Utah
Utah Jazz Season Preview: Evaluating Utah’s bench depth ahead of the 2024-25 season
Depth is an often overlooked detail when the conversation at your family dinner table inevitably strays towards the topic of tanking and developing basketball teams. I mean, who cares about the 10th man of a team that is actively trying to lose games, right?
Basketball maniacs like myself (and apparently my entire family when it’s supper-time), that’s who cares.
The Utah Jazz are one of those squads whose rebuilding efforts have left a bit to be desired now that we’re a few years removed from the initial “blow-up” that scattered Utah’s stars across the NBA. Winning too often and being too good have been problems for a team that many would like to see scrape the concrete floors of Adam Silver’s basement, and the unexpected sum of W’s has guided Utah into the middle of the pack (so I guess Silver’s bathroom?).
Too good to tank, too bad to compete. Though Ainge, Smith, and Co. have built up a war chest of draft assets, those draft picks have fallen to the back end of the lottery and deep into the first round on several occasions. But all is not lost, and we doomsday deniers have promising young talent to lean our faith upon in Keyonte George, Walker Kessler, Taylor Hendricks, Cody Williams, and more.
Reading through the list of young players on Utah’s roster can feel like unfurling a mile-long scroll that rolls from the foot of Justin Zanik’s throne, through the golden doors of the Jazz front office, and all the way down to the ice rink of the Utah Hockey Club.
What I’m trying to say is that the Jazz have an embarrassment of young talent. With more developing players than available spots in the starting lineup, bench depth has suddenly become a highly relevant topic for the rebuilding team from Salt Lake City.
So what does the depth chart look like in Utah, and what do these bench players have to offer the rebuilding Jazz?
Don’t Miss Tryouts
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With Utah’s ridiculous accumulation of assets and a quota of roughly [crunches a few last-second calculations] one million losses this season in the hunt for the top draft pick, this season may be treated as a quasi-tryout for the fresh faces on the depth chart, as well as a few players who still need to prove they’re on pace to contribute once the rebuild heel-turns toward title contention, a-la Oklahoma City (though that’s probably wishful thinking). Who’s ready, and who will fall behind?
The backup unit is full of so many question marks, that I’m starting to wonder if Danny Ainge is secretly The Riddler. Can anybody send me a picture of those two in the same room??
Is Brice Sensabaugh ready to add a steady scoring option from the bench after shedding some baby fat from his rookie season? Who of the incoming rookie trio—Williams, Collier, and Filipowski—can emerge as a starting-caliber contributor? Will Walker Kessler earn his starting role, or is he doomed to be shipped away? Even Taylor Hendricks, who currently owns a starting role, has plenty to prove and could easily slide down the bench if he can’t meet expectations.
Players may rise, and they may fall, but if Utah is dedicated to rebuilding through the draft, it starts with positioning your young players to succeed. Collier and Filipowski both slid in the draft after previously being considered lottery selections; will they show the world why they were so highly regarded, or was their fall warranted? I expect to see Utah’s first and second years be allotted a healthy serving of in-game experience this year.
What’s the point of all those draft picks if you don’t believe in the players you picked, right?
A Cozy Retirement in SLC
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In a move that no one expected, veteran point guard Patty Mills inked a one-year deal with the Utah Jazz. At the twilight of his career, this move was made with the hope of Mills being a great leader and veteran presence for Utah’s influx of baby-faced youngsters populating the roster.
At this point in his hooping journey, Mills’ retirement is coming any year now. After 15 years of pro hoops, Patty doesn’t quite play like he used to, but will still see floor time with his new team in Utah. Will he steal minutes from younger players like Collier? Possibly a few, but with Mills ready to force ghost and fade away into oblivion any year from now, I expect the Aussie to fill a mentorship role in limited playing time.
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Clarkson is a similar case, though the flamethrower still has time before his fire dies out. With Utah, his skill set isn’t necessary for a team that doesn’t prioritize winning, and you may want to sit down for this, but Utah isn’t trying to reach the playoffs in April, nor should they.
League-wide interest in JC has died down since his 6th Man of the Year campaign, and his trade value dwindles with every year he spends with the lowly Jazz. It’s starting to feel like a “now or never” situation for the score-first guard, and if he does stay in Utah, his contribution won’t be conducive to winning basketball games.
Other more experienced players like Drew Eubanks and Svi Mykhailiuk will probably see the floor in fun-sized minutes but were likely signed to fill the roster, and not much else (Sorry, Svi, your championship in Boston is pretty cool, though).
From my outside perspective, I see Utah’s depth chart divided into two categories: the eager youth and the grateful dead.
With a young revolution in full swing, the Jazz should seek every opportunity to give their young talent plenty of real-game playing time this season (what’s the worst that could happen, they lose?), and allow them to learn under the tutelage of the veterans filling the Jazz roster.
The biggest issue facing Utah’s bench is a math problem, and I hate math. With only 48 minutes in the game, and so many players desperate to run, it’s impossible to perfectly share time across the board. Some will get left out, and some will see more floor time than they deserve. It’s a delicate balance, but one that I believe Will Hardy is capable of selecting.
