Not so long ago, Heather Gay was a middle-aged mother of three, struggling to reclaim her sense of self. She’d spent most of her adult life embodying the “Molly Mormon” stereotype — a devoted wife, mother and member of the Church of Jesus Christ of Latter-day Saints. Then her marriage fell apart, and with it her entire identity. Financially dependent on her ex-husband, she was determined to get her medspa business off the ground. Becoming famous was hardly an option.
“I was just set out to pasture. I had no plausible hope for the future. I was just trying to be a good mom and morally upright citizen, turn my face to the wall and die. That, literally, was the plan,” she recalls.
Then Bravo came calling. Gay was cast in “The Real Housewives of Salt Lake City,” which premiered in 2020 and distinguished itself by looking at how the women in the cast were influenced by organized religion, particularly the LDS church. Gay instantly became the show’s breakout star — the smart, self-aware and hyper-relatable one who was quick to share her insecurities or crack a self-deprecating joke. She wasn’t model thin, didn’t dress in head-to-toe Chanel or travel with a glam team. She did, however, get very excited about eating meat on a stick and sometimes wound up with her head in the toilet after drinking too many espresso martinis.
Reality TV can be a lot of things — a bid for attention, a cash grab. But for Gay, it turned out to be a calling.
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“It’s the most important work I’ve ever done,” she says, perched at the bar of a hotel in midtown Manhattan. Gay is in town for a watch party for Season 5 of “RHOSLC.” With her taut jawline, blazing white teeth and recently slimmed-down physique, she has embraced the prototypical Housewife look.
“‘Housewives’ rescued me. It gave me a second lease on life,” she says. “It scooped me up and pulled me out of the church, pulled me into financial independence and fame.”
Lisa Barlow, left, Heather Gay and Britani Bateman in the Season 5 premiere of “The Real Housewives of Salt Lake City.”
(Fred Hayes / Bravo)
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Gay has leveraged her popularity by writing a bestselling memoir, “Bad Mormon,” with a second book, “Good Time Girl,” due in December. She has faced some ups and downs, including a rough patch when she exasperated fans with her unflinching loyalty to castmate Jen Shah, who went to prison last year for her role in a telemarketing scam, and may have given Gay a black eye. But she cemented her place in the pantheon of “Real Housewives” greats last season by confronting cast member Monica Garcia, linking her to a social media account that trashed her co-stars. A clip of Gay’s tirade went viral, particularly the line, “Receipts, proof, timeline, screenshots.” It has been quoted by congressionallawmakers, spoofed by Marvel and slyly referenced on “Jeopardy.”
She has also undergone another dramatic transformation, losing more than 25 pounds by taking Ozempic. She has approached the subject with her typical candor, speaking openly about using the weight-loss drug.
“This last year has been the best year of my life,” she says, sipping a glass of lime and basil infused water. (No, she has not given up her beloved espresso martinis; the bar is not yet open.)
Now, with Season 5 underway, Gay is at a crossroads: Can she enjoy the fruits of her “Housewives” celebrity while also maintaining the down-to-earth appeal that made her a fan favorite? Based on our conversation, which includes digressions about “Degrassi High,” “The Parent Trap” and her $29 ring from Zara, Gay appears determined to remain a friendly proxy for Bravo’s pop culture-obsessed audience.
“The most rewarding part of this job is taking someone, and watching them go from obscurity to really finding their voice and taking the opportunity and soaring. Heather is an amazing example of that,” says executive producer Lisa Shannon. “Heather serves as the voice of the audience because she’s so honest. She’s very observant, she doesn’t sit back on her opinions, and her opinions are usually correct.”
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“The most rewarding part of this job is taking someone, and watching them go from obscurity to really finding their voice and taking the opportunity and soaring. Heather is an amazing example of that,” says “Housewives” executive producer Lisa Shannon.
