Culture
Coco Gauff and Naomi Osaka meet at a tennis coaching crossroads in Beijing
The ‘other guy’ theory of coaches is a sporting truism.
A team that loses more than it wins with a so-called ‘players’ coach’, someone who specializes in relating to athletes and creating an easygoing atmosphere, will often replace them with a disciplinarian. Reserved coaches who don’t find success get replaced by high-energy, emotional types big on motivation. The bookish sort who focusses on the X’s and O’s comes back when that act wears thin.
Tennis players are no different, the latest cases being Coco Gauff and Naomi Osaka, who dueled on Tuesday in Beijing at the penultimate WTA 1000 tournament of the year.
Both players entered the year with high hopes but did not meet them. After early eliminations from the U.S. Open — Gauff lost in the fourth round, Osaka in the second — they both announced coaching changes.
Gauff jettisoned Brad Gilbert, one of the biggest personalities in the sport. He is an ESPN commentator and the former coach of Andy Roddick and Andre Agassi, with a grand unified theory of tennis, otherwise known as Winning Ugly. Gauff then brought in Matt Daly, a little-known grip specialist, to work alongside Jean-Christophe Faurel, the low-profile French coach who has worked with Gauff on and off since she was 14.
Faurel most recently rejoined Gauff’s entourage last spring, to work alongside Gilbert. Gilbert and Gauff barely knew each other when she hired him in the summer of 2023. Weeks later, she was U.S. Open champion.
Osaka, meanwhile, pivoted from Wim Fissette, the quiet, cerebral Belgian who helped her win two Grand Slam titles in 2020 and 2021. Fissette would be fine if he never appeared on television. Osaka’s new coach is Patrick Mouratoglou, the former coach of Serena Williams. He has a gift for motivation and self-promotion, with a brand empire that includes an academy in the south of France, plus the freewheeling Ultimate Tennis Showdown (UTS) tennis exhibition events and coaching camps at luxury resorts.
Coco Gauff and Naomi Osaka have made coaching changes, but from different tennis perspectives. (Yanshan Zhang / Getty Images)
He was almost too recognizable for Osaka. Mouratoglou’s history with Williams and his presence in the game made her want to avoid him.
“His persona is so big,” Osaka said in a press conference in Beijing. So big that she was skeptical of his coaching abilities: anyone coaching the greatest female player of the modern era might have enjoyed their part in the success of Williams.
“Then I met him, talked to him, worked with him on the court,” she said.
“He absolutely is a really good coach.”
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Patrick Mouratoglou says ‘something has to be done’ for tennis’ future. Is he that something?
John Kerry, the longtime senator, U.S. secretary of state and American climate czar, once reduced his philosophy of governing, war and diplomacy to, essentially, ‘getting things right as quickly as you can when you are wrong’.
Sporting aphorists often cite the first law of holes: when you are in one, stop digging.
Both basically sum up Osaka’s and Gauff’s coaching pivots. Players usually make these moves once the season ends, rather than with another two months to go. Gauff and Osaka are on the Asian swing, which is especially important for Osaka, Japan’s torchbearer at the Tokyo Olympics three years ago. Then come the WTA Finals in Riyadh, Saudi Arabia, which Gauff may qualify for, and the Billie Jean King Cup in Malaga, Spain, which Osaka plans to play.
But by mid-September, they already had all the data they needed to conclude that they were either heading in the wrong direction (Gauff) or stalling (Osaka).
While Gauff’s results were off target — with a fourth-round exit at Wimbledon to Emma Navarro before Donna Vekic defeated her in the third-round of the Paris Olympics — the bigger issue was of technique. Gilbert’s ability to cover up her weaknesses, one of his greatest strengths as a coach, had faded.
Quality opponents had figured out how to counter the looping forehand that he introduced to cover up her shakiness on that side. They would step in and take the ball on the rise, before it bounced high enough to trap them at the back of the court.
Against Navarro at Wimbledon, she pleaded with Gilbert to tell her something, realizing in the moment that she did not have the tools she needed to escape Navarro.
Then there is her serve. At the U.S. Open, her fourth-round defeat to Navarro included 19 double faults.
“I don’t want to lose matches like this anymore,” she told reporters afterwards.
Gilbert, who has forgotten more about tennis than most people know, would never peddle himself as a serve specialist, or even the kind of coach that someone as mired in technical limitations as Gauff is right now would need. Even during Gilbert’s tenure, Gauff had worked with Roddick on some minor serve adjustments.
