The first people in line on Tuesday, I was told, started camping out on the sidewalk two days ago. Luigi Mangione, the man accused of gunning down UnitedHealthcare CEO Brian Thompson in December 2024, was due in court at 9AM ET for a hearing in one of three concurrent criminal cases against him. And this time everyone was prepared for the mayhem: the signs, the fans, the livestreamers, the protests, the media circus. That’s why the line started even earlier than last time — the people who really wanted to get in to see him knew that no time was too early.
Technology
Can Luigi Mangione get too big to jail?
Mangione is both ubiquitous and fleeting. The last time the public saw him (aside from a bizarre, unauthorized appearance in a men’s shirt listing on Shein) was in February at this same courthouse in Manhattan, when hundreds of members of the general public and media convened for a routine pretrial hearing. He exists in memes, in passing references, and in content moderation decisions, and he lives rent-free in the mind of Donald Trump — yet most people are likely not thinking or talking about Mangione day to day. They are reminded of him when new photos drop or when there are incremental updates in the cases against him. But the wall-to-wall coverage of the case has waned, and it’s the people who are the most tapped in that are working to keep interest in the case alive. Mangione and the larger discussions around healthcare reform are one item in a list of approximately 8,000 pressing topics swirling in the US. How do you keep attention and energy alive in an information ecosystem defined by its fragmentation?
Court officials and police seem to have learned their lesson from February: don’t let a million people inside
The hearing on Tuesday was much more eventful than the one in February: Mangione’s team successfully got two terrorism-related charges tossed in the New York case, a development that supporters of his are celebrating. Given the magnitude of the news, the tempered atmosphere — and the smaller crowds — was noticeable.
Court officials and police seem to have learned their lesson from February: don’t let a million people inside. Instead of admitting members of the public to a hallway outside the courtroom where they could set up camp, the court kept most on the sidewalk.
There are fewer people here than in February, but in some ways the supporters and frenzy are even more fervent. Mason Alexander, who told The Verge he’d been one of the few to make it inside the courtroom for the first hearing, arrived at 11PM the night before and was 25th in line, meaning he wouldn’t get a spot the second time. Some in line have numbers written on the backs of their hands, which I later am told are not part of any official numbering system from the courthouse but were the work of an attendee walking around with a marker, trying to bring order to the line.
“The case just resonated with me,” Alexander says, explaining why he showed up. “Obviously what he allegedly did isn’t something to be cheered about, but I think it was beneficial in the way that it put a spotlight on [the healthcare system issue] that I think is probably the most important in the country, and how much it affects everyday people. It got people talking.”
People Over Profit NYC, a grassroots healthcare reform group with a focus on Mangione’s case, again organized a rally outside. A giant homemade spinning wheel has slots reading “APPROVED” and “DENIED” — spin the wheel to learn the fate of your insurance claim. There are Luigi hats, keychains, DIY T-shirts, flyers about local healthcare legislation. When I arrive shortly after 8AM, reporters and news crews outnumber rally attendees — there are fewer people here, too, than six months ago.
A POPNYC rally attendee who asked to remain anonymous, citing the current political climate, says “protest fatigue” could be a reason attendance dipped (the early morning timeslot also may have contributed).
“I think people are just tired, and they just want to either ignore what’s going on or just give up,” the attendee says. “That’s why we’re out here, to let them know we’re still here. Even if you’re tired, we’ll still go on. And maybe they’ll join us next time.”
There’s also the unavoidable reality that the hearing is happening a week after right-wing provocateur Charlie Kirk was killed at a public event in Utah. Though the two cases are not obviously connected, there’s been a swift and brutal crackdown from the American right wing, directed at anyone who is deemed to be “celebrating” Kirk’s murder. Private and in some cases innocuous social media posts are being used to report people to employers or dox them. It’s not surprising that Mangione supporters may be reluctant to be photographed at a rally for him.
