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The Year Virginia Rewrote the Rules of Popular Culture

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The Year Virginia Rewrote the Rules of Popular Culture


At the height of his powers, Michael Vick may make a damaged play seem like it was deliberate. In 2002, as quarterback for the Atlanta Falcons, he was a newly minted NFL star, recognized for his potential to confound defenses along with his deep passes and exhilarating runs. In my Virginia Seaside highschool, this was the yr of the Michael Vick jersey; we had been a couple of Vick-length scramble from his hometown of Newport Information. Positive, Vick performed in Atlanta, however we had been keenly conscious that he was bred from our soil, and we had been happy with his ascension to the nationwide stage.

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In December of that yr, when the Falcons performed the Minnesota Vikings, Vick greater than confirmed his star standing. The sport was tied at 24 in time beyond regulation, and Vick had the ball. Dealing with an oncoming move rush, he instinctively moved to the left, his robust aspect, and located a working lane. Most different quarterbacks of that period would doubtless have taken a couple of yards and slid to keep away from a blow from an opposing linebacker. However Vick stored working. Two defenders closed in on him, one on both sides. The defender to his left missed the deal with altogether, and the one to his proper bought only a handful of jersey. Vick charged on one other 20-plus yards into the tip zone for the landing, and the Falcons received. Because the groups cleared the sphere, a tv announcer stated: “Is there any doubt as to who would be the most respected participant within the NFL this season?” Vick didn’t find yourself profitable the award, however performs like this one made him a family title nonetheless.

It was yr to be from Virginia, and to rewrite the principles. Missy “Misdemeanor” Elliott—born and raised within the delivery city of Portsmouth—had us all satisfied she should be saying one thing on the gibberish-sounding refrain to her hit single “Work It,” if solely we may decipher it. In actuality, what we heard was a studio mistake that performed her previous vocals (“Is it price it? / Let me work it / I put my thang down flip it and reverse it”) backwards (“Ti esrever dna ti pilf nwod gnaht ym tup”). However Missy favored the best way it sounded; the string of nonsensical phrases completely enhances the frenetic power of the robots-and-lasers-meets-’80s-hip-hop beat. “Work It,” which was co-produced by Missy’s musical associate Timbaland (from Virginia Seaside), turned her highest Billboard-charting single, peaking at No. 2, and helped her fourth album, Beneath Building, obtain double-platinum standing.

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Songs by artists and producers from the Tidewater area had been all around the charts. The Neptunes—the manufacturing duo of Pharrell Williams and Chad Hugo, each raised in Virginia Seaside—made hit tracks throughout a number of genres for the likes of Busta Rhymes, ’NSync, Beenie Man, LL Cool J, and Clipse (a pair of brothers, Pusha T and Malice, who had been additionally from Virginia Seaside). In 2002, the Neptunes had their first No. 1 single with Nelly’s “Sizzling in Herre,” a percussion-heavy dance quantity with a go-go-inspired beat. For Justin Timberlake’s solo debut, Justified, launched in November 2002, the singer enlisted the Neptunes and Timbaland to form his emergent sound, a mixture of pop, dance, hip-hop, and soul.

You’d be forgiven for not realizing simply how influential Virginia was 20 years in the past. The cultural innovators from Atlanta and New Orleans who bubbled up across the similar time had been consuming quite a lot of oxygen. Looking back, although, Vick, Missy, Timbaland, and the Neptunes—to not point out Allen Iverson, born and raised in Hampton, and maybe the preferred and polarizing NBA participant of that period—amounted to a boldly artistic wave.

Iverson, each beloved and criticized for his swagger and streetball-inspired play, embodied this spirit. It was additionally the yr of his notorious, misunderstood “apply rant.” At a press convention following a disappointing season for the Philadelphia 76ers, a reporter repeatedly questioned Iverson’s dedication to the sport, after he’d reportedly missed apply. Iverson balked on the suggestion that he had let down his crew. “I’m purported to be the franchise participant,” he stated, “and we’re in right here speaking about apply … not the sport that I am going on the market and die for and play each sport prefer it’s my final, not the sport—we’re speaking about apply.” Iverson acknowledged, and rejected, the subtext: the outdated, pernicious concept that “flashy” Black gamers lacked work ethic. Nevertheless theatrically expressed, his exasperation, heightened by the grief of getting not too long ago misplaced a detailed buddy to gun violence, was actual.

