World
Old ways survive in Bali despite mass tourism, but for how long?
Bali, Indonesia – At dawn, as the first shards of light dance over the rice fields in the seaside village of Seseh on Bali’s west coast, Putu and her husband Made, who like many Indonesians go by one name only, spend an hour reciting prayers and distributing small palm leaf baskets containing offerings to ensure the health of the coming harvest.
Later in the day, their 11-year-old daughter will attend a class for “sanghyang dedari”, a sacred trance dance for girls that is designed to counteract negative supernatural forces.
Meanwhile, her two older brothers will hone their skills on wooden xylophones and hand drums as part of a traditional “gamelan” orchestra in preparation for a ceremony celebrating the completion of a new Hindu temple, one of more than 10,000 on the island.
In the coming weeks, Made and his children will help their neighbours create giant “ogoh-ogoh” dolls, representations of evil mythological creatures fashioned from wood, bamboo, paper and styrofoam, that will be paraded through the streets and set alight the night before Nyepi, the Balinese Hindu new year.
Taking place this year on March 11, Nyepi, or the “day of silence”, will see every light on the island turned off, transport come to a halt and the airport close. Everyone, Balinese or not, will stay at home to give evil spirits the impression there is nothing to be found on the island.
“Every day I lay offerings, attend a ceremony or go to a temple,” Putu told Al Jazeera. “I do this because I am Hindu, because I believe. My children do the same and when they have children, they will do the same also.”
The Balinese anomaly
Putu’s hopes for the future are shared with the vast majority of Balinese, an island where a hybrid Hindu-Buddhist religion based on ancestor worship and animism dating back to the first century has survived and even thrived in the face of mass tourism.
By 1930, tourist numbers reached several hundred per year. Last year, 5.2 million foreigners along with 9.4 million domestic holidaymakers visited Bali, according to government data, and the island is developing at breakneck speed to cater to the demand.
The negative effects of such tremendous growth are illustrated in the murals of Balinese artist Slinat, who marries the iconic photographs of Balinese dancers with contemporary emblems like gas masks and dollar bills.
“These old photos were the first images used to promote tourism in Bali and convey that it is an exotic place. They kick-started tourism in Bali,” Slinat told Al Jazeera. “But then we had too much tourism and it ruined the exoticness of Bali. So I created this parody to express how much things have changed here since those photos were taken.”
Nevertheless, Balinese traditional culture and religion have remained resilient in the face of the tourist onslaught, which is something of an anomaly compared with other tourist hot spots around the world.
“When local people entertain tourists, they adapt [to] tourists’ needs, attitudes and values and ultimately start to follow them. By following tourists’ lifestyle, young people bring changes in the material goods,” was the finding of a study on the impact of tourism on culture that was published in 2016 in the Journal of Tourism, Hospitality and Sports.
The study said the Pokhara-Ghandruk community in Nepal was a textbook example, where “the traditional fashion, behaviour and lifestyle of young Gurungs have been severely affected by tourism … [who] disobey their elders’ Kinship titles”. It said Indonesia was an exception – a country where “to attract distant tourists, children nurture local customs to create a strong and authentic base of cultural components without disrupting ancestors’ values”.
A lecturer in traditional architecture at Warmadewa University in Bali, I Nyoman Gede Maha Putra explains the roots of that approach.
“Colonial government policies dating back to the 1930s that promote how the Balinese should be Balinese, including school curriculums, production of traditional foods and beverages and unsparing investments in religious buildings have played a key role in preserving culture and religion on the so-called Island of the Gods,” he said, adding that construction codes formalised in the 1970s that required no new building to be no taller than a coconut tree had helped maintain “a sense of the place” on the island.
“Soon, all our young people will start making ogoh-ogoh paper statues for Nyepi. No one will be left out. They will enjoy the process, they will enjoy the parades, and feel proud when the tourists see what they’ve made. And our daily ceremonies will continue because we believe very strongly that our ancestors’ ghosts live around us and our ceremonies are the only way we can communicate with them,” Maha Putra said.
A facade
Others say it is the adaptability of Balinese culture that has made it resilient.
“Balinese culture is not static,” I Ketut Putra Erawan, a lecturer in political science at Bali’s Udayana University, told Al Jazeera. “Time and time again it has shown it has the power to reinvent itself through the problems and opportunities we face; things like tourism, social media, individualism, capitalism and mass culture. It finds new ways to make itself relevant to young people in new times.”
But these new shapes and expressions are not as solid as those of the past, he cautions.