(Sean Dougherty / For The Times)
Co-star Meredith Marks says that Gay “uses humor to deflect from her own pain.” She met Gay while working together on an event at the Sundance Film Festival but bonded with her on the way home from a cast trip to Zion National Park in Utah. Marks had just lost her father and believed some of her co-stars were making light of his death. “It was really hurtful, and I was in a lot of pain. I was terrified to get on the Sprinter van,” Marks says. “Heather grabbed me, and she’s like, ‘Come sit with me.’ I sat in the back with her, and she had me laughing the entire ride home. That is Heather. She knows how to take a tough situation and make you smile and laugh and pull you through.”
For her part, Gay suggests her relatability stems from the fact that she was a fan — of reality TV in general, but especially ‘The Real Housewives” — before she became one herself.
I ask her to elaborate, and she tears up (one of several times in our conversation). “You want me to cry?” she says, doing just that as she remembers getting hooked on early seasons of “The Real Housewives of Orange County.”
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She lived vicariously through women like Tamra Judge (formerly Barney), as she bluntly told her then-husband she wanted a divorce. “I wanted a divorce when I saw that scene, but I could never say that out loud. I could never even think it to myself,” Gay says. “I’m grateful to these women for putting their lives on television, for showing the good, the bad and the ugly, for giving me escape and … showing me a life that I never would have seen because my bubble was so insular.”
Before “RHOSLC,” Gay was what she calls a “PIMO”; physically in, mentally out of the LDS church. She had a Keurig but would leave only hot chocolate pods out, lest her family or neighbors think she was drinking coffee. “That’s an absurd thing for a divorced adult woman to be concerned with,” she says now.
Participating in the show finally enabled her to leave the church for good. Without it, she thinks she’d still be a “PIMO.” But “Housewives” notoriety also contributed to Gay’s estrangement from most of her family.
If she had chosen to walk away from the church in private, they would have been upset but accepted it, Gay says. “But I’ve done it loudly and proudly, and I’m unapologetic about it. I’m also successful, which is even scarier if I were in the streets, addicted to drugs, or all the things they promised would happen to me if I left,” she says.
Like Gay, most of the original “RHOSLC” cast has ties to the LDS church. Between the crazy Sprinter van rides, it has also broken new ground by exploring heavy subjects such as excommunication and religious trauma.
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It also helped kick the door open for “The Secret Lives of Mormon Wives,” a hit Hulu reality series that debuted in September and follows a clique of young Utah influencers whose modern choices (divorce, swinging) don’t always conform to church teachings. Its debut coincided with deafening discourse about the “trad wife” phenomenon, epitomized by LDS influencer and mother of eight Hannah Neeleman, a.k.a. “Ballerina Farm.”
The cultural fascination with pressures faced by women in the church is “incredibly validating,” Gay says. “It’s what I’ve been screaming from the rafters. I’m like, ’Thank you, women, for showing up and showing how we’re manipulated in our marriages, how we are exclusive in who can attend our religious events, and how we have double standards.’”
Gay hopes the conversation continues: Despite the accountability faced by many institutions in the wake of movements such as Black Lives Matter and #MeToo, the LDS church “remains unchanged,” she says. “No one’s tearing down statues of Brigham Young even though, historically, he’s done much worse than Christopher Columbus.”
Heather Gay finds the recent fascination with Mormon women validating: “I’m like, ’Thank you, women, for showing up and showing how we’re manipulated in our marriages, how we are exclusive in who can attend our religious events, and how we have double standards.’”
(Sean Dougherty / For The Times)
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Like elite athletes, Housewives have good seasons and bad seasons. Gay’s popularity took a hit in Season 3, as she stood by Shah, who repeatedly denied involvement in the telemarketing scheme only to plead guilty just before she was set to go to trial.
Gay’s allegiance to Shah was so blind, she even refused to say how she’d ended up with a black eye after a night of partying in San Diego. She dodged questions for months; then in the Season 4 finale, alleged that Shah caused the injury, as many viewers already suspected. (For the record, Gay tells me she doesn’t remember the incident and knows how she got the black eye only because Shah told her. Shah has denied responsibility.)
