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Design Miami: 'Blue Sky' Optimism Meets Bold Experimentation in a Shifting Market | Artnet News

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Design Miami: 'Blue Sky' Optimism Meets Bold Experimentation in a Shifting Market | Artnet News


Given the current state of the news cycle, to give Design Miami the over-arching theme of “Blue Sky,” as this year’s newly minted curatorial director Glenn Adamson has done, could either be considered ironic or delusional, or maybe just sweetly optimistic.

Still, the Miami edition of Design Miami (it started in the Floridian city in 2005, hence the name), is known for its more lotus-eating vibes. If the exhibits at the Basel version tend to the historic, and Paris is the ideal spot for elegance and style, then Miami is the place for the experimental and the upbeat. To wit, the Haas Brothers’ large-scale Strawberry Tree that is being co-presented by R& Company and Marianne Boesky in this year’s tent. “Glass is one of the most complicated and collaborative and most modern and historic crafts out there,” say the LA-based brothers, known for their fantastically trippy celebrations of the natural world. The tree is no exception with its bronze trunk encased in thousands of vintage blue beads and hung with luminescent pink glass drops, like over-sized strawberries.

The Haas Brothers The Strawberry Tree by at R & Company x Marianne Boesky for Design Miami 2024 Photo: Kevin Todora; Courtesy of the Nasher Sculpture Center

Since last October, the fair has been under the new ownership of Jesse Lee, a 40-ish resident of Los Angeles who cut his teeth in his twenties matching brands from Asos to Gucci to experiences from youth workshops to Coachella parties. Combing data from his invitation-only website, Basic.Space, that sells cool stuff (high and vintage fashion, contemporary design) to even cooler customers, he has deduced that design is now the major focus of Gen Z and Millennials. “It’s the next big thing for people in music and fashion,” he says.

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a man stands in front of enormous speakers

Devon Turnbull’s USM and OJAS Listening Room Installation. Courtesy of USM.

In a world where there are too many fairs, and to survive they need to evolve, Lee’s entrepreneurial instincts could be for the best. He is, for example, introducing Devon Turnbull’s OJAS / USM sound system to the fair, on the grounds that “if you’re going to spend half a million on a kitchen, you’re probably happy to spend $100,000 on speakers.” But also because he believes in the experiential component. (It was, after all, the food offerings and the performances that helped make the early Frieze into a massive success. And look what’s happened since.)

Lee is interested in finding new locations: Aspen and Seoul have been mentioned and he trialled a reasonably successful LA version in May this year. “I love Hawiai,” he says, “but it’s a bit far.” Meanwhile he is increasing the Curio programme, which allows younger dealers to show at cheaper booths, and the range. For Lee, cars and watches (the dude categories) are not beyond consideration, and he wants to reinforce the fair’s connection to fashion. This year, the Zanotta Sacco bean bags, commissioned by Matthieu Blazy for Bottega Veneta’s October fashion show will be on show.

Jean Royère, Sphère coffee table (1954). Courtesy of Galerie Patrick Seguin.

Out of the 54 dealers coming to Miami, only a small number now show exclusively historic design. One of them is the Parisian Patrick Seguin, who is bringing a selection of iconic works by the 20th Century designer Jean Royere. “I would prefer it if there was more historic work in the fair,” he says. “But most of it is coming from Europe, and shipping furniture is not like shipping a painting.”

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Seguin, however, is an industry expert and his offerings are at the highest end—the Royere Sphere table is $500,000. He has a lot of American clients prepared to spend a fortune on these rare pieces. “At this level, the design market is disconnected from economic reality,” says Seguin whose works appeal to those looking for furniture with the same status that a Picasso or a Basquiat might confer.

a piece of furniture looks like an undulating tongue of stained glass

Javier Senosiain, Warm Colors, Design Miami 2024. Photo: Timothy Doyon, courtesy of Friedman Benda and Javier Senosiain.

For Marc Benda, of New York’s Friedman Benda, it is these top collectors who come on day one who tend to make the venture a success. “But southern Florida is a massive market. There are locals who come back several times,” he says. “There is an openness in the Miami mindset, and I’ve often launched designers’ careers here, including [maximalist] Misha Kahn and [gothic crafter] Chris Schanck.” This year, he has a two-part booth. On one side: the first-ever furniture project, clad in multi-colored Mexican tiles, by the exuberant architect Javier Sanosiain; on the other a new lamp—called Robo—by the Italians Formafantasma, that plays into their insistence on rigor and restraint.

a canopy bed is ethereal

Marc Fish, Ethereal Bed (2024). Courtesy of Sarah Myerscough.

