World
TRANSCRIPT: Prime Minister Mark Carney of Canada Rebukes U.S. Primacy at Davos
This classic risk management comes at a price. But that cost of strategic autonomy, of sovereignty, can also be shared. Collective investments in resilience are cheaper than everyone building their own fortress. Shared standards reduce fragmentation.
Complementarities are positive sum. The question for middle powers, like Canada, is not whether to adapt to this new reality. We must. The question is whether we adapt by simply building higher walls – or whether we can do something more ambitious. Canada was amongst the first to hear the wake-up call, leading us to fundamentally shift our strategic posture.
Canadians know that our old, comfortable assumption that our geography and alliance memberships automatically conferred prosperity and security is no longer valid. Our new approach rests on what Alexander Stubb has termed ‘values-based realism’ — or, to put it another way, we aim to be principled and pragmatic.
Principled in our commitment to fundamental values: sovereignty and territorial integrity, the prohibition of the use of force except when consistent with the UN Charter, respect for human rights.
Pragmatic in recognising that progress is often incremental, that interests diverge, that not every partner shares our values. We are engaging broadly, strategically, with open eyes. We actively take on the world as it is, not wait for the world as we wish it to be. Canada is calibrating our relationships, so their depth reflects our values. We are prioritising broad engagement to maximise our influence, given the fluidity of the world, the risks that this poses, and the stakes for what comes next.
We are no longer relying on just the strength of our values, but also on the value of our strength. We are building that strength at home. Since my government took office, we have cut taxes on incomes, capital gains and business investment, we have removed all federal barriers to interprovincial trade, and we are fast-tracking a trillion dollars of investment in energy, Al, critical minerals, new trade corridors, and beyond.
We are doubling our defence spending by 2030 and are doing so in ways that builds our domestic industries. We are rapidly diversifying abroad. We have agreed a comprehensive strategic partnership with the European Union, including joining SAFE, Europe’s defence procurement arrangements. We have signed twelve other trade and security deals on four continents in the last six months.
In the past few days, we have concluded new strategic partnerships with China and Qatar. We are negotiating free trade pacts with India, ASEAN, Thailand, Philippines, Mercosur. To help solve global problems, we are pursuing variable geometry— different coalitions for different issues, based on values and interests.
On Ukraine, we are a core member of the Coalition of the Willing and one of the largest per-capita contributors to its defence and security.
World
‘Blockade and threats’: Iran blames US siege of ports for stalled talks
Israeli attacks on Lebanon killed at least five people on Wednesday, including Lebanese journalist Amal Khalil, in what was described as a ‘heinous crime’ by the government.
Published On 23 Apr 2026
World
Naomi Watts to Star as Ballerina Margot Fonteyn in Romantic Drama ‘Margot & Rudi,’ With WestEnd Films Selling in Cannes
Naomi Watts is set to star in romantic drama “Margot & Rudi,” which tells the true story of ballet legends Margot Fonteyn and Rudolf Nureyev. The film, to be directed by “Mrs. Harris Goes to Paris” filmmaker Anthony Fabian, has been boarded by world sales agency WestEnd Films.
The story unfolds when Fonteyn, the greatest ballerina in the West, is 42 and sensing her career is over. Nureyev is 23, a rebellious Soviet defector — magnetic, explosive, unstoppable. Together, they ignite the stage and become icons of the Swinging Sixties. Fonteyn is reborn by Nureyev’s wild energy, but their bond is complicated by her marriage and his affair with another dancer. To preserve what they have, they will risk everything for one defining ballet—because the only place they can truly be together… is on stage.
Watts, who studied dance before becoming an actress, will star as Fonteyn. She broke through with her performance in “Mulholland Drive” and earned Academy Award nominations for her leading roles in “21 Grams” and “The Impossible.”
She next stars in “The Housewife,” as well as Cody Fern’s untitled debut feature film, with Sarah Paulson, Dianne Wiest and Odessa A’Zion.
On television, she received Emmy, Golden Globe and Critics Choice nominations for her performance in “Feud: Capote vs. The Swans,” and recently starred in “Love Story.”
Alexandr Trush, principal dancer with the Hamburg Ballet, will portray Nureyev. A Russian-speaking Ukrainian ballet star, he has headlined major productions including “Giselle” and “Romeo and Juliet.”
The film also stars Academy Award nominee Richard E. Grant (“Can You Ever Forgive Me?,” “Saltburn,” “Nuremberg”), Academy Award nominee Demián Bichir (“A Better Life,” “Land,” “The Hateful Eight”) and BAFTA nominee Harriet Walter (“Succession,” “The Crown,” “Sense and Sensibility”), with additional cast to be announced.
The screenplay is written by BAFTA nominee Olivia Hetreed (“Girl With a Pearl Earring,” “Mrs. Harris Goes to Paris”).
The creative team includes Academy Award nominee hair and makeup designer Karen Hartley Thomas (“Golda,” The Son,” “The Courier”), choreographer Arthur Pita (“Ex Machina,” “Charlie’s Angels,” “Sunshine on Leith”), and BAFTA-winning costume designer Fotini Dimou (“The Children Act,” “King Lear”), with additional crew to be announced.
The film, which is set to shoot in October, is produced by Mike Goodridge for Good Chaos (“Triangle of Sadness,” “Ballad of a Small Player,” “Quo Vadis, Aida?”), Anthony Fabian for Elysian Films (“Skin,” “Mrs. Harris Goes to Paris”), Olivia Hetreed for Sympathetic Ink and Chris Coen (“Funny Games,” “The Childhood of a Leader,” “Shadow Dancer”). Executive producers are Thom Mount, Jeffrey Berg and Andy Paterson.
