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Meet the women who transformed dance education, contemporary dance in Utah

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Meet the women who transformed dance education, contemporary dance in Utah


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SALT LAKE CITY — The Ririe-Woodbury Dance Company is celebrating 60 years of inspiring people to find joy through movement.

The female-founded company was started by Shirley Ririe and Joan Woodbury in 1964, with a mission that every person deserves to dance.

Both Ririe and Woodbury left the teaching and directing worlds behind after decades of work, but their legacy is continued by the company.

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A company with a mission

Joan Woodbury didn’t know dance was going to be her career, but she did know it was the “one thing in my life that brought joy and pleasure,” she told KSL.com.

The Cedar City native, received an honorary doctorate degree and a standing ovation for her dedication to the craft at her alma mater Southern Utah University’s April commencement.

“You worked hard to get here and there’s so many wonderful unknowns in your future,” Joan Woodbury told the graduates. “Don’t judge people, but relish those differences. These are the necessary ingredients to a life full of adventure, purpose and love.”

She became the first full-time dance instructor at the University of Utah in 1951, at age 26. Because dance was part of the women’s physical education department, she taught dance technique, improvisation and composition, folk and square dance, swimming, tennis and body mechanics.

The next year Joan Woodbury met Ririe, who was her teaching counterpart at Brigham Young University. The two started working together on choreography and created the company Choreodancers, for university students.

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Joan Woodbury and Shirley Ririe created the Ririe-Woodbury Dance Company in 1964 with a mission to make dance accessible to everyone. The company is celebrating its 60th anniversary.
Joan Woodbury and Shirley Ririe created the Ririe-Woodbury Dance Company in 1964 with a mission to make dance accessible to everyone. The company is celebrating its 60th anniversary. (Photo: Ririe-Woodbury Dance Company)

Choreodancers was disbanded in 1955 because Joan Woodbury, her husband and her brand new baby moved to Berlin so she could study there as a first Fulbright Scholar in dance. Ririe stepped in for Woodbury at the U. while she was away, and once Joan Woodbury returned, the two job-shared the professor position so they could both take care of their young children.

Joan Woodbury was a professor for 47 years, and Ririe a professor for 39 years.

The women started the Ririe-Woodbury Dance Company in the hopes of creating a space for choreography, performance and dance education. According to Joan Woodbury’s daughter, Jena Woodbury, they did exactly that.

“I went to the U. of U. because of my mother and Shirley. Because as I grew up, I saw them teach — and they were both phenomenal teachers, just really spectacular teachers,” Jena Woodbury said. “I was really lucky. I’ve had great role models. As two women, I have just the utmost respect for them for what they managed to accomplish in Utah, in what was relatively a fairly new art form in America.”

Jena Woodbury said the two founders were so successful because they were teachers, dancers and choreographers who played on each other’s strengths to make a well-rounded performance company and a robust dance education and outreach department.

“They had no funding that started them,” she said. “They just started it; and through their tenacity and business smarts, they built a company.”

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Jena Woodbury grew up in dance, being born just a year before the company was started.

“It’s been part of my life experience, my entire life. I call it the other sibling,” Jena Woodbury joked, saying her brothers would agree.

She danced from age 3 to age 22 before switching to working in arts administration for companies in Portland, Oregon, and on international tours. She moved back to Utah to be the booking and touring manager for Ririe-Woodbury then took over as executive director in 2011.

The legacy of the founders

Ririe and Joan Woodbury, both now in their 90s, agree their hard work has made an impact.

“The work we did for all those years reflects in our motto: Dance is for everybody! We made dance accessible to as many people as possible,” Ririe said.

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Joan Woodbury said through the company she has been able to give back by passing on the gift of dance.

“Sometimes I look and think I haven’t accomplished much of anything,” she said. “But I’ve opened the doors for many people to come into a field and dedicate their information and their spirits and their love to something they love just as much as I do.”

