Culture
Lewis Hamilton’s final F1 lap with Mercedes: A year of challenges, a decade of triumphs
ABU DHABI, United Arab Emirates — Atop the Mercedes hospitality unit at the Yas Marina Circuit in Abu Dhabi, cooled by nearby fans working hard in the midday heat, Lewis Hamilton sat at a table with his race engineer, Peter Bonnington, for some pre-race weekend planning.
It was a routine they’d been through plenty of times before — 245 times, in fact — but the 246th time carried a little more emotion. After 12 years, 84 race wins and six world championships, marking it the most successful driver-team partnership in F1 history, this was the last race weekend for Hamilton as a Mercedes driver.
Hamilton’s conversations with Bonnington, affectionately known as ‘Bono’ and someone Hamilton has likened to a brother, remained as professional as ever. They knew there was a job to do. But speaking a few hours later, the seven-time world champion admitted these chats involved an extra degree of emotion.
“You’re sitting there, and you’re realizing these are the last moments with the team, which is … it’s hard to describe the feeling,” Hamilton said. “It’s not the greatest, of course, but I think mostly I’m just really proud of what we’ve achieved.”
The ‘last dance’ for Lewis Hamilton and Mercedes has been ten months in the making. On Feb. 1, Hamilton announced he would move to Ferrari for 2025, securing the 39-year-old a last blast in F1’s iconic red cars to end his glittering career. Abu Dhabi was always going to be a significant grand prix.
But at the end of a taxing year on the track, filled with the highs of victory at Silverstone and Spa to the late-season lows, both Hamilton and Mercedes are committed to ending with a celebration.
“It’s a really beautiful journey you go on together,” Hamilton said. “And being that it was so long, the emotions run so deep.”
Toto Wolff, the Mercedes team principal, had an inkling of what was coming when Hamilton arrived at his Oxfordshire home for their pre-season catch-up.
Fred Vasseur, Ferrari’s F1 chief and a close friend of Wolff’s, hadn’t replied to a text asking if he was “taking our driver,” and the father of Carlos Sainz, who Hamilton would replace, had tipped off the Mercedes boss that something might be happening.
Looking back on Thursday, Hamilton admitted to it being an “awkward” meeting with Wolff to break the news that their partnership would end. Only eight months earlier, they’d agreed on a contract extension that appeared to reaffirm their commitment, one Hamilton had previously envisaged lasting long beyond his time racing in F1 was over. Their joint work on campaigns to assist long overdue change concerning diversity and equality in F1 is a legacy that means more to Hamilton than his racing achievements.
It also made for a year he admitted that he “massively underestimated” from an emotional point of view. “It was straining on the relationship very early on; (it) took time for people to get past it,” Hamilton admitted. “And then just for my own self, it’s been a very emotional year for me. And I think I’ve not been at my best in handling and dealing with those emotions.”
Lewis Hamilton and Toto Wolff talk on the grid at Lusail International Circuit on Nov. 30, 2024. (James Sutton – Formula 1/Formula 1 via Getty Images)
Hamilton has always worn his heart on his sleeve, evidenced by the tears that flowed after ending his two-and-a-half-year win drought at Silverstone. The intimacy of his relationship with Mercedes permits a brutal honesty that has survived significant disappointments — like his 2016 title loss to teammate Nico Rosberg or, more controversially, what happened in Abu Dhabi three years ago when he missed out on a record eighth world title.
Wolff has always liked to prod at any open wounds, knowing that is often the only way to understand how to make a situation better. He felt that Hamilton and Mercedes had “done a good job” handling the emotions of this year.
“When he took the decision at the beginning of the season to go, we knew it could be a bumpy year ahead,” Wolff said in Qatar. “He knows he’s going to go somewhere else. We know our future lies with Kimi (Antonelli). To go through the ups and downs and still keep it together between us, that is something we have achieved.”
“I’m just slow.”
For these words to be uttered by a seven-time world champion might seem fanciful. But there was a degree of resignation as Hamilton digested a difficult Friday of practice for the Qatar Grand Prix, where he couldn’t feel the car giving him back the kind of performance he needed. It continued a season-long trend.
For much of the year, the Mercedes W15 car hadn’t gelled to his driving style or allowed him to extract the kind of pace that he’d needed, particularly over a single lap. Through 23 races this season, Hamilton trails George Russell 18-5 in their qualifying head-to-head and is 24 points behind in the drivers’ standings.
