Culture
Could a small-market team be a surprise fit for Roki Sasaki? Parsing his agent’s words
At last month’s Winter Meetings in Dallas, agent Joel Wolfe held court in front of a large group of reporters and caused a stir when discussing his client, Japanese right-hander Roki Sasaki, who is expected to sign with a major-league team after the international signing period begins on Jan. 15.
Speculation about where Sasaki would ultimately land in MLB has simmered since his Nippon Professional Baseball debut in 2021, stoked by his stellar performance in the 2023 World Baseball Classic. The Dodgers are currently seen as a favorite, but it’s clear they’re not the only team in the hunt.
At the Winter Meetings, Wolfe said that Sasaki was looking for a team that has had success on the field and a history of developing pitchers. He also mentioned access to direct flights from his new city to Japan as a consideration. But perhaps most interestingly, he said that because of Sasaki’s personal experiences growing up in the spotlight in Japan, a small market team outside of the media glare might have a greater chance than some might think.
“I think that there’s an argument to be made that a smaller, mid-market team might be more beneficial for him as a soft landing coming from Japan, given what he’s been through and not having an enjoyable experience with the media,” Wolfe said. “It might be — I’m not saying it will be — I don’t know how he’s going to view it, but it might be beneficial for him to be in a smaller market.”
Teams took note, with some altering their presentations to account for the perceived preferences.
Sasaki, 23, was officially posted last month by Japan’s Chiba Lotte Marines. He can pick his team, but because he is not a free agent, he will be bound by international signing bonus limits.
Just before the new year, Wolfe held a teleconference and said 20 teams submitted pitches for Sasaki.
But where will he go? And could it really be a team outside of the big coastal juggernauts? Would it be possible to break down which teams might be good fits for Sasaki, using only the criteria Wolfe laid out? (While of course understanding that there are many, many factors at play beyond these.)
For this exercise, we looked at all 30 teams and graded them on four factors (history of success, small media market, pitching development and access to Japan), ranking each team from one through 30 based on a specific metric. The best earned 30 points and the worst earned one point in each category.
We don’t know who will ultimately win the Sasaki Sweepstakes, but perhaps some teams have a better chance than we previously thought.
History of success
What Wolfe said: “The best I can say is, he has paid attention to how teams have done, as far as overall success, both this year and years past. He does watch a lot of Major League Baseball.”
Methodology: This is pretty straightforward. Does the team win? For this, we’ll look at the winning percentage of MLB teams over the last four full seasons.
Limitations: Using just the regular-season win totals from the last four seasons doesn’t include postseason success. This formula also weighs each season equally, and the 2021 Orioles (52 wins) and the 2021 White Sox (93 wins) are in much different situations than their 2025 counterparts.
Team winning percentage, 2021-24
| Team | 2024 | 23 | 22 | 21 | Total | Points |
|---|---|---|---|---|---|---|
|
98 |
100 |
111 |
106 |
415 |
30 |
|
|
89 |
104 |
101 |
88 |
382 |
29 |
|
|
88 |
90 |
106 |
95 |
379 |
28 |
|
|
94 |
82 |
99 |
92 |
367 |
27 |
|
|
93 |
92 |
86 |
95 |
366 |
26 |
|
|
80 |
99 |
86 |
100 |
365 |
25 |
|
|
95 |
90 |
87 |
82 |
354 |
24 |
|
|
85 |
88 |
90 |
90 |
353 |
23 |
|
|
80 |
79 |
81 |
107 |
347 |
22 |
|
|
74 |
89 |
92 |
91 |
346 |
21 |
|
|
93 |
82 |
89 |
79 |
343 |
20 |
|
|
89 |
75 |
101 |
77 |
342 |
19 |
|
|
92 |
76 |
92 |
80 |
340 |
18 |
|
|
83 |
71 |
93 |
90 |
337 |
17 |
|
|
81 |
78 |
78 |
92 |
329 |
16 |
|
|
91 |
101 |
83 |
52 |
327 |
15 |
|
|
82 |
87 |
78 |
73 |
320 |
14 |
|
|
83 |
83 |
74 |
71 |
311 |
13 |
|
|
86 |
78 |
66 |
77 |
307 |
12 |
|
|
77 |
82 |
62 |
83 |
304 |
11 |
|
|
89 |
84 |
74 |
52 |
299 |
10 |
|
|
78 |
90 |
68 |
60 |
296 |
9 |
|
|
63 |
73 |
73 |
77 |
286 |
8 |
|
|
62 |
84 |
69 |
67 |
282 |
7 |
|
|
86 |
56 |
65 |
74 |
281 |
6 |
|
|
41 |
61 |
81 |
93 |
276 |
5 |
|
|
76 |
76 |
62 |
61 |
275 |
4 |
|
|
69 |
50 |
60 |
86 |
265 |
3 |
|
|
71 |
71 |
55 |
65 |
262 |
2 |
|
|
61 |
59 |
68 |
74 |
262 |
2 |
Conclusion: The Dodgers are good. We knew that. Only once in the last four years has the team failed to win 100 games — and in that season, they won the World Series. With no repeat World Series winners over that period, it is clear that if winning is all that matters, joining the Dodgers is the way to go.
