Sendi Jia, a designer running her own studio between Beijing, China, and London, England, says she mainly uses AI generators like DALL-E to make fake photos for background panels or websites when her clients don’t have access to real ones. That’s helped clients with limited budgets, but it’s also exposed just how much of the creative process AI can replace. Recently, a potential client working in a university contacted Jia about creating the logo for a new project. Then, they changed their mind. They had used AI to make it, they said.
Technology
Graphic artists in China push back on AI and its averaging effect
Chinese graphic artists are rapidly experiencing the impact of image generators on their day-to-day work: the technology enables copycats and profoundly shifts clients’ perception of their work, specifically in terms of how much that work costs and how much time it takes to produce. Freelance artists or designers working in industries with clients that invest in stylized, eye-catching graphics, like advertising, are particularly at risk.
Long before AI image generators became popular, graphic designers at major tech companies and in-house designers for large corporate clients were often instructed by managers to crib aesthetics from competitors or from social media, according to one employee at a major online shopping platform in China, who asked to remain anonymous for fear of retaliation from their employer.
Where a human would need to understand and reverse engineer a distinctive style to recreate it, AI image generators simply create randomized mutations of it. Often, the results will look like obvious copies and include errors, but other graphic designers can then edit them into a final product.
“I think it’d be easier to replace me if I didn’t embrace [AI],” the shopping platform employee says. Early on, as tools like Stable Diffusion and Midjourney became more popular, their colleagues who spoke English well were selected to study AI image generators to increase in-house expertise on how to write successful prompts and identify what types of tasks AI was useful for. Ultimately, it was useful for copying styles from popular artists that, in the past, would take more time to study.
“I think it forces both designers and clients to rethink the value of designers,” Jia says. “Is it just about producing a design? Or is it about consultation, creativity, strategy, direction, and aesthetic?”
“You might get a good result, but there will inevitably be dozens or even hundreds of poor ones … Personally, I see [AI image generators] as more of a toy than a tool.”
At ad agencies, for example, graphic designers work on comprehensive strategies for campaigns, aiming to create iconic, recognizable visual identities across a variety of formats. As such, AI image generators are less useful because they don’t produce anything particularly unique, according to Erbing, a graphic designer in Beijing who has worked with several ad agencies and asked to be called by his nickname.
“Each project faces different problems, and designers are there to solve specific problems, not to create identical visuals,” he says. “Sometimes, the process of thinking through a project takes longer than actually creating the visuals.”
When faced with more complex tasks, AI’s utility dwindles. Image generators are capable of creating many images, but that does not replace the work of understanding what an ad campaign needs to establish a visual identity and communicate what it is the client is selling and why people should buy it. Then, translating those concepts to the AI productively is its own challenge. Among graphic designers in China, there’s a joke that using an AI image generator is like gacha, referring to addictive games where users spend money to receive randomized items and find out what they won.
“You might get a good result, but there will inevitably be dozens or even hundreds of poor ones,” Erbing says. “Personally, I see [AI image generators] as more of a toy than a tool.”
Across the board, though, artists and designers say that AI hype has negatively impacted clients’ view of their work’s value. Now, clients expect a graphic designer to produce work on a shorter timeframe and for less money, which also has its own averaging impact, lowering the ceiling for what designers can deliver. As clients lower budgets and squish timelines, the quality of the designers’ output decreases.
“There is now a significant misperception about the workload of designers,” Erbing says. “Some clients think that since AI must have improved efficiency, they can halve their budget.”
But this perception runs contrary to what designers spend the majority of their time doing, which is not necessarily just making any image, Erbing says.
Erbing, like other designers, hopes AI image generators can become more useful to graphic designers in the future, and notes that people’s perception of their usefulness outpaces their actual application. In the meanwhile, it is twisting the clients’ view of the usefulness of the artists themselves.
Amazon Prime Day kicks off tomorrow, July 8th, but you don’t have to wait until then to pick up Apple’s latest pair of AirPods at a discount. Right now, the AirPods 4 are available for around $99 ($30 off) at Amazon, Best Buy, and Walmart, while the AirPods 4 with noise cancellation are going for around $149 ($30 off) at Amazon, Best Buy, and Walmart. That’s within $10 of the lowest price we’ve seen on the ANC model and matches the lowest price to date on the base pair.
Both versions of Apple’s current-gen earbuds feature shorter stems and larger buds than previous models, allowing them to accommodate a broader range of ear shapes. The open-style earbuds use a hard plastic body that doesn’t create a tight seal inside your ear, which means they sacrifice some bass response compared to gummy-tipped earbuds. Hardshell earbuds won’t create pressure in your ear, though, which can feel uncomfortable after listening to music for a few hours.
