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How Elon Musk Uses Internet Slang to Marshal His Army of Online Fans

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How Elon Musk Uses Internet Slang to Marshal His Army of Online Fans

In 2010, a woman in Sakura, Japan, posted photos of her well-manicured Shiba Inu to her digital journal. The dog, Kabosu, shot her owner a wide-eyed glance, a comic image that quickly jumped from Tumblr to Twitter to Facebook and to the rest of the internet.

A meme legend was born. Someone on Reddit called the dog “DOGE,” a nonsensical nickname that stuck. Another minted a cryptocurrency in DOGE’s name.

Now, 15 years later, in the fast churn of internet culture, DOGE is considered very old. But try telling that to Elon Musk, who has co-opted “DOGE” for the name of his effort to gut the machinery of the federal government — more formally, the Department of Government Efficiency.

It is one of dozens of old-internet ephemera that are baked into his everyday vocabulary. A brief scroll through Mr. Musk’s X feed reveals a menagerie of aging memes and lingo — dad jokes for the very online. They include:

  • Frequent references to “420,” a half-century-old slang term for smoking marijuana said to have started in a high school in Northern California. (After smoking what looked like a blunt live on the Joe Rogan podcast, Mr. Musk briefly changed his Twitter bio to “420.”)

  • Regularly including the number “69,” a slang term for a sex act that has been around since at least the Kama Sutra. (Mr. Musk, who is 53 years old, is quick to point out that his birthday falls 69 days after 4/20.)

  • Calling things that he supports “epic” or “based.” These are adjectives favored by frequent users of Reddit and popularized by fans of Joss Whedon, a director who created the “Buffy the Vampire Slayer” television series in the late 1990s and went on to direct two of the Avengers movies. (Mr. Musk has said he wants to create “based” artificial intelligence with his chatbot, Grok, and recently told Tesla investors he expected an “epic” 2026 ahead for the company.)

Mr. Musk’s slang may seem inscrutable to people who aren’t steeped in online culture. But to his fans, Mr. Musk’s dated sensibilities are a kind of internet comfort food — and a nod to a shared, aggrieved worldview.

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Mr. Musk’s posts are full of the language of warfare and conquest portrayed in video games. That loaded language is a rallying cry for gamers and others from Mr. Musk’s very online world who — if they have a common political ideology — see in him someone who shares their skepticism of authority and their belief that America has gone too “woke.” To them, Mr. Musk’s online updates about what DOGE is up to come across as far more honest than a press release or news conference or — worst of all — something they read in the mainstream media. (It’s a strategy that recalls Donald Trump’s use of Twitter to signal authenticity during his first administration.)

“We’re living in the revenge of the nerds era,” Hasan Piker, a popular, politically progressive online personality who is not a fan of Mr. Musk, said in an interview. “This is the real, actual revenge of the nerds.”

Mr. Musk did not respond to a request for comment.

Every photo of Mr. Musk wielding a chain saw while wearing “deal with it” sunglasses indoors (another meme) represents a triumph of the nerd culture he has long identified with. On Wednesday, he attended the first meeting of President Trump’s new cabinet wearing a T-shirt that said “Tech Support.”

His fans speak back to him in his language. They send suggestions on how DOGE can fix the government by dismantling entire sections of it, often coded in the language of images typically found on Reddit. (Wojak, a crudely drawn character popularized on the message board 4chan, is a perennial favorite.)

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Mr. Musk prods his more than 200 million X followers for help with decisions in online polls. And he listens. The conversation becomes a feedback loop of insider jokes for the billionaire, who once hosted “Saturday Night Live” and prides himself on his sense of humor. (Mr. Musk sometimes overestimates his popularity in the comedy world. Once he joined the comedian Dave Chappelle on a stage in San Francisco. He was booed.)

“Anyone can find their own community, even if it’s a community frozen in 2010,” Brian Feldman, an internet culture writer who has long followed Mr. Musk’s exploits, said in an interview.

