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How ‘The Devil Wears Prada 2’ Red Carpet Looks Came Together

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How ‘The Devil Wears Prada 2’ Red Carpet Looks Came Together

The scene recalled the frenzy that unfolds backstage during fashion week: On a recent Monday, in a room full of clothing racks, the stylist Micaela Erlanger was working alongside a team of tailors and assistants. But they were not preparing for your average fashion show.

Ms. Erlanger and the group had assembled at her studio in Manhattan to prepare looks for the actress Meryl Streep, Ms. Erlanger’s client of 11 years, to wear during the press tour for “The Devil Wears Prada 2,” the buzzy sequel to a beloved film set at a fictionalized version of a certain glossy fashion magazine.

In the sequel, Ms. Streep steps back into the stilettos of Miranda Priestly, the publication’s glamorous editor in chief. She stars alongside Anne Hathaway and Emily Blunt, who also reprise their roles as Andrea Sachs and Emily Charlton, characters who served as Miranda’s assistants in the original film. Based on a novel and released in 2006, it has become a cult favorite among serious and casual followers of fashion alike.

To prime fans for the sequel, Ms. Streep has appeared on the cover of Vogue and, along with some of her co-stars, has traveled to Mexico, South Korea, China and Japan in recent weeks for premieres. On Monday, cast members appeared in New York, and they will travel to London for more events before “The Devil Wears Prada 2” is widely released on May 1.

Each affair has offered the cast members a chance to turn heads in finery on par with the clothing worn by the characters they play in the movie. Balenciaga, Chanel, Valentino and — yes — Prada are just some of the labels they have sported as they have traveled the globe.

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To pull off this fashion feat — and to avoid any style faux pas — Ms. Erlanger, 40, has been in constant communication with Erin Walsh, 43, Ms. Hathaway’s stylist of seven years, and Jessica Paster, 60, who has been styling Ms. Blunt for going on two decades. The women have been operating as something of a hive mind for months, sharing details of the actresses’ looks — the brands, the accessories, the color palettes — in group chats, calls and conversations on the sidelines of runway shows.

“I got to see Erin and Micaela at fashion shows,” Ms. Paster said. “We would whisper: ‘I like that. I like that. I like this. I like that.’”

In a conversation that has been edited and condensed, Ms. Paster, Ms. Erlanger and Ms. Walsh discussed their collaborative relationship, the stakes of styling press tours and the ways they have used fashion to build hype for “The Devil Wears Prada 2.”

How have you each approached dressing your client for the press tour?

MICAELA ERLANGER With Meryl, we leaned into this idea of powerful silhouettes and shapes that you haven’t necessarily seen her in. This is a fashion movie — we’re leaning into it. I would say that there are a lot of references that the fashion community will appreciate and enjoy. We have not just been referencing the first film, but referencing references within the film. I call it “meta dressing.”

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JESSICA PASTER You have to remember that Emily Charlton was an assistant 20 years ago. She has evolved. So I’m approaching her as a little stronger — a girl with power. She doesn’t need to borrow clothes anymore. Designers are now giving her the clothes, and she’s out buying clothes.

ERIN WALSH I guess I am hesitant to tell you a theme. I don’t want to encapsulate it. Ultimately, it’s always about how we make a person feel their very best.

You said you communicate via group text. What are you saying to one another?

ERLANGER We have been, from logistics to creative, kind of strategizing among ourselves. What look works best here or there? What’s the other person wearing? Will they look great together?

PASTER I remember one text among us was like: “I’m thinking red. I’m thinking a little burgundy red. And I’m thinking red, too. Is it weird that they’re all wearing red?” I said, “No, let’s lean into that, and let’s do it all in red.”

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What we do is make a picture more beautiful. If we have two people who are wearing red, and one is wearing white or purple or black, that is the girl that should be in the middle of a photo. It’s not about, “My girl needs to be in the middle.” If something goes viral, it’s going to help Erin; it’s going to help me; it’s going to help Micaela; and it’s going to help the movie because it gets everyone buzzing and excited.

WALSH With our job, there are always curveballs thrown your way. By working together, we can better navigate any kind of situation in a joyful way without having breakdowns.

Styling has a competitive aspect, in that there are only so many looks, and everyone can’t always get what she wants. How are you navigating that together?

PASTER There are a lot of stories about stylists competing with each other. We’re not. We are so busy. We do not have time. Micaela is calling me because she needs something. I have so many questions to ask Erin and Micaela. If one of these two girls needs me, I will be there for them.

WALSH Removing anything competitive or not collaborative from the equation makes us stronger. It makes our work better.

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ERLANGER Collaboration also benefits our clients. Everybody wins when we are aligned.