Choreographer Alwin Nikolais works with dancer Joan Woodbury in 1963. Nikolais was a mentor to Woodbury, who started the Ririe-Woodbury Dance Company in Utah the next year with her friend Shirley Ririe.
Choreographer Alwin Nikolais works with dancer Joan Woodbury in 1963. Nikolais was a mentor to Woodbury, who started the Ririe-Woodbury Dance Company in Utah the next year with her friend Shirley Ririe. (Photo: Ririe-Woodbury Dance Company)

Increasing dance education has allowed people to experience human existence in a way they might not have been able to discover before, she said.

“People everywhere — children, adults, any human being who has a lifeblood of movement and enjoys participating in an activity that is so beautiful — has been affected by what Shirley and I and the rest of the dance crew have done in this state,” Joan Woodbury said.

Teaching children to dance affects their minds, bodies and souls and helps them learn to be joyful and love life, she said.

The founders were educators with a philosophy that everyone should have access to dance as an art, no matter their physical ability, race or economic background. Because of Ririe and Joan Woodbury, dance education was transformed and Utah is one of few states that has a dance instructor in every high school.

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“It really is something that is truly a human experience to dance. It is a community builder, it builds self-esteem, it builds your cultural awareness,” Jena Woodbury said. “They really believed that dance … really builds us as human beings. It also builds future dancers and future audience members and dance appreciators.”

Ririe-Woodbury Dance Company members perform a piece called Tensile Involvement that was choreographed by Alwin Nikolais in 1955. The company has performed the piece several times and will again perform it for the 60th anniversary.
Ririe-Woodbury Dance Company members perform a piece called Tensile Involvement that was choreographed by Alwin Nikolais in 1955. The company has performed the piece several times and will again perform it for the 60th anniversary. (Photo: Ririe-Woodbury Dance Company)

Jena Woodbury was the first executive director of Ririe-Woodbury Dance Company after her mother, and she was tasked with ensuring the company mission continued even though her mother and Ririe were slowly stepping out. In June, she passed the position on to Thom Dancy in preparation for the company’s 60th season.

“During my tenure, I’ve always known I wouldn’t be working like my mom did, in her 80s, but I’ve always felt it was important for my time there to prepare the company for the future when a Woodbury or Ririe wasn’t sitting at the head of the table. I was putting policies in motion, getting some stability for the company so it could continue for another 60 years,” Jena Woodbury said.

Artistic director Daniel Charon said the work Ririe and Joan Woodbury did create a reputation that enables the company to continue impacting people. He said many dancers and administrators who have worked for the company have gone on to do great things because the founders brought out the best in everyone — mentoring, nurturing and encouraging each person.

The founders have been slowly phasing out of their involvement in the company, but they still attend events and shows. And Joan Woodbury has been “a steadfast member” on the board of directors for the last 10 years, Charon said.

Charon didn’t get to see Woodbury teach too much, but he could always feel how passionate she was about dance, saying dance almost became a religion because it seemed so sacred to her.

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Artistic director Daniel Charon leads Ririe-Woodbury Company dancers in a warm up.
Artistic director Daniel Charon leads Ririe-Woodbury Company dancers in a warm up. (Photo: Ririe-Woodbury Dance Company)

“I’ve seen her light up so many times coming into the studio and being around dancers and helping with performances, giving people advice. She is so seeped with information and knowledge and is very forthcoming in expressing her ideas,” Charon said.

Charon said he has learned so much from and been inspired by Woodbury, who he says would always share her opinion with a sparkle in her eye.

“I find that often, about 99% of the time, she is actually very correct, so I really learned to listen to her because she knows what she’s talking about,” he said. “She’s just the kind of woman you never forget.”

The founders’ legacy lies in their belief that dance is crucial for a developing child as they learn creativity, cooperation, trust, relationship building and more, Charon said.

Ririe and Woodbury created curriculums for dance in schools and toured the state doing lecture demonstrations, something the company still does.

“You think about 60 years of dance and how many people will go through that company and how many kids you reach through the education, that’s a lot,” Charon said.

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The future of the company

“The lovely and brilliant thing about the company mission is that the way you fulfill it is very fluid and flexible. I would hope that it continues with a true commitment to the mission and to being an arts and humanities organization,” Jena Woodbury said.

