Arizona
This prominent attorney collects art to celebrate his Mexican heritage
ASU professor talks about writing Day of the Dead book
ASU professor Mathew Sandoval talks about why he wrote “Día de los Muertos: A Chicano Arts Legacy” at the Mesa Arts Center on Oct. 25, 2025.
Prominent Arizona attorney Jose Cardenas loves to show off his vast collection of Mexican and Mexican American art.
But he once made a fool of himself arguing with the legendary Mexican journalist Elena Poniatowska over a piece of artwork on display in his spacious 4,000-square-foot Chandler home.
Cardenas was giving Poniatowska a tour of his art collection during a reception he hosted for the writer. She was in town giving a lecture at Arizona State University.
“This is a self-portrait of Siqueiros,” Cardenas remembers telling Poniatwoska, referring to David Alfaro Siqueiros, one of Mexico’s three most famous muralists.
Poniatowska took a look at the sketch and shook her head, “No it’s not.”
The two got into a back and forth, with Cardenas continuing to insist the man depicted in the painting was Siqueiros.
“That’s what they told me when I bought it at the gallery in San Francisco,” Cardenas remembers telling the Mexican author.
Finally Cardenas backed down, thinking, “She’s getting up in years. I’m not going to embarrass her and argue with her.”
A few days later, Cardenas was flipping through TV channels. He came across a PBS documentary about the 1970 Chicano riots in East Los Angeles. The documentary highlighted a portrait Siqueiros had painted in homage to Ruben Salazar, the Los Angeles Times journalist killed by a tear gas canister fired by a Los Angeles County sheriff’s deputy during the protests.
Poniatowska was right. The figure in the painting was not Siqueiros, the Mexican muralist. It was indeed Ruben Salazar, the Los Angeles Times journalist, as painted by Siqueiros.
Cardenas tells this story when he gives tours of his art collection to visitors. They break out in laughter.
“You were mansplaining” one visitor told him. “No, I was being an idiot,” Cardenas said, “because why would you argue with her, of all people. She knew (Siqueiros). She wrote about him. She interviewed him. Not the person to say, ‘No, you are wrong.’”
Cardenas built prestigious career from humble roots
The personal art tours Cardenas hosts weekly at his home are peppered with similar stories that showcase his self-deprecating humor and highlight his enormous pride in his humble upbringing and Mexican heritage.
Cardenas comes from modest working-class Mexican immigrant roots. But he rose to become one of the most prominent and successful attorneys in Arizona. He has used his considerable wealth to amass what artists say is the largest collection of Mexican and Mexican-American artwork in the state, which he shares often with visitors during various events at his home, from personal tours to his annual post-Christmas bash.
Born in 1952, Cardenas is the son of an immigrant dad from the Mexican state of Sinaloa, and a Mexican-American mom. Cardenas grew up in Vegas Heights, a working-class Hispanic neighborhood west of Las Vegas that was still segregated. His father, Fortunato Cárdenas Sánchez, had a sixth-grade education. He worked as a foreman for construction company that laid pipelines. He was killed in a work accident when Cardenas was 15.
His mother, Gloria Frances Gómez Vigil, was born in a small town in northern Nevada to Mexican immigrant parents who eventually moved to Las Vegas. She only attended school through eighth grade.
After his father died, Cardenas, the second-oldest of four children, wanted to quit school and work to help his family with finances. But Cardenas was a good student, and his mother insisted he stay in school and encouraged him to attend college.
Cardenas became the first person in his family to graduate from high school and then college. He earned a bachelor’s degree in political science from the University of Nevada, Las Vegas and then a law degree from Stanford.
After law school, Cardenas clerked for a federal judge in San Francisco and then moved to Arizona in 1978 to work for the powerhouse law firm Lewis and Roca. Cardenas mostly handled commercial litigation but also did pro bono work on death penalty cases. In 1999, he was named managing partner, becoming one of the few Hispanic managing partners of a major law firm in the nation.
In 2009, Cardenas left Lewis and Roca to serve as chief legal adviser and senior vice president at Arizona State University, a position he held until 2022.
For nearly 20 years, Cardenas also hosted Horizonte, a public affairs show focusing on Arizona issues through a Hispanic perspective on Arizona PBS (KAET-TV Channel 8). He stepped down in 2023. Now semi-retired, the 73-year-old Cardenas continues to serve as special senior university adviser at ASU.
