Lifestyle
You can take the suspense: Get cozy with a new mystery or thriller
Whether you’ve got a fireplace or a Yule log video, nothing warms you up like sitting with a good mystery or thriller by the fire. Grab a blanket and dive into one of these gripping tales recommended by NPR staff and book critics. Sleuthing for more? You can find all our heart-pounding reads in Books We Love, our annual year-end book guide.
Anita de Monte Laughs Last by Xochitl Gonzalez
The perils of a woman’s success exceeding her partner’s is a perennial obsession of culture. The message: When one star rises, another falters. And if a wife’s star eclipses her husband’s, trouble follows. In Xochitl Gonzalez’s engrossing art world drama, Anita de Monte Laughs Last, relationships are complicated by such power imbalances. The title character is the wife of a famous artist and a forgotten Latina painter whose death was either a tragic accident or a gross act of violence. Raquel Toro is a first-generation college student of Puerto Rican descent at Brown University who’s navigating her own treacherous waters and becomes obsessed with de Monte. Through their experiences, the book explores questions of race, class and privilege in the rarified environs of art and the Ivy League. — Carole V. Bell, culture critic and media and politics researcher
Do What Godmother Says by L.S. Stratton
Do What Godmother Says by L.S. Stratton is a fantastic addition to the collection of works set during and celebrating the artistic environment of the Harlem Renaissance. This captivating dual-timeline Gothic thriller follows a modern writer who discovers a family heirloom painting by a Harlem Renaissance artist, linking her family to a mysterious past. The novel explores the complex and often deteriorating relationships between patrons and artists during this significant cultural movement. I thoroughly enjoyed this historical fiction, as it skillfully reveals the intricacies of creative ownership, particularly in the context of race and wealth. — Keishel Williams, book critic
The God of the Woods by Liz Moore
Early one morning in 1975, a summer camp counselor finds an empty bunk – a 13-year-old camper has vanished. As the search begins along the banks of a lake in the Adirondacks, this 500-page drama unfolds – and it is worth every page! Liz Moore’s storytelling captures such an authentic picture of youth, young friendship and family secrets. There are thoughtful, well-developed characters, unexpected revelations, a history of a serial killer recently escaped, captivating storylines, shocking connections and surprising answers to every single mystery along the way. The God of the Woods has become a personal favorite of the year! — Lori Lizarraga, host, Code Switch
The Kamogawa Food Detectives by Hisashi Kashiwai, translated by Jesse Kirkwood
Do you have a favorite dish whose scents and tastes evoke cherished memories but whose recipe is elusive? Then perhaps you want to wend your way through the back streets of Kyoto to find Nagare and Kolishi Kamogawa – the retired police detective and his daughter, proprietors of the Kamagowa Diner and Kamogawa Detective Agency – who promise to “find your food.” The duo’s careful interviews and investigations mixed with the meticulous melding of ingredients aim to unlock the past and possibly open the future to satisfy clients who savor these special dishes, whether a steaming bowl of udon or beef stew. Delicious and delectable. Save room! You may want to order a second serving; this is the first in a series about the food detectives by Japanese dentist Hisashi Kashiwai.— Maryfran Tyler, executive director, Distribution Strategy
Little Rot by Akwaeke Emezi
In this twisty, poetic roller-coaster ride of a novel, a bitter breakup precipitates a harrowing descent into darkness for a wealthy young Nigerian man, his pious, long-suffering ex-girlfriend and their friends. Aima and Kalu met as ex-pats in Houston and returned home for his business and to build a life together. They’d been happy abroad, but the move shook loose something important. Back home they revert to destructive patterns. It’s complex, but at the core, love lies and dies in this fictional, decadent yet riveting, money-loving city of “New Lagos.” If you want a book that grabs onto your brain and shakes it, I highly recommend Akwaeke Emezi’s genre-defying Little Rot. It gutted and enthralled me in equal measure. — Carole V. Bell, culture critic and media and politics researcher
Nightwatching by Tracy Sierra
