Hawaii
Queen’s plans new hospital in Kailua-Kona with helipad, housing
The Queen’s Health Systems plans to build an 80-bed hospital next to the Kailua-Kona Costco on Hawaii Island that would include a helipad to cut travel time to its trauma center on Oahu and, critically, construct adjacent, below-market-rate housing to recruit and retain some of the estimated 300 hospital staff, nurses and doctors.
The campus, including a medical office building, would start to go up in two to three years on 30 acres of land Queen’s owns, with it opening perhaps five years from now, according to Queen’s President and CEO Jason Chang.
The project would cost $400 million to $500 million, with possible funding from private investments and philanthropic contributions, Queen’s said.
“What we’re trying to do is create a regional health system for the Big Island, so this is in partnership with our existing hospital, Queen’s North Hawaii Community Hospital,” Chang said. “We’ll be bringing more access, better care and more specialists to the north and west sides of the island.”
Queen’s plans surprised officials at the 94-bed Kona Community Hospital, located south of the Queen’s site closer to Captain Cook.
Hawaii Health Systems Corp., which operates the Kona Community and Kohala hospitals, had been looking to build another hospital closer to the main population center in Kailua-Kona, including potentially on the land where Queen’s plans to build its still-unnamed hospital, said Clayton McGhan, HHSC West Hawaii regional CEO.
Because of the health care needs of the west side of the Big Island, McGhan said he supports Queen’s plans, especially its goal of building workforce housing for hospital staff.
While some refer to the neighbor islands as providing “rural health care,” McGhan said that in Kona, “I actually think we’re remote or frontier health care.”
Based on a needs assessment funded by the state Legislature, West Hawaii’s population is expected to grow 11% over the next decade.
Last year, 22,000 patients were treated in the Kona Community Hospital’s emergency room and the number is on track to jump to 24,000 this year McGhan said.
But the 50-year-old Kona Community lacks the volume of specialized cases to justify full-time specialists. So it relies on specialists at Queen’s to consult via telemedicine technology on stroke and neurological cases, along with helping with a new electronic medical records system, McGhan said.
A new Queen’s hospital in Kailua-Kona would be welcomed, he said.
“We don’t look at it as competition,” McGhan said. “I know what our community needs. We have to celebrate that because it’s going to meet the community’s demands. The main thing is we’re supportive of any additional resources that would come here.”
• • •
Kona Community Hospital needs 25 more doctors trained in psychiatric care, cardiology, adult primary care and pediatric specialties, according to McGhan, who applauded Queen’s plan to build 150 condo and apartment units that would be rented to hospital staff at below-market rates, with the option to also buy at below-market prices.
When it’s time to sell, owners would have to sell to another hospital employee at similar rates, Chang said.
McGhan called the concept “fantastic. It’s hard to attract staff here. So we’re going to be supportive of any new workforce housing.”
Gov. Josh Green started his Hawaii medical career at a rural hospital in Ka‘u. As lieutenant governor, he worked weekend ER shifts at the Kona hospital while running for governor.
“It’s very exciting to see health care weigh in on the need for affordable housing. I’ve always said that housing is health care,” Green said.
For Queen’s, Chang hopes to finish building the housing before the hospital itself opens to ensure it has long-term staffing.
“We believe housing’s such a huge need and you can’t recruit nurses, doctors, technologists, social workers if you don’t,” Chang said.
Because of the difficulty recruiting health care workers — let alone specialists — to the neighbor islands, Queen’s 35-bed North Hawaii Community Hospital relies on traveling nurses and doctors.
It’s hired four full-time oncologists over the last 10 years who all left after a couple of years, Chang said.
“It takes a year to bring someone new in,” he said. “Traveling physicians don’t plan to stay. It’s a real challenge in rural communities. We can’t hire permanent people because they can’t find housing — affordable or just inventory, period. If we don’t address housing ourselves, we’re going to have the same problem.”
By providing below-market-rate condos and apartments, Chang hopes to retain some traveling health care workers for the new hospital.
Queen’s physicians also work closely with medical students at the University of Hawaii’s John A. Burns School of Medicine, including students who already work with patients at Queen’s. They also could rotate through the new hospital, along with one or two post-graduate medical residents every couple of years.
With Queen’s residents, he said, “I just need one or two to stay every few years. That would be fantastic and it makes them appreciate the need for rural health care.”