But don’t count out the Braves. Atlanta has the second-most regular-season victories over the last four seasons and a recent World Series title of their own. The Astros, who won the World Series in 2022, have the third-most victories over that time. The Rangers won a World Series in 2023, but only eight teams have fewer regular-season victories over the last four years.
If there’s a sleeper in this group, it’s the Milwaukee Brewers. Milwaukee’s won the fifth-most regular-season games (366) and only the New York Yankees have won more regular-season games (367) without a World Series title in that timeframe.
Small media markets
What Wolfe said: “I think that there’s an argument to be made that a smaller, mid-market team might be more beneficial for him as a soft landing coming from Japan.”
Methodology: Not all media markets are created equal. Boston is the seventh-largest TV market in the country, but playing in Boston is traditionally considered a particularly intense media experience. Boston, New York and Philadelphia have reputations as among the toughest media markets, while large markets like Los Angeles, Dallas and Atlanta don’t have the same reputation. For this exercise, we’ve used the 2024 Baseball Writers Association of America rolls and ranked each chapter by the number of members listed in that chapter as a reflection of the media attention.
Limitations: Using the BBWAA chapters just tells total numbers, it does not include just how many writers are at the ballpark every day. Also, there are five chapters — New York, Chicago, Los Angeles, Baltimore-Washington and San Francisco-Oakland — with two teams. Both teams share the same score, even if the media surrounding the Dodgers or Cubs is greater than the Angels or White Sox. The New York chapter is by far the largest because many national writers also live in New York. Of the one-team chapters, only Boston had more members in 2024 than Miami, although many of Miami’s members cover players from Spanish-speaking countries as much or more than the Marlins. Also, this metric does not include TV or radio coverage. It also doesn’t factor in the Japanese media, which travels to cover the country’s best players, regardless of where they are playing. In 2020, at least two Japanese media members were in Cincinnati for much of the season just for Shogo Akiyama, who spent that season mostly as a platoon player.
Media market size
| Team | Chapter | Members | Points |
|---|---|---|---|
|
Milwaukee |
8 |
30 |
|
|
Tampa Bay |
10 |
29 |
|
|
Cincinnati |
11 |
28 |
|
|
Colorado |
13 |
27 |
|
|
San Diego |
13 |
27 |
|
|
Cleveland |
14 |
25 |
|
|
Kansas City |
15 |
24 |
|
|
Arizona |
16 |
23 |
|
|
Houston |
17 |
22 |
|
|
Dallas-Fort Worth |
18 |
21 |
|
|
St. Louis |
18 |
21 |
|
|
Pittsburgh |
19 |
19 |
|
|
Atlanta |
20 |
18 |
|
|
Minnesota |
20 |
18 |
|
|
Seattle |
21 |
16 |
|
|
Detroit |
23 |
15 |
|
|
Philadelphia |
28 |
14 |
|
|
San Francisco-Oakland |
30 |
13 |
|
|
San Francisco-Oakland |
30 |
13 |
|
|
Toronto |
32 |
11 |
|
|
Chicago |
33 |
10 |
|
|
Chicago |
33 |
10 |
|
|
Miami |
34 |
8 |
|
|
Baltimore-Washington |
37 |
7 |
|
|
Baltimore-Washington |
37 |
7 |
|
|
Boston |
39 |
5 |
|
|
Los Angeles |
60 |
4 |
|
|
Los Angeles |
60 |
4 |
|
|
New York |
132 |
2 |
|
|
New York |
132 |
2 |
Conclusion: The Brewers, Rays, Reds and Rockies could really bear down on Wolfe’s comments about small markets and media attention in their pitch.