“Today we are flooded with so much information and misinformation, and what that tends to do is promote the skin of the culture, the outside element of the culture, things like consumerism and fashion, but not the core of the culture,” Erawan said. “Many people prioritise the wrong things in their cultural expressions. They are much more interested in dressing like Balinese and telling everyone on social media they are Balinese instead of obtaining the high level of knowledge needed to understand our complex culture and religion.”
Rio Helmi, an Indonesian photographer whose work focuses on the interaction between Indigenous peoples and their environment, agrees.
He fears time is working against Balinese culture.
“As to the strength of the culture, I think there is some truth to that,” he told Al Jazeera. “But a lot of it is about identity rather than involvement in the deeper side of the culture and its values. What I am seeing now feels more like form over function. People always repeat the phrase ‘tri hita karana’ – maintaining a good relationship between man and God, man and nature, man and the environment – but often it feels like a slogan, a bandage to cover up bad things like people building on sacred land. We have to be careful about making generalisations as there are still many people who live traditionally. But the power of money is everywhere.”
Today, multi-storey hotels and condominiums many times taller than coconut trees are popping up across the island’s traditional rice fields. However the biggest display of the disparity between form and function, Helmi says, will be on display during the ogah-ogah procession in Ubud, the spiritual heart of Bali that has expanded from a sleepy cultural village into a bustling tourist hotspot, where there will be loudspeakers, souvenir vendors and bandstands.
“It will be a real show put on for tourists, whereas in the villages the events will be about introspection, the sense of the year coming to an end and chasing the demons out. It is their moment, their culture. It is not a show,” Helmi said.
World
AI helped a musician with Parkinson’s finish his new album when he could no longer play guitar
LONDON (AP) — Samuel Smith spent years writing songs with a guitar in his hands.
Now, the London-based singer-songwriter is using artificial intelligence tools to help him continue making Americana music after Parkinson’s disease largely took away his ability to play guitar.
Smith, who was diagnosed with the progressive neurological disorder in 2020, recently released his second album, “The Art of Letting Go.” For one of the eight tracks, an instrumental piece titled “Horizon,” he relied on platforms that use AI to generate music to create demo arrangements that would convey his vision to the musicians who recorded the song.
The demos he created by humming rough melodies into his phone and uploading the recordings into song generators like Suno and Udio weren’t for mixing into the final studio version of “Horizon,” Smith stressed. But tremors, stiffness and fatigue, which are common symptoms of Parkinson’s, caused his guitar skills to deteriorate during the more than a year he worked on the album, he said.
“So then I’m faced with a question,” Smith, 49, said. “‘Don’t play, don’t be creative, or find a way out, find a route.’ And for me, this was the route.”
Generative AI has divided the music industry, whose artists and record labels have complained of their copyrighted work being used to train the models behind AI-powered music tools. Sony Music Entertainment, Universal Music Group and Warner Records sued Suno and Udio in June 2024, although Universal later reached a settlement and partnership deal with Udio and Warner did the same with Suno.
Less discussed is what those platforms can do when employed by a serious musician like Smith, whose disease affects the tools central to his songwriting and identity as a guitarist: his hands. He released his debut album, “In the Springtime,” in 2023, saying he wanted to give his two sons a way to remember when he could perform and record music himself.
“I’d always written, I’d also played, I always sung,” he said. “And immediately it became clear to me that I was in trouble, that my music was going to be seriously compromised.”
From prompts to convincing demos
AI music generators use systems trained on large datasets of recorded music and audio. The platforms analyze patterns in melody, harmony, and rhythm before generating new audio based on prompts or uploaded recordings. Users don’t need musical talent to end up with a serviceable song, or even a popular one.
Smith said producing convincing demos from the synthetic tracks the apps generated often required “50, 100, 150 attempts” and extensive editing “to get something that sounds close to my music.” After humming a song into his phone and uploading the recording, he gives prompts describing instrumentation, mood and style. .
“AI is not replacing anything for me,” he said. “It’s unlocking, it’s enabling. It’s allowing me to keep writing. I upload my lyrics; AI doesn’t create my lyrics. I upload my music; AI does not create my music.”
He added: “It then brings it to life in a way that I can play to session players and say, ‘Here, that’s what I’m thinking, that is what I’m hearing.’”
A bittersweet guitar duet
The album was produced by Grammy-winning pianist and producer Matt Rollings, who assembled a group of established roots and bluegrass musicians for the project. They included dobro player and 16-time Grammy winner Jerry Douglas, Grammy-winning banjo player Alison Brown, fiddler Stuart Duncan, guitarist Bryan Sutton, bassist Viktor Krauss and singers Jonatha Brooke and Glen Phillips.
For Smith, the experience of singing in a Nashville studio alongside musicians he had admired for decades was “an extraordinary moment.”