“It took us a while to key into what works in Miami,” says London-based Sarah Myerscough, who is known for having created a significant market for sophisticated but authentically craft-based furniture. “We needed to lighten our palette, get designers to use woods like maple and ash, and respond to the climate.” A couple of years ago, she created a sell-out booth, painting its walls with seductive yellows and blues and showing work including an Angela Demann sissal chandelier that tumbled like hair above a Christopher Kurtz maple table.  (“The paints were by [LA design queen] Kelly Wearstler. I figured she’d understand the aesthetic,” says Myerscough.) This year, she is bringing a sinuously styled bed, with a transparent canopy, by Marc Fish and an equally rococo swing by Dana Barnes and Christopher Kurtz (each around $200,000), all installed in a dusty pink dreamscape.

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a design swing is made of rope

Christopher Kurtz + Dana Barnes, Between Us Tête-à-Tête (2024). Courtesy of Sarah Myerscough.

“Historically,” says Trevyn McGowan of South African gallery Southern Guild (now with an outpost in Los Angeles), “Miami has been good for us.” Specializing in work from the African continent, McGowan has effectively created the international careers for artists such as Andile Dyalvane and Zizipho Poswa. Their work will be among the 12 ceramists she is showing this year. “Clay is the most enduring, widespread material across the continent,” says McGowan. “With it, the artists explore everything from women’s rights to rituals to technology. It links up the continent and every possible narrative.”

a yellow sculpture and a blue sculpture

King Houndekpinkou, The Sea Widow To All Those Brave Men Who Carried You Out of the Sea (2024) and Andile Dyalvane, Igqirha (2024). Courtesy of Southern Guild.

Where once contemporary design, and even near-historic work, was measured in quality and significance against 18th century furniture and porcelain, or the now questionable category of tribal art, as Marc Benda points out, “It is now measured against the contemporary art market. But we have a much more limited inventory.”

However, Sarah Myserscough believes that “Design feels like it’s on a firmer footing right now than the art market. But then, the price points aren’t as high. And people need to furnish their homes.”

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Design Miami begins this week, with an invite-only preview on Dec. 5, and open to the public Dec. 6-10. The fair is at Convention Center Drive & 19th Street, Miami Beach, Florida.



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Five Things I Think I Think About the Miami Dolphins – Week 15

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Five Things I Think I Think About the Miami Dolphins – Week 15


Monday Night’s Week 15 game was a make or break contest for the Dolphins.

As Enrique Martin so poignently asked: Do you really want it?

The Steelers said “Here we go! Ale ale ale!”

The Dolphins said: “No, no, no; no thank you, that’s okay!”

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Everything was aligned against the Fins

You know the drill: December game, away, in the cold, in prime time, the Dolphins’ playoff hopes (no matter how small) on the line.

If there’s ever been anything more sure than a Miami loss in those circumstances, I’ve never encountered it.

This time had the addition of a little Mike on Mike violence as Mike ‘Oh no, we should fire him because we only finish over .500 every year for our entire lifetimes, boo hoo’ Tomlin went against Mike ‘I will lose this and still be your coach for the next decade, just watch how bad this can get’ McDaniel battled it out from the sidelines.

People love to play up narratives in NFL games, probably because they run out of interesting things to say after roughly their third season of trying to come up with engaging commentary (which I would know nothing about since I am always innovative and delightful and all of my observations are fresh and new and SHUT UP JERK).

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That said, people play them up because they often prove true. NBC flashed the career records of Tua and Aaron Rodgers in games below 40 degrees and, while I can’t remember Rodgers’ because it had too many big numbers involved, Tua’s was 0-5.

Of course, if temperature alone is enough to ensure a loss for you as a professional athlete making more money than some small nations, I would be forced to consider that kind of pathetic.

There was no way that Tua and Company would so easily be defeated by something as innocuous as collective narratives spread by media talking heads with no meaningful perspectives to offer on game day.

Miami would obviously buck the trend.

The Fins would overcome the challenges.

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The Fins did not overcome the challenges

Miami didn’t buck the trend. They didn’t defeat the narrative(s). They got thumped and played exactly as poorly as every version of the team you’ve ever seen that has encountered the same situation.

Why huddle? Why drag ass like it’s the National Donkey Pulling Championship?

I’m back in Pennsylvania for the holidays and it’s always so eye opening talking to people who aren’t Dolphins fans when the Dolphins play, especially when it’s against a local team.

The response is never gloating (since it’s always during or after a loss). It’s never “Man, we destroyed you guys! We rule and you got dominated!”

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Instead, it’s almost always confusion: “Oh. Yikes. Are you guys, like, okay? What happened? Is that normal? That’s a full NFL team, right?”

