World
Asif Kapadia on Taking Aim at the Rich and Powerful in Dystopian Docudrama ‘2073’: ‘If I Don’t Work Again, at Least I Made This Movie’
Asif Kapadia sees a future vision of the world where “chairwoman” Ivanka Trump is celebrating her 30th year as leader of a nightmarish fascist police state that was once America, a land mostly reduced to rubble following an unknown “catastrophe” that occurred in 2036.
“It’s kind of a joke, but it’s also not a joke,” says the British filmmaker of mentioning Donald Trump’s daughter in “2073,” his chilling docudrama about the dystopia humanity is potentially hurtling towards and the very real and very contemporary factors concerning politics, the environment, corruption, race and technology that he says are propelling us in that direction.
“Because if you look at American politics, you have certain families that just keep being in power — the number of people that have come from a tiny gene pool is insane,” he says.
While the inclusion of Ivanka may be a little splash of humor, the rest of “2073” — which comes backed by Neon, Double Agent and Film4 and is world premiering in Venice on Tuesday — offers little else to be tickled by. The film is what Kapadia says is his response to the world — and the entertainment industry — having got to a “place where people cannot say anything” that criticizes the status quo or those in power without risking losing their jobs or worse.
And so “2073” says a lot, a whole lot. The film essentially lays the blame for the impending disaster — be it nuclear war, climate change or whatever it might be — at the foot of leaders, demagogues, tech billionaires and the 1% and what they’re doing to the planet and society. Alongside the Trumps, there’s the Murdochs, Vladimir Putin, Benjamin Netanyahu, Xi Jinping, Mohammed Bin Salman, Narendra Modi, the Koch brothers, Elon Musk, Mark Zuckerberg, Jeff Bezos, Peter Thiel and many more, spliced alongside news clips and amateur footage from the last couple of decades showing examples of police brutality, rising fascism, the refugee crisis, mass detentions, bombings and wild fires.
Originally the project — which came about during lockdown (Kapadia put out a tweet asking for help and soon gathered a team of researchers from around the world) — was to be a “doc set in the future where everything from the future will be factual and created out of bits of the present.” But he soon decided to use his drama background to mix the two, creating a version of life in 2073 in which Samantha Morton plays a mute survivor besieged by nightmare visions of the past and living underground as surveillance drones patrol the surface.
This past is pieced together using “footage from around 60 different countries, which I made to look like one place,” says Kapadia. Some of footage is extremely recent. In the opening scenes revealing this earth-shattering catastrophe, we see clips of recent devastation in Gaza.
“Having been doing this for a while, if you feel like you’re onto something in a horrible way, the world comes into synch with the film,” he says. The war in Gaza, plus the rise of AI and the growing feeling that the next presidential election could be “the end of democracy in the U.S.” all began after he started making the film. “And then a few weeks ago in England we had all these riots.”
“2073” may seem like an unexpected feature from the Oscar-winning documentarian best-known for “Amy,” “Senna” and “Diego Maradona,” but he claims this trilogy of profiles all came about “by accident,” and were each infused with his previous experience in drama and fiction and were each made that way. “’Senna’ is an action movie, ‘Amy’ is a musical, a Bollywood film, and ‘Diego Maradona’ is a gangster film set in Naples,” he says.
But “2073” — an experimental dystopian thriller — still feels like a major key change for the director, a highly provocative and uncomfortable to watch feature with global themes that he hopes will make people realize that “what’s happening over there will get closer and closer and eventually come to you.”
As he notes: “And if you don’t think that’s a problem, then it’s just a movie. But if it is a problem, then you, me, us … we’ve got to do something.”
Kapadia is already among the most outspoken filmmakers on social media when it comes to discussing politics and especially in condemning Israel for the bloodshed in Gaza. While this hasn’t appeared to have hindered his career in the way it has others, he says “2073” — given the topics and the very powerful, very wealthy people it discusses — might.
“I’ve been lucky enough to have made films and in what I do I’ve been successful,” he explains. “So honestly, I went into this going, ‘I’m going to chuck it all in, I’m not going to be afraid to say what I see and if I don’t work again, fine, at least I made this movie.’ ”
World
What a merger between Nissan and Honda means for the automakers and the industry
BANGKOK (AP) — Japanese automakers Honda and Nissan will attempt to merge and create the world’s third-largest automaker by sales as the industry undergoes dramatic changes in its transition away from fossil fuels.
