Connect with us

Entertainment

Heather Gay says 'Housewives' rescued her. And she's got the receipts to prove it

Published

on

Heather Gay says 'Housewives' rescued her. And she's got the receipts to prove it

Not so long ago, Heather Gay was a middle-aged mother of three, struggling to reclaim her sense of self. She’d spent most of her adult life embodying the “Molly Mormon” stereotype — a devoted wife, mother and member of the Church of Jesus Christ of Latter-day Saints. Then her marriage fell apart, and with it her entire identity. Financially dependent on her ex-husband, she was determined to get her medspa business off the ground. Becoming famous was hardly an option.

“I was just set out to pasture. I had no plausible hope for the future. I was just trying to be a good mom and morally upright citizen, turn my face to the wall and die. That, literally, was the plan,” she recalls.

Then Bravo came calling. Gay was cast in “The Real Housewives of Salt Lake City,” which premiered in 2020 and distinguished itself by looking at how the women in the cast were influenced by organized religion, particularly the LDS church. Gay instantly became the show’s breakout star — the smart, self-aware and hyper-relatable one who was quick to share her insecurities or crack a self-deprecating joke. She wasn’t model thin, didn’t dress in head-to-toe Chanel or travel with a glam team. She did, however, get very excited about eating meat on a stick and sometimes wound up with her head in the toilet after drinking too many espresso martinis.

Reality TV can be a lot of things — a bid for attention, a cash grab. But for Gay, it turned out to be a calling.

Advertisement

“It’s the most important work I’ve ever done,” she says, perched at the bar of a hotel in midtown Manhattan. Gay is in town for a watch party for Season 5 of “RHOSLC.” With her taut jawline, blazing white teeth and recently slimmed-down physique, she has embraced the prototypical Housewife look.

“‘Housewives’ rescued me. It gave me a second lease on life,” she says. “It scooped me up and pulled me out of the church, pulled me into financial independence and fame.”

Lisa Barlow, left, Heather Gay and Britani Bateman in the Season 5 premiere of “The Real Housewives of Salt Lake City.”

(Fred Hayes / Bravo)

Advertisement

Gay has leveraged her popularity by writing a bestselling memoir, “Bad Mormon,” with a second book, “Good Time Girl,” due in December. She has faced some ups and downs, including a rough patch when she exasperated fans with her unflinching loyalty to castmate Jen Shah, who went to prison last year for her role in a telemarketing scam, and may have given Gay a black eye. But she cemented her place in the pantheon of “Real Housewives” greats last season by confronting cast member Monica Garcia, linking her to a social media account that trashed her co-stars. A clip of Gay’s tirade went viral, particularly the line, “Receipts, proof, timeline, screenshots.” It has been quoted by congressional lawmakers, spoofed by Marvel and slyly referenced on “Jeopardy.”

She has also undergone another dramatic transformation, losing more than 25 pounds by taking Ozempic. She has approached the subject with her typical candor, speaking openly about using the weight-loss drug.

“This last year has been the best year of my life,” she says, sipping a glass of lime and basil infused water. (No, she has not given up her beloved espresso martinis; the bar is not yet open.)

Now, with Season 5 underway, Gay is at a crossroads: Can she enjoy the fruits of her “Housewives” celebrity while also maintaining the down-to-earth appeal that made her a fan favorite? Based on our conversation, which includes digressions about “Degrassi High,” “The Parent Trap” and her $29 ring from Zara, Gay appears determined to remain a friendly proxy for Bravo’s pop culture-obsessed audience.

“The most rewarding part of this job is taking someone, and watching them go from obscurity to really finding their voice and taking the opportunity and soaring. Heather is an amazing example of that,” says executive producer Lisa Shannon. “Heather serves as the voice of the audience because she’s so honest. She’s very observant, she doesn’t sit back on her opinions, and her opinions are usually correct.”

Advertisement
A woman with long blonde hair stands in a black minidress with her hands on her hips.

“The most rewarding part of this job is taking someone, and watching them go from obscurity to really finding their voice and taking the opportunity and soaring. Heather is an amazing example of that,” says “Housewives” executive producer Lisa Shannon.

