Culture
Iga Swiatek hires Wim Fissette as coach after split with Tomasz Wiktorowski
Iga Swiatek, the world No. 1, has hired Wim Fissette as her new head coach.
Fissette, 44, is hugely experienced and is one of the most successful and highly regarded coaches on the WTA Tour. The Belgian has coached former world No. 1 players Naomi Osaka, Kim Clijsters and Angelique Kerber to six Grand Slam titles between them. He has also worked with other former world No. 1s like Simona Halep and Victoria Azarenka, taking both to Grand Slam finals.
When Swiatek parted with her long-term coach Tomasz Wiktorowski two weeks ago, The Athletic reported that well-placed sources within the sport were tipping Fissette to be his replacement. Swiatek hinted at this when she said in her statement announcing the split with Wiktorowski that she was in talks with foreign coaches.
Fissette was available after splitting with Osaka, who recently hired Patrick Mouratoglou, Serena Williams’ former coach, as his replacement.
It’s a hugely significant appointment, bringing together the world’s best player with one of the sport’s most well-respected coaches. It’s also an indication of how much Swiatek felt she needed to shake things up after a disappointing second half of the season that’s seen her results and performances dip since winning a fourth French Open, and fifth Grand Slam title, at Roland Garros in June.
Swiatek’s camp confirmed on Thursday that the pair are already working together ahead of the WTA Finals, along with the Pole’s physiotherapist and fitness coach Maciej Ryszczuk, psychologist Daria Abramowicz and hitting partner Tomasz Moczek.
“As you know, I’m preparing for the WTA Finals but my perspective is, as always, long-term, not short-term,” Swiatek said on social media and in a statement sent to The Athletic Thursday October 17.
“I said many times that my career is a marathon for me, not a sprint and I’m working, operating and making decisions with this approach.
“It’s always crucial to try and get to know each other better but we’re off to a good start and I can’t wait to compete soon,” she added.
Fissette added that he was excited to join Swiatek’s group after following her development as a player, as well as coaching his previous charges to face her on court. Fissette was Osaka’s coach during her memorable French Open match against Swiatek last year, in which Osaka held match point and nearly upset the reigning champion.
“She’s been a role model to many players with the intensity and focus she brings to work, so I’m eager to partner as we both continue to build our best selves and chase more dreams. Jazda, Iga!” Fissette said.
Swiatek has spoken a few times of physical and mental exhaustion, and has not played since the U.S. Open due in part to “personal matters”. In that time she has seen her lead as the world No. 1 cut to just 69 points by Aryna Sabalenka, meaning Swiatek will need to outperform her rival at the WTA Finals in Saudi Arabia at the start of November to finish the year as the world No 1.
GO DEEPER
Iga Swiatek’s 100 weeks as world No 1: The streak, the slams, the bagels
The WTA Finals, which comprises the top-ranked seven players from 2024, plus Wimbledon champion Barbora Krejcikova, starts in Riyadh on Saturday November 2.
(Antonio Borga / Anadolu via Getty Images)
Culture
Finding Wisdom in a Poem by Wendy Cope
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
Culture
Can You Match the Places These Authors Lived With Settings in Their Books?
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
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