What was it in regards to the Tidewater space that produced so many audacious cultural figures? I can’t assist considering that restlessness thrives when your profession choices appear restricted to becoming a member of the army (the naval base in Norfolk was an enormous employer), getting a military-adjacent job (loads of these in Hampton Roads), or promoting crack. As Clipse memorably put it on “Virginia,” their darkish 2002 ode to the state, the commonwealth is a spot “the place ain’t shit to do however prepare dinner.” (Clipse rapped candidly, unapologetically, and relentlessly in regards to the crack commerce.) It could have additionally helped that these rappers and athletes didn’t have a lot of an area cultural legacy to attract on, which in flip meant not having a lot of a legacy to be beholden to. The world may really feel like a cultural hinterland. “We bought all the things so late,” Missy informed the author Rachel Kaadzi Ghansah in 2017, that “it additionally allowed us to be totally different as a result of we didn’t hear.” They needed to change into architects.

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To be younger, Black, and inventive in Virginia on the flip of the millennium actually was not a recipe for any sort of success one may predict. After 1989 the message was clear: Virginia’s main means of interacting with younger Black individuals was by neglect or hostility. That yr, the Virginia Seaside police overreacted to Greekfest—an annual Labor Day–weekend gathering of Black school college students, a lot of them members of Black fraternities and sororities—and the competition became two days of rioting. Cops on horses swung batons as festivalgoers shouted “Combat the ability!” Police and civilians had been injured, and a few 100 companies confronted an estimated $1 million price of injury. The tourism slogan that Virginia was “for lovers” rang hole to a few of its personal inhabitants.

An surprising enhance got here within the type of Teddy Riley, the king of the brand new jack swing style. Within the early ’90s, Riley moved right down to Virginia Seaside from his native New York Metropolis. He found the Neptunes at a high-school expertise present and later signed them to a deal; they ended up writing on and co-producing some Riley-led tracks. Whereas Riley was engaged on “Rump Shaker” (Pharrell wrote his verse), Timbaland was DJ-ing in Virginia. He had beforehand collaborated with Pharrell, who’s his cousin, in a gaggle they referred to as S.B.I., or Surrounded by Idiots. (They had been youngsters.) After the dissolution of that group, a mutual buddy launched Timbaland to Missy, who was a part of a lady group then referred to as Fayze, and the 2 bonded. Their breakthrough as a songwriting/producing duo got here with their work on Aaliyah’s 1996 album, One in a Million.

photo of 3 men posing for candid snapshot
Malice, Pharrell Williams, and Pusha T in 2003. The brothers Malice (who now goes by No Malice) and Pusha T made up the Clipse duo. (KMazur / Getty)

Iverson, too, was a catalyst. He had been well-known within the space as a high-school basketball and soccer star—although his profession prospects had been almost derailed when, at 18, he was convicted on felony expenses of “maiming by mob” after his participation in a bowling-alley battle drawn alongside racial traces. (The fees stem from an obscure Virginia legislation initially meant as an anti-lynching measure.) However he was quickly granted conditional clemency by then-Governor Douglas Wilder, and he went on to play at Georgetown. Finally, his conviction was overturned, and in 1996, Iverson turned the NBA’s No. 1 draft decide. Just a few years later, Vick, a stunning Warwick Excessive Faculty quarterback (whose mom knew Iverson’s), drew comparisons to the basketball participant: Right here was one other homegrown future star at work. Vick’s signature fashion gelled in his two seasons at Virginia Tech, the place he took the schoolyard ethos that outlined Iverson’s sport and put it to make use of on the gridiron. He went on to be the No. 1 NFL draft decide in 2001.

Just a few extra NFL gamers from the area have come up after Vick, however none of them has fairly captured his star energy (and Vick all however ended his profession a couple of years later, when he pleaded responsible to bankrolling a dogfighting ring). There has by no means been one other Iverson. And though Pusha T, Missy, Timbaland, and Pharrell have all loved continued success, no new crop of artists has come behind them waving Virginia’s flag. Nor has Virginia change into a vacation spot for iconoclastic reinventors who need to make their damaged performs and backward lyrics look deliberate.