The company has a commitment to diversity, equity and inclusion; and the education department focuses on individuals and the community to “build a better humanity,” she said. The way things are run will change, Jena Woodbury said, but that’s how the company will keep growing.

Ririe-Woodbury Dance Company members perform a piece called Tensile Involvement that was choreographed by Alwin Nikolais in 1955. The company has performed the piece several times and will again perform it for the 60th anniversary.
Ririe-Woodbury Dance Company members perform a piece called Tensile Involvement that was choreographed by Alwin Nikolais in 1955. The company has performed the piece several times and will again perform it for the 60th anniversary. (Photo: Ririe-Woodbury Dance Company)

Charon said the company is now in a place of evolution, but everything they do moving forward will be deeply embedded with the mission of dance for everybody. The company rests on the founders’ shoulders, he said.

“Our programming and what we do is a total extension of both of them. It’s hard to separate Shirley and Joan, but I think it’s just baked into the fabric of the company,” he said.

The company’s performance season will kick off the 60th anniversary with a “retrospective tribute” to Ririe and Woodbury that showcases their choreography on Sept. 21-23. Other performances of the season will include a young artist showcase, choreography from company members, and new works by Charon and the previous artistic director Charlotte Boye-Christensen.

“I hope people attend the shows, because Ririe-Woodbury plays such an important role on the national dance scene. We bring a relevant voice to the national dance scene in the creation of contemporary dance,” Jena Woodbury said. She hopes people will recognize the influence the Ririe-Woodbury Dance Company has had on the state.

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Cassidy Wixom covers Utah County communities and is the evening breaking news reporter for KSL.com.

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This area accounted for 80% of Utah avalanche victims last winter

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This area accounted for 80% of Utah avalanche victims last winter


More than 900 slides were reported to the Utah Avalanche Center last winter, per its annual report.

(Chris Samuels | The Salt Lake Tribune) An Intermountain LifeFlight helicopter hoists a Search and Rescue volunteer and the survivor of the Big Willow Apron avalanche before landing near Hidden Valley Park in Sandy, Thursday, May 9, 2024.

The skier saw the warning signs. Wind had piled thick heaps of snow on precariously tilted slopes. Ahead of him, a party of three more backcountry skiers triggered a small but powerful avalanche.

Still, beckoned by the fresh powder coating the sides of Little Cottonwood Canyon near Lisa Falls, the solo skier chose to tempt fate. And fate bit.

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When the first slab broke, he was prepared. He deployed his airbag and, after it passed, immediately switched his bindings out of uphill mode to ski out of it. Then the second, larger slide steamrolled over him. It barreled him, forcing his face down, sending snow into his airways and tossing him over a cliff.

The experience was harrowing, according to a report submitted by the skier — identified only as “Davenport” —to the Utah Avalanche Center. And yet, it wasn’t extraordinary. More than 50 people were caught and carried in avalanches in the Salt Lake area alone during the 2023-24 ski season, according to the annual report the UAC released Tuesday.

The total number of avalanches reported across Utah during the 150-day forecast season, which spans mid-November to mid-April, was 902. More than a third of those (356) were determined to be human-triggered, the report said, and they swept up 63 skiers statewide.

(Utah Avalanche Center) The report lists the slide as being 250 feet wide and 2 feet deep.

Much of that information came from the nearly 2,000 slide observations reported to the UAC. Starting in 1987, the UAC became the first avalanche center in the United States to collect and publish public observations. That formed the foundation of the agency’s observation program, according to the report.

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“After reading the daily avalanche forecast,” the report noted, “reading the published observations is one of the most valuable tools a backcountry user has to learn and understand backcountry and avalanche conditions.”

January apparently was a particularly tricky month.

“Avalanches occurred everywhere,” the UAC states in the report, “as the poor snowpack structure provided little foundation for the new snow. This remained the trend for most of January as subsequent large storms reactivated the faceted layer. By the end of the month, over 300 avalanches were recorded around the state with numerous catch and carry’s [sic], including a few full burials who were all luckily successfully rescued.”

In fact, thanks to the efforts of Search and Rescue volunteers and good Samaritans, Utah almost escaped the winter without an avalanche death. That changed in May, however, when three men were caught in a late-season avalanche below Lone Peak. Two of them, 32-year-old Austin Mallet of Wyoming and 23-year-old Andrew Cameron of Salt Lake City, perished in the slide.