Fabian said: “Growing up in Mexico City, watching Margot and Rudi’s performances in the cinema sparked my passion for stories that blend music, theater and dance. The film explores the private joy and pain behind their public personas, capturing their unique chemistry. Ballet sequences from the duo’s most iconic roles and performances together drive the story, using movement and cinematic fantasy to reveal the truth behind a couple as famous in their day as The Beatles. Their love, defying barriers of culture, age, class and sexuality, is romantic, unconventional and thrilling — a love story like no other.”
Fabian’s previous film “Mrs. Harris Goes to Paris” was released worldwide by Focus Features/Universal International Pictures in 2022. It grossed over $30 million at the box office and received BAFTA, Golden Globe and Oscar nominations.
Watts said: “Dance was my first love, and I’ve long dreamed of making a dance film. I feel deeply honored and excited to be playing Margot Fonteyn, one of the greatest dancers of all time. Her relationship with Rudolf Nureyev was extraordinary — both artistically and emotionally — and I’m thrilled to be exploring it with such sensitivity and imagination under the direction of Anthony Fabian.”
Maya Amsellem, managing director of WestEnd Films, said: “’Margot & Rudi’ is a sweeping and beautiful story about two iconic artists who redefine each other at a pivotal moment in their lives. Naomi Watts is set to deliver one of the most transformative performances of her career, combining emotional intensity with the physicality of dance. With Anthony Fabian’s visionary direction and the film’s bold, cinematic use of ballet, this will be a powerful big-screen experience we’re excited to bring to the international market.”
WestEnd will introduce the film to buyers at Cannes Film Festival.
Watts is repped by CAA, Untitled and HJTH. Fabian is repped by Jon Cassir at CAA and Olivia Gray at Independent Talent. He is managed by Ensemble Entertainment.
World
Iran reportedly fires on three ships in Strait of Hormuz
Ships reportedly attacked in Strait of Hormuz as blockade turns 28 vessels around
Daniel Turner, Power The Future founder and executive director, analyzes the US blockade against Iranian ships in the Strait of Hormuz and Iran’s strategy to outlast the US economically. He details the impact on oil and gas prices, arguing that markets need confidence to stabilize. Turner critiques current climate policies, stating they’ve made lives expensive and hurt the US economically and militarily.
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Iran reportedly opened fire upon three vessels in the Strait of Hormuz on Wednesday.
The British military’s United Kingdom Maritime Trade Operations (UKMTO) Centre noted that a container ship was fired upon by an IRGC gunboat near Oman Wednesday, causing “heavy damage to the bridge.”
“No fires or environmental impact reported. All Crew reported safe,” the notice said.
Another UKMTO warning said “an outbound cargo ship” west of Iran reported “having been fired upon and is now stopped in the water.” The notice said the crew was safe and accounted for.
“There is no reported damage to the vessel,” it added.
IRAN FIRES ON 2 SHIPS IN STRAIT OF HORMUZ AFTER TRUMP EXTENDS CEASEFIRE
Maps4Media processed and enhanced Sentinal-2 satellite imagery shows a broad view of the Strait of Hormuz between southern Iran and Oman’s Musandam Peninsula, including surrounding islands, coastal terrain, and turquoise shallow-water zones at the entrance to the Persian Gulf. (Photo enhanced and published by maps4media via Getty Images)
Iranian media said the Islamic Revolutionary Guard Corps (IRGC) was bringing two ships to Iran after seizing them in the Strait of Hormuz, according to The Associated Press.
The Islamic Revolutionary Guard Corps Navy (IRGCN) Command claimed in an X post that the two vessels, the MSC-FRANCESCA and EPAMINODES, “had endangered maritime security by operating without the necessary permits and tampering with navigation systems.”
It said the vessels “were seized by the IRGC Navy and escorted to Iran’s coast,” according to a translation.
“Disruption of order and safety in the Strait of Hormuz is our red line,” the command wrote.
It also claimed the MSC-FRANCESCA is “linked to the Zionist regime.”
IRAN’S REVOLUTIONARY GUARD SIDELINES PRESIDENT AS MILITARY GRIP EXPANDS
Motorists ride past the Imam Sadiq (AS) mosque with a giant Iranian flag installed on its front at the Palestine Square in Tehran on April 19, 2026. (ATTA KENARE / AFP via Getty Images)
Iranian media also reported that the IRGC attacked a third ship, identified as the Euphoria, according to the AP.
The development comes after U.S. President Donald Trump announced Tuesday afternoon that the United States was extending a ceasefire.
“Based on the fact that the Government of Iran is seriously fractured, not unexpectedly so and, upon the request of Field Marshal Asim Munir, and Prime Minister Shehbaz Sharif, of Pakistan, we have been asked to hold our Attack on the Country of Iran until such time as their leaders and representatives can come up with a unified proposal,” the president wrote on Truth Social..
ISRAEL UNVEILS GAME-CHANGING ARTILLERY AGAINST IRAN-BACKED HEZBOLLAH AMID FRAGILE CEASEFIRE
President Donald Trump speaks to members of the media outside the Oval Office of the White House in Washington, D.C., on Monday, April 13, 2026. (Salwan Georges/Bloomberg)
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“I have therefore directed our Military to continue the Blockade and, in all other respects, remain ready and able, and will therefore extend the Ceasefire until such time as their proposal is submitted, and discussions are concluded, one way or the other,” he added.
The Associated Press contributed to this report
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