The two companies said they had signed a memorandum of understanding on Monday and that smaller Nissan alliance member Mitsubishi Motors also had agreed to join the talks on integrating their businesses. Honda will initially lead the new management, retaining the principles and brands of each company.
Following is a quick look at what a combined Honda and Nissan would mean for the companies, and for the auto industry.
An industry shakeup
The ascent of Chinese automakers is rattling the industry at a time when manufacturers are struggling to shift from fossil fuel-driven vehicles to electrics. Relatively inexpensive EVs from China’s BYD, Great Wall and Nio are eating into the market shares of U.S. and Japanese car companies in China and elsewhere.
Japanese automakers have lagged behind big rivals in EVs and are now trying to cut costs and make up for lost time.
Nissan, Honda and Mitsubishi announced in August that they will share components for electric vehicles like batteries and jointly research software for autonomous driving to adapt better to dramatic changes in the auto industry centered around electrification. A preliminary agreement between Honda, Japan’s second-largest automaker, and Nissan, third largest, was announced in March.
A merger could result in a behemoth worth about $55 billion based on the market capitalization of all three automakers.
Joining forces would help the smaller Japanese automakers add scale to compete with Japan’s market leader Toyota Motor Corp. and with Germany’s Volkswagen AG. Toyota itself has technology partnerships with Japan’s Mazda Motor Corp. and Subaru Corp.
What would Honda need from Nissan?
Nissan has truck-based body-on-frame large SUVs such as the Armada and Infiniti QX80 that Honda doesn’t have, with large towing capacities and good off-road performance, said Sam Fiorani, vice president of AutoForecast Solutions.
Nissan also has years of experience building batteries and electric vehicles, and gas-electric hybird powertrains that could help Honda in developing its own EVs and next generation of hybrids, he said.
“Nissan does have some product segments where Honda doesn’t currently play,” that a merger or partnership could help, said Sam Abuelsamid, a Detroit-area automotive industry analsyt.
While Nissan’s electric Leaf and Ariya haven’t sold well in the U.S., they’re solid vehicles, Fiorani said. “They haven’t been resting on their laurels, and they have been developing this technology,” he said. “They have new products coming that could provide a good platform for Honda for its next generation.”
Why now?
Nissan said last month that it was slashing 9,000 jobs, or about 6% of its global work force, and reducing global production capacity by 20% after reporting a quarterly loss of 9.3 billion yen ($61 million).
Earlier this month it reshuffled its management and its chief executive, Makoto Uchida, took a 50% pay cut to take responsibility for the financial woes, saying Nissan needed to become more efficient and respond better to market tastes, rising costs and other global changes.
Fitch Ratings recently downgraded Nissan’s credit outlook to “negative,” citing worsening profitability, partly due to price cuts in the North American market. But it noted that it has a strong financial structure and solid cash reserves that amounted to 1.44 trillion yen ($9.4 billion).
Nissan’s share price has fallen to the point where it is considered something of a bargain. A report in the Japanese financial magazine Diamond said talks with Honda gained urgency after the Taiwan maker of iPhones Hon Hai Precision Industry Co., better known as Foxconn, began exploring a possible acquisition of Nissan as part of its push into the EV sector.
The company has struggled for years following a scandal that began with the arrest of its former chairman Carlos Ghosn in late 2018 on charges of fraud and misuse of company assets, allegations that he denies. He eventually was released on bail and fled to Lebanon.
Honda reported its profits slipped nearly 20% in the first half of the April-March fiscal year from a year earlier, as sales suffered in China.
More headwinds
Toyota made 11.5 million vehicles in 2023, while Honda rolled out 4 million and Nissan produced 3.4 million. Mitsubishi Motors made just over 1 million. Even after a merger Toyota would remain the leading Japanese automaker.
All the global automakers are facing potential shocks if President-elect Donald Trump follows through on threats to raise or impose tariffs on imports of foreign products, even from allies like Japan and neighboring countries like Canada and Mexico. Nissan is among the major car companies that have adjusted their supply chains to include vehicles assembled in Mexico.
