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Disney Matterhorn Bobsleds inspired by Swiss Alps jewel, plus more fun rollercoaster facts

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Disney Matterhorn Bobsleds inspired by Swiss Alps jewel, plus more fun rollercoaster facts

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Since 1959, the Matterhorn Bobsleds have stood tall at Disneyland in Anaheim, California. 

The ride was groundbreaking when it first debuted — and it changed the trajectory of roller coasters forever. 

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Want to know what makes this trek through the Swiss mountains so unique?

5-YEAR-OLD GIRL WHO VISITED DISNEY WORLD LOSES BELOVED TOY 4,200 MILES FROM HOME — THEN, SURPRISE

Here are seven fun facts.

1. It made history when it opened on June 14, 1959

The Matterhorn Bobsleds ride was the world’s first rollercoaster to use steel tubular track, according to the Disneyland website. 

It was built by manufacturer Arrow Development and was the first rollercoaster at the park.

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The Matterhorn Bobsleds was the first rollercoaster in the world to use a tubular steel track. (Paul Hiffmeyer/Disneyland via Getty Images)

Now, tubular steel track is commonly used in some of the world’s most impressive roller coasters — but at the time, something different was needed to ensure that Walt Disney’s vision could come to life. 

“Walt had a vision for an adrenaline rush bobsled ride in Anaheim (where it never snows) and he found the inspiration for his mountain design with snow on top while traveling [in] Europe when he witnessed the grandness of the Matterhorn,” Sarah Hirsch, founder of Well Traveled Kids, told Fox News Digital.

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Well Traveled Kids is a family travel agency; Hirsch is based in Illinois. 

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Legend has it that an inspired Disney “purchased a postcard with a photo of the mountain and mailed it to his Disneyland team from Europe with two words: ‘Build this,’” Hirsch said. 

The Matterhorn Bobsleds have taken millions of people down its twisty track since its opening in 1959 — including the Shah of Iran and Empress Farah, seen above in the front of the sled.  (Getty Images)

“The creative geniuses at Disneyland were able to replicate the outside of the ride to look just like the postcard photo and created an experience of a first-of-its-kind thrill ride at Disneyland that attracted adventure and adrenaline junkies to the park for the first time,” she said. 

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Now, 65 years later, the Matterhorn Bobsleds “feels old school but also gives you an addictive rush that makes you want to jump back in line and ride it over and over again,” she said. 

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2. Ride has changed a lot since opening day

Today, riders of the Matterhorn Bobsleds embark on a “thrilling high-speed ride.” They “swoop in and out of shadowy caves and along jagged rocky ledges,” all while avoiding the “growling creature known as the Abominable Snowman,” according to the Disneyland website. 

But that was not always the case.

When the original Matterhorn Bobsleds opened, the inside of the mountain was hollow, Werner Weiss, curator of the Disney history website Yesterland, told Fox News Digital in an email. 

The original Matterhorn mountain at Disneyland had a hollow interior.  (Greg Doherty/Getty Images)

“The structural beams were covered to resemble rock, but there was no mistaking the space for a real cave,” Weiss said. 

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In 1978, however, the ride got a big upgrade. 

“The interior was redone as ice caves, and the Abominable Snowman was added,” he said. 

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Another big change came in 1994, when the Skyway gondola attraction was shuttered and removed, Weiss said.

The Skyway previously ran through the Matterhorn – and with its removal, the hole in the mountain had to be patched up. “The space previously used by the Skyway became a glacier grotto,” he said. 

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The now-defunct gondola attraction known as the “Skyway” took passengers through the Matterhorn.  (Albert Moote/Michael Ochs Archives/Getty Images)

3. ‘Sleds’ have changed since opening day, too

Originally, the bobsleds fit four people – two per “seat.” 

“The larger guest should sit against the backrest — and will be the backrest for the smaller guest. It’s a rather cozy arrangement,” Weiss said. 

“No wonder teenage boys like to take their dates on this ride.”

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In 1978, the trains became “tandem” bobsleds, allowing for eight passengers per train. 

“The single-car, four-passenger bobsleds were replaced by two-car, eight-passenger bobsleds, which (along with new computer controls) doubled the ride capacity — and shortened the waits,” Weiss said. 

As of 2012, the bobsleds are in tandem trains of two “sleds” with three individual seats. 

The Matterhorn Bobsleds now have two three-seater tandem trains.  (FilmMagic)

“No more cozy seating,” he said. 

