Business
Selwyn Raab, Tenacious Reporter Who Covered the Mob, Dies at 90
Selwyn Raab, an investigative reporter for The New York Times and other news organizations who in exacting detail explored the Mafia’s many tentacles, and whose doggedness helped lead to the exoneration of men wrongly convicted of notorious 1960s killings, died on Tuesday in Manhattan. He was 90.
His son-in-law, Matthew Goldstein, a Times reporter, said the cause of his death, at NewYork-Presbyterian Hospital, was intestinal complications.
Though the phrase surely fit him, Mr. Raab didn’t much care to be described as an investigative journalist. Rather, he said, “I believe in enterprise and patience.” He had both qualities in abundance across a long career, whether looking into fraudulent methadone clinics, or the life sentence given to a boy who was only 14 when convicted of murder, or the Mafia’s grip on New York City school construction.
He was also the author of a number of books about the mob, including one that became the basis of the 1970s television police drama “Kojak.”
The mob had his enduring attention as far back as the 1960s, and it led to his definitive 765-page book on New York wiseguys, “Five Families: The Rise, Decline, and Resurgence of America’s Most Powerful Mafia Empires,” published in 2005. The New Yorker writer Adam Gopnik described him in a 2020 article as “the Gibbon of the New York mob.”
His prose tended to stray from elegance. But Bryan Burrough, reviewing “Five Families” for The New York Times Book Review, said that “what makes Raab so wonderful is that he eschews legend and suspect anecdotage in favor of a Joe Friday-style just-the-facts-ma’am approach.”
Mr. Raab posited that it was Charles (Lucky) Luciano who invented the modern Mafia nearly a century ago, organizing Italian criminal operations into distinct families, with a “commission” created to resolve territorial disputes and policy matters.
In addition to tried and true enterprises — drug trafficking, gambling, prostitution — Cosa Nostra control extended to much of municipal life, Mr. Raab wrote, be it garbage removal, the garment industry, unions, construction, or fish and meat markets. Despite a popular tendency to look upon gangsters as “amiable rogues,” he said, they were murderous predators and “the invisible government of New York.”
As a boy on Manhattan’s Lower East Side, where he lived almost his entire life, Mr. Raab saw the mob up close. There, he told Time magazine in 1974, he was “surrounded by the kind of legendary criminals you read about — bookmakers, con artists, Jewish and Italian gangsters.”
“I grew up with guys I later covered,” he said.
A former Times colleague, Ralph Blumenthal, said that Mr. Raab tended to be humorless but was “a demon for the facts.” He added, “When you think of the causes he adopted, they were groundbreaking.”
That was true even before Mr. Raab joined The Times, his digging having helped free men wrongly convicted of some of the New York region’s more shocking murders. One was George Whitmore Jr., who had been imprisoned for the 1963 murders of Janice Wylie and Emily Hoffert, roommates in an Upper East Side apartment — “career girls,” as the tabloids called them.
Mr. Raab, working first for the merged newspaper The New York World-Telegram and The Sun and then for NBC News and the New York public television station WNET, uncovered evidence showing that Mr. Whitmore was elsewhere on the day of those murders and had no part in an unrelated attempted rape with which he was also charged.
Mr. Whitmore said that the police had beaten him, and that he had no lawyer during the interrogation. In 1966, his case was cited by the United States Supreme Court in Miranda v. Arizona, the landmark ruling that upheld a suspect’s right to counsel.
Mr. Raab wrote a book about the case, “Justice in the Back Room.” The book became the basis for a 1973 made-for-TV movie, “The Marcus-Nelson Murders,” which served as the pilot for “Kojak,” the CBS series about a police detective, played by Telly Savalas, which ran for five years in the 1970s.
“I’m not a detective,” Mr. Raab said. “I just look for the most reasonable approach to a story.”
He joined The Times in 1974 and worked there for 26 years. Reporting for the paper, he uncovered evidence that helped free Rubin (Hurricane) Carter, the middleweight boxer who was imprisoned for 19 years in the 1966 shooting deaths of three people in a bar in Paterson, N.J.
The Carter case was another instance of police coercion and prosecutorial overreach, one that also led to the conviction of another man, John Artis. Mr. Carter, who died in 2014, became something of a folk hero, his cause championed in a 1976 Bob Dylan song, “Hurricane,” and in a 1999 film, “The Hurricane,” in which Mr. Carter was played by Denzel Washington.
Mr. Raab received many honors across the years, including the Heywood Broun Award from the New York Newspaper Guild and an Emmy for his work on “The 51st State,” a WNET program that dealt with New York City issues and on which he was a reporter and an executive producer for three years before moving to The Times.
Selwyn Norman Raab was born on June 26, 1934, in Manhattan, one of two sons of immigrant parents: William Raab, a New York bus driver born in Austria, and Berdie (Glantz) Raab, a homemaker born in Poland.
As a boy, Mr. Raab boxed in a program run by the city’s parks department. He graduated from Seward Park High School in Lower Manhattan in 1951 and from the City College of New York in 1956, with a bachelor’s degree in English. After college, he worked for The Bridgeport Sunday Herald in Connecticut (now defunct) and The Newark Star-Ledger before joining the World-Telegram staff.
On a blind date in 1962, he met a social worker named Helene Lurie. They were married on Dec. 25, 1963. Mrs. Raab, who helped her husband with his research, died in 2019. Mr. Raab is survived by his daughter, Marian, who is chief executive of Ridge Street Productions, a film-production company.
At City College, he was an editor on Observation Post, a student newspaper. He was twice suspended from classes for brief periods because of what he wrote — first for strongly resisting student government and faculty attempts to kill the newspaper, later for criticizing college administrators who had fired several professors under attack in the McCarthy era.