I’m curious, where were you in your careers when the original “The Devil Wears Prada” premiered?

ERLANGER We have stages of our careers that directly relate back to the first movie. I was an intern at Condé Nast, the company that owns Vogue.

WALSH I was an assistant at Vogue when it came out. I watched Anne onscreen. “The Devil Wears Prada” I knew, you know, in my skin.

PASTER I was a stylist, and, in fact, I was trying to get Emily Blunt as a client.

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Modern press tours can involve several premieres in addition to other events. How has that changed how you work?

ERLANGER Social media has made every moment a photo op. Even if it is a junket day when your clients are sitting in a room for on-camera interviews, those pictures get picked up. So every single moment has become press-worthy. And, therefore, there’s more intentionality behind what clients are wearing.

PASTER People forget that we just can’t bring in a dress or two, bust out a look and call it a day. Micaela and Erin are going with nine suitcases all over the world to fit their girls, and I have two trips of fittings in Ireland.

What clothes have you been wearing during the press tour?

WALSH You’ve got to look the part. I tend to, in these situations, reach for more empowering pieces, like a shoulder pad and heels. I don’t work in flats.

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ERLANGER I need a flat, and I kind of want to be more comfortable. I’m in jeans and a blazer and a button down and a flat.

PASTER I’m working in sweats and with my hair in a bun.

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Hoover Dam, challenged by drought, now wears a U.S. flag the size of a football field

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Hoover Dam, challenged by drought, now wears a U.S. flag the size of a football field

Nope, it’s not AI. It’s just a really big flag with bright lights, draped on Hoover Dam for the next several weeks.

As a display to mark the 250th anniversary of U.S. independence, the states of Nevada and Arizona and the federal Bureau of Reclamation teamed up to hang and illuminate an enormous American flag on the dam on Memorial Day.

The display, scheduled to be in place through July 4, is visible to anyone crossing between Arizona and Nevada on U.S. Route 93, which goes across the top of the dam. The flag is 150 feet tall and 300 feet long, spread on the south-facing side of the dam and lit by 550 LED lights (powered by dam-generated electricity).

A wider view of the illuminated U.S. flag at Hoover Dam.

(Michael Bittle)

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It’s a spectacle that comes at a challenging moment for Hoover Dam, as experts warn that Lake Mead’s dwindling water levels could threaten the dam’s ability to generate hydropower. “Slap a flag on it, that’ll fix it,” suggested one of several Reddit commenters who were moved to snarkiness by the flag image.

The dam, a frequent day-trip destination from Las Vegas, stands 35 miles east of the Las Vegas Strip, about 295 miles northeast of Los Angeles. The site features a visitor center and overlook, and guided and self-guided tours.

Installation of the display involved dozens of riggers and two cranes. The flag, which is roughly the dimensions of a football field, has been previously used for celebrations at Indianapolis Colts and Las Vegas Raiders football games.

Within two days after it was hung, gusts of wind up to 50 mph prompted organizers to lower the flag last Wednesday as the National Weather Service declared a wind advisory for the area. Organizers raised the flag again late Friday.

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Strong winds are not uncommon in the area. Organizers said weather “may periodically require the flag to be temporarily lowered.” Updates on the flag’s status can be found on the Hoover Dam Facebook page.

The Las Vegas Convention and Visitors Authority paid for the display. A spokeswoman said the cost, including flag, production, installation costs and six weeks of lighting, will be between $750,000 and $1 million.

The dam, a five-year construction job that was completed in 1936 during the depths of the Great Depression, is often hailed as one of the nation’s most impressive works of infrastructure. Though this is not the first time a flag has been draped on it, organizers have called the display “the most ambitious long-duration installation ever attempted at Hoover Dam.”

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Is your neighborhood riddled with dog poop? : It’s Been a Minute

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Is your neighborhood riddled with dog poop? : It’s Been a Minute

Is dog poop a scourge in your area?

borisz/simplehappyart/Getty Images/Photo Illustration by NPR


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borisz/simplehappyart/Getty Images/Photo Illustration by NPR

Left-behind dog poop is annoying. But it’s also a sign of anti-sociality.

Spotting unidentified poop outside is an unfortunate and unavoidable part of being alive, but in some cities, there’s a scourge being left behind by some people’s four-legged friends. Manuela López-Restrepo, writer and producer at All Things Considered, couldn’t stop noticing it – and she wondered if it might be a sign of something deeper going on. Paired with dogs popping up in places they maybe shouldn’t be – she wondered: can dogs be a vector for anti-social behavior? And what would it look like for people – and their pets – to share space more harmoniously? 

Manuela shares her reporting with Brittany and they get deeper into the story of the dookie. 