Gay sees a connection between her devotion to Shah and a religious upbringing that “taught me to protect everybody but myself,” she says. “I thought my only way to contribute was to put my head down and be loyal. That was behavior I learned from decades of Mormonism: put up, shut up, don’t criticize, don’t look for evidence of fault,” she says, tears again welling up in her eyes. “I was f— up. I came out of a cult after 40 years and suddenly I had money, freedom and opportunity. I didn’t want to mess that up.”
Shah’s betrayal is part of what made Garcia’s relatively minor violation — setting up a troll account that few people were even aware of — so activating. “Her refusal to be accountable reminded me a lot of when we would confront Jen with things,” she says. To Gay, it also felt like Garcia was betting against her own team and had violated the cardinal rule of reality TV: Don’t bite the hand that feeds you.
Gay has taken the zeal and devotion she once felt for the LDS church and brought it to her role as a housewife. “I traded the church for the cult of reality television,” she jokes.
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But being on TV comes with downsides, like scrutiny over her physical appearance. Co-stars have called Gay names such as “Shrek” and likened her body to that of a Lego figurine. Viewers have said even worse. “There’s a weird, cruel irony: Just when our bodies are giving out, we’re on TV. We’re not supermodels. We’re aging, middle-aged women,” Gay says.
The second-season glow-up has become something of a trope on “The Real Housewives,” with many veteran cast members radically altering their appearance after seeing themselves on TV. But Gay’s was belated; she focused on her “emotional glow-up” first. She is one of a few “Housewives” stars who have admitted to taking a weight-loss drug, though many others have been suspected.
“Listen, everybody and their dog is on it,” she says. “I’m grateful that it worked. But if it hadn’t, I would still be here. I just wouldn’t be wearing shorts.”
Gay was recently quoted saying that losing weight helped her realize that body positivity was “a big lie.” The point she was trying to make, that people treat you better when you’re thinner, got lost in the click-bait furor that ensued. “I wish it wasn’t that way,” she says. “I’ve been fat and I’ve been thin. I liked myself either way, but the way people respond to me is different.”
Gay has to leave soon for the premiere watch party. As our conversation winds down, she describes the wild emotional roller coaster ride that each new season brings. Usually, she gets to see the episodes just a day or two before they air on Bravo, and fans render their verdict — loudly and passionately — on social media.
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“It’s 16 weeks of not knowing whether you live or die by the sort of the episode. You could have a week of wonderful reviews, and then you are slaughtered the next,” she says. It’s nauseating, but exhilarating. “I f— love it. At my age and at this stage of life, where else would I ever get this type of adrenaline?”
The following movie review does not contains direct spoilers for the film Michael, however general information in regards to the plot, characters, key climax points, biographical information and themes explored in the film will be heavily discussed. Please read at your own discretion, or after seeing the film in theaters.
There have been, so far, four films that aim to depict some portion of the beautifully tragic life of late pop music pioneer Michael Jackson, otherwise known to the world as The King Of Pop.
You’ve got The Jacksons: An American Dream, the near-perfect 1992 ABC miniseries that gave MJ, his brothers and verbally abusive father Joe Jackson equal screen time in order to make for a proper origin story. Then there’s Man in the Mirror: The Michael Jackson Story, an abysmal 2004 VH1 TV movie that acts as a spiritual sequel yet truly should’ve never been made. Almost a decade ago we got Michael Jackson: Searching for Neverland, the 2017 Lifetime Network attempt to cover his final years of life, told from the perspective of two bodyguards employed by him for merely two-and-a-half years.
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Today (April 24), the world finally gets to see Michael. The 2026 true-to-form biopic boasts the biggest budget compared to the previous three projects, distribution handled by the renowned Lionsgate Films, a director’s chair occupied by Antoine Fuqua (Training Day, Brooklyn’s Finest) and MJ’s own nephew, Jaafar Jackson, starring in the titular role alongside a glowing supporting cast that includes Colman Domingo (Rustin), Nia Long (Love Jones), Miles Teller (Divergent) and Larenz Tate (Menace II Society) just to name a few. Not to mention, it’s got full backing from The Jacksons family and 100% musical clearance to assure his biggest hits are heard on the big screen.