It’s hard enough to keep major events and causes in the news, but Mangione’s case has unique, complicating factors. The central character — who many see as sympathetic — is accused of stalking and shooting Thompson point-blank (Mangione has pleaded not guilty). UnitedHealth Group has waged an all-out attack on critics, targeting filmmakers, social media users, and news outlets. Tech companies are working to moderate Mangione-related content, though some supporters complain that their content and accounts are being taken down without explanation. There is also the general specter of violence that clouds current US political discourse. It’s never a good time to be an alleged assassin, but especially not now.
Part of what makes the Brian Thompson murder case so strange is the way most people consume and follow it: through the hundreds of photos and videos of Mangione looking “hot.” Mangione’s overlapping and high-stakes legal battle is relayed to the public via new photos of him; it obfuscates both the seriousness of the crime and charges, as well as the punishment he faces if convicted. There is a clear tonal disconnect in coverage of the case: the Daily Mail is both running stories about the “sick” fans that support him and posting 29-photo slideshows to TikTok that are a collection of Mangione’s face from every possible angle.
On Tuesday, Mangione wore a khaki prison outfit instead of street clothes. He was once again shackled at the ankles, wrists, and waist — something his attorneys have complained about. As we waited for him to enter, another reporter remarked that it felt a bit like a wedding: the press and two dozen or so members of the public kept glancing back at the slightest of noises, like we were waiting for a bride to walk down the aisle. A supporter who managed to get into the courtroom, who asked to be named as SAS, later told me she could hear his shackles before she saw him. Some online commenters described him as looking “pale,” “skinny,” and like he had been “crying a lot.” (I’m not really seeing this, personally.) After both hearings, there’s been a lot of reading into Mangione’s demeanor — but the truth is that the court dates have been exceedingly normal and professional. There is no deeper personality or psychology to be gleaned from being inside a room with him for 20 minutes.
The most significant development from Tuesday’s hearing brought good news for Mangione: Judge Gregory Carro, who is overseeing the New York state case against Mangione, dropped two major terrorism-related charges in what is seen as a major win for the defense. The state argued that Thompson’s murder was meant to “intimidate or coerce a civilian population,” but Carro found the claims to be “legally insufficient.” Carro says in essence that under New York law, the alleged “ideological” motive doesn’t fit the definition of terrorism.
As Carro announced that he was dropping the terrorism charges, a few supporters in the courtroom audibly reacted
“The court agrees with the defendant that the [state] appear[s] to conflate an ideological belief with the intent to intimidate or coerce a civilian population,” Carro writes. “While the defendant was clearly expressing an animus toward UHC, and the health care industry generally, it does not follow that his goal was to ‘intimidate and coerce a civilian population,’ and indeed, there was no evidence presented of such a goal.” Mangione still faces charges of second-degree murder in the New York state case.
As Carro announced that he was dropping the terrorism charges, a few supporters in the courtroom audibly reacted — a faint exclamation, maybe even a gentle clap, that drew a scolding from a guard.
On other motions, Mangione’s defense was less successful. Mangione is facing three concurrent cases: the one in New York, a separate state case in Pennsylvania, and a federal case. Mangione’s defense team has argued that the state and federal cases happening at the same time amounts to double jeopardy: the US Constitution bars defendants from being prosecuted for the same crime twice. Carro rejected the double jeopardy argument. Mangione’s lawyers have also argued that the federal case against him — which carries the possibility of the death penalty — should proceed before the state case. On Tuesday, Carro denied Mangione’s request to put the state case on hold. The next hearing in the state case is scheduled for December 1st. Mangione is due in court for the federal case a few days later.
Luigi Mangione’s fate and his public persona are inextricably linked. Widespread and sustained attention on his case depends on how often he can get in front of people through their digital feeds. The windows of opportunity to grab attention and deeper public engagement are limited because he is making public court appearances only once every several months. The public spectacle of the case is ever-present: Mangione’s attorneys have written at length objecting to him being shackled during court appearances that are then photographed and shared, saying they are “deeply prejudicial” and damaging to his right to a fair trial.