Developing pitching
What Wolfe said: “He’s talked to a lot of players, foreign players, that have been on his team with Chiba Lotte. He asked questions about weather, comfortability, pitching development.”
Methodology: For this exercise, we’ll use Cy Young Award voting from the past four years. This, of course, benefits teams with established pitchers and teams like the Yankees who sign big-name free agents, but using the cumulative voting totals hopefully gives credit to teams whose pitchers consistently garner votes. For pitchers who were traded during the season in which they earned points, we’ve used the team that pitchers started the season with because the bulk of the innings and the preparation were from the first team.
Limitations: This is less quantifiable than simple W-L records. Some teams are known for developing their pitchers at the minor-league level and some, like the Astros and Rays, are known for taking talented pitchers and improving them.
Using just the Cy Young voting limits the pool to mostly starters, which is OK since Sasaki is going to be signed and used as a starter. But this method only measures the very best performances, and how much of that is on the pitcher and how much of that is on the team? It also discounts previous advancements, such as giving the Yankees credit on Gerrit Cole, who became an ace while with the Astros and was drafted by the Pirates. It also gives more weight to the voting results, with unanimous selections earning a much higher point total than close decisions.
Cy Young votes, 2021-24
| Team | 2024 | 23 | 22 | 21 | Total | Points |
|---|---|---|---|---|---|---|
|
0 |
86 |
88 |
207 |
381 |
30 |
|
|
133 |
28 |
48 |
141 |
350 |
29 |
|
|
199 |
64 |
75 |
0 |
338 |
28 |
|
|
0 |
210 |
4 |
123 |
337 |
27 |
|
|
59 |
204 |
7 |
0 |
270 |
26 |
|
|
18 |
6 |
224 |
14 |
262 |
25 |
|
|
0 |
0 |
210 |
0 |
210 |
24 |
|
|
210 |
0 |
0 |
0 |
210 |
24 |
|
|
0 |
13 |
20 |
172 |
205 |
22 |
|
|
0 |
0 |
97 |
93 |
190 |
21 |
|
|
18 |
86 |
32 |
7 |
143 |
20 |
|
|
141 |
0 |
0 |
0 |
141 |
19 |
|
|
0 |
0 |
66 |
73 |
139 |
18 |
|
|
0 |
115 |
0 |
8 |
123 |
17 |
|
|
0 |
68 |
45 |
0 |
113 |
16 |
|
|
0 |
0 |
0 |
113 |
113 |
16 |
|
|
47 |
42 |
0 |
0 |
89 |
14 |
|
|
0 |
0 |
82 |
1 |
83 |
13 |
|
|
67 |
0 |
5 |
0 |
72 |
12 |
|
|
38 |
31 |
0 |
69 |
11 |
||
|
25 |
31 |
0 |
0 |
56 |
10 |
|
|
53 |
0 |
0 |
0 |
53 |
9 |
|
|
0 |
1 |
0 |
41 |
42 |
8 |
|
|
0 |
19 |
10 |
0 |
29 |
7 |
|
|
1 |
16 |
6 |
1 |
24 |
6 |
|
|
0 |
0 |
0 |
23 |
23 |
5 |
|
|
4 |
0 |
1 |
3 |
8 |
4 |
|
|
5 |
0 |
0 |
0 |
5 |
3 |
|
|
2 |
0 |
0 |
0 |
2 |
2 |
|
|
0 |
0 |
0 |
0 |
0 |
1 |
Conclusion: The Blue Jays, surprisingly, top the list. Much of that comes from Robbie Ray’s 2021 Cy Young campaign, but the team also had third-place finishers in 2022 (Alek Manoah) and 2023 (Kevin Gausman). Manoah is the only one of those three to come up through the Blue Jays’ system (and we’ll ignore what’s happened since then), while Ray won the award in his first full season. Gausman’s third-place finish came in his first year with the team after signing as a free agent.
