A Louisiana prison committed one of the most obvious violations of a man’s religious liberty that has ever made its way to the Supreme Court.
Louisiana
Louisiana actor Monti Sharp looks back at 1990s ‘Guiding Light’ role
More than 30 years after his Emmy-winning turn on “Guiding Light,” Monroe native Monti Sharp still remembers the moment that changed his life − when a small-town actor heard his name called on national television.
“And the winner is − Monti Sharp from Guiding Light.” The words, spoken by “The Young and the Restless” actress Kimberlin Brown at the 1993 Daytime Emmys at New York City’s Marriott Marquis Hotel, are still embedded in Sharp’s memory.
“Something shot through me and my body jerked,” he said. It took his “Guiding Light” co-star Amelia Marshall − his onscreen sister − to give him a little push toward the stage.
“It was a very surreal moment,” Sharp said. “It was just all kind of a real enchanting time. Huge surprise to me.”
From Ouachita Parish to daytime TV
Sharp, the youngest of five children born to an attorney and educator, described himself as a “ferocious reader” who spent weekends at the Ouachita Parish Library devouring books. It was there, he said, that he discovered Richard Corson’s “Stage Makeup” − the book that first opened the door to the world of theater and set him on his artistic path.
“I was just fascinated by that book and I checked it out and I kept it for quite a while until they came out a subsequent edition − third, fourth and fifth edition,” Sharp said. “I used to send away for catalogs where I could order things like nose putty and all these different things. I just wanted to try them out. I think that opened my mind up to the reality of theater.”
He spent several years on the road performing in regional theater before landing the role of David Grant on “Guiding Light.” He said he a casting director saw him in a production at The Public Theater in New York City and left a note in his mailbox alerting him about an audition she thought he should pursue.
“I think my manager or my agent at the time reached out and they scheduled the audition ,” he said. “That was a whole new audition process to me. Totally different from auditioning for theater. So I went into it with a kind of − looking back − naive view of it. I thought ‘I’m used to audition for plays. Ok’ but that process lasted a long time and eventually got to the point where we did a screen test. I showed up to the studio to do a screen with Nia Long and that was kind of interesting because I didn’t have the role but I knew I was this close. I think there was maybe two other guys there. I think Flex Alexander [and] I forget the other gentleman’s name. So I did it. I just had fun and we just really got along very well and then I went home and I just kind of forgot it because I was doing plays and other stuff.”
Sharp said his agent called and asked him to come by the office, delivering the news in person that he had won the role. Hearing he’d gotten the part was “exhilarating,” Sharp said.
Sharing the screen with Nia Long and more about Sharp’s turn in Guiding Light
Sharp’s first major storyline on “Guiding Light” centered on a forbidden romance between his character and Kat Speakes, portrayed by Long. The relationship put his character at odds with Kat’s father, Hampton Speakes, who was dating David’s sister, Gilly Grant. The storyline ultimately cemented his Emmy win.
“My character was introduced on the show as sort of this mysterious guy who no one really knew if he was a good guy or a bad guy,” he said. “Kat and I ran away together and we spent the summer on the run, trying to be in love and escape her father [and] the community who thought I was bad. That was a pretty exciting entrance. They really milked that entrance of my character and played into the mystery and all that and I think that’s what really captured people put me in the position to be nominated certainly.”
Sharp believes audiences connected with his earnest portrayal of David Grant because he approached the role with the discipline shaped by his theater background. Sharp said he was determined to do more than simply show up, tape his scenes and collect a paycheck. He wanted the work to matter, he said, and approached the role with a genuine effort to find artistic and theatrical meaning in it.
His portrayal helped cement his character’s fanbase and earned him the 1993 Soap Opera Digest Award for Outstanding Male Newcomer in addition to his Emmy. He was also named one of TV Guide’s ‘Soaps’ Sexiest Stars’ and went on to receive additional Emmy and Soap Opera Digest Award nominations.
Coming from the theater, Sharp said he and like-minded co-stars “were like magnets,” pushing one another to elevate the material beyond soap-opera conventions.
“It’s a very, very fast and very demanding workflow,” Sharp said. “Very different from any other type of work, certainly episodic television where you might be doing one script that whole week as opposed to one script per day.”
What Monti Sharp noticed about the treatment of Black daytime actors in the 90s
Sharp said the soap world of the early 1990s didn’t feature many Black actors as central characters, and issues surrounding race sometimes surfaced behind the scenes.
“There were some wild things that happened that needed to be dealt with,” he said. He approached those situations “not combative, but pretty cocksure,” a stance he believes challenged the show’s writers and producers to respond in kind.
Sharp said he began noticing that Black daytime actors weren’t getting the same visibility as white actors. Walking past newsstands, he said, he would see Black magazines featuring Black talent, but white publications almost never featured them on the cover unless they were part of a group, which he said was rare.