But to those steeped in modern internet culture, Mr. Musk’s communication style is far from on trend. That is especially so when even current terms like “no cap” (translation: no lie) or “lowkey fell off” (waned in popularity or relevance) are already showing their age. As with recent questions about Mr. Musk’s claims of superior video game skills, they see cracks in his supernerd facade.

“More than people would like to admit, they often become trapped in the internet they first encounter,” Mr. Feldman said.

Last week, Mr. Musk appeared at a conservative political conference wearing dark sunglasses, a big gold chain and a T-shirt that said he was “not procrastinating” but instead working on “side quests” (a common practice in sprawling role-playing games). He played off the quote from the Hindu scripture Bhagavad Gita that Robert Oppenheimer said was going through his mind as he tested the first atomic bomb: Now, I am become Death. The destroyer of worlds.

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“I am become meme,” Mr. Musk said to a mostly mute crowd. “There’s living the dream and there’s living the meme, and that’s pretty much what’s happening.”

Even some of his most fervent followers on X recoiled. “Elon Musk fell off lowkey,” one user wrote.

Mr. Musk’s online vocabulary is a reminder of 2010, when nerd culture was ascendant. Reddit was a meme factory for favorites like Lolcats and icanhazcheeseburger. Gamers gathered in web forums or on online role playing games to hang out and fight through digital dungeons.

This was also the beginning of Mr. Musk’s metamorphosis from mere billionaire to internet celebrity. That year, he appeared as himself in the second “Iron Man” film. His online fans ate it up.

All of this also coincided with the rise of Web 2.0, a more social version of the internet. Twitter — long before Mr. Musk bought it and renamed it — was a town square. Facebook moved beyond likes and status updates with “Groups,” a feature that allowed people to form their own smaller communities. The chat forum 4chan was full of anonymous, often angry online trolls who bonded over vulgar behavior.

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While online groups had existed for years, the newer social networks were more tightly knit and rewarded the behavior that Mr. Musk often displays today. The right kind of posts could pick up steam and shoot across the internet.

Provocateurs moved beyond small-scale trolling to aggressive mass movements, such as Gamergate, a targeted harassment campaign against a female game designer by video game players who claimed she represented a lack of ethics in games journalism. It morphed into a social movement that fought diversity, feminism and what gamers saw as overly progressive values in film, television, literature and the video game industry — a viewpoint that Mr. Musk shares.

Gamergate also signaled that digital demonstrations could, for better or worse, lead to real-world change.

Mr. Musk’s tweeting style changed from anodyne company updates to more overt trolling. In 2018, he tweeted that he had secured a buyout offer for Tesla for a stock price of $420. Once, when a competing car company tried undercutting him on price, Mr. Musk said that he would drop the cost of his Tesla Model X to $69,420.

“The gauntlet has been thrown down!” he proclaimed on Twitter. “The prophecy has been fulfilled.”

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Unlike other tech billionaires, who seemed to live lives far removed from regular internet folk and became less online the richer they got, Mr. Musk was making himself relatable with memes, absurdity and relentless posting. And parts of the online world embraced him.

“Many people find him off-putting, I think,” said coldhealing, a pseudonymous cultural commentator who regularly follows Mr. Musk and other social movements online, in an interview. “But there are many people who he resonates with, and even though I think it’s 10 percent of the population max, it’s an influential 10 percent.”

Mr. Musk’s online life became even more bombastic after the Covid pandemic began in 2020. He attacked Tesla short-sellers and California state officials who wouldn’t let him reopen a Tesla factory. In 2023, he even live-tweeted photos of himself driving to Mark Zuckerberg’s house, threatening to wrestle the chief executive of Facebook. (They were, at the time, in the throes of organizing a real fighting match between them. It never happened.)

He posted himself playing Elden Ring, Path of Exile and other video games like Diablo IV. One of the world’s wealthiest men was telling gamers that he was one of them.

Mark Kern, a former video game executive at Blizzard, wrote in a post to X last week that people should not mess with gamers. “We’re forged by endless boss battles against impossible odds. We do not give up. We do not stop. We are the terminators of the culture war.”