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4. The paint job reflects real-life inspiration 

The “snow” atop the Matterhorn mountain at Disneyland is not evenly distributed, just as the actual snow atop the actual Matterhorn mountain is not. 

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The real-life Matterhorn is located on the border between Switzerland and Italy. 

“More than 800 gallons of paint were used to create heavier snowfall on the north-facing — just like the real Matterhorn,” the Disneyland website said.

To mimic the glittery effect of real snow (which scarcely, if ever, is found in Southern California), Disneyland’s designers used glass beads on the Matterhorn, the website said.

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The “snow” that’s been painted on the Matterhorn Bobsleds, shown at left, mimics the real-life Matterhorn. (Getty Images)

5. Matterhorn Bobsleds is two rides in one – and not all that tall

The Matterhorn mountain actually has two roller coasters – dubbed the “Fantasyland” and “Tomorrowland” tracks due to their proximity to the respective lands – and the tracks run throughout the mountain. 

The Matterhorn mountain at Disneyland is 147 feet tall (Mickey Mouse climbed it in 2005), and the bobsleds’ top speed is just 27 mph. 

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The Matterhorn is nearly twice the size of the 77-foot tall “Sleeping Beauty” castle and is exactly 100 times shorter than the real-life Matterhorn, according to the Disneyland website. 

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As with many attractions, the designers of the Matterhorn Bobsleds used a technique called “forced perspective” to make it seem far taller than it is, noted the Disneyland website. 

Mickey Mouse, dressed in lederhosen, climbed the Matterhorn in 2005. The mountain stands 147 feet tall.   (Matthew Simmons/Getty Images)

While the Matterhorn may not be all that impressively tall compared to real mountains, it had the distinction, when it was built, of being the tallest artificial structure in Orange County, California, Weiss said. 

It quickly lost this record with the construction of high-rise buildings.

6. It’s one of a kind 

While many of Disneyland’s rides can be found in some form at other Disney parks around the world – Pirates of the Caribbean, Space Mountain and Peter Pan’s Flight, for instance – there is just one Matterhorn Bobsleds. 

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“When I book Disneyland vacation packages for clients, the Matterhorn is still one of the rides everyone is most excited about,” Hirsch said.

While other Disneyland attractions have been replicated at other parks, the Matterhorn Bobsleds is unique to the Southern California park. (Patrick Fallon/Bloomberg via Getty Images)

He said that’s true “especially since it’s unique to Disneyland, and they won’t find it in the Orlando Disney parks.” 

7. The animatronic Abominable Snowman has a name

The animatronic Abominable Snowman that lives in the Matterhorn has a name. 

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It’s “Harold.” 

The current iteration of “Harold” was installed in 2015. 

“At least unofficially,” Weiss said. “My understanding is that Matterhorn [ride operators] starting calling him Harold for no particular reason.” 

The nickname quickly caught on among employees, Disneyland fans and “eventually with regular guests,” Weiss said. 

For more Lifestyle articles, visit www.foxnews.com/lifestyle

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The current iteration of “Harold” was installed in 2015, but the original did not go far away, Weiss said. 

He is currently on display in the queue for the Guardians of the Galaxy Mission: Breakout ride at the Disney California Adventure Park.

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West

Newsom’s ‘disgraceful’ call for Dems to be ‘culturally normal’ is ‘dangerous,’ far-left podcaster says

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Newsom’s ‘disgraceful’ call for Dems to be ‘culturally normal’ is ‘dangerous,’ far-left podcaster says

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“I’ve Had It” podcast host Jennifer Welch accused Democratic California Gov. Gavin Newsom of committing “political suicide” Wednesday after he called on the Democratic Party to become “more culturally normal” to win elections.

Welch reacted to Newsom’s interview with CNN Monday during which he called on Democrats to be more focused on affordability rather than niche cultural issues.

“From a tactical perspective, from the prism of purely politics, there’s no doubt that the Democratic Party needs to be, dare I say, more culturally normal,” Newsom said. 

“I believe that — less prone to spending a disproportionate amount of time on pronouns, identity, politics, more focused on tabletop issues, things that really matter, the stacking of stress in terms of electricity bills and childcare costs and healthcare and, obviously, housing costs and how easily we get trapped in that, how I’ve fallen prey to that.”