One avenue Mangione supporters have been pursuing is around jury nullification, when a jury acquits even if it believes a defendant committed a crime (in February, a truck with an LED billboard on the side showing jury nullification information circled the courthouse during the hearing). But even that relies on a massive public outreach campaign in an era of short attention spans and a fractured media ecosystem.
As I wrote in February, a cycle is beginning to take shape: One day Mangione is all we see on social media. The next he is gone. Rinse and repeat. While I was in court with my phone tucked away, friends texted me about new Luigi photos, just as they did six months ago. Is becoming a meme — no matter how beloved or reviled — enough to have your life spared? The stakes couldn’t be higher, and the culture couldn’t be more fickle.
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Technology
The latest Instax printer is a pricey but worthy upgrade
FujiFilm’s Instax Mini Link 3 printer is a much-loved $100 accessory in my travel journal kit. I often tape a printed image next to my handwritten thoughts to preserve a moment in time. The prints produced by the instant film can, however, be soft and muddy — something the new $169.95 Instax Mini Link+ promises to improve.
The big upgrade is a new Design Print mode. It’s supposed to make text and intricate illustrations crisp and legible, but I didn’t see much of an improvement, despite that being a big selling point. I did, however, find that the improved processing inside the Mini Link+ enhanced contrast, colors, and sharpness, to reveal more details in a wide variety of photos, and I think that’s more important to most people.
From my testing, the new Mini Link+ is definitely an upgrade, but don’t expect this, or any instant film Instax printer to perform miracles, especially for images measuring just 62 x 46mm (2.44 x 1.81 inches).

$170
The Good
- Best Instax Mini printer yet
- Improved colors, sharpness, and contrast on most photos
- Fun for creatives
The Bad
- Little improvement on text heavy illustrations
- Expensive
- App is overwrought
FujiFilm’s Instax printers all use its Instax Mini instant film which typically costs around $30 for 20 sheets, or about $1.50 per photo. To print, you need to download the “Instax Mini Link” app available for both iOS and Android.
The app is overwrought with features that let you visualize your photos in real space with VR and use the printer as a remote camera shutter. It also helps you organize your images; imagine your prints in frames, on shelves, or as a collage taped to the wall; and prettify them with text, stickers, and filters. You can even connect your Pinterest account if you want. Fun, I suppose, but I’m not twelve-years old – I’m a full-grown man, damnit, and I just want to print photos in my iPhone’s photo library, and do it quickly!




To do that, I have to first import the image into the Instax Mini Link app, hit print, choose either the Simple or Design mode, then wait 20 seconds for the printout. Simple print promises “smooth color tones for everyday images” and produces softer images that, in general, are still an improvement over most anything the Mini Link 3 can print. Design mode is exclusive to the Mini Link+ and the reason you might want it.
I tested the different modes with a variety of images and generally found Design prints made on the Mini Link+ were superior for faces, landscapes, high contrast images, and macro shots of nature. Everything, really, other than text-heavy illustrations, where I saw no obvious improvement.

For example, look at my stupid face. Photos with intense lighting were susceptible to blowout when printed on the older Mini Link 3. The Simple and Design prints from the Mini Link+ handled the lighting better, with improved contrast, more detail in the eye, and more accurate colors and skin texture.

In the example above, everything in the Mini Link 3 print is super soft and blends together in a muddled mess. The Mini Link+ again offers improved contrast, with visible textures on the rock faces, tree branches, and improved colors throughout. The wooden slats on the barn, lines of individual trees, and wheel detail are more pronounced on the Design print, with less saturation on that big pine to the left.

Here, the Mini Link 3 struggles to depict the snow as anything but a white smear, while you can make out individual snowflakes and depth on the Mini Link+ Design print.

In this example, the Mini Link 3 really flattens the sky and removes the texture from the distant mountain. The greens and blues are more brilliant with the Simple and Design prints, while the separation between bits of gravel and blades of grass is more apparent in Design mode.


