San Francisco, CA
Design Within Reach Levels Up in San Francisco, and Other News – SURFACE
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Design Within Reach Levels Up in San Francisco
The creative vitality of San Francisco is embedded in the DNA of Design Within Reach, the MillerKnoll-owned modern furnishings purveyor that recently opened an experimental studio in the city’s burgeoning Potrero Hill district. Just a few blocks away from its former showroom, the brand gut-renovated a 15,000-square-foot 1920s warehouse from the ground up while preserving existing features like original timber and skylights. Beyond offering its standard slate of midcentury classics by the likes of Mies Van Der Rohe, Harry Bertoia, and Charles and Ray Eames, the showroom is also debuting rotating galleries—one aptly named the “Case Study Apartment”—that celebrate its collaborators. First up: a Vitra-curated reading room furnished with Jean Prouvé classics and an installation of unique configurations of USM Haller shelving. —Ryan Waddoups
Saudi Arabia has embarked on an extravagant spending spree with projects like a $48 billion property development and an airline venture, all managed by the country’s sovereign-wealth fund, which recently revealed a significant decline in cash reserves. To sustain this spending, the kingdom has turned to borrowing and plans to sell more shares of its oil giant, Saudi Aramco. These supersize endeavors, driven by Crown Prince Mohammed bin Salman’s vision for economic diversification outlined in Vision 2030, face fiscal challenges amid moderate oil prices and rising interest rates. Despite concerns about debt levels and the effectiveness of these projects, Saudi Arabia is determined to realize Vision 2030, with the pace of spending making its sovereign-wealth fund the world’s most active.
During Milan Fashion Week, LVMH Métiers d’Excellence launched the Maestri d’Eccellenza Award for Italian artisans in partnership with the Camera Nazionale della Moda Italiana and the Confartigianato association. The competition aims to promote local craftsmanship, attract media attention, and provide financial support to artisans. This year’s winners will be chosen from nine finalists across three categories, including a new addition for furniture artisans. Each winner will receive a €10,000 ($10,822) prize and mentoring sessions with Loro Piana professionals. The initiative, led by Damien Bertrand, seeks to preserve traditional craft while fostering innovation and excellence, with a jury including prominent figures like Fabrizio Plessi and Toni Belloni.
Bjarke Ingels Group unveils the interlocking EPIQ skyscraper in the heart of Quito.
Bjarke Ingels Group, in collaboration with Quito-based developers Uribe Schwarzkopf, has completed the EPIQ tower in Ecuador. Located near La Carolina Park and where the two firms created the city’s tallest building, the 331-foot-tall tower features a distinctive structure characterized by stacked L-shaped blocks that curve inward at the center, creating outdoor terraces and panoramic views. The facades, inspired by Quito’s architectural heritage, showcase pigmented concrete bars in four colors, with glazing between for balconies.
Tacita Dean and Shezad Dawood have contributed artworks to an exhibition and auction that utilize paints, inks, and pastels derived from ash and charcoal collected from the burning Amazon rainforest. The collaborative effort between 27 Indigenous and non-Indigenous artists aims to support the Xingu Indigenous communities of the Amazon, with works displayed at the Old Truman Brewery in London and auctioned at Christie’s London on March 9. Organized by Migrate Art in partnership with People’s Palace Projects, the initiative addresses deforestation and climate change, with proceeds allocated towards firefighting equipment for affected villages.
Some early buyers of the Apple Vision Pro, priced at $3,500, are voicing dissatisfaction on social media and opting to return the headset. Complaints mainly revolve around discomfort, with users experiencing headaches, motion sickness, and even physical discomfort such as burst blood vessels in the eye. Additionally, users find the headset lacking in productivity features relative to its high price, with issues like limited file support and difficulty multitasking cited as deal-breakers. While some express willingness to try a future iteration, others question the device’s value proposition and await improvements in comfort and functionality.
San Francisco, CA
Latest California-based gig work app lets people book content creators, editors
It’s 10 a.m. sharp, and Abby Kurtz gets her first assignment of the day. She’s received a time, a location in San Francisco and a target.
Her weapon of choice: an iPhone.
“Being a social agent is really the coolest thing ever,” she said.
Kurtz is a content creator working through an app called Social Agent, part of an expanding gig economy where more and more workers are trading stability for flexibility. Work that once required connections, planning, and a big budget can now be booked with a tap —extending the on-demand model from rides and meals to storytelling itself.
Just make a request, and someone like Kurtz can arrive within 30 minutes, camera-ready.
“What I look for when I’m shooting events is very crisp and clean content,” she said.
Her mission this time took her to Sutro Nursery, a nonprofit dedicated to growing native plants and that is hoping to grow its volunteer base, too. Board member Maryann Rainey said booking a Social Agent is a lot cheaper than hiring someone to do their social media full-time.
“I know I can’t do it myself, and I was certainly hoping that these young people would know how to do a good film,” Rainey said.
A typical job runs about $200, with same-day delivery. Agents earn around $50 an hour, plus tips. And if clients already have footage, they can upload it and have it turned into a finished piece.
The service is currently available in New York, Los Angeles, and Miami, with a slower rollout now underway in other cities.
Lisa Jammal, the company’s CEO, said the idea is simple: Let someone else do the shooting.