In an interview last week, Gilbert declined to get specific about his work with Gauff, but said it was a positive experience overall.
He believes that the ultimate parameters of tennis have not changed. Players have to figure out their strengths, then they have to figure out what their opponent does well. Then they plan to impose their own strengths on the match, while nullifying those of their opponent. But at 63, after more than four decades around the pro game, Gilbert knows the drill. Once a player wins one of the Grand Slams, expectations rise, even though the competition remains fierce. Everyone wants to win and there are only four majors each year.
The women’s game has a little more unpredictability, Gilbert said, but still, “there isn’t a lot of opportunity”.
“Each coaching experience is a unique experience and you move on,” he added. “That is a beautiful thing.”
Gauff, still only 20 years old, is impatient for success but she is taking the long view. She is approaching the fall tournaments in Asia as an extended pre-season, prioritizing improvement over wins and a top-eight finish for the season, which would qualify her for those season-ending tour Finals.
Coco Gauff’s forehand has long been a vulnerability against top-level opponents. (Yanshan Zhang / Getty Images)
Her team prefers that her coaches speak little about her; she is finding that the subtle changes Daly has made have already begun to pay dividends.
Daly, 45, played at Notre Dame and briefly coached Denis Shapovalov. He is the founder of a company that sells a gadget called GripMD, which wraps around the handle of a racket to help players use a traditional continental grip.
Gauff hits her forehand with a heavy western grip, essentially holding the racket underneath the handle. Don’t look for her to switch to a continental grip on her forehand anytime soon — it just doesn’t cut it. Her immediate focus is her serve, but it might take some time before the dividends show up on the stats sheets. She had six double faults and 27 unforced errors across the two sets Tuesday, which she and Osaka split before Osaka retired with a back injury.
If Gauff is taking the long view, Osaka wants results now. It wasn’t always this way.
She has been handed tough draws all season, most notably when she came within a point of knocking Iga Swiatek out of the French Open. At the time, she was introspective, coining a little aphorism of her own: the results weren’t resulting, she told reporters. Fissette and Osaka were focussing her comeback in the long lens — for this season and the next five years. Wait for summer and fall, when tennis moves to the hard courts on which Osaka built her reputation, was the mantra.
That waiting steadily chipped away at Osaka’s confidence. After Karolina Muchova defeated her in New York, she told reporters that a part of her dies when she loses. That Osaka was not the wry, magnanimous Osaka of Paris. The French Open was a lifetime ago in her world, and she had believed that she would have more success on her favorite surface. Muchova, who floated to the U.S. Open semifinals and was likely one stuck volley away from the final, is pretty much doing what Osaka wants to be doing.
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Osaka and the rest of the locker room know she needs to return better, improve her second serve and regain the confidence that, in her best moments, made her an absolute banker in crunch time. More than anything, that had been her superpower, and it’s been mostly missing this year.
This is why she switched to Mouratoglou with two months to go in the 2024 season. She is world No. 73, and desperately wants to get into the top 32, so she can be seeded at the Australian Open in January.
Fissette, her former coach, is known as a master strategist and tennis technician. Confidence comes from results in his world. He shares with Mouratoglou a belief in playing aggressively, and building that intensity up when it brings results, but he is no one’s definition of a hype man. Mouratoglou could get a letter carrier fired up about delivering the mail.
The China Open is Naomi Osaka and Patrick Mouratoglou’s first official tournament together. (Robert Prange / Getty Images)
Osaka had considered hiring Mouratoglou before she linked back up with Fissette, when she was plotting her comeback from maternity leave. She went with the Belgian then because of their history of success. When it didn’t return, she and Mouratoglou worked together in California after the U.S. Open, then decided to take on the women’s tour together.
“I don’t want to have regrets,” Osaka added last week in Beijing.
“I really need to learn as much as possible in this stage of my career. Patrick seemed like the guy with the information.”
They were off to a good start, with three consecutive wins, including Osaka’s first comeback from a set down in over two years, against Yulia Putintseva. But even the best coach can’t have much success with an injured player.
After shaking hands with Gauff at one set all, before the American carried her bag off court, Osaka said that her back had stiffened to the point of locking in practice. She was able to start but her condition worsened as the match wore on.
“Totally worth it though lol,” she wrote on Threads.
Sounds like something Mouratoglou would say.
(Top photo: Yanshan Zhang / Getty Images)
Culture
Finding Wisdom in a Poem by Wendy Cope
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
Culture
Can You Match the Places These Authors Lived With Settings in Their Books?
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
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