• • •
Many details of the new hospital campus still need to be worked out, such as how many stories the facility would have. But the hospital probably will be around 250,000 square feet in size, Chang said.
The community wants a trauma center and specialists to treat heart attacks and strokes, but West Hawaii doesn’t have the volume of cases to attract or retain “a top-notch cardiologist,” Chang said. “Just treating 30 heart attacks a year, they’re going to leave.”
Instead, the hospital will focus on “diagnostic cardiology, diagnostic neurology — state-of-the-art diagnostics — and general surgery,” he said.
There also will be an emergency room “to stabilize you and fly you to Queen’s.”
For some neighbor-island patients flying to The Queen’s Medical Center in Honolulu on an airplane, it can sometimes take three to four hours between when they call 911, get taken by ambulance to their local hospital, diagnosed, driven by ambulance to an airport, put on a plane to Daniel K. Inouye International Airport and then taken by ambulance to the hospital, Chang said.
“You end up with a massive amount of transfer time,” he said.
Instead, a twin-engine H145 helicopter is scheduled to be delivered to Queen’s in 2026.
It’s being paid for by philanthropists Lynne and Marc Benioff, who have a home on the Big Island. Marc Benioff is co-founder, chairman and CEO of Salesforce and owns Time magazine.
The couple already have donated $5 million, dedicated solely to Hawaii island health care workers, to augment $30 million in state funds to pay off student loans to keep health care workers from leaving Hawaii.
Once the helicopter goes into use at the new hospital, Chang said Hawaii County crews will staff it to fly patients to Queen’s trauma center.
“How do you get somebody to the trauma center, which is Queen’s Medical Center Punchbowl, as fast as you can?” Chang asked. “If you can go rooftop to rooftop, you cut out all that ambulance time.”
Benioff, Chang said, “recognizes that air transport is a real issue.”
Queen’s plans help address the growing need for health care in the area, according to Green.
In a follow-up statement, Green said: “The West Hawaii community truly needs a new hospital as Kona Hospital has aged, and is now further away from the region’s population center. It’s exciting to see Queen’s begin the process of raising capital and building relationships to launch this new facility. There is certainly a pathway for the state to either support or even partner with Queen’s on this project, once all of the stakeholders have come to a consensus on how to move forward.”
Hawaii
Kanakaʻole, Zane ʻohana transform Hawaiian cultural practices into captivating visual arts | Maui Now
This powerful new exhibition will feature the work of Nālani Kanakaʻole, Sig Zane, and Kūhaʻoʻīmaikalani Zane—a Hilo-based family of artists whose creative practices are deeply rooted in hula ʻaihaʻa.
Hula ʻaihaʻa is the low-postured, vigorous, bombastic style of hula that Kanakaʻole was known for as kumu hula of Hālau o Kekuhi. The hula springs from the eruptive volcano personas of Pele and her sister Hiʻiaka, characteristic of Hawaiʻi Island’s creative forces.
The Bishop Museum, the State of Hawaiʻi Museum of Natural and Cultural History, on Oʻahu is presenting “Ea Mai ʻEiwa: Patterns of Practice” in the J. M. Long Gallery beginning on Saturday, April 18, 2026.
The exhibition title references “Kūhaʻimoana,” a chant describing the migration of shark gods from Kahiki (ancestral homeland) to Hawaiʻi. “Ea Mai ʻEiwa” reflects the strength, resilience, and environmental knowledge embodied in these ancestral stories.
Bringing together new and existing works alongside botanical specimens and cultural treasures from Bishop Museum’s collections, the exhibition weaves themes of migration, community resilience, and environmental stewardship—offering insight and inspiration for today.
“This exhibition demonstrates that the gap between historic collections and contemporary art is actually a lot smaller than people think,” said Sarah Kuaiwa, Ph.D., Bishop Museum curator for Hawaiʻi and Pacific Cultural Resources. “Audiences will see how the artists use the same materials as pieces in Bishop Museum collections but in different forms. The resonance between the artist’s work with mea kupuna (ancestors) is what makes ‘Ea Mai ʻEiwa’ a uniquely Bishop Museum exhibition.”
Kuaiwa curated the group exhibitions along with co-curator, kumu hula Kauʻi Kanakaʻole, and Bishop Museum exhibit designer, DeAnne Kennedy.