Cardenas and his Mexican-born wife, Virginia, were childhood sweethearts. When Virginia turned 15, Cardenas was one of the escorts in her quinceañera coming-of-age celebration. The two then began dating in ninth grade. They married when Cardenas was 19 and Virginia was 20 by one month. She worked as a counselor at Chandler High School. She died in July 2012 of kidney cancer.
Cardenas and Virginia bought their first artwork when he was still a financially struggling law student at Stanford. The two prints Cardenas purchased from a fellow student are now among the thousands of pieces of artwork that adorn his home.
Couple made frequent trips to purchase art
Cardenas said he and Virginia were introduced to the world of Mexican and Mexican American art when they moved to Arizona and met artists Zarco and Carmen Guerrero at a party. They are the founders of Xicanindio, the original name of Xico, a nonprofit organization that promotes Latino and Indigenous art and culture.
The couple became deeply involved in the organization. Virginia became the program director for several years and Cardenas served on the board of directors, including a stint as president.
Over the years, Cardenas and Virginia traveled frequently to Mexico City, Sante Fe and San Francisco to purchase paintings, crosses, ceramics, prints and pottery that cover practically every inch of Cardenas’ ranch home in Chandler.
Cardenas said he considers the collection an embrace of the Mexican heritage he and Virginia shared.
“It’s pride,” Cardenas said during an interview at his home.
“Virginia was born in Mexico. She came here when she was eight,” Cardenas said. “And I never considered myself Mexican American because when I was growing up, those terms weren’t used. So we were Mexicans.”
After Virginia died in 2012, Cardenas commissioned East L.A.-born artist George Yepes to paint a portrait of her. Yepes is best known as the artist who painted the cover of the 1988 Grammy Award-winning album by Los Lobos, “La Pistola y El Corazón.”
At first, Yepes turned down the commission after Cardenas showed her photo of Virginia, who was known for her dazzling smile.
“I can’t do it,” Cardenas recalled Yepes saying. “She’s always smiling. I don’t do smiles.”
A few weeks later, Yepes emailed Cardenas. “I think I can do it.”
The 7-foot-tall portrait Yepes painted of Virginia now hangs in Cardenas’ living room, where it dominates one of the walls. Cardenas considers it his most treasured piece, along with a portrait by a different artist of his three grown sons when they were young.
“The funny thing about this is she was pretty short, she was barely five foot tall. This painting is seven feet. And she’s sitting down. So talk about bigger-than-life-size,” Cardenas told a group of visitors during one of his tours.
Home is an art gallery, with frequent visitors
Cardenas frequently opens his home to visitors, serving as docent as he escorts visitors from room to room, telling stories along the way about various pieces of artwork.
In addition to the personal tours, Cardenas hosts an annual open house to showcase the ofrendas he creates in honor of Dia de los Muertos. At his Day of the Dead open house in November 2025, during the Trump administration’s ongoing mass deportation effort, one of the ofrendas focused on immigration. The ofrenda included photos of Cardenas’ relatives from Mexico, along with numerous quotes by Pope Francis that Cardenas printed out and framed.
“Migrants and refugees are not pawns on the chessboard of humanity,” read one quote.
“It is necessary to respond to the globalization of migration with the globalization of charity and cooperation, in such a way as to make the conditions for migrants more humane,” read another.
Cardenas also hosts an annual Los Tres Reyes Magos party every January in honor of Three Kings Day, a Christian holiday that is popular in Mexico and Latino America and marks the biblical visit of the three kings to the baby Jesus. This year’s party, attended by some of the most influential people in Arizona, will be Jan. 10.
One of the most powerful pieces on display in his home is a painting Cardenas commissioned as a tribute to the victims of the 2022 mass school shooting in Uvalde, Texas. The shooting killed 19 students and two teachers, and injured 21 others. The artwork, which Cardenas displays in his dining room, also was painted by Yepes, the artist who painted the portrait of Virginia.
The painting depicts a woman draped in an American flag, her arms and hands outstretched in the shape of a crucifix, with swords piercing her exposed heart, while doves flutter around her head, wrapped in a crown of thorns.
‘Everything they have in the collection was for them’
One of the most striking pieces is a massive Talavera ceramic jar created by artist and restauranteur Gennaro Garcia, a native of San Luis Rio Colorado, Sonora, who now lives in Phoenix. Garcia created the piece in Puebla, Mexico, where he studied the hand-painted Mexican ceramic artform that blends Spanish and Indigenous influences.
Cardenas had the piece shipped to his home, where he had to remove the table from his kitchen to make room for the artwork, which towers over six feet in height.