Meanwhile, analysts say there is an “affordability shift” taking place across the industry, led by people who feel they cannot afford to pay nearly $50,000 for a new vehicle. In American, a vital market for companies like Nissan, Honda and Toyota, that’s forcing automakers to consider lower pricing, which will eat further into industry profits.
____
AP Auto Writer Tom Krisher contributed to this report from Detroit.
World
US military conducts successful airstrikes on Houthi rebel forces in Yemen
The U.S. military confirmed it conducted airstrikes in Yemen, saying it targeted a missile storage site and a command-and-control center operated by Iran-backed Houthi rebels.
U.S. Central Command (CENTCOM) announced the successful strikes in a release Saturday, saying they were meant to “disrupt and degrade” Houthi operations.
“CENTCOM forces conducted the deliberate strikes to disrupt and degrade Houthi operations, such as attacks against U.S. Navy warships and merchant vessels in the Southern Red Sea, Bab al-Mandeb and Gulf of Aden,” CENTCOM said in a news release.
DISAPPROVAL MOUNTS BOTH AT HOME AND ABROAD AS US AVOIDS DIRECT ACTION AGAINST HOUTHI REBELS
Footage from CENTCOM showed F/A-18’s taking off. The agency said it also used assets from the Navy and the Air Force.
US NAVY SHIPS REPEL ATTACK FROM HOUTHIS IN GULF OF ADEN
“The strike reflects CENTCOM’s ongoing commitment to protect U.S. and coalition personnel, regional partners and international shipping,” it said.
The attacks against shipping are ongoing, and Houthi militants have vowed to continue until Israel ends its campaign in Gaza.
The terrorist group has targeted more than 100 merchant vessels since the start of the Israel-Hamas war in October 2023.
World
Fact check: How deadly was 2024 for journalists?
An estimated 104 journalists lost their lives in 2024, with Palestine the most dangerous territory.
An estimated 104 journalists were killed worldwide over the past year, according to data shared earlier this month by the International Federation of Journalists (IFJ).
Another report by NGO Reporters Without Borders (RSF) puts the figure at 54, but its methodology means it only includes killings that are considered “directly related” to journalists’ professional activity.
Both organisations say that Palestine is the deadliest place on earth for journalists. More than half (55) of the 104 killings reported by IFJ were Palestinian media professionals in Gaza, while a further six were killed in Lebanon.
At least 138 journalists have been killed in Gaza since the war between Israel and Hamas broke out on 7 October 2023, making the country one of the “most dangerous in the history of modern journalism, behind Iraq, the Philippines and Mexico,” according to the IFJ.
Reporters without Borders has described the number of killings in Gaza as “an unprecedented bloodbath”.
Israel firmly denies it has intentionally targeted any journalists, but has recognised some that have been killed in its airstrikes on Gaza.
The 104 total killings reported by the IFJ is a slight decrease on the 129 they reported on in 2023, which is considered the bloodiest year for journalists since 1990.
How do other world regions fare?
Asia Pacific is the world’s second most dangerous region for journalists, after the Middle East, according to the IFJ.
It recorded 20 deaths in the region in 2024, of which 70% happened in the southern Asian countries of Pakistan, Bangladesh and India.
The region has seen an “upsurge” in violence, according to the IFJ, with deaths increasing sharply from the 12 recorded in 2023.
Africa was the third most dangerous region for journalists at eight deaths, five of them in war-torn Sudan.
The number of journalists killed in south, central and north America has dropped sharply over the past two years, from 30 in 2022 to six in 2023, and another six in 2024. Mexico, considered to be one of the deadliest places in the world to do journalism, continues to see “threats, intimidation, kidnappings and murders” against journalists, particularly due to reporting on drug trafficking.
Number of journalists behind bars on the rise
According to IFJ estimates on 10 December, there were 520 journalists in prison across the world, considerably more than in 2023 (427) and 2022 (375).
China, including Hong Kong, accounts for most of journalists behind bars, followed by Israel and Myanmar.
The IFJ says the figures show how “fragile” the independent press is and how “risky and dangerous” the profession of journalism has become.
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