“We all are missing those beautiful moments because we’re always behind the phone,” she said.
As for Kurtz, after the shoot, she headed straight to a nearby coffee shop, where the clock started ticking. She had just over an hour to shape her raw material into a polished final cut.
“I think I’m going to give this reel a really peaceful, calming feel, but also informative and inviting,” she said.
San Francisco, CA
SF scientists build robotic storm samplers to track pollutants before they reach the Bay
SAN FRANCISCO (KGO) — Environmental Scientist Kayli Paterson from the San Francisco Estuary Institute is hitting the road with colleague David Peterson and a trunk full of water sampling robots.
“Yeah, I think the max we’ve ever done was five. But the sites are very close together. Oh, there it is. Hopefully it samples well,” says Paterson as she turns the mobile sampling lab onto a private oak-lined road.
They’re closing in on a watershed creek flowing through the hillsides near the San Andreas Lake reservoir, west of Highway 280 in Millbrae, part of the larger watershed that eventually drains into San Francisco Bay.
“So, we’ve got our sampler. Look at the battery. Hook that up, red and black. This is a 12-volt lithium battery, and it powers our sampler for probably about six to seven days,” she explains, showing off a self-contained unit miniaturized into a portable case.
MORE: Futuristic Fight Club: VR-controlled boxing humanoid robots battle in San Francisco
The black cases are their latest innovation in stormwater science. Robotic samplers anchor in key sections of the watershed to monitor not only flow, but also the chemicals and pollutants washing downstream toward the Bay.
“And this is a front-line pollution sampler. It’s getting the stormwater before it enters the Bay. And so, we want to know what’s coming into the Bay and getting these samplers out there in more locations will give us a better idea of where we might have issues, where a hotspot is, or maybe a previously unknown contaminant,” says Paterson.
“It’s important to get out that fast,” her colleague David Peterson adds. “You know, in these storms as they’re happening, because the water is picking up pollutants in real time, and we need to be there to capture them.”
When we first met Peterson several years ago, he and another Estuary Institute team were sampling water along the Bay shoreline by hand, a technique that’s still valuable. But to cover more ground, Kayli and a group of collaborators began developing the robotic samplers over recent storm seasons.
Kayli and David start by chaining the unit itself to a tree near the creek bank. The system employs remote-controlled pumps that draw samples from the creek and store them in onboard containers. The software controlling the volume and frequency can be operated from a phone app.
MORE: New study of San Francisco Bay fish confirms concentrations of PFAS aka ‘forever chemicals’
One of the key targets in this study is a group of so-called “forever chemicals” known as PFAS, synthetic compounds that persist in the environment and have been detected in widespread areas of the Bay.
“And we capture samples and send them off to analytics labs across the country. Typically, universities or private labs will process these for us,” Peterson explains.
For these two stormwater detectives, it’s a mission that requires a combination of speed and patience**, chasing flowing water** through creeks and storm drains, sampling as they go.
“So, we’re looking for areas – the point of this is to do source control. Ultimately, we want to be able to trace this back to a possible source,” says Kayli Paterson.
And potentially prevent a source of toxic pollution from reaching San Francisco Bay and our Bay Area ecosystem.
More than a dozen of the robots were given names in a special contest, including the Big Sipper and the Tubeinator.
Copyright © 2026 KGO-TV. All Rights Reserved.
San Francisco, CA
Floats for San Francisco Chinese New Year Parade get finishing touches
SAN FRANCISCO (KGO) — ABC7 Eyewitness News got a sneak peak as crews put the finishing touches on the floats you’ll see at Saturday’s San Francisco Chinese New Year Festival and Parade.
Since it’s the year of the fire horse, you’ll see a lot of horses and fire symbolism on the floats, housed at Pier 19.
“So Year of the Horse, it’s energy, it’s passion, it’s momentum so a lot of things that we’re really hoping to embody in the new year,” said Stephanie Mufson, owner of San Francisco-based The Parade Guys, which designs and constructs the floats.
She said they’ve been building them for about three months, with the designs starting in November.
MORE: Bay Area artist brings Year of the Horse statue to life for Golden State Warriors
“We’re in the home stretch,” she said. “We’ve got a couple of days left and we’ve got a nice little team that’s cranking out all the finishing work that needs to go into it.”
Derrick Shavers was sanding some wood that will be painted and become cherry blossom trees on a float.
“It’s exciting,” Shavers said. “I look forward to coming every year and just creating and making things shine and sparkle.”
Bon was painting mountains for a float, making sure everything is perfect in time for the parade.
MORE: Meet the 2026 San Francisco Chinese New Year Parade mascot, Maverick
“It’s one of the few parades that actually happens at night still,” Bon said. “So we got to make sure all the lighting is in check, and people are safe on the float. It’s all in the details, just for it to walk by you for 10 seconds.”
Ten seconds that bring so much joy to those watching the parade.
Here’s how you can watch the parade on ABC7 Eyewitness News on Saturday, March 7.
Coverage starts at 5 p.m. wherever you stream ABC7.
SF Chinese New Year Parade 2026: How to watch ABC7 Eyewitness News live coverage
If you’re on the ABC7 News app, click here to watch live
Copyright © 2026 KGO-TV. All Rights Reserved.
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