What an embarassing conclusion to playoff eligibility.

Why are they passing? Not just early or late, like, at all?

Dear everyone involved in game planning and play calling: How dumb do you have to be?

Week 13 against the Saints, Miami rushed for 164 yards and won 21-17.

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Week 14 against the Jets, Miami rushed for 239 yards and won 34-10.

Week 15, they should have rushed for 300 yards and won 42-7.

Instead, they rushed for 63 yards (despite De’Von Achane averaging 5.0 YPC) and lost 15-28.

That’s dumb. You’re all being dumb.

Analysts can try to present evidence that Pittsburgh went all in to take away the run and make Tua beat them (as Troy Aikman contended during the broadcast), but at 5.0 YPC, it didn’t work. MM just freaked out and went away from what was the obvious solution in a northeast winter game and got jack slapped.

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Did you know Miami scored 27 points in the 3rd quarter?

That’s my last offensive fact. Read that word with whichever pronunciation you prefer.

The defense was jekyll and hyde

Early on, Miami’s defense was looking sharp. They were swarming to the ball, making solid tackles, and stifling the Steelers’ offense.

Then, after what I have to imagine was a literal funeral dirge at halftime, they came out and decided to be the worst version of themselves possible.

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Every non-Minkah safety was suddenly bad. The line could get no pressure against a 4th string LT playing his first snaps as an adult. There was an inexplicable taunting penalty that rivals the most ridiculous things I’ve ever seen.

And worst of all: no one could tackle anymore.

I have this pet theory that Madden (the video game franchise, not the jolly announcer who was afraid of airplanes) has been making NFL players worse for years due to the introduction of the Hit Stick.

A bunch of kids grew up playing Madden, flicking the hit stick, annihiliating their opponents, and receiving positive reinforcement all along the way. Then, those kids realize that they’re some of the world’s best athletes, weasel their way onto an NFL roster, and start trying to Hit Stick (TM) people in real life.

Turns out, you still have to wrap up and tackle the way you were taught in Pop Warner.

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Throwing shoulders to get a highlight on the long defunct Jacked Up segment of Sportscenter is a great way to not actually bring a guy to the ground and watch him run away from you for a score. See: DK Metcalf.

For as well as Anthony Weaver’s defense has shown it’s able to play, this display should warrant a back-to-the-basics reassessment of what it means to tackle the ball carrier instead of trying to get on an imaginary highlight reel.

And speaking of things that make my hair turn gray and knees start to feel the oncoming rains as I shake my fist at clouds:

Tush pushing is a nightmare

Sure, it has a rhyming name. That’s where its cuteness ends.

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As a regular ol’ fan, I’m so bored of this.

4th and 1: here comes the butt brigade.

Make a rule change and get this mess out of here. It’s boring to watch, it’s repetitive, and the Dolphins don’t even use it because they’re too stupid to take advantage of the most obvious freebee on Earth.

Put Julian Hill under center and get a free 1st down.

Until the league fixes it: Be part of the problem, guys.

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Then at least the boredom I feel would be overcome by the brief excitement of the Dolphins being successful.

Until the next snap, anyway.

Weekly Overreaction: Tua should be done

“For how long? For the rest of this year? For next year? For his career?”

I don’t know, pretend bro. But at least for a while.

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I’ve been a Tua Middler (like Bette Midler, but not at all the same) since he’s arrived: I think at his peak, he can be elite at the things he does best (a la 2023) and at his worst, he’s a borderline joke (like this week).

But this whole season, it seems like he’s taken such a massive step back that I think it’s in the Fins’ best interest to see what they have elsewhere.

I realize that his contract saddles them with him for next year unless they take a huge salary cap penalty, but it’s pretty clear to me that he’s suffered some long term effects from his previous injuries that have limited him. He’s comically immobile in and around the pocket, his arm strength has lessened, and (unrelated to the injury angle) his ability to read the defense and fire off a quick, accurate pass has nearly disappeared.

Until garbage time, he looked completely incapable against Pittsburgh. For a guy getting a boatload of cash in a do-or-die game: that’s pitiful.

Now, he wasn’t alone. By the 3rd quarter, no one was holding up their end of the bargain. But he’s included in that ‘no one’ and he’s getting paid the most and has the highest expectations among them to not be hot garbage.

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Ewers probably isn’t either, but at least he’s as yet unquantified.

Tua, it pains me to say, can’t be it anymore.

It seems like the Dolphins better get drafting.

And at least they have one thing going for them: their offseason starts today.

Why do we do this to ourselves? Do we really need to watch three more of these? What if we all just agreed to meet on Sundays and do puzzles and fist fight? Sling mud in the comments below.

