In the hands of Chris Wolston, even the most ordinary object — a chair, lamp or credenza — becomes something more whimsical, playful and quirky.
The artist has built a stellar reputation in the design world for his anthropomorphic rattan chairs (complete with bums and feet). Yet the array of pieces on display in his first solo museum show at Dallas Contemporary reveals there’s much more to his oeuvre.
Displayed across four catwalks, reminiscent of a fashion show or drag ball, are sculpted chairs in terra-cotta adorned with metal insects, a bronze coffee table cast from leaves found in the artist’s garden and chairs inspired by the gestural limbs of supermodels. Handwoven carpets from Morocco on the walls are interspersed with video works highlighting Wolston’s process filmed by his husband, the filmmaker David Sierra. Together, they recall a fantasy world of objects both functional and sculptural.
“I always find that through humor, there’s an interesting entry point for people — it breaks down a barrier,” says artist Chris Wolston. “And I was always drawn to furniture as a medium because it’s accessible, it’s egalitarian.” Dallas Contemporary
Wolston has been walking the tightrope between craft and art with a humorous twist since he made his first terra-cotta chairs in 2014. Drawn to the relationship between materiality and everyday life, he naturally embraced furniture as his medium.
“I started working with the (contemporary design gallery) The Future Perfect, and then we started doing these body chairs for a chair show,” he says. “I always find that through humor, there’s an interesting entry point for people — it breaks down a barrier. And I was always drawn to furniture as a medium because it’s accessible, it’s egalitarian.”
Having initially studied glassmaking at the Rhode Island School of Design, Wolston earned a Fulbright to study pre-Columbian ceramics in Colombia, prompting him to settle his studio in the city of Medellín. He found his entry point into raw ingredients by working with natural terra-cotta clay found in the mountains surrounding the city, and has since cycled through bronze, rattan, anodized aluminum and shearling.
Curated by Glenn Adamson, former director of the Museum of Arts and Design in New York, Profile in Ecstasy highlights a decade-plus of work that led Wolston to discover the throughlines behind his various collections, whether they be nods to fashion and nature, Spanish modernism or subtle surrealism.
“These themes that exist in an artist’s practice emerge when a new collection emerges,” Wolston says. “It’s interesting to see how collections made at different times with totally different materials and thought processes at play resonate with one another.”
Chris Wolston: Profile in Ecstasy is on view at Dallas Contemporary from Nov. 7 through Feb. 1, 2026.
1. Dorance Armstrong Jr., EDGE, Commanders
This one makes too much sense to me to not talk about.
Dorance Armstrong is a player the Commanders could cut ties with to save some cap space. For Dallas, this would not be some mystery evaluation because the Cowboys know exactly who Armstrong is.
They drafted him, and watched him grow into a dependable pass rusher.
I’m not saying Dorance Armstrong is some game-wrecking superstar, but he’s an edge defender who can give good snaps, set the edge, chase quarterbacks, and fit into a rotation without needing the whole defense built around him.
The NFC East part gives it extra spice, too. Bringing back a former Cowboy from Washington would get some attention, but the football part is what sells it. Dallas needs waves of pressure and Armstrong brings another wave.
2. Uchenna Nwosu, EDGE/LB, Seahawks
Uchenna Nwosu is the kind of name that doesn’t scream headline, but fits the job description.
Seattle’s roster lists Nwosu as a linebacker, and shows him at 6’2, 265 pounds with nine years of experience. He is credited with seven sacks during the Seahawks’ 2025 season.
That’s the kind of veteran pass rusher I would love to see Dallas pick up if the money doesn’t get weird.
Nwosu isn’t a luxury piece, but he is insurance. He’s the type of player I feel would keep the Cowboys from putting too much stress on the same pass rushers every week.
You can never have enough guys who can heat up the pocket, especially in a conference where every playoff road seems to run through quarterbacks who can make you pay if they get comfortable.
More than 100 people gathered Friday night at a high school near the sealed‑off blast zone to honor the victims of the deadly explosion at The Clyde apartments in Oak Cliff.
The vigil – filled with hymns, prayers, and candles – brought together neighbors, local leaders, and pastors, many of whom were personally connected to those who died.
Just down the street, the debris field marks where three people were killed and five others injured when an explosion and fire tore through the complex earlier in the day.
Among those honored was Sylvia Collins, a Democratic Party precinct chair known for her energy, advocacy, and signature raised‑fist rally pose.
State Rep. Cassandra Garcia‑Hernandez reflected on the loss, saying she couldn’t imagine taking another “fist‑up photo” with Collins.
State Sen. Royce West urged the community to remember Collins by continuing the work she championed.
Authorities have not yet released the names of the other two victims, believed to be a young woman and her toddler.
Dallas Fire‑Rescue Chief Justin Ball confirmed that the search and recovery phase is complete, though he declined to comment on whether construction crews digging near the property may have struck a natural gas line before the blast.
Ball also defended the actions of firefighters who were on scene for up to 10 minutes before the explosion without ordering evacuations. He said crews first had to locate the source of the gas odor, secure a water supply, and gear up before they could begin clearing the building.
One survivor has already filed a lawsuit against Atmos Energy, accusing the utility of failing to properly monitor for gas leaks. Attorney Sadi Antonmattei‑Goitia said incidents like this “don’t happen without bad decisions being made.”
Atmos did not respond to questions about the lawsuit but issued a statement saying the company’s “hearts go out to the people who were tragically lost, their families, and everyone who has been impacted.”
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