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 “Where Did We Sit on the Bus?” puts the audience in the Loop at the Denver Center | Theater review

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 “Where Did We Sit on the Bus?” puts the audience in the Loop at the Denver Center | Theater review


The Denver Center is a-humming.

In the theater company’s largest house, Emma Woodhouse — to her own gentle comeuppance — is winking her way through Kate Hamill’s delightful adaptation of Jane Austen’s “Emma.” (See if before it closes Sunday.) Downstairs in the Singleton Theatre, things are positively loopy. Or rather brilliantly looping, as a young, Latina music-maker sets about crafting a mixed tape of her life in the hip-hop-influenced “Where Did We Sit on the Bus?,” directed by Matt Dickson. It runs through June 2.

So convincing is Satya Chávez (who uses the pronoun “they”) in the role of “Bee” Quijada that the audience is likely to assume it’s their life as the fourth child of Salvadoran immigrants that will be recounted for the next fleet, entertaining 80 minutes. It’s not; it’s writer-performer Brian Quijada’s.

Bee Quijada (Satya Chávez in a star turn) speaks to the audience from the deep of mom Reina’s womb. (Jamie Kraus Photography, provided by the Denver Center)

Chávez’s intimacy with Quijada’s story might have been earned during the time they spent working (along with Nygel D. Robinson) on the concert series “Songs from the Border” at Colorado Spring’s Fine Arts Center during its 2021-22 season. But the vibrant poignancy and tangible intimacy that Chávez created with the opening-night audience feels very much their own.

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Chávez skillfully utilizes the tools of hip-hop and spoken word for the show’s layering of sounds and, more vitally, personal and cultural history: rap’s diving and arcing rhymes, an iPad with a Bluetooth connection, four loopers, and her voice. But Chavez, a talented musician, also plays a keyboard, guitar, ukulele, guitarron, bass, caña, a harmonica and more. And they sing.

Oh, how they sing, warmly, wittily, sometimes plaintively. Chavez punctuates parts of the storytelling with a wordless refrain that soars and wails — just a little — during its exploration of belonging.

“Where Did We Sit on the Bus?” takes its title from the question a 9-year-old Bee asks her elementary school teacher during lessons on Rosa Parks and the civil rights movement. Defying the reigning black-white dialectic of the nation, little Bee wonders about her place as a brown kid, the child of immigrants, in this American life. Bee and her next oldest brother, Marvin, were born in the U.S. Older brothers Fernando and Roberto were born in El Salvador.

The show is disarmingly personable and cleverly participatory as it goes from Bee’s conception and birth (their time in mom’s womb is bathed in red light) to her childhood living first in a trailer park outside of Chicago and then in a suburban neighborhood adjacent to Highland Park, with its large Jewish community.

They share their love of Michael Jackson, an early role model — until he started to tarnish his reputation by what seemed to be a drastic repudiation of his skin color. But they find their emotional place when they become involved in theater.

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Chavez wears a monochrome outfit, a richer shade of army fatigues. They begin at a breakneck pace, then find a lively cadence of trust and familiarity, at times teasing the audience with the sly rapport of a lounge singer.

The production design of the show feels like a departure for the theater company, not in quality but in tone. The set by Tanya Orellana (who also created the costumes) and Pablo Santiago’s playful and geometric lighting design recreate the spare intimacy of a black box theater that can also offer a neon-lit portal into Bee’s past. How far back it goes speaks to (and reverberates, thanks to Alex Billman’s sound design)  the show’s joys and imagination.

Satya Chávez as Bee Quijada. Jamie Kraus Photography, provided by the Denver Center
Satya Chávez as Bee Quijada. Jamie Kraus Photography, provided by the Denver Center

There’s ample sweetness to this journey and little argumentativeness in Quijada’s script — until there needs to be, when nagging quandaries about belonging boil over. Because “Where Did We Sit on the Bus?” is a theater geek’s coming-of-age saga, Bee had described theater as their church. Late in the show, they take us there, to an ongoing, rancorous national conversation about immigration in which immigrants bear the brunt of ire.

And so, Bee takes an extended moment to preach a gospel of inclusion, one inscribed on the Statue of Liberty, but also confesses the kind of hurt and disappointment that comes from witnessing a nation fail its ideals. The nation may falter in moving toward a better and welcoming future, but Bee doesn’t.

“Where Did We Sit on the Bus?” began with Bee telling us that she popped the question to her beloved, who is Austrian and Swiss, in Mexico. It ends with an expansive answer to the question of the title.

Lisa Kennedy is a Denver-based freelance writer who specializes in theater and film. 