He recalled those days in 2009, when he received a Townsend Harris Medal, an award given by City College in memory of its founder.
His suspensions taught him a couple of things, Mr. Raab said. One was “Never seek safe harbors to avoid contentious but important issues.” The other: “Never sacrifice integrity on fundamental principles, especially if there is a clear distinction between right and wrong on vital issues.”
Business
David Ellison hits CinemaCon, vowing to make more movies with Paramount-Warner Bros.
Paramount Skydance Chief Executive David Ellison made his case directly to theater owners Thursday, pledging to release a minimum of 30 films a year from the combined Paramount and Warner Bros. Discovery company during a speech at the CinemaCon trade convention in Las Vegas.
“I wanted to look every single one of you in the eye and give you my word,” Ellison said in a brief on-stage speech, adding that Paramount has already nearly doubled its film lineup for this year with 15 planned releases, up from eight in 2025.
He also said all films will remain in theaters exclusively for 45 days, starting Thursday. Films will then go to streaming platforms in 90 days. The amount of time that films stay in theaters — known as windowing — has been a controversial topic for theater owners, as some studios reduced that period during the pandemic. Theater operators have said the shortened window has trained audiences to wait to watch films at home and cuts into theater revenues.
“I have dedicated the last 20 years of my life to elevating and preserving film,” said Ellison, clad in a dark jacket and shirt with blue jeans. “And at Paramount, we want to tell even more great stories on the big screen — stories that make people think, laugh, dream, wonder and feel — and we want to share them with as broad an audience as possible.”
Ellison’s CinemaCon appearance comes as more than 1,000 Hollywood actors and creatives have signed a letter opposing Paramount’s proposed acquisition of Warner Bros. Supporters of the letter have said the deal would reduce competition in the industry and “further consolidate an already concentrated media landscape.”
Some theater operators have also questioned whether the combined company could achieve its goal of releasing 30 films a year, particularly after the cost cuts that are expected after the merger closes.
“People can speculate all they want — but I am standing here today telling you personally that you can count on our complete commitment,” Ellison said. “And we’ll show you we mean it.”
The speech came after a star-studded video directed by “Wicked: For Good” director Jon M. Chu that was shot on the Paramount lot on Melrose Avenue and showcased directors and actors including Issa Rae, Will Smith, Chris Pratt, James Cameron and Timothée Chalamet that are working with the company.
The video closed with “Top Gun” actor Tom Cruise perched atop the Paramount water tower.
“As you saw, the Paramount lot is alive again,” Ellison said after the video. “And we could not be more excited.”
Business
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Business
Civil case against Alec Baldwin, ‘Rust’ movie producers advances toward a trial
Nearly two years after actor Alec Baldwin was cleared of criminal charges in the “Rust” movie shooting death, a long simmering civil negligence case is inching toward a trial this fall.
On Friday, a Los Angeles Superior Court judge denied a summary judgment motion requested by the film producers Rust Movie Productions LLC, as well as actor-producer Baldwin and his firm El Dorado Pictures to dismiss the case.
During a hearing, Superior Court Judge Maurice Leiter set an Oct. 12 trial date.
The negligence suit was brought more than four years ago by Serge Svetnoy, who served as the chief lighting technician on the problem-plagued western film. Svetnoy was close friends with cinematographer Halyna Hutchins and held her in his arms as she lay dying on the floor of the New Mexico movie set. Baldwin’s firearm had discharged, launching a .45 caliber bullet, which struck and killed her.
The Bonanza Creek Ranch in Santa Fe, N.M. in 2021.
(Jae C. Hong / Associated Press)
Svetnoy was the first crew member of the ill-fated western to bring a lawsuit against the producers, alleging they were negligent in Hutchins’ October 2021 death. He maintains he has suffered trauma in the years since. In addition to negligence, his lawsuit also accuses the producers of intentional infliction of emotional distress.
Prosecutors dropped criminal charges against Baldwin, who has long maintained he was not responsible for Hutchins’ death.
“We are pleased with the Court’s decision denying the motions for summary judgment filed by Rust Movie Productions and Mr. Baldwin,” lawyers Gary Dordick and John Upton, who represent Svetnoy, said in a statement following the hearing. “He looks forward to finally having his day in court on this long-pending matter.”
The judge denied the defendants’ request to dismiss the negligence, emotional distress and punitive damages claims. One count directed at Baldwin, alleging assault, was dropped.
Svetnoy has said the bullet whizzed past his head and “narrowly missed him,” according to the gaffer’s suit.
Attorneys representing Baldwin and the producers were not immediately available for comment.
Svetnoy and Hutchins had been friends for more than five years and worked together on nine film productions. Both were immigrants from Ukraine, and they spent holidays together with their families.
On Oct. 21, 2021, he was helping prepare for an afternoon of filming in a wooden church on Bonanza Creek Ranch. Hutchins was conversing with Baldwin to set up a camera angle that Hutchins wanted to depict: a close-up image of the barrel of Baldwin’s revolver.
The day had been chaotic because Hutchins’ union camera crew had walked off the set to protest the lack of nearby housing and previous alleged safety violations with the firearms on the set.
Instead of postponing filming to resolve the labor dispute, producers pushed forward, crew members alleged.
New Mexico prosecutors prevailed in a criminal case against the armorer, Hannah Gutierrez, in March 2024. She served more than a year in a state women’s prison for her involuntary manslaughter conviction before being released last year.
Baldwin faced a similar charge, but the case against him unraveled spectacularly.
On the second day of his July 2024 trial, his criminal defense attorneys — Luke Nikas and Alex Spiro — presented evidence that prosecutors and sheriff’s deputies withheld evidence that may have helped his defense . The judge was furious, setting Baldwin free.
Variety first reported on Friday’s court action.
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