(Sean Dougherty / For The Times)

Co-star Meredith Marks says that Gay “uses humor to deflect from her own pain.” She met Gay while working together on an event at the Sundance Film Festival but bonded with her on the way home from a cast trip to Zion National Park in Utah. Marks had just lost her father and believed some of her co-stars were making light of his death. “It was really hurtful, and I was in a lot of pain. I was terrified to get on the Sprinter van,” Marks says. “Heather grabbed me, and she’s like, ‘Come sit with me.’ I sat in the back with her, and she had me laughing the entire ride home. That is Heather. She knows how to take a tough situation and make you smile and laugh and pull you through.”

For her part, Gay suggests her relatability stems from the fact that she was a fan — of reality TV in general, but especially ‘The Real Housewives” — before she became one herself.

I ask her to elaborate, and she tears up (one of several times in our conversation). “You want me to cry?” she says, doing just that as she remembers getting hooked on early seasons of “The Real Housewives of Orange County.”

Advertisement

She lived vicariously through women like Tamra Judge (formerly Barney), as she bluntly told her then-husband she wanted a divorce. “I wanted a divorce when I saw that scene, but I could never say that out loud. I could never even think it to myself,” Gay says. “I’m grateful to these women for putting their lives on television, for showing the good, the bad and the ugly, for giving me escape and … showing me a life that I never would have seen because my bubble was so insular.”

Before “RHOSLC,” Gay was what she calls a “PIMO”; physically in, mentally out of the LDS church. She had a Keurig but would leave only hot chocolate pods out, lest her family or neighbors think she was drinking coffee. “That’s an absurd thing for a divorced adult woman to be concerned with,” she says now.

Participating in the show finally enabled her to leave the church for good. Without it, she thinks she’d still be a “PIMO.” But “Housewives” notoriety also contributed to Gay’s estrangement from most of her family.

If she had chosen to walk away from the church in private, they would have been upset but accepted it, Gay says. “But I’ve done it loudly and proudly, and I’m unapologetic about it. I’m also successful, which is even scarier if I were in the streets, addicted to drugs, or all the things they promised would happen to me if I left,” she says.

Like Gay, most of the original “RHOSLC” cast has ties to the LDS church. Between the crazy Sprinter van rides, it has also broken new ground by exploring heavy subjects such as excommunication and religious trauma.

Advertisement

It also helped kick the door open for “The Secret Lives of Mormon Wives,” a hit Hulu reality series that debuted in September and follows a clique of young Utah influencers whose modern choices (divorce, swinging) don’t always conform to church teachings. Its debut coincided with deafening discourse about the “trad wife” phenomenon, epitomized by LDS influencer and mother of eight Hannah Neeleman, a.k.a. “Ballerina Farm.”

The cultural fascination with pressures faced by women in the church is “incredibly validating,” Gay says. “It’s what I’ve been screaming from the rafters. I’m like, ’Thank you, women, for showing up and showing how we’re manipulated in our marriages, how we are exclusive in who can attend our religious events, and how we have double standards.’”

Gay hopes the conversation continues: Despite the accountability faced by many institutions in the wake of movements such as Black Lives Matter and #MeToo, the LDS church “remains unchanged,” she says. “No one’s tearing down statues of Brigham Young even though, historically, he’s done much worse than Christopher Columbus.”

Heather Gay, who stars in "The Real Housewives of Salt Lake City"

Heather Gay finds the recent fascination with Mormon women validating: “I’m like, ’Thank you, women, for showing up and showing how we’re manipulated in our marriages, how we are exclusive in who can attend our religious events, and how we have double standards.’”

(Sean Dougherty / For The Times)

Advertisement

Like elite athletes, Housewives have good seasons and bad seasons. Gay’s popularity took a hit in Season 3, as she stood by Shah, who repeatedly denied involvement in the telemarketing scheme only to plead guilty just before she was set to go to trial.

Gay’s allegiance to Shah was so blind, she even refused to say how she’d ended up with a black eye after a night of partying in San Diego. She dodged questions for months; then in the Season 4 finale, alleged that Shah caused the injury, as many viewers already suspected. (For the record, Gay tells me she doesn’t remember the incident and knows how she got the black eye only because Shah told her. Shah has denied responsibility.)

Gay sees a connection between her devotion to Shah and a religious upbringing that “taught me to protect everybody but myself,” she says. “I thought my only way to contribute was to put my head down and be loyal. That was behavior I learned from decades of Mormonism: put up, shut up, don’t criticize, don’t look for evidence of fault,” she says, tears again welling up in her eyes. “I was f— up. I came out of a cult after 40 years and suddenly I had money, freedom and opportunity. I didn’t want to mess that up.”

