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Queen’s plans new hospital in Kailua-Kona with helipad, housing

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Queen’s plans new hospital in Kailua-Kona with helipad, housing


The Queen’s Health Systems plans to build an 80-bed hospital next to the Kailua-Kona Costco on Hawaii Island that would include a helipad to cut travel time to its trauma center on Oahu and, critically, construct adjacent, below-market-­rate housing to recruit and retain some of the estimated 300 hospital staff, nurses and doctors.

The campus, including a medical office building, would start to go up in two to three years on 30 acres of land Queen’s owns, with it opening perhaps five years from now, according to Queen’s President and CEO Jason Chang.

The project would cost $400 million to $500 million, with possible funding from private investments and philanthropic contributions, Queen’s said.

“What we’re trying to do is create a regional health system for the Big Island, so this is in partnership with our existing hospital, Queen’s North Hawaii Community Hospital,” Chang said. “We’ll be bringing more access, better care and more specialists to the north and west sides of the island.”

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Queen’s plans surprised officials at the 94-bed Kona Community Hospital, located south of the Queen’s site closer to Captain Cook.

Hawaii Health Systems Corp., which operates the Kona Community and Kohala hospitals, had been looking to build another hospital closer to the main population center in Kailua-­Kona, including potentially on the land where Queen’s plans to build its still-­unnamed hospital, said Clayton McGhan, HHSC West Hawaii regional CEO.

Because of the health care needs of the west side of the Big Island, McGhan said he supports Queen’s plans, especially its goal of building workforce housing for hospital staff.

While some refer to the neighbor islands as providing “rural health care,” McGhan said that in Kona, “I actually think we’re remote or frontier health care.”

Based on a needs assessment funded by the state Legislature, West Hawaii’s population is expected to grow 11% over the next decade.

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Last year, 22,000 patients were treated in the Kona Community Hospital’s emergency room and the number is on track to jump to 24,000 this year McGhan said.

But the 50-year-old Kona Community lacks the volume of specialized cases to justify full-time specialists. So it relies on specialists at Queen’s to consult via telemedicine technology on stroke and neurological cases, along with helping with a new electronic medical records system, McGhan said.

A new Queen’s hospital in Kailua-Kona would be welcomed, he said.

“We don’t look at it as competition,” McGhan said. “I know what our community needs. We have to celebrate that because it’s going to meet the community’s demands. The main thing is we’re supportive of any additional resources that would come here.”

• • •

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Kona Community Hospital needs 25 more doctors trained in psychiatric care, cardiology, adult primary care and pediatric specialties, according to McGhan, who applauded Queen’s plan to build 150 condo and apartment units that would be rented to hospital staff at below-market rates, with the option to also buy at below-­market prices.

When it’s time to sell, owners would have to sell to another hospital employee at similar rates, Chang said.

McGhan called the concept “fantastic. It’s hard to attract staff here. So we’re going to be supportive of any new workforce housing.”

Gov. Josh Green started his Hawaii medical career at a rural hospital in Ka‘u. As lieutenant governor, he worked weekend ER shifts at the Kona hospital while running for governor.

“It’s very exciting to see health care weigh in on the need for affordable housing. I’ve always said that housing is health care,” Green said.

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For Queen’s, Chang hopes to finish building the housing before the hospital itself opens to ensure it has long-term staffing.

“We believe housing’s such a huge need and you can’t recruit nurses, doctors, technologists, social workers if you don’t,” Chang said.

Because of the difficulty recruiting health care workers — let alone specialists — to the neighbor islands, Queen’s 35-bed North Hawaii Community Hospital relies on traveling nurses and doctors.

It’s hired four full-time oncologists over the last 10 years who all left after a couple of years, Chang said.

“It takes a year to bring someone new in,” he said. “Traveling physicians don’t plan to stay. It’s a real challenge in rural communities. We can’t hire permanent people because they can’t find housing — affordable or just inventory, period. If we don’t address housing ourselves, we’re going to have the same problem.”

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By providing below-market-rate condos and apartments, Chang hopes to retain some traveling health care workers for the new hospital.

Queen’s physicians also work closely with medical students at the University of Hawaii’s John A. Burns School of Medicine, including students who already work with patients at Queen’s. They also could rotate through the new hospital, along with one or two post-­graduate medical residents every couple of years.

With Queen’s residents, he said, “I just need one or two to stay every few years. That would be fantastic and it makes them appreciate the need for rural health care.”

• • •

Many details of the new hospital campus still need to be worked out, such as how many stories the facility would have. But the hospital probably will be around 250,000 square feet in size, Chang said.