“There was a lot of segregation in the coverage and in the presentation of the product to the public,” Sharp said. “I recall we were doing these − because I was popular at the time − we were doing these public appearances. Go Maine for a couple of hours and sign some autographs with other people from the show and I went on one of these things at some point with a popular character from another show and we just started talking about what a gig this was and he said something like ‘Can you believe for like two hours we’re getting x amount of dollars’. I was like ‘You’re getting ‘X’ amount’. He was like ‘How much you’re getting?’ I said ‘I’m getting ‘Y’ amount’.”
Sharp said that when he questioned the pay gap, he was bluntly told that Black talent did not earn the same as white actors − even with his rising popularity and recent award wins. He recalled being told he should feel “fortunate” to be invited to fan events and was asked whether he wanted to continue, a response he described as a “gut punch.” Sharp said it was one of the first moments that ‘soured’ his relationship with the industry.
Despite his award wins, Sharp’s character’s storylines and screen began to shrink. When he said he raised questions, he was told a major story was coming − one that never materialized. He recalled speaking with one of the show’s writers who later confided that they had been fired after pushing for more material for Sharp and the actress who played his onscreen sister.
Beyond Guiding Light
Sharp’s post-“Guiding Light” career spanned daytime, film, and primetime television. He took on roles in “As the World Turns” and “General Hospital,” appeared in the film “Dead Presidents,” and made guest spots on shows ranging from “ER” and “Modern Family” to “NCIS: Los Angeles,” “How to Get Away with Murder,” and most recently “9-1-1.”
Sharp said these days, between television and film auditions, he has shifted more of his creative energy towards visual art − a passion that long sat in the background of his acting career but moved to the forefront during the pandemic.
He returned to Monroe in February 2024 to exhibit his work at the Northeast Louisiana African American Heritage Museum.
For updates on his artwork, he encourages visitors to join his mailing list at sharpartstudio.com.
Follow Ian Robinson on Twitter @_irobinson and on Facebook at https://bit.ly/3vln0w1.
Louisiana
The Supreme Court’s campaign to expand religious liberty now has a glaring exception
Damon Landor is a Rastafari who, for religious reasons, does not cut his hair — according to his lawyers, he kept this vow for more than two decades, until his dreadlocks grew nearly long enough to reach his knees. But then, in 2020, while he was serving a five-month sentence for a drug-related offense, prison officials handcuffed him to a chair, held him down, and shaved his head.
Incredibly, when Landor was transferred to the prison where this forced shaving occurred, he brought with him a copy of a federal appeals court decision, which held that it violates federal religious liberty law for Louisiana prisons to cut the hair of Rastafari prisoners, at least when those prisoners wish to keep it long for religious reasons. But, when Landor presented this decision to prison guards, they threw it in the trash and shaved his head anyway.
And yet, in its 6-3 decision in Landor v. Louisiana Department of Corrections and Public Safety, which the Supreme Court handed down on Tuesday, the Court’s Republican majority held that Landor has no remedy against these prison officials, despite their clear cut violation of federal religious liberty law.
The Court’s Republican majority is normally very sympathetic to religious liberty plaintiffs, especially when those plaintiffs are Christian. So Landor is a break from this Court’s broader efforts to read religious liberty law expansively. It’s unclear why the Republican justices broke from their ordinary pattern of favoring religious plaintiffs, though one explanation is that Landor could undermine civil rights and public health statutes that Republicans oppose.
Justice Neil Gorsuch’s decision for himself and his fellow Republicans rests on a hypertechnical distinction between how the federal law at issue in this case, the Religious Land Use and Institutionalized Persons Act of 2000 (RLUIPA), was actually drafted, and how it could have been drafted to protect people like Landor. In theory, Landor does little to limit Congress’s ability to protect religious liberty — or any other right. But it requires Congress to write laws in the way that Gorsuch prefers.
Indeed, it’s not even clear that Gorsuch’s opinion is wrong. Numerous federal appeals courts agree with Gorsuch’s approach to this case. Thus, one of the most baffling questions embedded in the Landor decision is why the Court decided to hear this lawsuit to begin with. Why take a case involving truly egregious facts, if all the justices planned to do was reaffirm existing law? They could have just let the lower court’s decision, which also ended in a loss for Landor, stand.
Instead, the justices decided to put their own prestige behind the shocking, if legally defensible, decision in Landor. The question is why.
One possible explanation is that the Court’s Landor decision most likely resolves an ongoing dispute about whether women in red states may receive emergency abortions, if one is necessary to save their life or to ward off serious health consequences. Although federal law requires hospitals to perform these emergency abortions, Gorsuch’s opinion in Landor could nullify that law — at least in states where abortion is illegal.
The Court’s Republican majority often reads the law in ways that are inconsistent with its precedents when doing so will shut down access to abortion. Additionally, Justice Ketanji Brown Jackson’s dissent in Landor lists other federal statutes, including one protecting nursing home residents, that could be undermined by Gorsuch’s opinion.
