating the sports and the personal, sometimes they blur and sometimes they infect or affect the other side. But I will only live once and I’d rather just be as honest as I possibly can, regardless of whether anybody listens or cares.”
During this summer’s Copa America, with the USMNT looking for signs of substantial progress under Berhalter, Lalas will be as direct as ever. Holden, too, makes clear the expectations.
How to follow Euro 2024 and Copa America on The Athletic…
“Passing the group stage is not negotiable,” Holden insists. “If we don’t get out of a group containing Panama and Bolivia, then what are we doing? That becomes the time to make a change.”
Lalas cuts in: “Is it untenable? Maybe from the outside and how we look at it. But ultimately it’s (U.S. Soccer’s technical director) Matt Crocker who will make that decision. And he had the opportunity (Berhalter was reappointed as USMNT coach in June 2023).
“Nobody would have begrudged cleaning house and getting rid of everybody. And yet he (Crocker) didn’t. So something really bad has to happen for U.S. Soccer to make a change.
“But there are a lot of people sitting with their arms folded saying, ‘All right, Gregg, you got a long leash, you got a second opportunity, we need to see something different, we need to see something that makes us believe that come the World Cup 2026, there’s the possibility for the first time ever, that a U.S. men’s national team could win a World Cup.’ And we haven’t had those moments. He needs a statement type of game and statement type of summer to mollify some of that.”
Holden points out the USMNT, who exited the last World Cup in the round of 16 against the Netherlands, had the second-youngest team in Qatar and cites the draw against England, where he says the USMNT went “toe-to-toe”, as evidence of what might be possible.
Lalas says: “We’re letting the players off the hook a bit when we constantly talk about the coach. They have been given every benefit, every resource. Nothing has been spared from an early age. It is fair for us to expect more out of them individually and collectively. They’re no longer teenagers. Some of them play for the best teams and in the best leagues in the world. It’s time to put up or shut up.
“We put a lot of emphasis on coaching — and I’m not saying they can’t have an effect — but this is a players’ game. When that whistle blows, you get to decide what happens and the onus is on you. And if you want it, that’s great. If you don’t, then don’t blame the coach.”
Holden grins: “If the U.S. wins the Copa America, it’s the greatest thing they’ve ever done as a soccer nation on the men’s side — hands down.”
(Top image: Amy Sussman/Getty Images)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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