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The community wants a trauma center and specialists to treat heart attacks and strokes, but West Hawaii doesn’t have the volume of cases to attract or retain “a top-notch cardiologist,” Chang said. “Just treating 30 heart attacks a year, they’re going to leave.”

Instead, the hospital will focus on “diagnostic cardiology, diagnostic neurology — state-of-the-art diagnostics — and general surgery,” he said.

There also will be an emergency room “to stabilize you and fly you to Queen’s.”

For some neighbor-island patients flying to The Queen’s Medical Center in Honolulu on an airplane, it can sometimes take three to four hours between when they call 911, get taken by ambulance to their local hospital, diagnosed, driven by ambulance to an airport, put on a plane to Daniel K. Inouye International Airport and then taken by ambulance to the hospital, Chang said.

“You end up with a massive amount of transfer time,” he said.

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Instead, a twin-engine H145 helicopter is scheduled to be delivered to Queen’s in 2026.

It’s being paid for by philanthropists Lynne and Marc Benioff, who have a home on the Big Island. Marc Benioff is co-founder, chairman and CEO of Salesforce and owns Time magazine.

The couple already have donated $5 million, dedicated solely to Hawaii island health care workers, to augment $30 million in state funds to pay off student loans to keep health care workers from leaving Hawaii.

Once the helicopter goes into use at the new hospital, Chang said Hawaii County crews will staff it to fly patients to Queen’s trauma center.

“How do you get somebody to the trauma center, which is Queen’s Medical Center Punchbowl, as fast as you can?” Chang asked. “If you can go rooftop to rooftop, you cut out all that ambulance time.”

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Benioff, Chang said, “recognizes that air transport is a real issue.”

Queen’s plans help address the growing need for health care in the area, according to Green.

In a follow-up statement, Green said: “The West Hawaii community truly needs a new hospital as Kona Hospital has aged, and is now further away from the region’s population center. It’s exciting to see Queen’s begin the process of raising capital and building relationships to launch this new facility. There is certainly a pathway for the state to either support or even partner with Queen’s on this project, once all of the stakeholders have come to a consensus on how to move forward.”





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Hawaii: A Kingdom Crossing Oceans review – a feather-filled thriller full of gods, gourds and ghosts

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Hawaii: A Kingdom Crossing Oceans review – a feather-filled thriller full of gods, gourds and ghosts


Relations between Britain and the Pacific kingdom of Hawaii didn’t get off to a great start. On 14 February 1779 the global explorer James Cook was clubbed and stabbed to death at Hawaii’s Kealakekua Bay in a dispute over a boat: it was a tragedy of cultural misunderstanding that still has anthropologists arguing over its meaning. Cook had previously visited Hawaii and apparently been identified as the god Lono, but didn’t know this. Marshall Sahlins argued that Cook was killed because by coming twice he transgressed the Lono myth, while another anthropologist, Gananath Obeyesekere, attacked him for imposing colonialist assumptions of “native” irrationality on the Hawaiians.

It’s a fascinating, contentious debate. But the aftermath of Cook’s death is less well known – and the British Museum’s telling of it, in collaboration with indigenous Hawaii curators, community leaders and artists, reveals a surprisingly complex if doomed encounter between different cultures.

Cook isn’t mentioned in the wall texts or portrayed in the show, but his ghost is everywhere in the objects he and his men brought back to Britain. And what marvels they are. Before Cook’s voyages the peoples of the Pacific, connected with each other by epic canoe crossings that linked the Polynesians from Hawaii and Easter Island to Tahiti and New Zealand, created cultural forms that we now call art. Giant pink feathered faces of gods with mother-of-pearl eyes grimace and gurn while a club embedded with tiger shark teeth combines beauty and menace. Bowls carried by naked figures on their backs embody how Hawaiian chiefs and monarchs were feasted and respected.

Kiʻi (image) of the god Kū, a Hawaiian god whose realm includes warfare and governance. Photograph: © The Trustees of the British Museum

Monarchy is at the heart of this show, a common language shared by the otherwise chalk and cheese Hawaiians and Britons. After the death of Cook, which was heartily regretted on both sides, Hawaii learned, as it were, to speak British and assert its equality with a “modern” state. It worked, for a while. In 1810 King Kamehameha I sent a magnificent, feathered cloak to George III, with a yellow diamond pattern on red – on loan here from the Royal Collection which still owns it. The king apologised that he was too far away to support Britain in the Napoleonic Wars but expressed friendship – and could Britain help if Hawaii was attacked by France? The Hawaiian cloak is wittily juxtaposed here with a glittering jewelled costume worn by George IV at his coronation: idiosyncratic customs existed on both sides of the world.

