Utah
Reflecting on business titan Andrew Carnegie’s forgotten influence on Utah education
An undated picture of the Richfield Carnegie Library, which was commissioned in 1911. It was constructed with the assistance of a program began by enterprise titan Andrew Carnegie that in the end led to 23 libraries throughout Utah. (Utah State Historical past)
Estimated learn time: 6-7 minutes
Editor’s be aware: This text is part of a collection reviewing Utah and U.S. historical past for KSL.com’s Historic part.
SALT LAKE CITY — Libraries existed in Utah within the nineteenth century, however they weren’t like those you’ll find in the present day.
Lots of the libraries constructed earlier than the twentieth century had been faith- or community-led, whereas some had been privately owned, some had been based by civic golf equipment and a few had been subscription-based. In Smithfield’s case, its lone library might be discovered within the tithing workplace of a constructing owned by The Church of Jesus Christ of Latter-day Saints.
That each one modified with the assistance of an unlikely determine: Andrew Carnegie. The legendary enterprise titan had a passion without cost public libraries, which led to a grant program that finally sparked the creation of almost two dozen libraries all throughout Utah earlier than he died in 1919, amongst 1000’s extra within the U.S. and world.
“These Carnegie libraries that we see actually had been the primary large wave of library development in Utah,” stated Roger Roper, the deputy state preservation officer for the Utah State Historic Preservation Workplace.
This wasn’t essentially a well-liked program when it was first launched but it surely definitely left an impression on communities for over a century. Roper mirrored on the historical past, impression and longevity of this system in Utah by way of a presentation Wednesday as part of a state preservation workplace collection celebrating Nationwide Historic Preservation Month.
The origin of Carnegie libraries
Chances are high you discovered about Carnegie in class. He made a reputation for himself by way of the expansion of the metal and different industrial industries, utilizing vertical integration monopoly to amass a fortune that might be value about $12.5 billion in in the present day’s {dollars}.
He spent the ultimate few a long time of his life spending that cash on varied neighborhood wants, donating greater than $300 million to hospitals, parks, universities, church buildings and public libraries up till his loss of life in 1919. About $56 million went to libraries alone, starting with one in-built his Scottish hometown in 1883.
Carnegie included public libraries as a result of he credited them for his schooling, particularly rising up as an immigrant in Pennsylvania. He wrote in “The Gospel of Wealth,” revealed in 1889, that he believed public libraries had been the reply to the query of the most effective reward to a neighborhood, “offered the neighborhood will settle for and preserve it as a public establishment.”
“It’s, little question, potential that my very own private expertise might have led me to worth a free library past all different types of beneficence,” he wrote.
The cash he put towards libraries, by way of the Carnegie Library Grant Program, in the end helped lead to 2,509 libraries throughout the globe on the flip of the twentieth century, together with 1,679 in the US. Twenty-three of those got here to communities all throughout Utah, which implies it had the ninth-highest quantity of libraries within the nation per capita, Roper stated.
Although, it wasn’t all the time well-liked. One version of Harper’s Weekly in 1901 lambasted this system as nothing greater than an try for Carnegie to place his title on buildings throughout the nation, particularly as a result of he did not present the books or workers for the buildings.
How Utah’s Carnegie libraries got here to be
Roper first discovered about these libraries when he and a colleague compiled the paperwork so as to add 10 of the buildings to the Nationwide Register of Historic Locations again in 1984. It led him to check extra into the historical past of Carnegie libraries.
What he discovered is candidates — sometimes cities and cities — submitted proposals to the Carnegie Company, the place they’d work with secretary James Bertram. Carnegie had a hand approving designs early in this system however finally trusted Bertram to function the library program; he is the one who carried out a lot of the logistics for each applicant.
I believe the truth that we now have Carnegie libraries nonetheless working a century later demonstrates some sort of sturdiness in that philanthropic effort.
–Roger Roper, deputy state preservation officer for the Utah State Historic Preservation Workplace
Bartram’s “Notes on Library Buildings” offered mannequin ground plans and ideas that helped cities higher articulate what they needed out of their libraries, starting in 1911.
The cash granted relied on inhabitants to an extent, which is why Salt Lake Metropolis’s Chapman Department library garnered probably the most cash within the state ($25,000), whereas Tooele acquired the least cash ($5,000). Most of Carnegie’s donations in Utah had been between $10,000 and $12,000.
Communities must present a website for a constructing and decide to an annual working funds of not less than 10% of the grant quantity, which might go to hiring workers and filling the constructing with books.
“I believe a lot of the candidates from Utah adopted by way of,” Roper stated. “There have been not less than one or two that by no means fairly adopted by way of to get their precise grant, however largely it labored. Regardless that Mr. Bertram was sort of a stickler, he was additionally fair-minded and actually tried to work with a neighborhood to get the grant for them.”