Shah’s betrayal is part of what made Garcia’s relatively minor violation — setting up a troll account that few people were even aware of — so activating. “Her refusal to be accountable reminded me a lot of when we would confront Jen with things,” she says. To Gay, it also felt like Garcia was betting against her own team and had violated the cardinal rule of reality TV: Don’t bite the hand that feeds you.

Gay has taken the zeal and devotion she once felt for the LDS church and brought it to her role as a housewife. “I traded the church for the cult of reality television,” she jokes.

Advertisement

But being on TV comes with downsides, like scrutiny over her physical appearance. Co-stars have called Gay names such as “Shrek” and likened her body to that of a Lego figurine. Viewers have said even worse. “There’s a weird, cruel irony: Just when our bodies are giving out, we’re on TV. We’re not supermodels. We’re aging, middle-aged women,” Gay says.

The second-season glow-up has become something of a trope on “The Real Housewives,” with many veteran cast members radically altering their appearance after seeing themselves on TV. But Gay’s was belated; she focused on her “emotional glow-up” first. She is one of a few “Housewives” stars who have admitted to taking a weight-loss drug, though many others have been suspected.

“Listen, everybody and their dog is on it,” she says. “I’m grateful that it worked. But if it hadn’t, I would still be here. I just wouldn’t be wearing shorts.”

Gay was recently quoted saying that losing weight helped her realize that body positivity was “a big lie.” The point she was trying to make, that people treat you better when you’re thinner, got lost in the click-bait furor that ensued. “I wish it wasn’t that way,” she says. “I’ve been fat and I’ve been thin. I liked myself either way, but the way people respond to me is different.”

Gay has to leave soon for the premiere watch party. As our conversation winds down, she describes the wild emotional roller coaster ride that each new season brings. Usually, she gets to see the episodes just a day or two before they air on Bravo, and fans render their verdict — loudly and passionately — on social media.

Advertisement

“It’s 16 weeks of not knowing whether you live or die by the sort of the episode. You could have a week of wonderful reviews, and then you are slaughtered the next,” she says. It’s nauseating, but exhilarating. “I f— love it. At my age and at this stage of life, where else would I ever get this type of adrenaline?”

Movie Reviews

Bandar Movie Review: Bobby Deol roars in Anurag Kashyap’s unsettling legal thriller that refuses to spoon-feed

Published

on

Bandar Movie Review: Bobby Deol roars in Anurag Kashyap’s unsettling legal thriller that refuses to spoon-feed

Name: Bandar

Director: Anurag Kashyap

Cast: Bobby Deol, Sanya Malhotra, Sapna Pabbi, Saba Azad, Jitendra Joshi, Raj B Shetty

Writer: Sudip Sharma, Abhishek Banerjee

Rating: 3.5/5

Plot:
Bandar follows Sameer Mehra’s character, essayed by Bobby Deol, a fading star who is desperately clinging to his past glory. Just as he attempts to rebuild his life and finds solace in a new relationship, his world comes crashing down. A former girlfriend files a heinous allegation against him, dragging him into a vicious, high-profile legal battle. Written by Sudip Sharma and Abhishek Banerjee, the film moves away from standard Bollywood courtroom setups. Instead, it dives straight into the murky waters of social media trials, public perception, and a sluggish judicial system where the truth gets buried under layers of gray.

What works:
Known for his chaotic energy, Anurag Kashyap takes a remarkably mature and controlled approach here. He avoids sensationalizing a highly sensitive topic, choosing instead to focus on the psychological claustrophobia of the protagonist. The prison sequences are exceptionally well-shot. They create a suffocating, raw atmosphere that makes you feel the weight of the character’s confinement. The script successfully avoids preachy, black-and-white monologues. It bravely forces the audience to confront their own biases regarding modern-day public trials and the digital judge-and-jury culture.

What doesn’t:
Clocking in at nearly two hours and twenty minutes, Bandar feels heavily weighed down in the second half. The narrative stretches thin, and a few subplots demand too much patience, making you wish for a tighter edit. The film stubbornly refuses to take a definitive moral stance or offer a neat resolution. While film enthusiasts might appreciate the complexity, mainstream viewers looking for a clear-cut ending or emotional payoff might walk away feeling detached and frustrated.