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Forget Cook, the show suggests: remember King Liholiho. In 1824 he and his Queen Kamamulu set out on a journey that reversed all those British “discoveries”. They set sail for Britain laden with gifts, hitching a lift on a whaling ship (the story would be even better if they’d gone by outrigger canoe). George IV seems to have been touched by the greetings from across two oceans because he received the Hawaiians in 1824 with diplomatic honours. They were seen in the royal box at the theatre and portrayed by artists. Typically cartoonists were less generous – Cruikshank portrays the depraved George IV with his arms around a tattooed Polynesian. They also visited the British Museum where they could not have missed three of its most stunning exhibits, the feathered faces of gods brought back by Cook’s team from Hawaii which are known to have been on display at that time.

In 1810, Kamehameha I – the first king of unified Hawaii – sent this ʻahu ʻula (feathered cloak) along with a letter to George III of the United Kingdom. Photograph: © Royal Collection Enterprises Limited 2025 | Royal Collection Trust

The Hawaiian treasures retrieved from the British Museum’s stores are remarkable – they should have a permanent gallery to themselves. You can’t stereotype them: the fierce gaze of a martial-looking god with a chunky wooden body seems modernist, which is no coincidence because Pacific sculptures helped inspire modernism. I mistook one of the feathered godheads with its almost caricatural eye for a contemporary artwork. It was collected by Cook.

These wonders are not reliquaries of a dead culture. There’s a perfectly preserved 18th-century dance rattle, or ‘uli’uli, brought back from Cook’s third voyage, a gourd from which purple, red and white feathers sprout and radiate. A video shows Hawaiian dancers using a modern recreation of the same instrument. To Hawaiians the artistic masterpieces their ancestors made are bearers of memory, instruments of identity.

ʻUmeke kiʻi (bowl with figure). Photograph: © The Trustees of the British Museum

This exhibition is a celebration of Hawaii and a defence of museums with global collections. The almost miraculous preservation of delicate, fragile artworks made with feathers, teeth, wood and bark for almost 250 years is surely to the British Museum’s credit, as is this way of seeing them as embodiments of living culture.

How does the story end? The king and queen of Hawaii gave their lives for cultural diplomacy: they both died of measles in London in 1824. George IV honoured them by sending their bodies home on a Royal Navy ship. Hawaii successfully persuaded Britain and Europe it was a nation state, with a monarchical government they could do business with – so Britain kept its greedy hands off this one place. In the end it would be the US that seized Hawaii, colonised it and eventually made it the 50th state. The objects here are weapons in a continuing cultural resistance. Look out for that shark-toothed club, Mr President.

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Hawaii: A Kingdom Crossing Oceans is at the British Museum, London, 15 January to 25 May



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Community memorial service for Kazuo Todd today in Hilo – West Hawaii Today

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Community memorial service for Kazuo Todd today in Hilo – West Hawaii Today


The funeral procession for deceased Fire Chief Kazuo Todd with pass-in-review for Hawaii Fire Department firefighters took place Saturday morning at HFD Administration in the County Building on Aupuni Street in Hilo.





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What’s Cooking: Celebrating Lunar New Year with Hawaii Dim Sum & Seafood

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What’s Cooking: Celebrating Lunar New Year with Hawaii Dim Sum & Seafood


HONOLULU (HawaiiNewsNow) – A family-run Chinese restaurant in Honolulu’s Chinatown is gearing up for Lunar New Year festivities.

Hawaii Dim Sum & Seafood Restaurant owner Karen Tam and her son Kirave Liang joined HNN’s Sunrise to showcase their dim sum and Chinese specialties.

Lunar New Year specials include a special jai with 18 vegetarian ingredients and the sweet, sticky, steamed rice cake gau in brown sugar and coconut flavors, which symbolize good fortune and prosperity.

”We eat food with a lucky meaning to start the great year,” Tam said. “We have jin dui (sesame balls) every day.“

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Feb. 17 marks the start of the year of the Fire Horse, when families gather to celebrate with big meals and auspicious dishes. Hawaii Dim Sum & Seafood will offer set party menus and special orders for foods not commonly found in Honolulu, such as whole stuffed duck, braised abalone in oyster sauce, and basin meal.

“It’s the biggest fest of the year. We celebrate Chinese New Year by eating with family in a round table,“ Tam said.

Hawaii Dim Sum & Seafood also has private rooms with karaoke systems and a banquet hall to accommodate small family gatherings to large parties.

Hawaii Dim Sum & Seafood is located on 111 N. King St. and is open from 8 a.m. to 9 p.m. daily, There is street parking and paid parking behind the restaurant on Nimitz and Maunakea.

For more information, visit hawaiidimsumseafood.com or follow on Instagram @hawaiidimsumseafood.

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