In this Spotify screenshot, Design mode sharpens the lettering and artificially enhances the white text with a black outline, most visible on the letters “a” and “s.” Simple mode doesn’t do this. The outlining does make the lettering pop.




I find surprisingly little difference between these illustrations printed by the Mini Link 3 and the Mini Link+, even in Design mode. Strange because this is where FujiFilm’s new printer is supposed to excel. Nevertheless, they all look good enough for hobbyists, and anyone looking to spice up a journal or decorate a room.
1/7
After printing 15 photos over the last few days, the battery on the Instax Mini Link+ is still at 80 percent. The battery charges over USB-C, and, if you’re in Europe, the FujiFilm NP-70S battery can be user-replaced when it no longer holds a charge.
From my testing, I think it’s clear that if you want the best photo quality available in an Instax printer, then the $169.95 Mini Link+ is the one to get. It also makes the case for being a worthy upgrade for some Mini Link 3 owners, so long as you’re not expecting improved prints of text-heavy illustrations.
But its price puts the Mini Link+ into direct competition with dye-sublimation printers like the Canon Selphy QX20 which yields prints that are sharp and accurate with better resistance to water and fading. Otherwise, the Mini Link 3 is still a great printer for the price, and the soft, moody images it prints is a vibe worth $100.
Photography by Thomas Ricker / The Verge
Technology
Fox News AI Newsletter: Amazon cuts thousands of roles
An Amazon delivery worker sorts packages out for delivery in the financial district of New York City, Oct. 11, 2022. (REUTERS/Brendan McDermid)
NEWYou can now listen to Fox News articles!
Welcome to Fox News’ Artificial Intelligence newsletter with the latest AI technology advancements.
IN TODAY’S NEWSLETTER:
– Amazon to cut 16,000 roles as it looks to invest in AI, remove ‘bureaucracy’
– Uber unveils a new robotaxi with no driver behind the wheel
– Ex-Google engineer found guilty of stealing AI secrets for Chinese companies
MASSIVE CUTS: Amazon said Wednesday it will cut approximately 16,000 roles across the company as part of an organizational overhaul aimed at “reducing layers, increasing ownership, and removing bureaucracy,” while continuing to invest heavily in areas such as artificial intelligence.
YOUR NEW RIDE: Uber is getting closer to offering rides with no one behind the wheel. The company recently unveiled a new robotaxi and confirmed that autonomous testing is already underway on public roads in the San Francisco Bay Area. While the vehicle first appeared earlier this month at the Consumer Electronics Show 2026, the bigger story now is what is happening after the show.
Lucid, Nuro and Uber unveil a robotaxi during Nvidia Live at CES 2026 ahead of the annual Consumer Electronics Show in Las Vegas, Jan. 5, 2026. (Patrick T. Fallon / AFP via Getty Images)
TECH THEFT: A federal jury found a former Google engineer guilty of stealing artificial intelligence (AI) trade secrets and spying for Chinese tech companies, ending a high-profile Silicon Valley trial.
FIDO’S BIG BROTHER: Tuya Smart just introduced Aura, its first AI-powered companion robot made for pets. Aura is designed specifically for household cats and dogs, with AI trained to recognize their behaviors, movements and vocal cues. The idea behind Aura is simple. Pets need more than food bowls and cameras. They need attention, interaction and reassurance.
GOING BIG: What happens when artificial intelligence (AI) moves from painting portraits to designing homes? That question is no longer theoretical. At the Utzon Center in Denmark, Ai-Da Robot, the world’s first ultra-realistic robot artist, has made history as the first humanoid robot to design a building.
A man faces the realistic artist” robot “Ai-Da” using artificial intelligence at a stand during the International Telecommunication Union (ITU) AI for Good Global Summit in Geneva on May 30, 2024. (FABRICE COFFRINI/AFP via Getty Images)
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Stay up to date on the latest AI technology advancements, and learn about the challenges and opportunities AI presents now and for the future with Fox News here.