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With all that said, you might be expecting a masterpiece that borrows the best aspects from the original and rights the wrongs of the last two. Unfortunately, that’s not the case when it comes to Michael. Thankfully though, there’s so much more to love about this film in addition to a very strong potential for more.
Yes folks, we may very well be getting the first-ever sequel to a biopic sometime in the near future.
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Before we get ahead of ourselves by discussing a potential sequel, let’s first start off with what you get out of Michael. The film covers Joe’s formation of The Jackson 5 in 1966 and ends with MJ’s iconic 1988 Wembley Stadium stop on the Bad Tour. The filler in-between covers their Chitlin’ Circuit days, the Motown era, run-ins with Gladys Knight and The Pips, finding his voice with Off The Wall, the epic creation of Thriller, the Motown 25 NBC special and the infamous Pepsi burning incident. Each of these scenes are done with great detail and a passion from all involved to get it as close to the real-life moments. However, what’s missing stands out like a sore thumb.
Both Rebbie and Janet are nowhere to be found — they each requested their likeness not be depicted — and neither is MJ’s longtime muse, Diana Ross. It was reported that actress Kat Graham was actually casted in the part, only to later have her scenes cut completely due to legalities. Off The Wall also gets painted as his solo debut of sorts, completely ignoring the four successful solo albums that preceded it when he was just a preteen. Also, while it’s perfectly clear who the movie is about based on the title, it does feel a bit off to see the closest people in his life demoted to barely-speaking supporting characters, save for Domingo’s powerful portrayal as mean ol’ Joe, Long as the ever-caring Mrs. Katherine and longtime bodyguard Bill Bray played by KeiLyn Durrel Jones.
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On the positive side, Michael ultimately does more good than confusion. Jaafar is simply captivating when it comes to embodying his late superstar uncle, nailing everything from those easily-recognizable voice inflections to the classic dance moves. The film ends in 1988, right before MJ invests in Neverland Ranch, so don’t expect the heavy topic of his acquitted child sexual abuse allegations from 1993 and 2003 to be brought up either — well, yet anyway.
If in fact a “Jackson” sequel is in the works, we can only hope his full story is told with care, respect and most importantly the truth. Other important aspects we’d hope to see be depicted include an honest look at his vitiligo journey, the toll he suffered mentally as a result of the trials, the marriage, the kids, the dichotomy of balancing unprecedented riches against a substantial amount of debt and, yes, the prescription drug abuse that ultimately ended his life.
Overall, for everything Michael lacks there is something just as good to love about the film, and the potential for a sequel gives us hope that the best is still yet to come.
Watch the trailer for Michael below, and see for yourselves how The King Of Pop’s story began as his latest biopic hits theaters starting today:
Choosin’ to stay home instead of trekking out to Indio for this weekend’s Stagecoach festival? Don’t worry, you’ll be able to listen to all the country music your heart desires. You can get your country heartbreak on with Ella Langley, Bailey Zimmerman and Cody Johnson, and then rock out with Counting Crows. If you prefer EDM, you can catch Diplo and Dillstradamus (Dillon Francis and Flosstradamus) as Friday’s closing acts.
The festival will be livestreamed on Amazon Music, Amazon Prime Video and Twitch beginning at 3 p.m. On Sirius XM’s The Highway (channel 56), you can listen to exclusive interviews and live performances along with a special edition of the Music Row Happy Hour. The station Y’Allternative will also be covering the festival on Friday evening.
Here are updated set times for the Stagecoach livestream Friday performances (times presented are PDT):
Forget the “video game movie” curse;The Mortuary Assistantis a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.
What Makes It Work
The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.
Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.
The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.
Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.
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Nailed It
This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.
The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!
The Verdict
This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.