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IF YOU GO

“Where Did We Sit on the Bus?” Written by Brian Quijada. Additional compositions by Satya Chávez. Directed by Matt Dickson. Featuring Satya Chávez. At the Helen Bonfils Theatre Complex, 14th and Curtis streets. Through June 1. For tickets and info: 303-893-4100 or denvercenter.org.

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Denver, CO

Grand Junction, Palisade reach Great Eight in Denver

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Grand Junction, Palisade reach Great Eight in Denver


GRAND JUNCTION, Colo. (KREX) — The Class 5A Sweet 16 has arrived, and both Grand Junction and Palisade are still standing with trips to the Great Eight in Denver on the line.

At The Jungle, the No. 2 seed Grand Junction Tigers set the tone early against No. 18 Golden. Defense carried the Tigers from the opening tip as they held the Demons to nine first quarter points while scoring 16 of their own.

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Grand Junction added eight points in the second quarter while Golden managed six, sending the Tigers into halftime with a nine point lead.

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Golden responded in the third quarter, outscoring Grand Junction 16 to 11 to cut the deficit to five entering the fourth. The Tigers answered in the final period, attacking the rim and converting key shots to win the quarter 19 to 10. Grand Junction secured a 54 to 41 victory to protect its home court and advance to the Great Eight in Denver.

Top seeded Palisade also defended its home floor with a trip to Denver at stake. The Bulldogs opened with nine straight points to energize a packed gym, but Frederick settled in and closed the first quarter on a run to tie the game at nine.

Frederick continued to respond in the second quarter and took an eight point lead into halftime.

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Palisade shifted momentum after the break. The Bulldogs tightened defensively, holding Frederick to 21 points in the second half while scoring 39 of their own. Palisade completed the comeback to advance to the Great Eight.

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Colorado Mesa University Women Deliver Historic RMAC Tournament Win

In collegiate action, the top seeded Colorado Mesa University women’s basketball team defeated Colorado School of Mines 96 to 51 in the RMAC Tournament, marking the largest margin of victory in the tournament this century.

Olivia Reed-Thyne led the Mavericks with 34 points on 11 of 15 shooting, her third 30 point performance this season. Mason Rowland added 22 points and Hallie Clark contributed 10 as Colorado Mesa matched a program record with its 31st win. The Mavericks will host the semifinals Friday with a berth in the championship game at stake.

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Colorado Mesa University Men Survive Overtime Thriller

The Colorado Mesa University men’s basketball team faced New Mexico Highlands University for the third time this season. The Mavericks scored 36 first half points and led by four at the break.

New Mexico Highlands shot 50 percent in the second half, received 21 bench points and outscored Colorado Mesa 43 to 39 to force a late push. With the season in the balance, Ty Allred hit a game tying 3 pointer to make it 75 and send the game to overtime. Allred scored seven points in the extra period as Colorado Mesa earned a 91 to 90 victory to advance to the next round.

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For the latest news, weather, sports, and streaming video, head to WesternSlopeNow.com.



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Former Avs defenseman launches beer brand in Denver

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Former Avs defenseman launches beer brand in Denver


While most people know beers as “cold ones,” Tyson Barrie opts for a different name.

“We’ve always just called beers chilly ones,” the former Colorado Avalanche defenseman said.

Now, Barrie hopes his moniker goes mainstream with his beer brand Chilly Ones, which made its U.S. debut weeks ago in Colorado. He plans to move to the Centennial State from his home country of Canada come fall to build it out.

So far, the beer is in about 200 businesses across the state, mostly liquor stores like Bonnie Brae and Argonaut, but also eateries such as Oskar Blues.

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The light lager is available in cans at 3% alcohol by volume. The less-than-light ABV is popular in Australia and some parts of Europe, he said, but nothing serves that segment in the U.S.

Barrie also said the brand has a nonalcoholic version “in the tanks and ready to go” at Sleeping Giant Brewing Co., the Denver facility where Chilly Ones is made. He said it’s one of the only booze-free options that could “trick” him, and he expects the version to be available by April.

“If you look at all the data that we’re seeing, these two categories – the nonalc and the low – seem to be two of the only ones in the alcohol space that are growing,” Barrie said.

Chilly Ones has been available in Canada since late 2025, and he said a 4.5% to 5% edition is also in the works, though that one won’t hit the shelves for months.

“From what we can see in Canada, people question the 3%. They say it’s not enough,” he said through a grin. “Then in the U.S., people aren’t questioning it at all. They really liked a little bit less and the moderation factor to it.”

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That’s why he thinks the low-carb, zero sugar, under 100 calorie drink is a perfect fit for Denver. With the city’s storied history in craft beer combined with a more conscious, active lifestyle, it’s the perfect stateside launching point for his brand, Barrie believes.

