Louisiana
The Louisiana Supreme Court just reinstated a death sentence it threw out. See why.
The Louisiana Supreme Court reversed itself Friday in the case of Darrell Robinson, reinstating his four murder convictions and death sentence after tossing them in a blockbuster January ruling.
Friday’s narrow, 4-3 reversal came after a rare rehearing by the state’s highest court in a criminal case, revisiting an even more unusual decision.
Defense attorneys say the court had never before reversed a lower court to grant relief to a death row inmate over violations of Brady v. Maryland, the landmark 1963 U.S. Supreme Court decision demanding that states disclose all evidence favorable to the defense.
But the relief for Robinson was short-lived. After a contentious rehearing in May, the court on Friday reinstated his 2001 convictions on four counts of first-degree murder, as well as his death sentence.
The ruling marked a win for Rapides Parish District Attorney Phillip Terrell’s office, which argued that the previous court majority had it wrong.
A unanimous jury convicted Robinson for the execution-style slayings of Billy Lambert, 50; his sister, Carol Hooper, 54; her daughter, Maureen Kelley, 37; and Kelley’s infant son, Nicholas Kelley.
Robinson and Billy Lambert met at a Veterans Administration treatment center for alcoholism, and Robinson came to live with Lambert and work on his farm near the town of Poland eight days before the murders. A witness said Robinson started drinking again, and Lambert wanted him out.
On May 28, 1996, a cousin found the four relatives fatally shot in the head on the living-room floor.
Robinson was seen fleeing the scene in Lambert’s truck and ran cars off the road. Police found Lambert’s knife in his pocket and the dead baby’s blood on the bottom of a shoe and on a shoelace.
Blood evidence disputed
Robinson maintained his innocence, claiming he came upon the scene, tromped through it and was miscast as the killer after fleeing in fear. And in January, a majority of the court agreed he deserved a new trial, in an opinion by Chief Justice John Weimer.
By Weimer’s account, DNA testing supported Robinson’s theory of an alternate suspect. Weimer pointed to a withheld serology report and notes, as well as an alleged deal with a jailhouse informant who testified against Robinson.
The informant, Leroy Goodspeed, scored a break on a charge in a different parish afterward. A prosecutor told the jury that for his testimony, Goodspeed “was not given anything. He was not offered anything. He did not ask for anything.”
The majority in January found too many failures by the state to uphold the results.
“Considered separately, each item undermines the strength of the State’s case; considered cumulatively they convince us that we can have no confidence that the jury’s verdict would not have been affected had the suppressed evidence come to light,” Weimer wrote.
Change of heart
Capital prosecutor Hugo Holland defended the conviction, arguing there was no evidence of a quid pro quo with Goodspeed, while casting doubt on Weimer’s analysis of the blood evidence.
In reversing the court’s earlier ruling, Justice Jay McCallum dwelt on the suffering of the victims while disputing evidence of a deal with Goodspeed.
“After further review and careful consideration of the record, we find no merit to the claims raised … and we erred in vacating defendant’s conviction and sentence,” he wrote.
McCallum was joined by Justices Will Crain, Scott Crichton, and Jeannette Knoll, who is serving in place of James Genovese, who left the court this year. Genovese had voted with the majority that granted Robinson a new trial.
Crichton had previously agreed to throw out Robinson’s death sentence but not his conviction based on doubts about the evidence.
Weimer dissented Friday, along with Justices Piper Griffin and Jefferson Hughes.
“I remain convinced that defendant is entitled to a new trial because the State failed to disclose that it provided Goodspeed with a substantial reward for his testimony against defendant,” Weimer wrote, “and because the State elicited misleading testimony intended to convince the jury that Goodspeed’s testimony was free of inducement.”
An attorney for Robinson did not immediately respond Friday to requests for comment. Holland praised the ruling.
“It is extremely rare for the Louisiana Supreme Court to reverse itself,” he said. “This new decision reinstating the conviction and sentence is a direct result of dogged determination to fight for justice for our four victims as long and as hard as it takes.”