That avalanche occurred after the UAC ceased its daily forecasts for the season. However, Chris Labosky, a close friend of Mallet, said that “wouldn’t have made a difference” for the three seasoned adventurers.

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“It would have made no difference at all,” he said, “because their assessment would have been in line with … the forecasts [the UAC] would have issued anyway.”

Courtesy of Emily McKay. Austin Mallet of Bozeman, Montana, was an adept alpinist who skied the Messner Coulior and climbed Cassin on his first trip to Denali in Alaska in 2023. Mallet was one of the two men who died in an avalanche near Lone Peak in Little Cottonwood Canyon on Thursday, May 9, 2024.

It was February when the man identified as “Davenport” found himself being pummeled by an avalanche near Lisa Falls. He wrote that his own actions were “baffling and shameful to me.” He also remarked that had another skier not risked his own life to attend to him and call for a helicopter rescue after the second slide, he probably would have died.

“When the slide stopped I remained submerged but managed to dig my face out, breathe, and begin to drag myself up and to the side of the couloir and (relative safety),” he wrote. “I likely was concussed or mildly hypoxic from my burial as I kept thinking this was a dream for several minutes. When my head cleared a member of the earlier party of three had skied to me and begun calling for a helicopter evacuation. He helped get me warm and recover my airbag pack and I cannot stress enough that his bravery in going down to me with hangfire above was exceptional.”

The rescuer also requested a helicopter lift after two subsequent avalanches swept through the area.

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“This was a miracle,” a member of the rescuer’s party wrote in his report for the UAC. “This avalanche ran through what anyone would consider unsurvivable terrain.”

The UAC was formed in 1980 with the mission to provide winter backcountry travelers such as skiers, snowboarders, snowmobilers and snowshoers with resources and education to keep them out of danger’s path.

“Our goal,” UAC Director Mark Staples wrote, “remains ensuring the backcountry community has quick and easy access to the information they need to stay safe.”

After nine years at the helm, Staples will be leaving the UAC for a similar position with the Gallatin Avalanche Center in Montana. He will be replaced by Paige Pagnucco, who has been with the UAC for 19 years, most recently as its program director.

Editor’s note • This story is available to Salt Lake Tribune subscribers only. Thank you for supporting local journalism.

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What to expect for the Nov. 5 general election in Utah

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What to expect for the Nov. 5 general election in Utah


SALT LAKE CITY (ABC4) — Polls closed for Utah’s primary elections on June 25 and preliminary results began coming in, setting the stage for the upcoming general election on Tuesday, Nov. 5.

While official voter canvassing results were not scheduled to be available until July 22, the Associated Press projected winners for several races by June 25.

Here’s what to expect for the voting process for the general election in November.

Who is running in Utah?

The June 25 primaries narrowed down the list of candidates running for office in Utah.

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Gov. Spencer Cox was the projected winner for the gubernatorial race, according to the AP.

Rep. John Curtis was expected to clinch the Republican nomination to replace Sen. Mitt Romney, and would face off against Democratic challenger Caroline Gleich and Independent challengers Carlton E. Bown and Robert Newcomb in the 2024 General Election in November.

For a full list of Utah’s candidates, click here.

When are the registration and voting deadlines?

Depending on how Utahns register to vote, the deadlines for registration may vary.

Deadlines for registration (and how to register)

Voters in Utah can register online, in person, or by mail.

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Online voter registration is available at vote.utah.gov, and it must be completed by Oct. 25, 2024. The deadline for registering by mail is also Oct. 25.

If registering to vote in person, the deadline is Nov. 5, 2024 (meaning you can register on Election Day if you have the proper forms of identification).

Deadlines for voting

Early in-person voting at the Government Center begins Oct. 22, 2024, and ends Nov. 1, 2024. Early in-person voting at satellite locations begins Oct. 29, 2024, and ends Nov. 1, 2024.