Drafted by the Avs and playing in the city from 2011 through 2019, his preexisting connections also were a selling point.

“Every occasion is a little bit different, whether you’re parenting or you’re at a concert or you’ve got to get up early or you’re having two after work and you want to drive,” he said, explaining why there will be multiple versions of the drink available.

“It’s pick your own adventure. We’re not going to judge you,” he continued. “If you want to celebrate and get absolutely hammered, we’ll give you that option too. It’s just you can do it a little bit healthier.”

The idea came to Barrie when he had “a dozen” or so chilly ones during a night with friends years ago. In his phone’s notes app, he wrote that he would one day start a beverage brand with his NHL buddies and call it his colloquial name for beer.

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He was still playing in the league at the point, but in 2024, two years after, somebody from the beverage world “very serendipitously” reached out to see if Barrie would be interested in starting a wine or whiskey company.

“And I was like, ‘Yeah, I’d do a beer,’” he recalled.

He was still in the NHL playing with the Nashville Predators but nearing the end of his career. The now-34-year-old gathered several of his fellow skaters, including Avs star Nathan MacKinnon, and other career connections like Lumineers frontman Wesley Schultz, and Chilly Ones was born.

Having that post-playing career journey already laid out has been challenging but worth it, he said.

“I have a lot of friends who have retired, and you struggle with a bit of purpose and you wake up and you’re just kind of looking around, not sure what to do with yourself,” he said. “So I feel grateful. I didn’t even have any time to reset. I was just kind of thrown in the fire.”

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Denver bans federal law enforcement officers from covering their faces, DHS says it won’t comply

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Denver bans federal law enforcement officers from covering their faces, DHS says it won’t comply


Denver city leaders unanimously passed a ban on all officers, including Immigration and Customs Enforcement agents, from wearing face coverings while detaining or arresting people. That law also requires officers to wear visible identification.

It’s the second sweeping ordinance against federal officers in Denver in just a few days. Last Thursday, Mayor Mike Johnston signed an executive order banning federal immigration agents from operating on city property without a judicial warrant.

An federal immigration agent on Feb. 5, 2026 in Minneapolis.

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Stephen Maturen / Getty Images


 It also directs Denver police, deputies and fire personnel to investigate reports of violence and criminal behavior.

The Department of Homeland Security responded calling the executive order “legally illiterate,” adding, “no local official has the authority to bar ICE from carrying out federal law on public property … and while Mayor Johnston continues to release pedophiles, rapists, gang members, and murderers onto their streets, our brave law enforcement will continue to risk their lives to arrest these heinous criminals.”

DHS didn’t mince words when responding to Denver’s new face coverings ban either, saying in part, “To be crystal clear: we will not abide by a city council’s unconstitutional ban. Our officers wear masks to protect themselves from being doxxed and targeted by known and suspected terrorist sympathizers. Not only is ICE law enforcement facing a more than 1,300 percent increase in assaults against them, but we’ve also seen thugs launch websites to reveal officers’ identity.”

On the other hand, the Denver City Council didn’t mince words when it approved the ban.

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“It’s very disturbing to me, as an American, to see masked agents on the street,” said Councilman Kevin Flynn who represents District 2. “I don’t know what the best way is to enforce our immigration laws, but I think I know the worst way when I see it.”

“I said all along, this was a slam dunk,” added Councilman Darrell Watson of District 9.

Last month, a federal judge struck down a California law prohibiting federal agents from wearing masks. But, the city council says it made sure its ordinance is enforceable.

You have to treat all law enforcement the same,” said City Council President Amanda Sandoval. “So, our sheriffs can’t have masks. Our State Patrol can’t have masks. And federally you can’t have masks. And we delineate that within the ordinance which, that’s where California got the issue.”

Sandoval said she was monitoring the legal process and comparing the two ordinances to ensure they would be good to go.

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Although the city council believes the ordinance is constitutional, the Denver Police Department says it’s still working to determine what implementation could look like, and provided this statement to CBS Colorado:

“Our Safety departments are working with the City Attorney and bill sponsors to determine what implementation could look like. Of utmost importance is discretion and prioritizing de-escalation when encountering these situations. Our goal is to apply this ordinance in a way that builds trust and transparency without putting officers, deputies, or the public at risk.”

Coupled with the city’s new executive order, Sandoval believes Denver now has the necessary guidelines in place.

“A map for residents to understand predictability, and that’s what I always want, is what can the residents be able to rely on.”

There are exemptions in place for the ban, for example: during an active undercover operation, when gear is required for physical safety, and for personnel performing SWAT duties.

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