Terrell, the district attorney, said Saturday that he hadn’t found an instance of the state’s high court flip-flopping over a criminal matter like it did Friday.
“It’s the right thing,” said Terrell, who took office in 2013 and inherited the case in post-conviction. “It’s pretty clear Mr. Robinson did it, committed the crimes.”
He described the claims in the case as “pretty specious,” particularly one that Mike Small, a prominent Alexandria-based defense attorney, provided him ineffective assistance.
“For anybody to think his defense was incompetent was just beyond my comprehension,” Terrell said. “I think the court kind of went down the rabbit hole on the blood splatter evidence, and on the Brady issue.”
McCallum’s opinion, he noted, saw no evidence of a quid pro quo with Goodspeed, the witness. Terrell pointed to testimony from a district attorney’s office investigator who attended interviews with Goodspeed, saying the trial judge found it credible.
He said the duration of the case has left few kin of the four related victims.
“There are only one or two surviving family members. I was contacted by one of them this morning. And they’re pleased,” he said. “But it’s been so long that most of them are gone. They suffered a long time.”
Louisiana
Altadena Resident with Louisiana Roots Recalls Horrifying Wildfires
LAFAYETTE — LAFAYETTE, La. (KATC) — Wildfires in Los Angeles have destroyed about 40,000 acres of land—an area larger than the city of Lafayette.
KATC spoke with Dr. Carolyn Dunn, a professor at California State University and an Altadena resident with deep Louisiana roots. She shared the harrowing story of how the fires forced her to evacuate her home twice.
Dr. Dunn recalled the frightening moments from last week when she received a call from her daughter, warning that they had to evacuate their Altadena home after a wildfire broke out nearby.
“The next morning, I watched the town burn down. Driving down the freeway, the winds were pushing the cars. Power lines were down, debris was flying, trees were flying—it was crazy. As we came around a bend near Pasadena, we could see the fire racing down the mountain,” Dunn said.
Dunn’s current home was spared, but the fire destroyed her childhood home. She also spoke about how some of her close colleagues lost their homes, describing the experience as the “craziest, most terrifying” thing she’s ever seen.
Dunn’s family has ties to Louisiana—her cousins live in Opelousas, and her great-grandmother is from Opelousas, while her great-grandfather hailed from Marksville.
The American Red Cross has deployed teams from Louisiana to assist those affected by the fires.
Louisiana
Hotel and casino set to open across the state line in Louisiana next month
BOSSIER CITY, La. — Texans will soon have another option to hit a resort and casino across the state line in Louisiana.
The Live! Casino & Hotel is opening in Bossier City on Feb. 13, according to a release. That’s pending approval by the Louisiana Gaming Board. The $270 million resort has 47,000 square feet of gaming space, more than 1,000 slots and electronic gaming table games, over 40 table games and a sportsbook.
The 12-story hotel has 549 rooms, a pool and a fitness center.
There are plenty of big-name entertainers performing there shortly after it opens. Walker Hayes will take the stage on Feb. 28, the Commodores on March 7, comedian Matt Matthews on March 8 and Clint Black on March 29.
Bossier City is about a four-hour drive from Houston. It’s a straight shot up Highway 69 to 75. Bossier City is just across the border next to Shreveport.
Casino gambling is not legal in Texas, but it is one of the items being considered in the legislative session, which gets underway on Tuesday in Austin.
Louisiana
Louisiana-shot ‘Nickel Boys’ is an artful triumph from a New Orleans Film Festival centerpiece
There’s an easier way, of course. There’s always an easier way.
In the case of filmmaking, it’s called pandering.
Simply check off all the genre boxes that make audiences ooh and aah — big-name stars, dazzling visual effects, a third-act showdown involving superbeings in tights, capes or both — and, with a little good fortune, you’re on the road to a fat box office payday.
Lucky for us, RaMell Ross isn’t inclined to take the easier way.
The emerging filmmaker, whose photographs were the subject of an exhibit at New Orleans’ Ogden Museum of Southern Art from fall 2021 to spring 2022, didn’t take the easier way for his debut feature, the Sundance-decorated experimental documentary “Hale County This Morning, This Evening.”