The Phillies finished second, followed by the Braves. The Brewers finished ninth by this metric, but that would seem low considering the pitching the Brewers have gotten over the last four years. The Astros, a team credited with turning around several pitching careers, finished sixth.
Direct flights to and from Japan
What Wolfe said: “When we supply information to our Japanese players, long before they come over here, one of the things that we provide for them is direct flights from Japan and the amount of time it takes for family to come and visit you. I think about five or 10 years ago that was something that maybe they weighed a little bit more, but now you can fly direct from Japan to most of the major cities in the U.S.”
Methodology: There are direct flights to Japan from 15 different airports in the continental United States. Toronto also has direct flights to Japan. For this exercise, we will use the distance from the team’s home ballpark to the nearest airport with a direct flight to Japan.
Limitations: There are a ton, but we’ll start with the fact that when traveling, the most relevant unit of measurement is time, not distance. However, variables including frequency of flights, schedules, traffic and overall distance come into play — a flight with a stop from the West Coast will likely take less time than a nonstop flight from the East Coast to Japan. And, yes, O’Hare airport may only be 14 miles from Wrigley Field, but there are times of day that it can be a long drive.
Direct flights to Japan
| Team | Nearest non-stop | Miles from park | Points |
|---|---|---|---|
|
SAN |
4 |
30 |
|
|
BOS |
6 |
29 |
|
|
JFK |
9 |
28 |
|
|
DFW |
10 |
27 |
|
|
MSP |
12 |
26 |
|
|
SFO |
12 |
26 |
|
|
SEA |
12 |
26 |
|
|
ORD |
14 |
23 |
|
|
IAH |
17 |
22 |
|
|
JFK/EWR |
17 |
22 |
|
|
LAX |
19 |
20 |
|
|
ORD |
20 |
19 |
|
|
DTW |
20 |
19 |
|
|
DEN |
22 |
17 |
|
|
ATL |
23 |
16 |
|
|
YYZ |
25 |
15 |
|
|
IAD |
28 |
14 |
|
|
LAX |
39 |
13 |
|
|
IAD |
61 |
12 |
|
|
ORD |
80 |
11 |
|
|
EWR |
85 |
10 |
|
|
SFO |
96 |
9 |
|
|
DTW |
157 |
8 |
|
|
IAD |
238 |
7 |
|
|
DTW |
251 |
6 |
|
|
ORD |
298 |
5 |
|
|
SAN |
360 |
4 |
|
|
MSP |
435 |
3 |
|
|
ATL |
450 |
2 |
|
|
ATL |
655 |
1 |
Conclusion: San Diego is the clear winner here. San Diego International Airport doesn’t have the volume of flights available at LAX, but it does have the bonus of not being LAX or having LAX traffic, which can add hours to travel time. The Twins are a sneaky good spot with direct flights.
Of note: Though it isn’t reflected in our calculation, Seattle offers the shortest flight time (10 hours, 10 minutes) to Tokyo.
