Culture
Carlos Sainz’s F1 Mexico GP win pushes Ferrari closer to a ‘perfect goodbye’
Stay informed on all the biggest stories in Formula One. Sign up here to receive the Prime Tire newsletter in your inbox every Monday and Friday.
MEXICO CITY — Carlos Sainz climbed on top of his vibrant red Ferrari, spreading his arms wide before raising his fists in the air.
The emotions were evident. The Spaniard started the Mexico City Grand Prix from pole, and though he lost the lead to Max Verstappen, Sainz regained first and put together one of the strongest drives of his Formula One career. His race engineer, Ricciardo Adami, called Sunday’s performance “a master class” over the radio at the end of the race.
Sainz is the first driver to win the Mexico City GP from pole in eight years and the first Ferrari driver to win the race since 1990 when Alain Prost accomplished the feat. This season is the first time Sainz has won multiple grands prix — the first in Australia 16 days after surgery and now here in Mexico.
Ferrari wasn’t good enough to be in the constructors’ title fight before summer break, but its recent upgrades have helped push the Maranello-based team to second in the standings with four races to go. It’s fair to say that Ferrari could be in the mix again in 2025 if things stay the course.
But it’ll be without Sainz.
“Honestly, I really wanted this one — I needed it for myself, I wanted to get it done,” Sainz said. “I’ve been saying for a while I wanted one more win before leaving Ferrari, and to do it here in front of this mega crowd is incredible.
“Now four races left, I want to enjoy as much as possible, and if another one comes, I will go for it.”
GO DEEPER
Mexico GP: Submit your questions for our F1 mailbag
How the victory unfolded
Sainz had to work for his second victory of the season.
Verstappen took the lead after the grid barreled towards Turn 1, though that wasn’t surprising. Autódromo Hermanos Rodríguez is a low-grip track, and as the Ferrari driver noted, Red Bull tends to start well at these circuits. Verstappen stayed on the inside of Sainz heading into Turn 1, and though Sainz said he braked as late as he could, Verstappen did the same. This left Sainz with “no space to go into Turn 2.” Verstappen emerged with the early race lead.
Because of the early collision between Alex Albon and Yuki Tsunoda, the grid settled behind the safety car for several laps. Verstappen nailed the restart, but Sainz stayed in his rearview mirrors, never letting the Red Bull stray too far out of sight. He made his move on Lap 9.
“With Max, you need to be determined. You need to be decisive,” Sainz said. “If you’re not, you’re never going to pass him. And in that case, I think I caught him a bit by surprise, and I could make it stick.”
With some help from DRS and a tow, Sainz lunged past the Dutchman to re-secure a lead the Spaniard never relinquished. The Ferrari driver initially appeared too far back to make the move, but in the final 100 meters, Sainz said, “I felt like I had a good momentum, and I’ve been feeling very confident braking into Turn 1 this weekend. The car has been giving me confidence to brake late there, and I just went for it, and it happened. Also, this mentality of knowing I had a bit less to lose in that battle and that I could be aggressive and send one.”
He described it as a “high tension” moment because a chaotic battle unfolded between Verstappen and Lando Norris behind him. It resulted in the Red Bull driver receiving two 10-second time penalties, which he served on the first pit stop.
GO DEEPER
Max Verstappen’s Mexico GP penalties hurt. It won’t change how he races Lando Norris
Once Sainz regained the lead, roughly 60 or so laps remained. Plenty of action unfolded throughout the race, like Liam Lawson battling Sergio Pérez or Norris hunting Charles Leclerc in those final laps. Ahead of all of them, it appeared to be a rather problem-free race for Sainz aside from the report of a misfire. He said that was an “isolated incident.”
“The only misfire I had all race was at the exit of Turn 3. Landing after the curb, I did a little short shift and it gave me a misfire, which was a bit scary, but we’ve had them during the weekend and we know it’s due to the altitude and the mapping,” Sainz said. “But once I was in the lead, I was trusting my pace, my management, and I knew this weekend I’ve been very quick, and I knew I just had to do whatever I had planned, and the win was possible.”