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“Yes,” Mr. Musk wrote, quoting the post.

Conservatives who don’t spend a lot of time online have also embraced the image of Mr. Musk taking a chain saw to what they see as a bloated federal government, even if many of them aren’t exactly sure what he’s trying to say or when they’re supposed to laugh.

“It’s validation from people who have no idea what he’s saying, but still think he’s speaking this expert language,” said Mr. Feldman, the internet culture writer.

But Mr. Musk may be finding his online limits. It was difficult for some of his followers to shake off last week’s stage appearance at the Conservative Political Action Conference, which reminded them that it is hard to stay cool when you are, in fact, not very young. (Kabosu did not live to see the meme she inspired enter American political life. The 18-year-old Shiba Inu died last year.)

“Anyone else feel the vibe-shift in tpot/tech?” one X user wrote, referring to an online community called “This Part of Twitter,” which is largely composed of tech workers who have historically warmed to Mr. Musk. In other words, Mr. Musk was starting to look a little out of touch and increasingly unpopular.

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Nonetheless, Mr. Musk seems to be doubling down. His posting to X has increased in recent weeks, some days numbering in the hundreds. And he is still being validated by his fans.

On Thursday, Mr. Musk posted another meme to his X account — one of dozens of posts he had made that morning. In it was a photo of Mel Gibson as Mad Max in “The Road Warrior,” the early-1980s action thriller about a shotgun-toting nomad navigating a postapocalyptic world. In bold lettering, the meme said: “Ladies, it’s time to start thinking whether the guy you’re dating has postapocalyptic warlord potential.” (Film buffs may note that Max’s wife and son were killed by a biker gang in the first “Mad Max” film.)

One follower replied with a photo of a man wearing a Trojan helmet and body armor with an assault rifle in one hand and a spear in the other. It was one of more than 7,000 replies.

“Yup,” the follower said, adding a fire emoji.

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Nearly 60 gigawatts of U.S. clean power stalled, trade group finds

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Nearly 60 gigawatts of U.S. clean power stalled, trade group finds

A total of 59 gigawatts of U.S. clean energy projects are facing delays at a time when demand for power from AI data centers is surging, according to a trade group study.

Developers are seeing an average delay of 19 months over issues such as long interconnection times, supply constraints and regulatory barriers, the American Clean Power Assn. said in a quarterly market report.

The backlog is happening despite the growing need for power on grids that are being taxed by energy-hungry data centers and increased manufacturing. The Trump administration has implemented a slew of policies to slow the build-out of solar and wind projects, including delaying approvals on federal lands.

The potential energy generation facing delays is the equivalent of 59 traditional nuclear reactors, enough to power more than 44 million homes simultaneously.

“Current policy instability is beginning to impact investor confidence and negatively impact project timelines at a time when demand is surging,” American Clean Power Chief Policy Officer JC Sandberg said in a statement.

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Despite the hurdles, developers were able to bring more than 50 gigawatts of wind, solar and batteries online in 2025, accounting for more than 90% of all new power capacity in the U.S., the report found. Clean power purchase agreements declined 36% in 2025 compared with 2024, signaling that the build-out of clean power in the U.S. could be lower in the 2028 to 2030 time period, according to the report.

Chediak writes for Bloomberg.

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Feud between Vegas gambler and Paramount exec sparks $150-million fraud lawsuit

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Feud between Vegas gambler and Paramount exec sparks 0-million fraud lawsuit

The high-stakes feud between Paramount Skydance President Jeff Shell and Las Vegas gambler and self-professed “fixer” Robert James “R.J.” Cipriani spilled into court on Monday.

Cipriani filed a lawsuit against Shell on claims of fraud and eight other counts, alleging that he reneged on an oral agreement to develop an English-language version of a Spanish music show that streams on Roku TV.

He is seeking $150 million in damages.