Utah’s Carnegie libraries
- American Fork (54 E. Most important) – 1919*
- Beaver (55 W. Middle) – 1913
- Brigham Metropolis (26 E. Forest Road) – 1914
- Cedar Metropolis (20 N. Most important) – 1912*
- Ephraim (30 S. Most important) – 1914
- Eureka (263 E. Most important) – 1907
- Garland (86 W. Manufacturing unit Road) – 1912
- Lehi (51 N. Middle) – 1917
- Manti (2 S. Most important) – 1910
- Mount Nice (24 E. Most important) – 1916
- Murray (184 E. Most important) – 1911*
- Ogden (twenty sixth Steet and Washington Boulevard) – 1901*
- Panguitch (75 E. Middle) – 1915
- Parowan (deal with unclear) – 1913*
- Worth (159 E. Most important) – 1913*
- Provo (15. 100 East) 1907
- Richfield (83 E. Middle) – 1911
- Richmond (38 W. Most important) – 1912
- St. George (53 W. Tabernacle) – 1913*
- Salt Lake Metropolis – Chapman Department (577 S. 900 West) – 1916
- Smithfield (25 N. Most important) – 1918
- Springville (175 S. Most important) – 1916
- Tooele (47 E. Vine Road) – 1909
* = Constructing has since been demolished
Utah’s libraries adopted the identical designs for probably the most half. They had been sometimes rectangular or square-like buildings with “nice architectural element” within the classical revival design, Roper added. Their interiors weren’t very opulent however they weren’t bland both, typically that includes artwork.
“They’re actually little gems within the architectural panorama of Utah,” he stated.
Finally, Bertram needed to make sure communities this system was working appropriately, so this system’s officers employed somebody to go to the entire totally different Carnegie libraries, together with Utah’s, between 1915 and 1916. The report discovered small cities struggled to satisfy the ten% requirement, library workers wanted higher coaching and lots of websites weren’t ideally suited for communities.
The latter critique wasn’t as a lot of a problem in Utah, as its libraries had been typically positioned on the middle of a city. The creation of the Utah Library Affiliation in 1914 offered coaching for native librarians.
However the report additionally discovered that the libraries offered studying supplies and neighborhood assets that in any other case wouldn’t have existed on the time.
The legacy left behind
With the good thing about hindsight, the timing of the Carnegie libraries was crucial. The primary half of the twentieth century included a pair of worldwide wars, an enormous pandemic and the Nice Melancholy, that means there wasn’t “a variety of financial wiggle room” for communities to construct libraries on the time, Roper says.
“We see a number of of them that pop up throughout that post-Carnegie interval however not lots,” he stated, noting the subsequent large library wave would not come till the Fifties and Sixties. Adjustments to native and state coverage offered extra assist for libraries, too.
The remaining libraries have saved with the instances, providing not simply books however education schemes and computer systems.
Sixteen of the buildings stay in the present day; most nonetheless function libraries whereas others have been repurposed for different wants. Fourteen of the buildings are actually on the Nationwide Register of Historic Locations.
That is to not say these constructions come with out flaws. Roper is fast to level on the market are points the buildings face, similar to seismic dangers, although their easy designs sometimes fare higher in earthquakes than extra complicated designs. There are additionally accessibility points associated to designs and website limitations to stop enlargement.
All issues thought of, Roper believes the lasting impression of offering library entry for a lot of Utahns for over a century and counting proves the success of this system. It helped enhance the academic facet for folks, no matter the place they lived within the state.
“I believe someplace that Andrew Carnegie and James Bertram can be actually completely happy and proud to know that their imaginative and prescient for small-town libraries has been realized,” he stated. “In all our libraries right here, when individuals who cared obtained concerned, made the buildings and the assets they’d work for the betterment of the neighborhood. … I believe the truth that we now have Carnegie libraries nonetheless working a century later demonstrates some sort of sturdiness in that philanthropic effort.”
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Utah
Utah expects two key players will return in 2025
During Monday’s press conference, Utah head coach Kyle Whittingham shared significant news about two key players, linebacker Levani Damuni and cornerback Kenan Johnson. Both have expressed their intention to return next season, a development that brings excitement and promise to the program.
Damuni had a standout 2023 campaign before a season-ending injury in April 2024. Known for his dominance, Damuni played in all 13 games last year, starting seven of them. He led the Utes with 87 tackles, including 2.5 tackles for loss and 0.5 sacks. His consistency was remarkable, registering double-digit tackles in five of his last six games. Damuni also tied for the team lead with 9.5 third-down stops, showcasing his ability to deliver in critical moments. Notably, he recorded a season-best 12 tackles in two games, including a top-five matchup against Washington and the Las Vegas Bowl against Northwestern.