So, the next time your family gathers around the table and starts arguing about why the Jazz didn’t fight to keep Nikeil Alexander-Walker, you should slam your fist on the wooden surface and shout from the depths of your soul: “I REALLY HOPE ISAIAH COLLIER IS GOOD AND GETS TO PLAY MEANINGFUL BASKETBALL THIS SEASON!”
Utah’s bench is an exciting bunch, but nothing is certain for a team with many mouths to feed.
Utah
3 Utah students chosen for honor ensembles in national music festival
SPANISH FORK — Three very talented Utah high school musicians get to show their talents at a national music festival.
Palmer Brandt, 16, from Maple Mountain High School, said music speaks for him.
“Music is a way for me to communicate what I feel without having to put it into words and I think it’s an easier way for me to do that than actually talking,” he said.
Brandt and two other high school students from Utah — Jack Hales, 18, of Herriman, and Tanner Brinkerhoff, 16, of American Fork — were chosen to be part of the Music For All National Festival, which hosts the top student ensembles from across the country. The students traveled to Indianapolis, Indiana, on Tuesday before enduring three long days of rehearsals to be ready for a performance on Saturday.
Brandt and Hales will be performing in the Honor Band of America, which is described by the festival as the “nation’s finest student concert honor bands.” Brandt was chosen as the only baritone saxophone player in the band, and Hales is one of the trumpet players.
“It’s a little bit scary, but also pretty cool. It’ll be really exciting to play with a lot of other really good musicians and be able to get straight to like tackling the expressive part of the music rather than just focusing on notes and rhythms,” Brandt said.
Hales said it was both surreal and exciting when he found out he had been accepted into the band. He had applied after learning about the band from someone he knew who had done it the previous year.
“I was a little nervous before going because I had a little bit of imposter syndrome, but once I got here, it felt real and exciting,” Hales said Thursday after a day of rehearsing. “Preparing was difficult because the music was very foreign to me. All the songs were so difficult, which I am not used to.”
The students in the bands were given the sheet music for the performance last month, but they knew they would only have three days to practice with the band in person once they got to the festival.
“It’s some of the hardest music I’ve ever played, it’s stupid hard actually. I’ve been looking at it a ton and trying to learn all these new things. Being able to go and play with the best kids in the country is going to be such a great experience,” Brinkheroff told KSL before arriving in Indiana.
Brinkerhoff was chosen to be part of the Jazz Band of America, dubbed “one of the top honor ensembles for young musicians in the nation.”
Brinkerhoff is the alto saxophone player for the band, but is also bringing a soprano saxophone, a clarinet and his flute to Indiana as some of the songs he has to play other instruments.
He got the email saying he had been accepted to the Jazz Band of America on Christmas Eve.
“I was super happy and started calling all my friends … it was like a little Christmas present,” he said.
Brinkerhoff said he was excited to go, but also “scared out of my mind” to perform with some of the best musicians in the country. But he also said it’s an honor to participate in such an advanced performance.
“Especially with the jazz band, Utah isn’t really a music state … it’s mostly like on the East Coast. So representing Utah, I get to tell everyone that Utah does have players and you can actually do stuff in Utah,” he said.
Hales agreed, saying it feels awesome to represent Utah’s music programs.
“Not only to show others how good I am as a player, but how good Utah is at making competent, professional-level musicians,” Hales said.
Despite knowing a week full of hourslong rehearsals and a challenging performance awaited them, the students were so happy to show off their skills and do what they love.
“Performing has always been a musical thing that I really like. I’m not a dancer or a singer or anything, so I feel like playing my instruments actually substitutes dancing or singing, it’s like another way to express (myself),” Brinkerhoff said.
Hales said he loves music because there is so much nuance that can make it hard to understand, but once you do, “it becomes one of the most powerful things you have.”
“Music has history, emotion, movement, creativity and sound, which make it just as, if not more, powerful than speaking,” Hales said.
The students’ parents couldn’t be prouder of their children. Matthew Brinkerhoff said it has been a “whirlwind,” but he just thinks it’s amazing his son gets to participate in the festival.
Kara Brandt said she is so happy her son has found his own way to communicate, adding that he has even composed some of his own music, letting people “see the world through his eyes.”
“It’s just so cool to see his genius just flow through him and to see how his hard work pays off in that excellence. He really is so dedicated. People will say, ‘He’s so talented,’ and I agree that he has a lot of talent, and it’s because he works hard. That’s why he is here and is in Honor Band of America,” she said.
The Key Takeaways for this article were generated with the assistance of large language models and reviewed by our editorial team. The article, itself, is solely human-written.
Utah
POST-GAME: André Tourigny 3.28.26 | Utah Mammoth
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Utah
Woman killed after running red light on Mountain View Corridor in West Valley
WEST VALLEY CITY, Utah (KUTV) — A woman was killed in a crash after running a red light on Mountain View Corridor in West Valley City.
Police said the collision was reported just before 1:30 p.m. at the intersection of 4100 South.
Officers said a northbound tow truck entered the intersection on a green light when an eastbound SUV ran a red light and was T-boned.
Both vehicles reportedly caught fire after the impact.
The SUV driver was taken to a hospital, where she later died. Authorities are working to identify her.
The tow truck driver suffered non-life-threatening injuries.
Northbound lanes at 4100 South will remain closed for several hours while crews clear the scene and investigate the crash.
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