Nightwatching begins with a scene straight out of a nightmare: A woman is at home with two sleeping children when she hears the footsteps of an intruder on the stairs. The story that follows is by turns suspenseful, uncomfortable and enraging. Tracy Sierra skillfully uses the home invasion to explore the terrifying responsibility of motherhood and to expose the pure horror of being a woman in a society that does not always choose to believe women. — Julie Rogers, historian and curator, Research, Archives and Data Strategy
Pony Confidential by Christina Lynch
The pony in this mystery is such a delightfully bitter misanthrope, “bent on revenge” and singularly devoted to finding the girl who cast him aside, condemning him to a life of spoiled, bratty kids. Turns out, she’s grown up and charged with murder: a death that happened years before, the last night she and her pony were together. Did she do it? Did the pony? Can he use his wits and resist peppermints long enough for all to be revealed? A kooky page-turner that took me back to every girl-and-her-horse book I ever read, but Misty of Chincoteague was nowhere near as spicy as this pony is! — Melissa Gray, senior producer, Weekend Edition
The Seventh Veil of Salome by Silvia Moreno-Garcia
Silvia Moreno-Garcia refuses to confine herself to one genre, and that’s great news for readers. Her latest is a historical novel set in Golden Age Hollywood; it follows Vera, a young Mexican actor who lands the role of Salome in a big-budget biblical epic, and Nancy, a racist striver who can’t stand the young newcomer. Moreno-Garcia perfectly captures the feel of 1950s movies with her expert pacing and snappy dialogue. If the thought of a Turner Classic Movies marathon puts a smile on your face, this one couldn’t be more up your alley. — Michael Schaub, book critic
A Talent for Murder by Peter Swanson
If you love crime fiction, author Peter Swanson never disappoints. Same goes for Lily Kintner, the protagonist he first introduced in The Kind Worth Killing. Lily plays a key role in this spine-tingler about a librarian who suspects her new husband might be capable of, well, to say more might spoil the way Swanson always manages to upend readers’ expectations. — Shannon Rhoades, senior editor, Weekend Edition
We Solve Murders by Richard Osman
Did I read this and then immediately read every book in the Thursday Murder Club series? Yes, I did, because Richard Osman’s mystery novels are so fun. In We Solve Murders, Osman introduces a new crime-fighting trio: Amy Wheeler is a bodyguard for billionaires, her father-in-law, Steve, is a semiretired London cop obsessed with his cat, and Rosie D’Antonio is a bestselling novelist of indeterminate age currently being threatened by a Russian oligarch. There is a supervillain and there are some murders, but that’s not going to stop our detectives from having a lot of laughs as they travel around the world – or from enjoying the amenities on Rosie’s private plane. While I’m sad that I have to wait until 2025 to read another Richard Osman mystery, I’m happy to have two series to look forward to. — Samantha Balaban, producer, Weekend Edition
This is just a fraction of the 350+ titles we included in Books We Love this year. Click here to check out this year’s titles, or browse nearly 4,000 books from the last 12 years.
Students walk on the Stanford University campus on March 14, 2019, in Stanford, Calif.
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Ben Margot/AP
When Theo Baker arrived at Stanford University a few years ago, he joined the student newspaper, following the path of his journalist parents, Peter Baker, a White House correspondent for The New York Times, and Susan Glasser, a writer for The New Yorker.
Through his reporting as a student journalist, he eventually broke a story about manipulated data in Stanford President Marc Tessier-Lavigne’s neuroscience research that helped lead to the university president’s resignation.
Theo Baker’s book, How to Rule the World: An Education in Power at Stanford University was released May 19. In it, Baker describes Stanford as a place where proximity to Silicon Valley gives rise to a parallel system of influence, recruitment and money, with investors looking to identify promising students almost as soon as they arrive on campus.
He told Morning Edition host Steve Inskeep there was “a sort of Stanford inside Stanford,” where elite students are drawn into an “alternate reality” of excess and access to cut corners.