Which isn’t to say that these pioneers have had no lasting impression; Virginia is all over the place if you realize what to search for. So a lot of in the present day’s NBA stars take after Iverson, whether or not we’re speaking in regards to the arms coated in tattoos or the best way they execute a crossover. Positive, Tom Brady is extensively thought-about the GOAT, however for each younger NFL quarterback price watching, the prototype is Vick, combining an correct cannon arm with severe working pace, if not fairly his catch-me-if-you-can zeal. And the music of Missy, Timbaland, and the Neptunes/Pharrell has spent a cumulative 888 weeks on the Billboard charts for the reason that starting of 2002—that means that when you’ve got listened to music, even casually, over the previous 20 years, you’ve nearly actually listened to music created by somebody from Virginia, somebody who bought their begin by doing issues their very own means.

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These days, when Virginia makes headlines, it’s due to issues just like the alt-right rebellion in Charlottesville, a governor’s blackface scandal, fights over vital race concept in colleges, or guidelines that make life harsher for transgender youngsters. In 2019, Pharrell tried one thing totally different. The live-music panorama was shifting to focus extra on festival-style concert events, and Pharrell, working with the Virginia Seaside chief of police, appeared to ascertain his hometown as a website for a weekend-long occasion that may invite tourism, commerce, and artists from throughout to the Tidewater space. He referred to as it “One thing within the Water,” and it was successful. Everybody concerned hoped that the competition would return after a COVID-prompted hiatus. However then, in March 2021, a Virginia Seaside police officer—allegedly responding to stories of gunshots—shot and killed Pharrell’s 25-year-old cousin, Donovon Lynch. Citing Virginia Seaside’s “poisonous power,” Pharrell moved the 2022 iteration of the competition up north to Washington, D.C.

For now, 2002 exists as an anomaly, one which doesn’t even have its personal lore to accompany it, as a result of nobody bothered to note. I fear that I’m making an excessive amount of of it myself, attempting to learn that means right into a set of lyrics performed backwards. Possibly I have to consider there’s one thing within the water, as a result of I drank it. However once I hear Neptunes beats bumping down the road of my Brooklyn neighborhood, I do know the remainder of the world has been feeling that one thing too.


This text seems within the December 2022 print version with the headline “Tidewater Renaissance.”



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Virginia

Theatrical Outfit shows no fear in staging new 'Virginia Woolf'

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Theatrical Outfit shows no fear in staging new 'Virginia Woolf'


“What a dump!”

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With those three words — spoken just a few lines into Edward Albee’s “Who’s Afraid of Virginia Woolf?” — theatrical history was made.

Albee’s legendary play, which opened on Broadway in 1962 and won the Tony Award for Best Play, is considered one of the most important works in American theater history. It’s been repeatedly revived on stages around the world, was made into an Oscar-winning film, and is still frequently referenced in other film and television projects. And now, Atlanta’s own Theatrical Outfit is bringing “Who’s Afraid of Virginia Woolf?” to the Balzer Theater at Herren’s, giving local audiences a chance to find out why the play remains so powerful and so influential.

Theatrical Outfit’s production of “Who’s Afraid of Virginia Woolf?” opened last week and is scheduled to run through June 9, under the direction of the company’s artistic director Matt Torney. In a release announcing the production, Torney says he wanted to take a “bold new look” at the oft-staged play, which centers on two couples — the older George and Martha and the younger Nick and Honey — and the one very dysfunctional evening they spend together. As the night wears on, the cocktails flow and the insults fly — with Albee’s sharp dialogue as piercing as it gets. 

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Acclaimed stage, film, and TV actors Tess Malis Kincaid and Steve Coulter step into the famed roles of Martha and George, with Devon Hales and Justin Walker taking on the characters of Honey and Nick. And this morning on Good Day Atlanta, we spent a little time with the talented stars on the Balzer Theater at Herren’s stage, learning more about the production and the cast’s thoughts on finding fresh life in the iconic work.

For more information on “Who’s Afraid of Virginia Woolf?” and to check out showtimes and ticket prices, click here. And click the video player in this article to hear more from the stars of this not-to-be-missed production!