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Miami takes on Brooklyn, seeks to end 5-game skid

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Miami takes on Brooklyn, seeks to end 5-game skid


Miami Heat (14-12, ninth in the Eastern Conference) vs. Brooklyn Nets (7-18, 13th in the Eastern Conference)

New York; Thursday, 7:30 p.m. EST

BETMGM SPORTSBOOK LINE: Heat -6.5; over/under is 227.5

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BOTTOM LINE: Miami aims to break its five-game skid with a win over Brooklyn.

The Nets have gone 6-13 against Eastern Conference teams. Brooklyn is ninth in the Eastern Conference with 25.7 assists per game led by Nic Claxton averaging 4.4.

The Heat are 8-7 against Eastern Conference opponents. Miami is third in the league scoring 56.2 points per game in the paint led by Jaime Jaquez Jr. averaging 10.9.

The Nets score 110.2 points per game, 7.5 fewer points than the 117.7 the Heat allow. The Heat average 120.7 points per game, 4.8 more than the 115.9 the Nets give up.

TOP PERFORMERS: Michael Porter Jr. is scoring 25.6 points per game with 7.3 rebounds and 3.2 assists for the Nets. Egor Demin is averaging 17.0 points and 3.0 rebounds while shooting 75.0% over the last 10 games.

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Kel’el Ware is averaging 11.1 points and 10.2 rebounds for the Heat. Bam Adebayo is averaging 20.0 points over the last 10 games.

LAST 10 GAMES: Nets: 4-6, averaging 110.7 points, 41.6 rebounds, 26.6 assists, 7.5 steals and 5.1 blocks per game while shooting 45.8% from the field. Their opponents have averaged 109.4 points per game.

Heat: 4-6, averaging 114.2 points, 45.6 rebounds, 26.7 assists, 8.3 steals and 5.9 blocks per game while shooting 46.7% from the field. Their opponents have averaged 115.7 points.

INJURIES: Nets: Haywood Highsmith: out (knee), Ben Saraf: day to day (illness), Cam Thomas: out (hamstring).

Heat: Nikola Jovic: day to day (arm), Tyler Herro: day to day (toe), Pelle Larsson: out (ankle).

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The Associated Press created this story using technology provided by Data Skrive and data from Sportradar.



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An immersive ‘Survivor’ experience and fan café will open in Miami in January

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An immersive ‘Survivor’ experience and fan café will open in Miami in January


Miami is about to get voted onto the island.

This January, Jungle Island will transform into a full-on tribute to one of TV’s longest-running juggernauts with the arrival of the Survivor Ultimate Fan Cafe, a limited-time immersive experience celebrating the show’s 50th season.

RECOMMENDED: The best immersive experiences in the U.S. to visit right now

Opening on January 29, 2026, the café is a collaboration between Bucket Listers and CBS, timed to build buzz ahead of the milestone anniversary season, which premieres on February 25. The concept goes way beyond themed cocktails and logo merch, though. This is designed as a hands-on playground for fans who’ve spent decades yelling strategy advice at their TVs.

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Photograph: Courtesy of Bucket Listers

“This Ultimate Fan Cafe is more than an event; it’s an immersive tribute to the fan community that has kept CBS’ Survivor thriving for 50 seasons,” said Mike Benson, president and chief marketing officer, Paramount Television, in an official statement. “From iconic photo moments to themed food and real Survivor-style challenges, we’re inviting fans to live the adventure like never before.”

Inside the custom-built space at Jungle Island, guests will be able to test their skills with a rotating lineup of physical and mental challenges inspired by the show, all adapted for safe, indoor play. You won’t be dangling over the ocean or shivering by a fire to stay warm, but you will get a taste of the competitive spirit that’s defined Survivor since its debut in 2000.

Between challenges, castaways will refuel with a Polynesian-fusion menu created by chef Becky Brown, a MasterChef finalist and Chopped champion. The themed offerings include dishes like sole Survivor ceviche, campfire carnitas tacos, new era laksa noodles and a double elimination burger. There will be desserts, kid-friendly options and plenty of comfort food for those who prefer spectating to scheming.

The drink menu will keep the island vibes flowing with themed cocktails and mocktails, plus beer and wine. Also expect shareable pitchers of jungle juice or hidden immunity punch, which feels very on-brand for plotting alliances.

Photo ops will be baked into every corner of the experience, from a tribal council-style fire pit to a voting confessional booth and a winner’s wall designed for brag-worthy pics. Exclusive Survivor merchandise will also be available for purchase.

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Tickets include a food and beverage credit and cover a 90-minute reservation. A waitlist is now open through Bucket Listers, with ticket sales launching exclusively on the platform. For more information, click here.



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