In the 67-page lawsuit, filed in Los Angeles County Superior Court, Cipriani claims that in exchange for providing “sophisticated, high-value crisis communications services, entirely without compensation” over 18 months, Shell had agreed to develop the show “Serenata De Las Estrellas,” (Star Serenade), but failed to do so. Cipriani and his wife were to be named as co-executive producers.

“This case arises from the oldest form of fraud: a powerful man took everything a less powerful man had to offer, promised to repay him, lied to him when he asked about it, and then refused to compensate him at all,” states the complaint.

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Cipriani — who has producer credits on a 2020 documentary about Vegas, “Money Machine: Behind the Lies,” and the 2015 movie “Wild Card” — intended to make “Serenata” as a “lasting legacy for his mother,” Regina, saying the effort “has been the driving force and the most important thing consuming [Cipriani’s] entire life of almost sixty-five years,” according to the suit.

The show was inspired by a song that the Philadelphia-born Cipriani used to sing to his late mother when he was growing up.

The litigation is the latest twist in a simmering behind-the-scenes scandal that has left much of Hollywood slack-jawed.

For weeks, Cipriani had threatened to file a lawsuit against Shell, with the potential to derail his comeback at Paramount, three years after he lost his job as NBCUniversal’s chief executive over an inappropriate relationship with an underling.

Cipriani’s suit alleges Shell wasdesperate for help in quelling negative stories about him.

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It also portrays him as someone who was indiscreet, allegedly sharing sensitive information during the period when the Ellison family, through Skydance Media, was preparing to close its deal to acquire Paramount and then was actively pursuing Warner Bros. Discovery to add to its growing entertainment and media empire.

The eventual rift between the unlikely pair began in August 2024. Patty Glaser, the high-powered entertainment litigator, convened a meeting between the two men.

During the meeting with Shell, the executive expressed to Cipriani his concern that emails and texts between him and Hadley Gamble, the CNBC anchor Shell had been involved with, would come out, saying “that would absolutely destroy me,” according to the suit.

Cipriani claims in his lawsuit Shell was facing “catastrophic personal exposure arising from his conduct toward yet another woman in the media industry,” similar to what had prompted his ouster from NBCUniversal and that he “solicited” his “crisis communications services.”

According to the suit, Cipriani was in a position to help him, having engaged in a “longstanding practice of exposing misconduct in the entertainment and media industries.”

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Robert James “R.J.” Cipriani in Amazon Prime Video’s 2025 series “Cocaine Quarterback.”

(Courtesy of Prime)

A high-rolling blackjack player, Cipriani’s colorful résumé includes aiding the FBI in the arrest and conviction of USC athlete-turned global drug kingpin Owen Hanson, who was sentenced to 21 years in federal prison, and filing a RICO suit against Resorts World Las Vegas.

Leveraging his “unique media relationships and industry influence,” Cipriani said in his complaint that he provided Shell with “ongoing threat-monitoring and intelligence services,” and “took proactive steps to suppress, redirect, or neutralize” negative coverage against Shell before publication.

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Cipriani said Shell expressed “effusive gratitude” to him after he planted a story about another entertainment industry figure “in order to divert media attention” away from Shell. “Thank you thank you thank you,” Shell wrote in a text to Cipriani, according to the lawsuit, which included a copy of the text.

During tense negotiations over Paramount’s streaming rights for the highly successful “South Park” franchise last summer, Shell allegedly asked to talk to Cipriani about the matter. Cipriani then “orchestrat[ed] the placement of a highly favorable news article,” that was “devastating to Shell’s and Paramount’s adversaries in the dispute,” the suit states.

After a story published in a Hollywood trade, Cipriani wrote to Shell on WhatsApp, “I’m the one that put the article out for you!!!” and “I didn’t want to tell you till it hit so you have plausible deniability.”

According to a message cited in the lawsuit, Shell responded, “I love you!!!! …Thank you Rj,” adding “I owe you dinner at least!”

Despite those boasts, Paramount ultimately paid “South Park” creators millions more than Skydance had intended. To remove obstacles from Skydance’s path to buy Paramount, the media company agreed to two blockbuster deals that include paying the “South Park” production company more than $1.25 billion to continue the cartoon — making it one of the richest deals in television history.