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Virginia Softball’s Historic Season Ends in Regional Final Loss to Tennessee

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Virginia Softball’s Historic Season Ends in Regional Final Loss to Tennessee


The 2024 Virginia softball season came to an end on Sunday in Knoxville, as the Cavaliers were eliminated from the NCAA Tournament with a 6-0 loss to No. 3 overall seed Tennessee in the regional final.

Tennessee thoroughly outmatched Virginia in a Saturday afternoon matchup when the Lady Vols won 12-0 in five innings. In the rematch in the regional final, the Cavaliers looked to play closer to the SEC regular season champions. 

While the offense struggled in the game, the UVA pitching staff pitched more competitively in game two, and the Hoos lost 6-0. 

Eden Bigham pitched two complete games in two days, but she got the ball in the circle to start game three. Bigham struggled with her command early in the first inning, with a walk and a hit batter in the first three batters. 

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After a passed ball put runners on second and third with one out, Bigham got a strikeout for the second out. However, Rylie West hit a two-run single on the first pitch she saw to give Tennessee a 2-0 lead. 

Tennessee’s pitcher Karlyn Pickens pitches in the low to mid 70s, a velocity that the Cavaliers haven’t seen often. All three Virginia batters put the ball in play in the first inning, but didn’t make powerful contact.

In the top of the second, Bigham retired the side in order. However, Karlyn Pickens had a quick inning of her own, only needing eight pitches. 

The Lady Vols got the best of Bigham in the top of the third inning. After a walk and a bloop single, Zaida Puni had an RBI single. Rylie West came up clutch right after, hitting a two-run double and doubling her RBI count. Madi Harris entered the game after the score was 5-0, and she retired two batters to end the inning. 

Harris worked around a walk in the top of the fourth to keep Tennessee at five runs. Abby Weaver had a highlight reel play with two outs, as she charged in and laid out to make a nice catch in right field. 

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Abby Weaver was also Virginia’s first baserunner in the bottom of the fourth, as she worked a walk. The Hoos were still hitless through four innings. 

Rylie West continued her hot streak with a solo home run in the top of the sixth. West had three hits  and five RBI as the offensive MVP for Tennessee. 

Shelby Barbee broke up the no hitter in the fifth inning with a single, but Pickens got two strikeouts to make sure Virginia didn’t score. Leah Boggs added a hit of her own in the sixth, but the Tennessee defense got three ground balls. 

Madi Harris continued her solid pitching campaign through the end of the game. Harris finished with 4.2 innings pitched, allowing four hits and just one run. Harris’s great pitching kept the score close, despite the lacking offense.

With two outs in the seventh inning, Joanna Hardin subbed out her seniors to a standing ovation from the fans. 

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In the bottom of the seventh, Sarah Coon got on base when she was hit by a pitch, but that was all Virginia could muster. Tennessee will advance to the Super Regionals. 

Virginia finishes the season at 34-20, and 15-9 in the ACC. Joanna Hardin has led her team to steady improvement over the past few years. The Cavaliers won 30 games last year but weren’t selected to make the tournament.

This year, UVA made its second ever NCAA tournament appearance, and got its second and third wins in program history. Thanks to the two shutouts of Miami of Ohio, Virginia made it to a Regional Final for the first time ever. By making it to Sunday, the Hoos are in the top 32 teams, a very impressive finish.

Seniors Abby Weaver, Lauren VanAssche, Madi Harris, Mikayla Houge, Savanah Henley, and Leah Boggs depart having been a major part of the turnaround for Virginia softball. They will be missed, but there is a ton of talent still on the roster for next season and the future is bright.



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Connor Shellenberger’s goal in double OT lifts Virginia lacrosse to Final Four

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Connor Shellenberger’s goal in double OT lifts Virginia lacrosse to Final Four


TOWSON, Md. — With a trip to the NCAA men’s lacrosse tournament’s Final Four in the balance, Connor Shellenberger delivered another signature moment during a storied career that has put him on the short list of the greatest players to wear a Virginia uniform.

The sixth-seeded Cavaliers’ all-time leader in points scored 2:20 into double overtime to secure a thrilling 11-10 win over third-seeded Johns Hopkins on Sunday afternoon in the NCAA quarterfinals at Towson’s Johnny Unitas Stadium. Shellenberger’s 31st goal of the year sent Virginia to the national semifinals for the third time in four years and for the 26th time in program history.



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