The artists’ work across visual and performing arts is continually charged and sustained by hula. From Nālani Kanakaʻole’s art direction and choreography to Sig Zane’s photography and textile design, and Kūhaʻoʻīmaikalani Zane’s graphic design and immersive installations, each artist channels ʻike (knowledge, wisdom) carried through generations.
“Through repetition, deep study, and consistent practice, mastery is achieved. As practitioners of hula, the artists have continued to deepen their understanding of the natural and spiritual world, which has in turn inspired their art practices,” Kuaiwa said. “They aim to produce art in various visual media not only to educate, but to also be aesthetically celebrated and enjoyed.”
“Patterns of Practice” was suggested by Sig Zane as a way of representing how the artists hone their skills.
“‘Kūhaʻimoana,’ for me, has many layers to it,” Kūhaʻoʻīmaikalani Zane said. “On a first take, it’s a migratory chant that compares migrations to waves of ocean-navigating sharks. That metaphor sets out the tone of connectivity between our natural environment and the beings that inhabit it.”
“‘Kūhaʻimoana’ is an example illustrating metaphorical depth within Hawaiian poetry,” said Sig Zane. “The importance of navigation surfaces in day-to-day cultural practices. This archaic chant reveals nuanced content, giving us a peek into hierarchy, dualities, and familial belief systems.”
Kanakaʻole passed away in January this year, so Kauʻi Kanakaʻole hopes that “Ea Mai ʻEiwa: Patterns of Practice” reflects Kanakaʻole’s philosophy of practice and piques curiosity within people about others’ stories, history, and culture.
“She intentionally taught hula with depth of language, craft, and art form to encompass a full-on lifestyle commitment,” Kanakaʻole said. “This was her everyday; the way she learned, grew, and inspired.” “I would love for guests to leave (the exhibition) with a mixture of awe, appreciation, and curiosity.”
Highlights of the “Ea Mai ʻEiwa: Patterns of Practice” exhibition include:
- Nālani Kanakaʻole’s kite installation, “Kūhaʻimoana,” her last large-scale installation before her passing
- Botanical specimens from various locations across Hawaiʻi Island, chosen to represent their hula ʻahu (altar) and sources of inspiration the artists frequently draw from
- Uniquely colored kūpeʻe (sea snails) shells made into adornments, as well as adornments made to look like kūpeʻe shells
- Kapa (barkcloth) made from the 19th century with dynamic designs
- ʻAwa (kava, Piper methysticum) cups and kānoa (kava bowl) associated with the aliʻi
- New and archival sketches and rubylith artworks by Sig Zane from 1990 to present
- A collection of family photos from the Kanakaʻole ʻOhana
- Memorabilia and ephemera from the theatrical performance, “Holo Mai Pele” (1995-2000)
“Ea Mai ʻEiwa: Patterns of Practice” will be presented in both ʻŌlelo Hawaiʻi and English, and will be on view until Sept. 20, 2026.
For more information, visit bishopmuseum.org.
Hawaii
Large section of Aloha Stadium demolished as project proceeds – West Hawaii Today
The demolition of Aloha Stadium on Oahu took a big step forward Thursday with the first section of seating pulled down from the steel structure.
Half of the elevated deck-level seating on the stadium’s makai side was severed and toppled backward as part of demolition work that began in February.
The other half of the upper makai-side seating is slated to come down Tuesday, followed by similar sections on the mauka side and both end zones, though the concrete foundations for lower-level end-zone seating are being preserved for a new, smaller stadium to rise on the same site.
A private partnership, Aloha Halawa District Partners, led by local developer Stanford Carr, is replacing the 50,000-seat Aloha Stadium, which opened in 1975 and was shuttered in 2020, with a new stadium featuring up to 31,000 seats.
AHDP is using $350 million of state funding toward the cost of the new stadium, which could be $475 million or more, and will operate and maintain the facility on state land for 30 years with a land lease.
The development team also is to redevelop much of the 98-acre stadium property dominated by parking lots with a new mixed-use community that includes at least 4,100 residences, two hotels, an office tower, retail, entertainment attractions and open spaces expected to be delivered in phases over 25 years and costing close to or more than $5 billion or $6 billion.
Earlier parts of stadium demolition work led by Hawaiian Dredging Construction Co. included removing four covered multistory spiral walkways leading to the upper level from the ground, and concourse bridges.
Demolishing the stadium is projected to be done by August, according to Carr.
Building the new facility is expected to be finished in 2029.
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