The day after Hamilton made that comment, when he’d qualified sixth in Qatar while Russell was P2 and almost half a second quicker, he was asked to expand on it. Did he really mean that he’s lost the edge? Is this a sign of the decline most elite drivers and sports stars encounter as they near their forties?
“I know I’ve still got it,” Hamilton said. “(It’s) just the car won’t go a bit faster. I definitely know I’ve got it still. It’s not a question in my mind. (I’m) looking forward to the end.”
Lewis Hamilton enters his final race with Mercedes seventh in the drivers’ championship. (Mark Thompson/Getty Images)
It wasn’t the first time Hamilton had given such a bleak outlook. After the race in Brazil, where he’d lagged to 10th in rainy conditions while Russell had been in the mix for victory prior to the red flag, he admitted he “could happily go and take a holiday” instead of doing the final triple-header. In Las Vegas, when the W15 came alive in the cold and allowed Mercedes to sweep to a 1-2, Hamilton seemed downbeat that he’d not been the one to lead it home after qualifying down in P10 while Russell was on pole.
“These last races, maybe even the whole season, was clearly not what we expected,” Wolff said in Qatar. “That car is a handful to drive on its worst days.”
But how much of that has hurt Hamilton in a way that it has not for Russell? Wolff put part of it down to Hamilton’s driving style. “One of his strengths is how he’s always able to brake late and attack the corner, and the car can’t take it,” he said, adding that when the grip kicks in the slow-speed corners, the problem worsens. “Then if the car slides more and it lacks grip, that contributes to (him) probably suffering more than George.”
In Qatar, Vasseur said he was “not at all” concerned by the form of his incoming star signee. “Have a look on the 50 laps that he did in Vegas, starting P10 (and) finishing on the gearbox of Russell,” Vasseur said. “I’m not worried at all.”
The progress made by Ferrari this year, recovering from its mid-season slump to put up a late fight to McLaren for the constructors’ title, will also encourage Hamilton that he can rekindle more of his old form. He stressed on Thursday that while his focus remains on Mercedes for his final weekend, there was a natural excitement building about the next chapter.
“It really sparks motivation,” Hamilton said, “and it’s a dream scenario for any driver to have an opportunity like this. I don’t take that for granted.”
Whenever Hamilton hangs up his helmet and calls time on his enormously successful career, this period with Mercedes will be the lasting, most definitive part of his racing legacy.
When he decided in 2012 to make a shock move away from McLaren, then consistently one of F1’s leading teams, it was scoffed at as a mistake: a step into the midfield, away from the team that had brought Hamilton up to F1, and into the unknown.
It proved to be the right move at the right time. McLaren was about to start a decade-long decline, while Mercedes was on the verge of starting a record-breaking F1 dynasty with Hamilton as the centerpiece.
The move also allowed Hamilton to become himself. His evolution from a 27-year-old one-time champion into one of F1’s elder statesmen, on the cusp of his 40th birthday with seven world titles to his name, with interests and a celebrity status stretching far beyond this paddock, has been impressive.
Mercedes’ British driver Lewis Hamilton sits on his car, posing for a group photo with his team ahead of the Abu Dhabi GP. (Andrej ISAKOVIC / AFP)
On the entrance to Mercedes’ garage for this weekend at the Yas Marina Circuit are two large pictures of Hamilton, one from Hungary 2013 — his first win for Mercedes — and the second from Silverstone this year, arguably the most emotional of his record 104 victories. Across it reads the message: “Every dream needs a team.”
Even the challenges of this year and the difficulty of a year-long goodbye will not diminish what Hamilton and Mercedes built together.
“Nothing is going to take away 12 incredible years with eight constructors’ and six drivers’ championships,” Wolff said. “That is what will be the memory, and after next Sunday, we’re going to look back on this great period of time rather than a season or races that were particularly bad.
“We will stay with the good memories.”
Good memories. Historic memories. So heavy in emotion that, when the checkered flag drops for Hamilton on Sunday night and he hoists himself out of a Mercedes F1 car for the final time, they will surely come flooding back.
Top photo: Chris Graythen/Getty Images, Clive Rose/Getty Images; Design: Meech Robinson/The Athletic
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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