Garcia said he strived for years to have his artwork included in the Cardenas’ collection.
“As an artist, you want you want to be in in collection that you admire,” Garcia said. “His collection was already so good, and I wanted to have my name associated with those other artists” and with Virginia and Jose Cardenas as collectors.
Garcia describes the collection as a love story between the couple.
“Everything they have in the collection was for them,” Garcia said. “I always remember them standing in front of the art, talking about it, and then deciding to buy it” as a couple.
Garcia said he was not aware of a larger personal collection of Mexican and Mexican American artwork in Arizona.
“It’s the biggest one. Easy,” Garcia said.
Cristina Cardenas, a Mexican-born artist based in Tucson, agreed.
“In Arizona, to tell you the truth, I haven’t met anybody else with a bigger or more rich collection” especially of Mexican-American and Arizona artists, said Cardenas, who is not related to Jose.
She has sold numerous paintings to Cardenas. The collector also has commissioned her to paint several murals at his home, including a mural of a smiling Virginia that adorns an outdoor wall in the home’s sizable patio, and a mural of Mexican artist Frida Kahlo that greets visitors to his home.
The artist said Cardenas and Virginia have supported many artists through their collecting. They have played a role in opening the door for Latino artists to sell their work to other collectors, Cardenas said, noting that she once sold a print to former Arizona governor and U.S. Homeland Security Secretary Janet Napolitano through an introduction by Cardenas.
“It’s a commitment to represent our people, our communities, and to represent Mexico and the really highest rich cultural history that it has,” the artist said.
She noted that visitors will notice that Cardenas and Virginia have had a strong interest in collecting female figurative art. They were influential in shifting Xico artists away from depictions of low-riders and other traditional Chicano symbols toward prints and paintings that celebrate female figurative art.
Cardenas the artist, and others, often wonder what will happen to the massive collection after Cardenas is gone.
“It has to be preserved and it has to stay together. That’s my recommendation,” Cardenas the artist said.
Collection is a priceless legacy
Jose Cardenas said he isn’t sure what will become of his collection. He knows that some of the pieces will be passed down to his children and family, including the portrait of Virginia. The rest may go the Hispanic Research Center at Arizona State University, he said.
In the meantime, his collection continues to expand. He recently mounted two new pieces by renowned contemporary American artist Ayana Jackson, who reconstructs the portraiture of the 19th and early 20th centuries to, according to her bio, “assess the impact of the colonial gaze on the history of photography.”
The two pieces Cardenas acquired depict the artist suspended in midair in a battle stance while in character as Adelita, the Mexican female revolutionary soldier.
The Arizona man known as the “QAnon Shaman” said Wednesday that President Donald Trump’s new Anti-Weaponization Fund is an abuse of power by a would-be “king.”
Jacob Angeli-Chansley – the face of the Jan. 6, 2021, Capitol riot with his red, white and blue face paint and horned fur headdress – denounced the $1.776 billion program as a “slush fund” for Trump to reward his loyalists.
The Justice Department announced the fund on Monday as part of a settlement with Trump, who had sued the IRS for $10 billion over the leak of his tax returns. The settlement included an assurance that the IRS will drop all audits and claims for back taxes against Trump, his family and businesses.
“You think I’m gonna take a f—ing dime from Trump and the government after he’s using this thing to cover him and his family in perpetuity for all of their crimes?” he told Cronkite News by phone. “You think I’m gonna take a dime of that blood money?”
Trump pardoned more than 1,500 people who participated in the Jan. 6 riot the day he returned to the White House in January 2025. Many had been convicted of assaulting police officers.
Cronkite News reached out to 17 of those defendants with Arizona ties. None besides Angeli-Chansley responded.
Thirteen were convicted or pleaded guilty to crimes related to the attack. Four of the cases were dismissed after the pardon. The charges included assault on federal agents, physical violence at the Capitol and seditious conspiracy.
See our previous coverage of the Anti-Weaponization Fund and “QAnon Shaman” in the video player above.
Angeli-Chansley pleaded guilty to a charge of obstruction of an official proceeding. He served 27 months of a 41-month sentence. He was released from federal prison in March 2023.
During the riot, he carried an American flag fastened to a spear and used a bullhorn to call other rioters to the dais in the Senate chamber.
“He stated that ‘Mike Pence is a f—-ing traitor’ and wrote a note on available paper on the dais, stating, ‘It’s Only A Matter of Time. Justice Is Coming,’” according to prosecutors.