Final conclusion
Final totals
| Team | Total | Wins | Development | Flights | Media |
|---|---|---|---|---|---|
|
103 |
20 |
26 |
30 |
27 |
|
|
97 |
28 |
25 |
22 |
22 |
|
|
91 |
29 |
28 |
16 |
18 |
|
|
89 |
26 |
22 |
11 |
30 |
|
|
81 |
22 |
20 |
26 |
13 |
|
|
78 |
27 |
27 |
22 |
2 |
|
|
77 |
21 |
30 |
15 |
11 |
|
|
77 |
24 |
29 |
10 |
14 |
|
|
75 |
23 |
10 |
26 |
16 |
|
|
75 |
14 |
17 |
26 |
18 |
|
|
72 |
30 |
18 |
20 |
4 |
|
|
70 |
12 |
24 |
19 |
15 |
|
|
63 |
18 |
12 |
8 |
25 |
|
|
63 |
25 |
7 |
2 |
29 |
|
|
59 |
9 |
2 |
27 |
21 |
|
|
58 |
16 |
8 |
29 |
5 |
|
|
57 |
13 |
11 |
23 |
10 |
|
|
55 |
19 |
6 |
28 |
2 |
|
|
55 |
5 |
21 |
19 |
10 |
|
|
53 |
10 |
16 |
4 |
23 |
|
|
52 |
6 |
19 |
3 |
24 |
|
|
48 |
15 |
14 |
12 |
7 |
|
|
48 |
11 |
3 |
6 |
28 |
|
|
47 |
17 |
4 |
5 |
21 |
|
|
47 |
2 |
1 |
17 |
27 |
|
|
40 |
7 |
24 |
1 |
8 |
|
|
39 |
2 |
16 |
14 |
7 |
|
|
39 |
4 |
9 |
7 |
19 |
|
|
38 |
8 |
13 |
13 |
4 |
|
|
30 |
3 |
5 |
9 |
13 |
Why are the good teams good? Well, those good teams win games, develop players and have money. Those three are actually tied to the categories given — with market size in part determining both direct flights to Japan and media attention, both of which impact revenue. That’s why it’s no surprise that the top three teams in our exercise are the Padres, Braves and Astros.
It is only when we get to fourth place that we have one of those small-market teams in the Brewers. The Brewers tick all those boxes, with an out-of-the-box pick in O’Hare International. (It may be in a different state, but O’Hare is just over an hour and a $114 Uber ride from Milwaukee.)
Will the Brewers be the pick? It seems unlikely, but Matt Arnold’s team can make some interesting points in its sales pitch.
The Padres had already been a team seen as having a shot at Sasaki’s services, and not just because of the team’s recent history of handing out major contracts and making big splashes. The Padres tick all the boxes that Wolfe laid out, both in general terms and in our exercise. While the top 10 is littered with big-market bullies, the Mariners, who have as much history with Japanese players as any team, finished 10th, followed by the Twins. Both teams are ahead of the Dodgers on this list, but somehow, it seems Los Angeles still has a pretty good chance of landing another Japanese superstar.
(Photo of Roki Sasaki: Eric Espada / Getty Images)
Culture
Video: The A.I. threat to audiobooks
new video loaded: The A.I. threat to audiobooks
By Alexandra Alter, Léo Hamelin and Laura Salaberry
May 20, 2026
Culture
Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose
At 53, and after more than a decade in the industry, things are happening for the romance writer Kennedy Ryan that were not on her bingo card.
The most recent: a first look deal with Universal Studio Group that will allow her to develop various projects, including a Peacock adaptation of her breakout 2022 novel “Before I Let Go,” the first book in her Skyland trilogy, which considers love and friendship among three Black women in a community inspired by contemporary Atlanta.
With a TV series in development, Ryan — who published her debut novel in 2014 and subsequently self-published — joins Tia Williams and Alanna Bennett at a table with few other Black romance writers.
“What I am most excited about is the opportunity to identify other authors’ work, especially marginalized authors, and to shepherd those projects from book to screen,” said Ryan, a former journalist. (Kennedy Ryan is a pen name.) “We are seeing an explosion in romance adaptations right now, and I want to see more Black, brown and queer authors.”
Her latest novel, “Score,” is set to publish on Tuesday. It’s the second volume in her Hollywood Renaissance series, after “Reel,” about an actress with a chronic illness who falls for her director on the set of a biopic set during the Harlem Renaissance. The new book follows a screenwriter and a musician, once romantically involved, working on the same movie.
In a recent interview (edited and condensed for clarity), Ryan shared the highs and lows of commercial success; her commitment to happy endings; and her north star. Spoiler: It isn’t what readers think of her books on TikTok.