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During the course of their relationship, Cipriani further alleges that Shell alerted him to a then-pending $7.7-billion Paramount deal for the rights to UFC fights, while Netflix “believed” it had a “handshake deal” for the same rights, according to the suit.

Cipriani disclosed in his lawsuit that he filed a whistleblower complaint with the Securities and Exchange Commission over the disclosure of material information, claiming that Shell told him that not even UFC President Dana White knew of the transaction. In a WhatsApp message cited in the lawsuit, Shell told Cipriani that the deal was “very hush, hush until we sign.”

While the gambler continued to provide his services to Shell gratis, their relationship began to sour.

Cipriani became enraged that Shell did not uphold his end of the alleged deal to help him with the TV show, viewing it as a slap to him and his mother.

In February, the pair met to resolve their growing dispute. According to the lawsuit, also in attendance was an unidentified entertainment attorney who had represented both men in separate matters.

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Patty Glaser has been widely reported as having represented Shell and Cipriani. She introduced them in summer 2024, as The Times reported Saturday.

“We were presented with a draft complaint riddled with clear errors of fact and law,” Glaser said in a statement last week. “We will strongly respond.”

The February meeting did not go well.

Shell not only “refused to compensate” Cipriani, but also told him that he could not “assist” him “in obtaining a television show or other entertainment industry opportunity.”

Cipriani further alleged in his lawsuit that during their “failed summit,” Shell revealed his “disdain” for David Zaslav, the Warner Bros. Discovery CEO, and disclosed that Paramount intended to “sweeten” its pending hostile offer for the studio to fend off Netflix prior to announcing its intention to do so publicly.

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After the meeting, Cipriani stated in his complaint that Shell’s attorney privately offered Cipriani a “$150,000 personal loan” to resolve the dispute.

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With a big $46-million opening for ‘Hoppers,’ Disney and Pixar see a return to form

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With a big -million opening for ‘Hoppers,’ Disney and Pixar see a return to form

Walt Disney Co. and Pixar’s “Hoppers” took the box office crown this weekend in an encouraging sign for the company’s original animated films.

The film generated $46 million in ticket sales in the U.S. and Canada, marking the highest domestic opening for an original animated movie since 2017’s “Coco,” according to studio estimates. The global box office total for “Hoppers” was $88 million.

The zany movie features a young environmental advocate who “hops” her consciousness into a robotic beaver and bands together with other woodland creatures to stop a planned freeway expansion through a glade.

The film is directed by Daniel Chong, who created the Cartoon Network animated series “We Bare Bears.”

The muscular debut for “Hoppers,” as well as the strong performance from Sony Pictures Animation’s “Goat” last month, has been a positive sign for audience interest in original animated films.

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Since the pandemic, theatrical returns for animated sequels have far surpassed that of original films. Disney’s “Zootopia 2,” for instance, has grossed more than $1.8 billion in global box office revenue, with more than $426 million domestically. Disney and Pixar’s 2024 hit “Inside Out 2” also crossed more than $1.6 billion globally.

By contrast, Disney and Pixar’s 2025 original film “Elio” brought in about $154 million in worldwide box office revenue.

Original films are vital to Pixar’s future, as the Emeryville, Calif.-based studio built its reputation on its string of nearly uninterrupted original blockbuster hits, including 1995’s “Toy Story” and 2004’s “The Incredibles.”

Paramount Pictures and Spyglass Media Group’s “Scream 7” came in second at the box office with $17.3 million in its second weekend in theaters. Warner Bros. Pictures’ “The Bride!,” Sony’s “Goat” and Warner Bros.’ “Wuthering Heights” rounded out the top five at the box office, according to data from Comscore.

With several strong releases, as well as popular holdover films from 2025 that continue to bring in revenue, the first few months at the box office have been a notable improvement over last year’s dismal first quarter.

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Domestic box office revenue so far is up more than 12% compared with the same time period in 2025, according to Comscore.

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