At a Senate Appropriations subcommittee hearing Tuesday, Acting Attorney General Todd Blanche defended the compensation fund, saying it will be open to anyone victimized by a politically motivated prosecution, not just Jan. 6 defendants.
“It’s not limited to Republicans. … It’s not limited to the Biden weaponization. It’s not limited to, in any way scope or form, January 6 or to (targets of special counsel) Jack Smith. There’s no limitation on the claims,” Blanche said.
He rejected Democrats’ assertions that the fund is a massive, taxpayer-funded attempt by Trump to whitewash the assault on democracy.
“I think it’s telling that everybody on the left and … the liberal side of the media immediately says it’s a slush fund for President Trump’s friends,” Blanche said. “If anything else, that’s an outright admission that they know that the people that really had this Department of Justice weaponized against them were President Trump and his friends. But … that is not what the AG order that I signed yesterday says.”
Blanche, who served as Trump’s private attorney in several cases – prosecutions over election interference and classified documents found at Mar-a-Lago and allegations of hush money paid to an adult actress ahead of the 2016 election – faced strong criticism from Senate Democrats.
“You are acting today like the president’s personal attorney and that’s the whole problem,” said Sen. Chris Van Hollen of Maryland, who also noted that a huge banner with Trump’s portrait was draped over the front of the Department of Justice building in February.
At a homeland security committee meeting Tuesday, Arizona Sen. Ruben Gallego called for legislation barring establishment of a fund of the sort proposed by the Trump administration.
He called it outrageous to provide compensation to “traitors who attacked the Capitol.”
“No president, Republican or Democrat, should be able to use the federal treasury as a personal checkbook,” he said.
Angeli-Chansley now refers to himself as the “American Shaman.” He was heavily involved in the QAnon movement, which centered on a conspiracy theory that Trump was fighting a cabal of Satan worshippers who engage in child sex trafficking.
He was a strong MAGA supporter when the pro-Trump mob stormed the Capitol, interrupting congressional certification of Democrat Joe Biden’s victory in the 2020 election.
Angeli-Chansley has since become disenchanted with Trump. He has also repudiated the QAnon movement.
In a rambling phone conversation with Cronkite News, he repeatedly cited Trump’s connections to Jeffrey Epstein, a wealthy financier and convicted sex offender who died in jail in 2019 while awaiting federal trial for trafficking young women and girls for sex.
He reiterated his anger with Trump for resisting the release of the Epstein files.
And he criticized Trump for attacking Iran and supporting Israel, among other things.
Angeli-Chansley sued Trump for $40 trillion in September 2025, asserting he is the true leader of the free world and vowing to use the sum to wipe out the national debt. The lawsuit was dismissed. He later filed a lawsuit against the CIA, FBI, World Bank and others in Maricopa County.
He urged fellow Jan. 6ers to “reject that … money.”
If courts allow the fund to operate, Angeli-Chansley said, it would mean that Trump “can do whatever it is that he wants.”
Teacher unions call for board member’s resignation after ‘Nazi salute’
Teacher unions call for District Boardmember Kimberly Fisher’s resignation after she made a “Nazi salute” during a public meeting on May 26, 2026.
Provided by Deer Valley Unified School District
School teacher unions are calling for the resignation of a Deer Valley Unified School District board member after she made a “Nazi salute” and said “heil’ at the end of a public meeting on May 26.
Boardmember Kimberly Fisher stretched out her arm, making the salute motion and repeating the word “heil” twice after the board president called for a vote to adjourn the meeting.
Fisher defended her actions in a Facebook video after the meeting, stating she made the gesture because she felt that the board had been under a “dictatorship” led by Board President Paul Carver and the district’s superintendent.
“All I could think of tonight was Hitler, so that’s why I said heil or whatever,” Fisher said in an eight-minute-long video.
Prior to the motion, Fisher and the board members were speaking on scheduling future meetings to discuss changes to district boundaries. Superintendent Curtis Finch stated they could not discuss the topic because it was on the meeting’s agenda. Then Carver quickly called for a vote to end the meeting, which prompted Fisher to make the salute.
The board members did not immediately react or acknowledge Fisher’s salute at the May 26 meeting.
This was not the first time Fisher has recently come under scrutiny. In October, she was slammed with a violation of Open Meeting Law by the Arizona Attorney General’s Office, The Daily Independent reported.
Fisher could not be immediately reached for comment.