Technology
Sonos’ Super Bowl sale knocks hundreds off its audio gear
Sonos isn’t exactly synonymous with the Super Bowl, although the brand discounts its gear every year around this time like clockwork. It’s knocking 20 percent off many of its marquee products, including soundbars and standalone speakers — all of which can be paired together to improve sound quality and to put audio in more places at home.
Through February 16th, the company is keeping its prices in place on the Era 100 and the larger Era 300 speakers, the Beam and Arc Ultra soundbars, as well as its selection of wireless subwoofers. To put the prices in context, some of these discounts match — or beat — the current costs of Sonos’ certified refurbished gear.
The Era 100 very well may be the best, most feature-packed smart speaker around in its price range. In our 2023 review, we praised its stereo sound playback and improved bass response over its predecessor, the Sonos One. Notably, it supports Bluetooth playback (in addition to Wi-Fi connectivity) as well as line-in audio via USB-C, in case you’d rather plug in a wired audio source. While this model typically sells for $219, it’s currently available for $179 through Sonos, as well as Amazon and Best Buy.
The Era 300 is Sonos’ modern spin on the Sonos Five, offering bigger sound than the Era 100. Its specialty is spatial audio, which sounds incredible when you find a song that’s been mixed just right (the thing is, not all Dolby Atmos tunes are mixed equally). Like the Era 100, this model offers Bluetooth and Wi-Fi wireless connections, as well as line-in via USB-C. Our review notes, however, that stereo playback is an area where the Era 300 actually falters compared to its predecessor. But given its improvements overall (and since the Five that launched in 2020 is no longer on sale), the 300 is a great speaker to consider if you really want to feel immersed in your music. It’s $379 during the sale period at Sonos and Best Buy, down from $479.
Jumping to soundbars, the second-gen Beam is down to $369 from its original $499 price. While it’s definitely not the most feature-packed soundbar that you can get at around this price, its ability to tie-in with other Sonos products, plus its improved soundstage over the first-gen model might make it worth considering for you. The inclusion of Dolby Atmos is its marquee feature, although we noted in our review that it’s a virtualized effect since it lacks upward firing speakers that truly enable the vertical sound effects to shine. Note that it’s lacking in physical connectivity compared to most other models, with just a power plug, an HDMI eARC port, and an ethernet jack. In the event that you wish to connect the Beam to your TV or receiver via optical audio, you’ll need to purchase this $25 HDMI-to-optical adapter.
The Arc Ultra is a much better soundbar than the Beam, and carriers a larger $899 price (down from $1,099). Our reviewer noted that the bass improvements in this model are such that it can stand on its own without the purchase of a wireless subwoofer. It also boasts more immersive sound quality, plus Bluetooth connectivity, which was missing in the original Arc. The Arc Ultra’s sound can be further enhanced by connecting other Sonos speakers to the mix, although its older Play:1 and Play:3 speakers are ineligible to join the speaker family for surround sound.
If you’re considering either the Bean or the Arc Ultra (or if you already own one of its soundbars), their performance will benefit greatly with the addition of a Sonos subwoofer, of which the company makes two models. The Sub 4 is its high-end option, which is $759 during the sale period (down from $899). Anything this close to $1,000 is extremely expensive for a subwoofer, especially considering that most companies include one with their surround sound systems. The Sub 4 is able to lay horizontally or sit vertically — however suits your room best.
For almost half the cost of the Sub 4, you can get the Sub Mini. It’s $399, down from $499. You may be thinking that even this one is still pretty costly, and I agree. Although, it’s a product that Sonos loyalists were begging for, as before it there was no other choice than to spring for its more expensive subwoofer. In our review, we deemed it unworthy for filling large rooms with bass, but totally sufficient in most other ways. Something cool about its design is the force-canceling effect that reduces floor vibrations, which could be great if you’re worried about disturbing neighbors or other people in the house.
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