If returning a ballot by mail, the ballot must be postmarked by Nov. 4, 2024. Ballots should be sent to voters by Oct. 15, and the last day to request a mail ballot is Oct. 29.

On Election Day — Tuesday, Nov. 5 — Utahns can vote at polling locations from 7 a.m. until 8 p.m.

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To find the closest polling location to you, visit votesearch.utah.gov and enter your address.

How do you check registration status in Utah?

If you want to vote but are unsure if you have already registered, you can check your status online at votesearch.utah.gov. To check your registration status, you need to provide your name, date of birth, and address.

That website can also display tracking information for mail ballots or provisional ballots, but not if you voted at a voting machine or in person.

Once you register to vote in Utah, you don’t need to re-register unless your registration status changes.

“If you have moved outside of the state and returned, or your name has changed, or your registration has lapsed by not voting in the last two presidential elections you will need to re-register,” according to the Salt Lake County Clerk’s Office.

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Registering on Election Day

Did you know that if you are not yet registered to vote you can do so on Election Day?

“A poll worker will assist you in registering to vote and casting a provisional ballot on an electronic voting machine,” the Salt Lake County Clerk’s Office said.

To register on Election Day, you must bring a valid photo ID and proof of Utah residency to an Election Day vote center during polling hours. To see the full list of approved forms of identification, click here.

Who can vote in Utah?

There are three criteria for voters in the Beehive State.

First, you must be a resident of the United States in order to be eligible to vote in Utah. Second, you must reside in Utah for at least 30 days prior to the next election.

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Third, you must be at least 18 years old on or before the general election. If you are 17 years old at the time of the primary election, you may still vote if you are 18 years old on or before the date of the general election.



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Utah Jazz NBA Draft Preview: 2024

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Utah Jazz NBA Draft Preview: 2024


The Utah Jazz have an exciting night tomorrow because they have the 10th, 29th, and 32nd pick in the 2024 NBA Draft. the Jazz have been in several rumors regarding the draft. Some rumors suggest the Jazz will trade up for higher than pick number 10. Some rumors suggest the Jazz will package picks 29 and 32 for a higher second pick in the first round. The honest observation at this point is that the Jazz might do just about anything for the draft. Tune in tomorrow night from home or from the Delta Center to find out what the Jazz do in round one! To watch the draft, tune in to ABC or ESPN.

Round One Draft: 6 PM MST, June 26th

Round Two Draft: 2 PM MST, June 27th

Below are projections on who the Jazz could select with their 3 picks. The projections are based on the Jazz’s rumored interest and generally where players are projected to be picked.

10th Pick Projections:

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Photo by David Becker/NBAE via Getty Images

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Ron Holland

Nikola Topic

Rob Dillingham

Cody Williams

Zach Edey

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Dalton Knecht

2024 NBA Combine

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Photo by Kamil Krzaczynski/NBAE via Getty Images

29th Pick Projections:

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2024 NBA Combine

Photo by Jeff Haynes/NBAE via Getty Images

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Kyshawn George

Ryan Dunn

Baylor Scheierman

AJ Johnson

Justin Edwards

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Cam Christie

Tyler smith

Johnny Furphy

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Notre Dame v Virginia

Photo by Ryan M. Kelly/Getty Images

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Pick 32 Projections:

2024 NBA Combine

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Photo by Jeff Haynes/NBAE via Getty Images

Picks 29 and 32 are close so these projections mainly overlap.

Harrison Ingram

Kyle Flipowski

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Trentyn Flowers

Jonathan Mogbo

Jaylon Tyson

Tyler Kolek

Bronny James

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Bobi Klintman

2024 NBA Combine

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Photo by Kamil Krzaczynski/NBAE via Getty Images

Final Prediction

This projection could be way off because this draft has a lot of parity and the Jazz could very well trade some of their picks. With that said, I predict that the Jazz select Nikola Topic with the 10th pick. For the 29th pick, The Jazz go for Ryan Dunn. For the 32nd pick, I predict that the Jazz select Jaylon Tyson. I think the Jazz will almost make a trade or two tomorrow but don’t quite pull the trigger.

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Houston Rockets v Utah Jazz

What do you think the Jazz will do tomorrow night? Comment below!



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