Performances:

Advertisement
  • Bobby Deol is the beating heart of this film. Stripping away the massive macho swagger and menacing villainy of his recent hits, he delivers a deeply vulnerable, understated performance. He plays Samar with a mix of arrogance, confusion, and raw helplessness, proving his immense range.
     
  • Sanya Malhotra anchors her screen time with her trademark reliability, turning in a grounded and impactful performance.
  • Saba Azad and Sapna Pabbi excel in their respective roles, bringing genuine nuance to characters that could have easily been sidelined.
     
  • Jitendra Joshi is an absolute scene-stealer, commanding your attention every single time he steps into the frame.
     
  • Indrajith Sukumaran and Raj B Shetty are absolute show stealers with their raw acting.

Final Verdict:
Bandar is an unsettling, morally complex thriller that refuses to spoon-feed its audience. It isn’t a comfortable watch, nor does it try to be. While the sluggish pacing in the second half prevents it from being an absolute masterpiece, it is worth a watch for Bobby Deol’s spectacular acting reinvention and Anurag Kashyap’s gritty, thought-provoking storytelling.

Disclaimer: The views and opinions expressed in this article are solely those of the author and do not reflect the official policy or position of Pinkvilla. No statement in this article is intended to defame, harm, or malign any individual or entity. 

ALSO READ: Maa Behen Movie Review: Madhuri Dixit, Triptii Dimri, and Dharna Durga save a slow-burning mystery

Continue Reading

Entertainment

Kathy Hilton won’t be WeHo Pride’s grand marshal after backlash from community

Published

on

Kathy Hilton won’t be WeHo Pride’s grand marshal after backlash from community

Kathy Hilton will no longer be the grand marshal of West Hollywood’s pride parade.

The city and WeHo Pride on Wednesday released a joint statement, announcing that “The Real Housewives of Beverly Hills” star would no longer serve as the Grand Marshal Icon for the 2026 WeHo Pride Parade. The event is scheduled for Sunday.

“After thoughtful discussions, the City of West Hollywood, the WeHo Pride production team, and Kathy Hilton have determined that the 2026 WeHo Pride Parade will not designate a Grand Marshal Icon honoree,” read the statement.

The decision comes less than a week after Hilton was announced. That May 28 announcement was met with swift backlash from the LGBTQ+ community and allies, who called out Hilton’s ties to President Trump and alleged MAGA-leaning politics. Critics also cited accusations that the socialite had used a homophobic slur while on a trip with other cast members of “The Real Housewives of Beverly Hills,” an action she has previously denied.

In their joint statement, West Hollywood and the WeHo Pride team expressed their appreciation for “the respectful and sincere dialogue” around both the event and the “role and significance” of Pride honorees.

Advertisement

“The City of West Hollywood has always believed that Pride belongs to the community,” the joint statement said. “Since its earliest days, Pride has served as both a celebration and a platform for activism, visibility, resilience, and the ongoing pursuit of equality, dignity, and justice for LGBTQ+ people. … These conversations reflect the passion people have for WeHo Pride and underscore the importance of ensuring that WeHo Pride continues to honor the history, values, and diverse voices of the LGBTQ+ community.”

In a statement, Hilton expressed gratitude for being considered for grand marshal and reaffirmed her commitment to the LGBTQ+ community and causes.

“My reason for wanting to be involved in this year’s WeHo Pride weekend was simple: to celebrate, support, and share in the joy of a community that means a great deal to so many people,” Hilton said. “Pride is, and always will be, about celebrating and uplifting LGBTQ+ voices, experiences, and achievements. … My support for the community and WeHo Pride is unwavering.”

She also mentioned several queer advocacy organizations and events she has supported over the years, including GLAAD, the Elton John AIDS Foundation, the Elizabeth Taylor AIDS Foundation, Dr. Mathilde Krim, God’s Love We Deliver and Project Angel Food.

The latest Pride-related dust-up follows the abrupt cancellation of the Long Beach Pride Festival in May. The city’s Pride Parade took place as planned.

Advertisement

Both snafus have occurred as conservative politicians and advocates continue to attack LGBTQ+ rights and visibility nationwide. Some Republican governors have even pushed for conservative alternatives to Pride month festivities. A recent Gallup poll has found that after years of steady gains, support for marriage equality and same-sex relationships has slipped, particularly among Republicans.