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For more episodes about culture and how we share public space, check out:
The Coldplay kiss cam & moral surveillance
Crime is down. Why don’t people feel safe?
In search of a safe place to cry…

Support Public Media. Join NPR Plus.

Follow Brittany on Instagram: @bmluse

For handpicked podcast recommendations every week, subscribe to NPR’s Pod Club newsletter at npr.org/podclub.

This episode was concepted and reported by Manuela López-Restrepo. It was produced by Liam McBain. It was edited by Neena Pathak. We had engineering support from David Greenburg. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.

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L.A. Times Concierge: ‘I’m interested in photography. What great L.A. historic sites should I capture?’

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L.A. Times Concierge: ‘I’m interested in photography. What great L.A. historic sites should I capture?’

I live in Santa Barbara and I’m interested in photography. Where are some historical places to take pictures in Los Angeles? I’m interested in old movie palaces, movie and TV show locations, historic homes and buildings, World War IIrelated sites and airplane museums. — William Lemons

Looking for things to do in L.A.? Ask us your questions and our expert guides will share highly specific recommendations.

Here’s what we suggest:

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It’s cool to hear that you’re interested in capturing the beauty and history of Los Angeles through your camera lens, William. Given that you’ll be traveling from out of town, I am recommending spots that you can visit in a single day, if you’d like. They’re mostly in and around Downtown L.A.

First off, if you don’t feel like driving and paying for parking all over town, I’d suggest taking Amtrak from Santa Barbara to L.A. You can take take photos of the gorgeous view along the way and once you step off the train, you’ll already be at the first historic site on the list: the true stunner that is Union Station.

Open since 1939, it’s one of the country’s last great train stations and considered to be the largest railroad passenger terminal on the West Coast. Designed by father-and-son architect team John and Donald Parkinson, it blends Art Deco, Spanish Colonial and Streamline Moderne styles. Travel writer Christopher Reynolds, a.k.a. the person in the newsroom that everyone goes to for trip advice, tells me, “With its clock tower, big arches and high ceilings, Union Station feels like a secular church.” He notes that security guards will often shoo you off if you use a tripod without advance approval, so it’s best to bring a handheld camera instead.

Next, walk across the road to Olvera Street, one of the oldest streets in L.A. It’s part of El Pueblo de Los Angeles Historic Monument that’s been fighting to stay open since the pandemic. As you stroll through the area and take pictures, check out the Mexican marketplace, capturing the pottery, clothing and art along the way, and grab some authentic cuisine. Times food editor Daniel Hernandez swears by Cielito Lindo, a taquería that’s been around since the 1934, and still makes the most “perfectly rolled taquitos.” (The family-owned restaurant is currently raising funds to stay open due to economic hardship.)

Next, hop on an e-scooter or take a quick bus ride to the Historic Broadway Theater District, which has 12 stunning movie theaters — all of which were built between 1910 and 1931. The Los Angeles Conservancy even hosts walking tours of the famous district. You can register online for the next ones on June 6, 13, 20 and 27.

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You’ll probably be hungry after the tour, so you might as well visit Grand Central Market, the city’s largest and oldest public market. Open since 1917, the market has more than 40 food stalls including China Cafe (open since 1959), Villa’s Tacos, Egg Slut and more. Afterward, take a brisk walk to L.A.’s most beautiful library, the L.A. Central Library, which turns 100 this year. Grab your camera and marvel at the exterior of the Art Deco-style building, which draws inspiration from Egyptian and Mediterranean Revival architecture. Then head inside on the second floor rotunda to see the marvelous California history mural and the breathtaking globe chandelier.

Now for some rapid-fire suggestions across L.A.: There’s Frank Lloyd Wright’s 1920s-era Hollyhock House at Barnsdall Art Park in East Hollywood. (If you go here, I suggest stopping by nearby Ululani’s Hawaiian Shave Ice for a delicious sweet treat.) Or check out any one of L.A.’s most iconic TV houses including “The Brady Bunch” home in Studio City, “The Golden Girls” residence in Brentwood and the “Seinfield” Koreatown apartment building. (These are private residencies, so you won’t be able to go inside but you can snap a photo of the exterior.) If it’s architecture you’re into, peruse this guide to L.A.’s iconic homes that you can tour IRL, including the Adamson House in Malibu, the Eames House in Pacific Palisades and the Lummis Home (El Alisal) near Mount Washington. Finally, if you’re open to joining a group of fellow photographers, I suggest following Instagram pages for collectives like L.A. Photo Club and the 85 Mil Photo Walk Series, which host meetups and walking tours regularly.

L.A. is filled with so many beautiful historical sites, so I hope that these suggestions help get you started, and most importantly, that you continue taking awesome pictures. Have a great time!

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