Overall, the fourth-gen AirPods sound better than previous models due to a custom amplifier and new acoustic architecture. Audio quality is somewhat subjective and largely depends on how the music was recorded, mixed, and mastered; however, former Verge staffer Chris Welch noted in his review that he was pleased with the sound of Apple’s latest pair of wireless earbuds. If you’re upgrading from an older pair, you’ll notice a difference.
The AirPods 4 run on Apple’s H2 chip, which is required for Voice Isolation, a feature that reduces background noise and amplifies the volume of your voice during calls. If you’re using an iPhone, you can say “Hey Siri” to evoke Apple’s smart assistant to place calls, hear and return messages, and play music. You can also locate the earbuds using the Find My app on Apple devices if they’re misplaced.
The entry-level model can last up to five hours on a single charge and can be fully charged five times using the included USB-C charging case (the ANC model also offers wireless charging). Both pairs of earbuds are also IP54-rated for dust, sweat, and water resistance, ensuring you can wear them safely during workouts. Needless to say, the AirPods 4 are excellent earbuds at their current price, whether you opt for the model with active noise cancellation or not.
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A breakthrough in medical technology could soon change how sinus infections are treated. Scientists have created micro-robots for sinus infection treatment that can enter the nasal cavity, eliminate bacteria directly at the source, and exit without harming surrounding tissue. This drug-free, targeted approach may reduce our dependence on antibiotics.
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A woman with a sinus infection. (Kurt “CyberGuy” Knutsson)
What are micro-robots for sinus infection treatment?
These microscopic robots are smaller than a speck of dust. They are made of magnetic particles enhanced with copper atoms. Doctors insert them through a narrow duct in the nostril. Once inside, the micro-robots are guided by magnetic fields to reach the infected area.
At that point, a fiber optic light heats the particles and triggers a chemical reaction. This reaction breaks through thick mucus and destroys harmful bacteria at the infection site. As a result, treatment becomes faster, more precise, and far less invasive.
This latest advancement comes from a collaboration of researchers at the Chinese University of Hong Kong, along with universities in Guangxi, Shenzhen, Jiangsu, Yangzhou, and Macau. Their work, published in “Science Robotics,” has helped move micro-robotic medical technology closer to real-world applications.
Why use micro-robots instead of antibiotics?
Traditional antibiotics circulate throughout the entire body. In contrast, micro-robots target only the infected area. This reduces side effects and lowers the risk of antibiotic resistance. Furthermore, patients may recover faster because the treatment goes straight to the source.
A woman with a sinus infection. (Kurt “CyberGuy” Knutsson)
Are micro-robots safe?
So far, animal trials have shown promising results. Micro-robots successfully cleared infections in pig sinuses and live rabbits, without causing tissue damage. However, scientists still need to ensure that every robot exits the body after treatment. Leftover particles could pose long-term risks.
In addition, public acceptance remains a challenge. The idea of tiny machines inside the body makes some people uncomfortable. Nevertheless, experts believe those fears will fade over time.
What other uses are possible?
Researchers are already exploring how micro-robots could treat infections in the bladder, stomach, intestines, and bloodstream. Several teams around the world are working to make the technology more advanced and adaptable for deep internal use. If successful, these innovations could revolutionize the way we fight bacteria in the human body.
A doctor examining a woman with a sinus infection. (Kurt “CyberGuy” Knutsson)
Kurt’s key takeaways
The rise of micro-robots for sinus infection treatment marks a major shift in medical care. By offering precise, non-invasive therapy without antibiotics, this method could redefine how infections are treated. With continued research and testing, these tiny tools may soon become powerful allies in modern medicine.
Would you let microscopic robots crawl through your sinuses if it meant never needing antibiotics again? Let us know by writing to us at Cyberguy.com/Contact.
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The new season will be directed by Kai Ikarashi, who also directed episode six in the first season, “Girl on Fire.” There’s no word yet on when Cyberpunk: Edgerunners 2 will premiere, but they did show off this new poster artwork. A trailer will be shown later tonight during a panel at 8:30PM PT for the animation studio, Trigger.
Showrunner and writer Bartosz Sztybor said during Friday’s panel that for season one, “I just wanted to make the whole world sad… when people are sad, I’m a bit happy,” and that this new 10-episode season will be “…of course, sadder, but it will be also darker, more bloody, and more raw.”
A brief summary of the follow-up series tells fans what to expect following the end of David’s story in season one:
Cyberpunk: Edgerunners 2 presents a new standalone 10-episode story from the world of Cyberpunk 2077— a raw chronicle of redemption and revenge. In a city that thrives in the spotlight of violence, one question remains: when the world is blinded by spectacle, what extremes do you have to go to make your story matter?
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