Similarly, he doesn’t take the easier way for his latest film, the Louisiana-shot “Nickel Boys,” a searing and thrillingly unconventional adaptation of Colson Whitehead’s Pulitzer-winning novel of the same name.
A New Orleans Film Fest centerpiece
Ross’ film served as a centerpiece selection of October’s New Orleans Film Festival. This week, it gets a limited local release, arriving as the Louisiana film industry’s best chance at leaving a mark on Hollywood’s currently unfolding award season.
And for good reason.
Built upon a nonlinear storyline and benefiting from beautiful cinematography steeped in a visual dreaminess suggestive of a hazy memory — though one repressed, not forgotten — Ross’ artfully audacious “Nickel Boys” eschews both convention and capes. Relying instead on his own invented filmic vocabulary, he in the process coaxes his audience into what becomes a riveting and unforgettable tale of the Jim Crow South.
At the center of it all is Elwood (Ethan Herisse), a gifted teenager whose bright future is suddenly derailed when he finds himself in the wrong place at the worst time.
Instead of heading for college, as was his plan, he is sentenced to a hellhole known as Nickel Academy.
Inspired by horrifying reality
Set in 1962 Tallahassee but filmed in late 2022 in Hammond, LaPlace, New Orleans, Ponchatoula and Thibodaux, it’s inspired by a horrifyingly real place: Florida’s now-defunct Dozier School for Boys, a reformatory that made headlines in 2009 when its shocking history of abuse spilled out into the open.
Elwood finds himself staring down the barrel of that ugliness the second he arrives at Nickel.
Fictional or not, it’s difficult to witness the unabashed racism and cruelty he must endure. Fortunately, he finds a friend in fellow inmate and kindred spirit Turner (Brandon Wilson).
They can’t stop the cruelty, but they bond over it, looking out for each other when possible. Fueled by Elwood’s stubborn optimism, they also dream of the day they can finally walk away from their shared hell.
If they get that chance.
Without giving anything away, it should be noted that “Nickel Boys” is not a feel-good film. It is a heartbreaker through and through. But that’s only because reality so often is, too.
Unusual point of view
There’s an argument to be made that Ross’ reliance on first-person point-of-view gets in the way of things from time to time. Intended to ramp up the pathos by putting the audience in the characters’ shoes, the technique to some extent has the opposite effect, blunting the emotional impact of the lead performances given that we’re looking through those characters’ eyes rather than into them.
As original as it feels, the first-person approach has been experimented with numerous times before, from Humphry Bogart’s turn in 1947’s “Dark Passage” to 2015’s “Hardcore Henry” and various points in between. All suffer from the same emotional disconnect to varying degrees.
That said, the sheer depth of emotion at work in “Nickel Boys” — the palpable anguish, the infuriating injustice, the heartrending loss — more than compensates for any perceived stylistic flaws.
Granted, there are less challenging movies in theaters right now, movies that take the easy way, ticking boxes and tickling the masses.
Few, however, crackle with the vitality of “Nickel Boys” — and few will likely stay with viewers as long.
Mike Scott can be reached at moviegoermike@gmail.com.
***********************************
‘NICKEL BOYS’
3.5 stars, out of 4
SNAPSHOT: Filmmaker RaMell Ross directs a searing and thrillingly unconventional adaptation of Colson Whitehead’s Pulitzer-winning 2019 novel, about the experiences of two young black men sentenced to an abusive 1960s Southern reform school.
CAST: Ethan Herisse, Daveed Diggs, Brandon Wilson, Aunjanue Ellis-Taylor, Hamish Linklater, Fred Hechinger, Jimmie Fails.
DIRECTOR: Ross.
RATED: PG-13 for racism, strong language including racial slurs, violence
TIME: 2 hours 20 minutes.
WHEN AND WHERE: Opens Friday (Jan. 17) at the Prytania Uptown, Broad Theater and Elmwood Palace.
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