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Far-left podcast star Jennifer Welch has emerged as a darling of the liberal media and Democratic politicians. (Bryan Bedder/Getty Images for GLAAD)

Welch accused Newsom of “ceding ground” to Republicans with his comments and attempts to appear more moderate.

“What you’re saying, Gov. Newsom, is breathtakingly dangerous,” Welch said. “And you’re ceding ground to the narratives that Republicans try to define free people that mind their own business that stand up for everything. You’re allowing their b—— narratives to define Americans, and it is utterly disgraceful.”

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Welch, whose podcast has become a hub for high-ranking Democratic leaders, also expressed frustration that Newsom appeared to be taking advice from “corporate Democrats” on trying to move to the center of politics.

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Gavin Newsom told CNN Democrats need to be “more culturally normal” to win elections. (Marijan Murat/picture alliance via Getty Images)

“He is adamantly against a billionaire tax, which I just think, ‘My god, that’s a layup right now.’ Tax the billionaires. It is not even remotely a liberal thing. It is a moderate position from both parties. But here’s Gavin Newsom as he continues his death march to the center,” Welch said.

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She pointed to other politicians like New York City Mayor Zohran Mamdani as examples of Democrats who held onto progressive politics and were still elected.

“Gavin Newsom, this is so incredibly disappointing. It’s so devastating that you cede ground to these bigots, and you allow their b—— framework to redefine you. I just think this is political suicide. You don’t have to throw one person under the bus,” Welch said.

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Gov. Gavin Newsom has been pushing a more moderate position on transgender issues. (Amy Sussman/Getty Images)

Fox News Digital reached out to Newsom’s office for comment.

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Newsom faced backlash from members of his own party for his more moderate position on transgender issues. He has nevertheless insisted that he remains a staunch advocate for the transgender community.

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San Francisco, CA

Sam Smith’s San Francisco Residency Charts New Course for the Castro

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Sam Smith’s San Francisco Residency Charts New Course for the Castro


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Sam Smith has kicked off his residency at the Castro Theatre in San Francisco, with the singer’s 20-date stint helping to officially usher in a new era for the historic landmark.

First erected in 1922, the Castro closed in 2024 for a reported $41 million renovation project. But the century-old Spanish-style Baroque theatre is open for business — and music — once again, with its gilded ceiling and ornamental walls restored to its original design, while seating is now reconfigurable for different events, including 650 seats that can be removed to create more standing room space (like for Smith’s concert). More importantly, city officials hope the re-opening of the Castro Theatre will also help revive the predominantly queer neighborhood it sits in, which shares a name with the venerable venue.

“Do you guys realize how special this street is?” Smith asked the sold-out crowd, during night two of their residency last week. “I grew up in a village in the middle of f-ckin’ nowhere,” they shared. “I was the only gay in the village and yes I was very dramatic about it as well,” they added with a laugh.

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“There is nothing like this street and nothing like the Castro and the community here,” Smith said. “I’ll never forget coming here when I was 20 years old, so reopening this theater now is such an honor.”

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Tickets to Smith’s Castro residency quickly sold out when the shows were first announced but you can still find stubs on sites like StubHub, Vivid Seats and SeatGeek. New users can use the promo code THR30 to save $30 on orders of $300 and up at VividSeats.com. SeatGeek customers can use promo code HOLLYWOOD10 to save $10 at SeatGeek.com.

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Smith’s San Francisco stint follows their “To Be Free: New York City,” residency which took place last fall at Brooklyn’s historic Warsaw club. Other artists set to play at the Castro this spring include Father John Misty, José González, Santigold and Lucy Dacus. The Castro will also help celebrate the 50th anniversary of the LGBTQ-themed Frameline Film Festival this June.

sam smith tickets vivid seats

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Smith’s residency runs until March 14.

According to tourism officials and local businesses, Smith’s new Castro residency and the reopening of the theatre has already helped to bring in a number of new visitors to the area. Mat Schuster, the executive chef and owner of long-time neighborhood fixture, Canela, says business has been “very busy” in the last few weeks, crediting Smith’s show with bringing out new diners to the Spanish restaurant, which has been on Market Street since 2011. Other local hotspots like wine bar Bar49, the San Francisco outpost of Hi Tops, and the women’s sports bar, Rikki’s (named after Gay Games Federation founder Rikki Streicher), were all packed on a recent evening following Smith’s Castro concert.

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According to San Francisco Tourism, the reopening of The Castro Theatre is poised to deliver “meaningful economic gains” to the surrounding neighborhood, which some stats estimating that the venue will draw more than 200,000 visitors annually.