In the interview, he discusses how Stanford is not just a university but also a pipeline where status and power can matter as much as ideas.
We reached out to Stanford University for comment and have not heard back.
Listen to the interview by clicking play on the blue box above.
The scoreboard shows the results of the women’s singles final match between Iga Swiatek of Poland and Amanda Anisimova of the U.S. at the Wimbledon Tennis Championships in London, Saturday, July 12, 2025.
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Kirsty Wigglesworth/AP
Fifteen points in tennis? Nice. Thirty, 40 — even better. Advantage — that sounds good. “Love” — that also must be great, right? Well, not quite.
As the French Open rolls on and Serena Williams has announced her return to the sport, maybe you’ve been paying a little more attention to tennis. The sport’s scoring system is notably distinct, and can sometimes be hard to grasp for newcomers. But even tennis aficionados might not know why, or how, “love” became the unmistakable callout for zero points. For this installment of NPR’s Word of the Week, we’re exploring how a word that signifies trailing behind got such a sweet name.
“Love” comes from the heart — or an egg?
It’s hard to pinpoint when the first tennis ball went over the net. Tennis is a derivative of lots of other sports, such as “jeu de paume,” a handball game played in France, said JT Buzanga, the collections manager at the International Tennis Hall of Fame museum.
But tennis became a patented, official sport in 1874, said Steve Flink, a journalist whose tennis coverage got him inducted into the International Tennis Hall of Fame. It has retained its unique, mysterious scoring system ever since.
“By and large, the original system has held up almost entirely,” Flink said.
The use of “love” goes back to the late 18th century, said Jesse Sheidlower, a lexicographer. But it was used earlier than that in card games such as whist and bridge. Before the term made its way to tennis, the sport favored plain old “nothing,” or “nil,” he said.
Why love in the first place, though? Historians don’t really know for sure, but there are a few theories.
The French could have something to do with it. Some historians believe “love” derives from “l’oeuf,” which means “the egg” in French. Because eggs are shaped like zeros, terms such as “goose egg” and “duck’s egg” have been used in other contexts to mean zero, Sheidlower said.
It’s also possible English speakers mispronounced l’oeuf as “love.” But Sheidlower isn’t convinced that’s the answer.
“It’s the French equivalent of an English expression. But since that expression doesn’t appear in French, the French word wouldn’t have been used,” he said.
To be sure, France has had a lot of influence on tennis culture, Buzanga said. For example, “deuce” or a game tied at 40 points, comes from the French word for “two”: “deux.” But he prefers another prominent theory: that “love” comes from the idiom “for the love of the game.” Even if a player hasn’t scored, it doesn’t matter, because their heart is in it. It’s the theory Sheidlower said is the most plausible, because the idiom was used by the English before tennis was popularized.
Another variation of the “love of the game” theory is that the word could have come from the Dutch “lof,” or “honor” — or the Latin “amare,” meaning “to love,” Flink said.
But if tennis’ “love” doesn’t come from a French word, the theory at least has a French sensibility.
“I think the ‘for the love of the game’ is kind of romantic,” Buzanga said.
“Love” probably isn’t going anywhere
Tennis used to be a sport of leisure. The style of play has changed a lot over the years; players are more athletic and competitive, for instance, Flink said. But the rules of the sport are more steadfast, he said.
“There’s this incredible, enduring respect for tradition in tennis,” he said. “Changes are not made easily.”
There has been one major change in modern history: the tie-break. Matches can go on and on because players have to score two consecutive points to break a deuce, or by two games to break a tied set. But the onset of television meant matches would have to get shorter if the sport wanted to capture a larger audience, Flink said.
Change even came for “love.” An alternative sprouted up in the 1970s, and is still used today: “bagel,” named for its zero shape, Sheidlower said. Novices may say “zero,” and insiders will understand what they mean, but they “will needle them about it,” Flink said.
But “love” still prevails.
“People kind of like it,” Flink said. “It’s different. Why say zero when you can say love?”
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