Sainz retook the lead from Verstappen with a daring lunge into Turn 1. (Mark Thompson / Getty Images)
At around lap 49, Sainz also raised over the radio that he felt Ferrari was pushing too hard. It was a Prancing Horse 1-2 at the time, and Leclerc wasn’t far behind. The Monegasque driver, though, lost second in a battle with Norris. He lost the rear and nearly hit the barriers, saving it at the last moment.
It may not have been a Ferrari 1-2 in the end; however, the first and third-place finishes, plus Leclerc securing the fastest lap, was enough to launch the team ahead of Red Bull in the standings — a 25-point lead to be specific.
‘The perfect goodbye’
Sainz admitted he shed a tear as the Spanish national anthem played in celebration at Autódromo Hermanos Rodríguez.
Just below the podium stood his parents, Carlos Sainz Sr. and Reyes Vázquez de Castro, and his partner, Rebecca Donaldson. His best friends also attended the race weekend, and all those present made this moment that much sweeter.
“It’s one of the best moments in my career. My mom had never been present on a race win with me, and the fact that she was coming here this weekend, I wanted really to win a race in front of her,” Sainz said. “On top of that, the way the whole weekend panned out, it was just perfect.
“Losing at the start and then having to fight back with Max just made everything a bit more tricky. Probably makes it taste even better because I had to work hard for it.”
Sainz celebrated with his father, family and friends after the race. (Jared C. Tilton / Getty Images)
It has been a long year, not just for Ferrari but also for Sainz. News broke in February that Lewis Hamilton would join the team in 2025, leaving the 30-year-old without a seat despite being competitive among the top teams. It wasn’t until late July that the announcement came that Sainz would head to Williams Racing next season, a team trying to rebuild.
Meanwhile, Ferrari started the season competitively before falling into a tricky development stretch that saw it drop behind McLaren and Mercedes by summer break. It brought upgrades in Monza, and Leclerc won, but time would tell if it was a proper step forward. That confirmation came in Austin when Ferrari went 1-2, with Leclerc winning his third grand prix of the season.
Leclerc said that the constructors’ championship is “realistically possible.” Ferrari is 29 points behind McLaren, which leads the standings with 566 points. But as Sainz noted, the team will need to be consistent. Winning the constructors’ championship for the first time since 2008 would be the perfect sendoff for Sainz.
“I think it could have been quite easy for me to lose a bit of motivation and to lose a bit of the drive to make it happen, but those three weeks of break (after Singapore) served me well,” Sainz said. “I managed to regain a bit of the determination and the drive that I needed for these last five, six races of the season. And I managed to put myself in a position with improving my driving, my confidence with the car, to put myself in a position to, first, win in Austin that I didn’t make it happen — Charles did a great job there — and put myself in a position to win here and this one I was just going to make sure it doesn’t slip from my hands.
“Not an easy year, but proud of the way that I’ve managed to keep myself in it and obviously trying to help the team now as much as I can to win these constructors because it would be the perfect goodbye for me.”
(Top photo: Jared C. Tilton / Getty Images)
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
Culture
Can You Identify Where the Winter Scenes in These Novels Took Place?
Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
Culture
From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel
When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.
This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.
There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.
Their first impressions fill a nearly page-long paragraph. Here’s how it begins.
Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.
But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.
It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.
See the full list of the 10 Best Books of 2025 here.
-
Alaska1 week agoHowling Mat-Su winds leave thousands without power
-
Texas1 week agoTexas Tech football vs BYU live updates, start time, TV channel for Big 12 title
-
Ohio1 week ago
Who do the Ohio State Buckeyes hire as the next offensive coordinator?
-
Washington5 days agoLIVE UPDATES: Mudslide, road closures across Western Washington
-
Iowa7 days agoMatt Campbell reportedly bringing longtime Iowa State staffer to Penn State as 1st hire
-
Miami, FL7 days agoUrban Meyer, Brady Quinn get in heated exchange during Alabama, Notre Dame, Miami CFP discussion
-
Cleveland, OH6 days agoMan shot, killed at downtown Cleveland nightclub: EMS
-
World6 days ago
Chiefs’ offensive line woes deepen as Wanya Morris exits with knee injury against Texans