Grammy-nominated guitarist Julian Lage, known for his jazz and acoustic recordings with Blue Note Records, performed on the album’s title track and on “Horizon.” The latter recording became a bittersweet high point in Smith’s career; despite the progression of his disease, he managed to play a guitar duet with his friend.
“I hadn’t been able to play for months, but I kept telling myself that if I wrote something to take to the studio, perhaps the clouds would part for a few minutes,” Smith said. “That’s what happened. I had a window of about 10 minutes in the studio when my arm freed up. … So in the end, I was able to capture the last breath of my guitar playing.”
New possibilities and perils
Experts said AI-assisted music tools could benefit other people with disabilities or illnesses.
Ruaidhri Mannion, a composer, music producer and sonic artist who teaches at Brunel University of London, said technology like affordable digital recording software “effectively democratized the making of music” in recent decades. By helping songwriters and musicians communicate ideas and collaborate more easily, AI tools that generate polished-sounding material from voice or text prompts could work in the same way, he said.
“If these tools are able to enable people to be able to participate with other creative groups and encourage more people to feel confident to be able to reach out to an ensemble or an orchestra or something, then I think that is all for the better,” Mannion said.
But an overreliance on technology could intefere with the trial and error, frustration and synergy that are necessary parts of a musician’s artistic development, Mannion said.
“What makes a lot of music-making meaningful is the collaborative element,” he said. “There’s a lot of experimentation and development and failure that’s part of musical discovery.”
Udio and Suno have denied copyright infringement allegations and said they wanted to work with the music industry, not in opposition to it. Some musicians are unconvinced. A group of recording artists and activists, including singer-songwriter Tift Merritt, David Lowery of the bands Cracker and Camper Van Beethoven, and ECR Music Group President Blake Morgan, published an open letter in February under the heading “So no to Suno.”
“Many in our community are embracing responsible AI as a tool for creation, and as a means for fans to explore and interact with our artistry. That’s wonderful,” the letter read. “But it’s not the same as creating an environment where AI-generated works sourced from our music are mass distributed to dilute our royalties or, worse yet, reward those actively seeking to commit fraud. Artists need to know the difference.”
‘Show us what you can do’
Smith said he thinks his experience demonstrated how AI could benefit society and expand creative access, if it’s developed responsibly.
“My message would be that if these companies want to show they’ve got a place, a role in society, then step up,” Smith said. “Engage with health professionals, engage with music therapists, engage with society and show us what you can do.”
On May 21, Smith collaborated with the Berklee Music and Health Institute for an event in New York that brought together music industry leaders, researchers and clinicians to examine how music can support people living with neurological conditions. Smith discussed his experience living with Parkinson’s and sang again alongside musicians who played on “The Art of Letting Go.”
Creating music is crucial to the legacy Smith hopes to leave for his children, ages 4 and 17.
“My 4-year-old is probably never going to remember me playing, and it’s heartbreaking,” he said. “But I’ve been able to pull this into something and refuse to be defined by this disease.”
World
Christian farming communities under siege as US report names Fulani militants Nigeria’s deadliest threat
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JOHANNESBURG — An estimated 30,000 mostly Muslim Fulani militants are operating in Nigeria, causing “worsening insecurity and religious freedom violations,” according to an influential new report.
The report, by the U.S. Commission on International Religious Freedom (USCIRF), states “violence by Fulani militants caused the highest number of deaths among all religious communities in Nigeria over the last year, as compared to attacks by organized insurgent groups and criminal gangs.”
The Fulanis, so-called herders of livestock, have, according to the USCIRF report, “targeted Christian (farming) communities in the Middle Belt and, increasingly, the South, burning homes and churches as well as kidnapping, raping, and murdering.”
CHRISTIANS TARGETED IN SYSTEMATIC KIDNAPPING CAMPAIGN IN NIGERIA BY JIHADI HERDSMEN, EXPERTS SAY
Funerals were held for about 27 Christians reportedly killed by Islamist Fulani tribesmen in Bindi village, Plateau State, Nigeria, on July 28, 2025. (Christian Solidarity International)
But a former counterterrorism expert at the State Department told Fox News Digital that the kind of strikes the U.S., working with Nigerian government forces, have recently carried out in Nigeria’s North against Islamist terrorist organizations such as Boko Haram and Islamic State, wouldn’t work against the Fulanis in the predominantly Christian central areas of the country.