How the community is reacting to Fisher’s Nazi salute
The local chapter of the Anti-Defamation League, an organization focused on advocating against antisemitism and hate, denounced Fisher’s use of the salute.
“We unequivocally condemn this behavior that glorifies Nazis and Hitler. Regardless of intent, these actions instill fear in the community and are unbecoming of officials entrusted with educating children,” said Sarah Kader, the deputy regional director of ADL Desert, in a social media post.
The Arizona Education Association and the Deer Valley Education Association are calling for Fisher’s resignation.
“Kimberly Fisher should apologize to the DVUSD community and step down,” the state union group wrote on X.
The local teacher union wrote in a Facebook statement that they were “horrified and disgusted” to see Fisher’s actions.
“Any leader who uses a Nazi salute during a School Board meeting is unfit for public service. There is no justification for this behavior,” the union wrote.
Boardmember Stephanie Simacek, in a statement, said “this is what antisemitism looks like when people get comfortable” and called for an “immediate censure.”
“I am calling for accountability. And I am calling on every parent, educator, and elected official Republican or Democrat — to stand up and say clearly: THIS HAS NO PLACE HERE,” she wrote in the statement.
Simacek is also a house member in the Arizona State Legislature and is running for a state senate seat.
She wrote, “What happened in that room was not a joke.”
The school district “does not condone, support, or endorse gestures or language associated with hate, discrimination, intimidation, or violence in any form,” said Kayla Pologa, a spokesperson for Deer Valley, in a written statement.
“As an elected official, Mrs. Fisher speaks and acts independently,” Pologa wrote.
She said Fisher’s views don’t reflect nor should be attributed to other board members or members of the school district.
Who is Kimberly Fisher?
Fisher has been a Deer Valley School District parent for 24 years, according to her biography on the district’s website. She had two children graduate from the district and her third is being homeschooled in his final year, her biography states.
She had previously served on the board from 2015 to 2018.
In 2017, Fisher was the school board president and was criticized for a social media exchange with a teacher.
She was reelected in 2020. Fisher’s current term ends in 2028.
Former Pinal County Sheriff Mark Lamb, the Republican candidate for Congressional District 5, is facing new criticism following a recent report published by The Arizona Republic.
What we know:
The article cites unidentified sources who allege Lamb engaged in racist and homophobic text exchanges and sent inappropriate and threatening messages to women.
There are a few things working in Lamb’s favor, which are his name recognition combined with an endorsement from President Donald Trump.
Big picture view:
Analysts said it ultimately comes down to what voters decide at the ballot box.
“People have weathered worse,” Stan Barnes said.
Barnes is a political consultant and former Republican state senator. He points to other figures, like former President Bill Clinton and current President Trump, who both faced high-profile misconduct allegations.
“The American people said, all right, but we still want to vote for him, and Mark Lamb could be in the same situation,” Barnes said.
What they’re saying:
Lamb has largely kept quiet on the issue, a strategy Barnes said can work for candidates.
“He might decide, you know what? It’s salacious, it’s unprovable,” Barnes said. “A lot of people won’t believe it, people aren’t paying attention, and name ID and Trump endorsement’s going to carry me through.”
Inquiries were made to Lamb’s campaign. They responded with a statement, saying in part: “The Arizona Republic admitted that their article was based on a 10-year-old text from a person that couldn’t be located, or might not be a real person. Not exactly what one would call quality, independent journalism.”
However, the allegations could present challenges for his path to Congress.
The other side:
“The problem for Mr. Lamb and his candidacy is that his opponent will attempt to remind voters,” Barnes said.
Lamb’s Republican opponent, Daniel Keenan, spoke out against the former sheriff following the report.
“This story only adds to a pattern of disqualifying, disgraceful, and embarrassing behavior unbecoming of a congressman,” Keenan said in part.
Dig deeper:
Noble, a political data researcher, said the accusations could hurt Lamb with moderate voters.
“There’s really no strong candidates running in that primary because he’s cleared the field,” Mike Noble said. “It’s going to hurt him with women, it’s going to hurt him with independents, self-identified moderates, those that have a high school or less education.”
In a heavily Republican district, Noble said if the accusations gain traction, it could help the opposing party.
“It could potentially be fatal for him in the general election and actually give Democrats an opening in the general election, which normally they wouldn’t,” Noble said.
What’s next:
On the Democratic side, there are four people running in the primary for Congressional District 5. The primary election is scheduled for July 21.
The Source: This information was gathered from the article from The Arizona Republic, a political consultant and Lamb’s campaign.
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