Kyle Whittingham provides an update about his future at Utah
Johnson, another key contributor, started at cornerback in Utah’s 2024 season opener against Southern Utah. Unfortunately, his season was cut short due to injury, but his experience brings immense value. Before transferring to Utah, Johnson played 45 games with 11 starts at Georgia Tech from 2019-2023. In his final season at Georgia Tech, he started eight games, recording 29 tackles, two forced fumbles, four passes defended, and an interception. His defensive skills and experience will add depth and leadership to Utah’s secondary in 2025.
As Utah prepares to conclude its regular season against UCF on Friday at 8 p.m. ET on ESPN, the announcement of Damuni and Johnson’s returns provides a glimpse into a promising future for the Utes, setting the stage for continued success.
Utah
Utah Jazz News: Is it time to panic about Cody Williams?
Cody Williams hasn’t quite taken off as we may have hoped. To authenticate this feeling, the Utah Jazz made the organizational decision to take Williams from Will Hardy’s active roster and drop him down for an assignment with the G-League affiliate Salt Lake Stars.
Quite an inauspicious beginning for a player that the Jazz were very high on as early as before the ping pong balls of the NBA draft lottery determined the draft order.
“If the Jazz had somehow gotten lucky and won the lottery, Williams would have been firmly in the mix to be the No. 1 pick,” shared insider Tony Jones, “The fact that he would have been in consideration should tell you how interested the Jazz were in the small forward.”
Attempting to hit on the right draft pick can often feel like playing the crane game in the entryway of a Walmart. Even though you’ve made every calculation and believe beyond all doubt that when you drop the claw, that Pompompurin plushie could slip through your delicate grasp, catch the nudge of an unsuspecting iPod Touch, or fall short in a million other ways before reaching the promised land.
Williams has an arduous journey ahead of him, and his next stop will be with the Jazz’s G-League squad. Too timid, too inconsistent, and too horrific as a shooter, Cody’s pro introduction hasn’t been comparable to his brother Jalen—who’s been tearing it up in OKC.
But Cody’s NBA exposure hasn’t been faith-promoting since the Las Vegas Summer League. In real NBA floor time, he’s been so invisible that Google isn’t even sure what he looks like.
It isn’t fair to measure his trajectory with that of his older brother, but their shared blood will boil the waters of comparison for the rest of his career. The Jazz understand that to unlock their rookie’s ultimate potential, he’ll need to be brought along slowly.
I’m sure the question at the head of this article has been burning a hole in your mind. Should we hit the panic button on Utah’s rookie out of Colorado?
The short answer is no—the longer answer is no way, Co-day (too much?). Keep in mind this is a player who turned 20 years old only 6 days ago (happy belated birthday, sorry your present kind of sucks), and it’s far from uncommon to see a rookie spend time in the G League to get more reps, build some confidence, and develop their game while distanced from their team.
Taylor Hendricks and Brice Sensabaugh both spent time with the Stars for much of their rookie campaigns before contributing to Utah’s rotation. Cody has plenty to gain from a brief developmental sabbatical.
In the 2024-25 season, Cody is averaging 3.1 points, 2.3 rebounds, and 1.2 assists per night on nightmare-like shooting splits of 27/19/60—a far cry from his collegiate output of 55/41/71.
Be patient with Williams, because we’re only in the first chapter of his NBA novel.
Utah
Utah family creates 'Giving Gallery' to spread joy of art
COTTONWOOD HEIGHTS, Utah — You might have heard of little libraries in neighborhoods, but have you heard of Giving Galleries?
A family in Cottonwood Heights is using their love for art to bring joy to those around them.
On the corner of Promenade and Camino is Abigail Bradshaw.
“I’m standing next to an art gallery, my art gallery. That’s my house,” she proudly said.
Abigail is showing her tiny art gallery filled with pieces made by her family and others who want to contribute. This home used to be her great-grandmother’s.
“She was an artist, and so, I wanted to continue that legacy,” said Katie Bradshaw, Abigail’s mom. They found a box, painted it, propped it up, and filled it with tiny art. Anyone can just look at the art, pick up something they like, or put their own piece inside.
Miles Jacobsen is a friend who saw what the Bradshaws were doing and added his artwork to the box.
For people who want to make their own masterpieces, there is also a box of free art supplies in the gallery box. You can come by to pick up paint, paintbrushes, and tiny canvasses to create your own art, which you can drop off at the “giving gallery” to bring joy to someone else.
“I feel really glad that people come and get some art and put it in there,” said Abigail.
Filling the box is something Katie does with her kids.
“I hope that they can carry this with them, that they continue sharing art, no matter where they are,” she said.
Spreading joy to everyone who walks by, and letting the cycle continue.
“I want them to feel happy and glad that they got some, so they could return some back here,” added Abigail.
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