Sterling Tilley, former acting director within the Bureau of Counterterrorism, who has worked in Nigeria for the State Department, said that the U.S. “militarily dealing with the farmer-herder conflict is not advisable because it is likely to bring more instability in the country.” Tilley, now director of the Thomas R. Pickering Graduate Foreign Affairs Fellowship at Howard University, added, “There are some steps that can be taken to quell the violence, but there must be Nigerian political will to do so.”
Young people protest against the killings following a deadly attack by Fulani militants on Christian-majority villages in Benue state, that left 218 people dead and 6,000 displaced. The protest took place in Benue state in June 2025. (Open Doors UK)
This week, Secretary of War Pete Hegseth commented on the recent strikes ordered by President Donald Trump on Nigeria, saying, “Maybe a year ago, [the president] heard the call of Nigerian Christians who were being targeted and killed by ISIS. And he said, ‘Pete, I want the War Department to focus on ensuring that we do everything we can to protect those Christians.’”
NIGERIA NAMED EPICENTER OF GLOBAL KILLINGS OF CHRISTIANS OVER FAITH IN 2025, REPORT SAYS
Christians make up approximately 48% of Nigeria’s population. Fulani militants, the USCIRF report stated, “have often carried out operations during Christian holidays such as Christmas or Easter to further maximize the psychological impact, terrifying those communities from gathering to celebrate or worship. During attacks, assailants sometimes utter slogans with religious connotations, such as “Allahu Akbar“ (Arabic for “God is great”).
But, according to the report, Muslims are being attacked too. “Fulani assailants have not spared Muslims, raiding herders’ cattle and violently attacking non-Fulani Muslim communities,” the report added.
Coffins arrive at Ibrahim Babanginda Square in Makurdi, Benue State, on Jan. 11, 2018, during a funeral service for victims of clashes between Fulani herdsmen and natives of Guma and Logo districts. (Pius Utomi Ekpei/AFP)
“Violence at the hands of militants from the Fulani tribe far outnumbers violence from all other militant groups such as Boko Haram or ISWAP (Islamic State West African Province),” Henrietta Blyth, CEO of Open Doors UK & Ireland, an organization that highlights the persecution of Christians, told Fox News Digital.
While her organization was not part of the report, she said, “My heart has been broken as I have heard stories from women and men who have seen their beloved family members butchered in front of them or carried off into a life of slavery.”
AFRICAN UNION CHIEF DENIES GENOCIDE CLAIMS AGAINST CHRISTIANS AS CRUZ WARNS NIGERIAN OFFICIALS
Fulani Muslim men pray in Masallacin Shehu Mosque, Sokoto, Sokoto State, Nigeria, on April 24, 2019. (Luis Tato/AFP via Getty Images)
Blyth added: “The situation is complicated, and as the report concludes, it is too simplistic to say all perpetrators are religiously motivated. What is undisputable is that Christians are highly vulnerable and often the victims, paying the price in blood. They desperately need protection and, for hundreds of thousands driven from their homes, the chance to heal and rebuild their lives.”
The USCIRF report also stated, “Criticism of responses to Fulani militant violence from federal and state authorities has often described their responses as unsatisfactory at best and complicit at worst.”
Tilley told Fox News Digital that elections are to be held in Nigeria next year, and “the Fulani do have considerable political influence as a voting bloc. Thus, the Nigerian government seems reluctant to take actions necessary to quell the violence for fear that they could lose their base of support in the North and Middle Belt.”
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Fox News Digital reached out to the Nigerian government for comment but did not receive a response by publication time.
Published on
Ukrainian President Volodymyr Zelenskyy has warned that Russia may be preparing to launch a “massive” new attack against Ukraine.
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“We have intel indicating that Russia is preparing a new massive attack,” Zelenskyy said in a post on social media late on Friday, while also advising people to listen out for air raid alerts and keep safe.
“The air force and protectors of our skies will be working around the clock, as always,” he added.
It comes after Russia deployed its nuclear-capable Oreshnik missile in a massive wave of strikes on the Kyiv region last weekend. Ukraine said the attack included 90 missiles and 600 drones.
The use of the Oreshnik, an intermediate-range ballistic missile that Russia first used in a strike on Dnipro in 2024, drew strong criticism from leaders across Europe.
On Friday, Zelenskyy also reiterated his call for more Patriot missile systems from the US. The Patriot is an air and missile defense system used to intercept ballistic missiles, cruise missiles, drones, and aircraft.
Zelenskyy told reporters in Sweden on Thursday that he was being “very persistent” in his pursuit of new missiles for the system. He reportedly wrote to US President Donald Trump earlier this week asking for more ammunition.
“For us — for a nation fighting for its survival — there is hardly anything more painful to see than Patriot batteries with no missiles loaded,” he said in his letter to Trump.
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