With the Castro Theatre now open again, local officials are looking ahead to other upcoming celebrations, including a planned reimagining of the Castro and Market Street intersection into The Memorial at Harvey Milk Plaza, honoring the first openly gay elected official in California (and the inspiration for the 2009 Sean Penn film). Milk’s legacy is already enshrined at the San Francisco airport of course, with terminal 1 at SFO renamed as the “Harvey Milk Terminal;” the new memorial is scheduled to be completed by 2028. The annual Castro Street Fair, meantime, a community street celebration founded by Harvey Milk in 1974, will take place on the first weekend of October.

The reopening of the Castro comes amidst a busy few months for San Francisco, which recently saw a number of athletes and celebrities in town for the Super Bowl. Steph Curry’s new speakeasy, The Eighth Rule, was among the hotspots over the big game weekend and the basketball star’s bourbon-forward bar continues to be a hot reservation in the city. Opened in the fall, the bar is tucked away in a nondescript hallway inside the Westin St. Francis hotel in Union Square, offering an intimate and exclusive setting for the Golden State Warriors point guard’s Gentleman’s Cut Bourbon, which can be ordered on its own or as part of a six-course omakase-style cocktail tasting (we loved the clarified coconut milk punch and the truffle-vanilla whiskey sour). Of course, guests can also order cocktails a la carte, choosing from different bourbons and whiskeys, plus a full selection of other spirits.

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Next door to The Eighth Rule is Bourbon Steak San Francisco, the latest outpost of Chef Michael Mina’s award-winning steakhouse. The restaurant marks the celebrity chef’s return to the Westin St. Francis, where he opened his first eponymous restaurant in 2004. In addition to its selection of steaks, seafood and caviar offerings (like Mina’s famous “caviar twinkee”), this Bourbon Steak outpost offers a family-style dining experience for six people, available through advance reservations. This is the only Bourbon Steak location to offer this communal table format.

New this month is the highly-anticipated opening of JouJou, an elevated French brasserie concept from the owners of the two Michelin-starred Lazy Bear. Located in the city’s Design District, JouJou is poised to be the next celebrity hangout, with its ornate dining room and marble-topped counters setting the scene for steak frites and star sightings alike. As chef David Barzelay told the San Francisco Chronicle when asked about the inspiration for JouJou: “It always feels like you’re just in a place where it’s happening.”



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Denver, CO

Richard Jackson Obituary | The Denver Post

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Richard Jackson Obituary |  The Denver Post



Richard Jackson


OBITUARY

Richard E. Jackson, affectionately called “Jackson”, was beloved by his family, friends and colleagues. He passed peacefully surrounded by his wife and children. He was receiving exceptional medical care at City Park Healthcare and Rehabilitation Center at the time of his death. A devout Catholic, he received his Last Rights from Fr. John Ludanha of Blessed Sacrament Church and School.

He earned a Bachelor’s degree in Economics from Gannon University and a Master’s degree in Education from the George Washington University. For over 30 years, he was employed by the federal government, mostly as an analyst for the Social Security Administration (SSA). Other positions he held were: Beneficiary Services Specialist, Division of Medicare, Health Care Financing Administration; Public Affairs Specialist for SSA; and Management Analyst SSA Office of Management and Budget. After he retired, he was a consultant to the State of Colorado Center for Medicare and Medicaid Services.

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Jackson was a devoted father, step-father and foster father. He would take over the kitchen and cook spaghetti and meatballs, a family favorite, and then transport children to gymnastics practice and friends’ houses. He had a remarkable sense of humor, bringing joy and laughter to his home. He adored his wife and would leave her weekly love notes in drawers around the house. Exercising at the Denver Athletic Club, taking walks with his wife, and reading the New York Times were three of his favorite activities. He was born in Westfield, New York. His parents were Canadian immigrants. He was the youngest of eight children.

He is survived by his wife, Joycee Kennedy; his children – Kimberly Jackson (Mike Estes), Dawn Jennings (Ed Jennings) and Kevin Jackson; his stepchildren – Cary Kennedy (Saurabh Mangalik) and Jody Kennedy (Christopher Thompson); his grandchildren – Elizabeth, Chase and Drew; his step grandchildren – Kadin, Kyra, Bryce and Sena; and his first wife Madonna Smyth.

Services will be held at Blessed Sacrament Church – the time and day to be announced.



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