Continue Reading

Movie Reviews

Movie Review: Travolta’s “Propeller: One-Way Night Coach” is One for the Ages — All Ages

Published

on

Movie Review: Travolta’s “Propeller: One-Way Night Coach” is One for the Ages — All Ages

Back in the good ol’days — the ’90s — John Travolta would love to get off the topic of “Michael,” “Pulp Fiction” or “Get Shorty” in interviews with film journalists like me and regale us with how utterly besotted he had been with his first flying experience, how that drove his passion for piloting and buying planes and airfield-adjacent luxury houses.

He didn’t even seem to mind having to move house when this or that development balked at him flying his Boeing 707 out of there on the way to locations.

Travolta would tell any journalist who asked that he was writing a kid-friendly book, “Propeller: One Way Night Coach,” based on his first flights as a child in old propeller driven airliners — cheap red-eye overnight treks with too many connections for your average jet age traveller to tolerate.

I remember picking up the book when it came out later in the ’90s — at an airport gift shop — and thinking “Well, that’s as cute as I figured.”

And now, decades later and trapped in the B-movie hell of his post “Gotti” career, Travolta’s turned that cute book into the most delightful, fanciful and colorful bon bon of a movie.

Advertisement

“One Way Night Coach” is a child’s fantasy of flight and flying the way it used to be — with pristine, uncrowded, futuristic airports, an early ’60s era of jets and prop planes with over-uniformed stewardesses in white gloves, the days “Back before every Joe Sweatsock could wedge himself behind a lunch tray and jet off to Raleigh-Durham,” as Sideshow Bob memorably sneered on “The Simpsons’.”

It’s a fictionalized account of Travolta’s childhood about an only child (at least two Travolta siblings have bit parts in this movie) of a never-made-it/never-will actress/single-mom (Kelly Eviston-Quinnett) who indulges her aviation-obsessed eight-year-old with a cheap cross-country overnight flight.

Little Jeff (Clark Shotwell) will revel in almost every Idlewild to Pittsburgh to Dayton to Chicago to Kansas City to Denver and Los Angeles minute. He strolls into the cockpit to meet pilots, charms the stewardesses and checks out the sleeping bunks on the TWA Lockheed Super Constellation, loving even the delays if not the Chicken Cordon Bleu he’s offered on legs of the journey that offer a meal.

And as he’s an observant child, he comments (Travolta narrates) on his 50ish mother’s vamping and posing, her choice of cigarettes (Newports) and drinks, the solo traveling men whose attention she pursues and earns.

“I was her best audience,” adult Jeff remembers of the mother who’d read him plays as bedtime stories and delusionally hopes that this trip to Los Angeles might be her “big break” even though she’s pushing 50.

Advertisement

Hollywood called,” she’d explain about their overnight cheap flight arrangements to ticket agents and crew. “They told me to take the next flight!”

At every turn, Jeff meets or sees kindness — stewardesses who indulge his many questions and bump them up to first class on the mostly-empty planes, a captain who fixes his toy model of a Constellation, a mentally ill flyer who flips out but is calmed by a flight attendant who isn’t overworked and frazzled in jet-powered tin-can jammed with Joe and Jane Sweatsocks who think nothing of traveling in their pajamas.

Normally, I cringe at pictures this reliant on voice-over narration. I recoil from stars who populate their picture with Sandler etc. offspring. But “Propeller” is unfailingly sweet and never cloying.

Sure, it’s fictionalized. But if you’ve followed Travolta’s life and career, a lot of him is in this — his raptoruous engagement with flying, an indulged child who developed a taste for fine food and creature comforts, a mother who was his guiding star as an actor.

I get why there are less adoring reviews than mine floating around “Propeller.” It’s unfailingly sweet. Mom’s man-hunting is seriously dated. This TWA tale is decorated with Gershwin’s majestic “Rhapsody in Blue” — United Airlines’ signature tune. And Travolta’s been around long enough for recent generations to come up and not feel a connection to the “Saturday Night Fever/Get Shorty” star whose career has fallen off and life has been visited by too much tragedy.

Advertisement

But I’d hate to be seated next to anybody who doesn’t appreciate this adorable, pristine and nearly perfect aviation fantasy on any flight, much less an overnight one.

Rating: TV-PG

Cast: Clark Shotwell, Kelly Eviston-Quinnett, Ellen Travolta, Ella Beau Travolta, Olga Hoffmann and John Travolta.

Credits: Scripted and directed by John Travolta, based on his book. An Apple TV+ release.

Running time: 1:01

Advertisement
Unknown's avatar

About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Continue Reading
Advertisement

Trending