Your work has been categorized as Black romance, but how do you see yourself as a writer?
I see myself as a romance writer. I think the season that I’m in right now, I’m most interested in Black romance, and that’s what I’ve been writing for the last few years. It doesn’t mean that I won’t write anything else, because I don’t close those doors. But the timeline we’re in is one where I really want to promote Black love, Black art and Black history.
What intrigued you about the period of history you capture in the Hollywood Renaissance series?
I’ve always been fascinated by the Harlem Renaissance and the years immediately following. It felt like a natural era to explore when I was examining overlooked accomplishments by Black creatives. I loved the art as agitation and resistance seen in the lives of people like James Baldwin or Zora Neale Hurston, but also figures like Josephine Baker, Lena Horne and Dorothy Dandridge, who people may not think of as “revolutionary.” The fact that they were even in those spaces was its own act of rebellion.
What about that period feels resonant now?
The series celebrates Black art and Black history and love at a time when I see all three under attack. Our art is being diminished and our history is being erased before our very eyes. I don’t hold back on the relationship between what I see going on in the world and the books I write.
How does this moment in your career feel?
I didn’t get my first book deal until I was in my 40s, so I think this is the best job I’ve ever had. I’m wanting to make the most of it, not just for myself, but for other people, and I think the temptation is to believe that it will all go away because that’s my default.
Why would it all go away?
Part of it is because we — my family, my husband and I — have had some really hard times, especially early in our marriage when my son was diagnosed with autism, my husband lost his job, and we experienced hard times financially. I’ll never forget that.
When I say it could all go away, I mean things change, the industry changes, what people respond to changes, what people buy and want to consume changes. So I don’t assume that what I am doing is always going to be something that people want.
Why are you so firmly committed to defending the “happy ending” in romance novels?
It is integral to the definition of the genre that it ends happily. Some people will say it’s just predictable every one ends happily. I am fine with that, living in a world that is constantly bombarding us with difficulty, with hurt, with challenge.
I write books that are deeply curious about the human condition. In “Score,” the heroine has bipolar disorder, she’s bisexual, there’s all of this intersectionality. For me, there is no safer genre landscape to unpack these issues and these conditions because I know there is guaranteed joy at the end.
You have a pretty active TikTok account. How do you engage with reviews and commentary on the platform about you or the genre?
First of all, I believe that reader spaces are sacred. Sometimes I see authors get embroiled with readers who have criticized them. I never ever comment on critical reviews. I definitely do see the negative. It’s impossible for me not to, but I just kind of ignore it. I let it roll off.
How does this apply to being a very visible Black author in romance?
I am very cognizant of this space that I’m in right now, which is a blessing, and I don’t take it for granted. I see a lot of discourse online where people are like, “Kennedy’s not the only one,” “Why Kennedy?,” “There should be more Black authors.” And I’m like, Oh my God, I know that. I am constantly looking for ways to amplify other Black authors. I want to hold the door open and pull them along.
How do you define success for yourself at this point?
I have a little bit of a mission statement: I want to write stories that will crater in people’s hearts and create transformational moments. Whether it’s television or publishing, am I sticking true to what I feel like is one of the things I was put on this earth to do? I’m a P.K., or preacher’s kid. We’re always thinking about purpose. And for me, how do I fit into this genre? What is my lane? What is my legacy? Which sounds so obnoxious, you know, but legacy is very important to me.
Culture
How Many of These Books and Their Screen Versions Do You Know?
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights the screen adaptations of popular books for middle-grade and young adult readers. Just tap or click your answers to the five questions below. Scroll down after you finish the last question for links to the books and their screen versions.
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Seattle, WA36 minutes ago
Where to watch Washington Mystics vs Seattle Storm on May 24: TV channel, start time and streaming
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San Diego, CA42 minutes agoWhere to watch Athletics vs San Diego Padres: TV channel, start time, streaming for May 24
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Milwaukee, WI48 minutes ago
In Focus: State Sen. Johnson evaluates Milwaukee’s climbing homicide numbers