In any event, the immediate effect of the Court’s most recent decision is that Landor has no remedy, despite the fact that his religious liberty rights were clearly violated.
So what is the specific legal dispute in Landor?
As Gorsuch concedes, RLUIPA prohibits state prison systems that receive federal funding from “imposing ‘substantial burden[s] on the religious exercise[s]’ of state prisoners outside exceptional circumstances.” There’s little doubt that, by forcibly shaving Landor’s head, Louisiana’s prison system violated RLUIPA.
But Landor sought more than a mere judicial declaration that his rights were violated; he sued the prison officials who actually shaved his head, arguing that they should personally be liable to him. Gorsuch’s opinion holds that these officials are immune from paying money damages to Landor.
To reach this result, Gorsuch fixates on the fact that RLUIPA does not directly regulate prisons or prison guards. Instead, it imposes a condition on state prisons that accept federal grants. Those prisons are free to turn away that money if they wish, but if they take that money, they are required to comply with RLUIPA’s religious liberty protections.
This arrangement, Gorsuch argues, is similar to a contract, and thus can only bind the parties that agree to it. While the state prison where Landor was incarcerated agreed to comply with RLUIPA, Gorsuch claims, the employees of that prison did not. And thus they cannot be personally sued for violating RLUIPA.
On the surface, this is a narrow holding, because Gorsuch also writes that Congress could have made the prison guards liable to people like Landor if it had written RLUIPA slightly differently. “Congress,” Gorsuch writes, “could have said that, as a condition of federal funding to LDOC, its officers had to agree to enter separate contracts with the federal government consenting to answer suits under RLUIPA.” Or it “might have conditioned its funds on Louisiana’s agreement” to enact a state law permitting prisoners to sue prison guards who violate RLUIPA.
If the United States had a functioning Congress, it could fix RLUIPA tomorrow.
Indeed, Gorsuch draws such a fine distinction that Justice Ketanji Brown Jackson spends much of her dissent arguing that her Republican colleagues should have cut Congress more slack. “The Court’s ruling apparently boils down to dissatisfaction with the precise way Congress structured RLUIPA,” Jackson writes for herself and her fellow Democrats. She adds that this “hairsplitting undervalues Congress’s lawmaking prerogative; we ought not substitute our rigid contract-based preferences for Congress’s considered statutory design.”
Yet, for what it is worth, lower court judges have largely preferred Gorsuch’s formalism to Jackson’s more pragmatic approach. As Louisiana pointed out in its brief to the justices, many federal appeals courts have agreed that prisoners like Landor are not allowed to sue prison officials for money damages. So, while the Landor decision may shock nonlawyers, it is not really a surprise to anyone who has followed this case closely.
Landor will probably have very bad consequences for women who need an abortion to save their life
Given this consensus among lower courts, it’s very odd that the Court decided to hear this case at all. If the Court had turned Landor’s petition asking the justices to review his case aside, the lower court’s ruling against him would have stood, but the Republican justices would have avoided the embarrassment of having to sign their names to such a seemingly unjust result.
One possible explanation for the Court’s decision to take up Landor, however, is that it potentially allows them to dodge an ongoing dispute about an even more contentious issue: abortion.
The federal Emergency Medical Treatment and Labor Act (EMTALA), requires hospitals that accept Medicare funding (which is nearly every hospital in the US) to provide “such treatment as may be required to stabilize the medical condition” of “any individual” who arrives at the hospital’s ER with an “emergency medical condition.”
EMTALA contains no exception for abortion. So, under EMTALA’s text, federal law unambiguously requires hospitals to perform emergency abortions. EMTALA also says that state and local laws are superseded by EMTALA’s provisions “to the extent that the [state law] directly conflicts with a requirement of this section.” Red states, in other words, may not prohibit hospitals from performing emergency abortions that are required by federal law.
Nevertheless, Idaho refused to comply with EMTALA, and a dispute over whether Idaho’s broad abortion ban could restrict emergency abortions reached the Supreme Court in Moyle v. United States (2024).
Though a majority of the justices voted to dismiss the Moyle case without deciding it, Justice Samuel Alito wrote a dissenting opinion that closely resembles Gorsuch’s opinion in Landor. (Gorsuch joined most of Alito’s dissent.)
Alito argued that, much like RLUIPA, EMTALA operates like a contract — hospitals receive federal funding, and in return they agree to perform certain medical procedures. But the state of Idaho, Alito claimed, is not a party to this agreement much as the prison guards in Landor did not agree to be bound by RLUIPA’s provisions. And thus the state did not agree to have its broad ban on abortions limited by EMTALA’s provisions.
After Landor, it’s now fairly clear that Alito’s position should control Moyle. Indeed, after Landor, lower courts are likely to reject attempts to enforce EMTALA against red states, thus saving the Republican justices the trouble of having to nullify EMTALA’s protections for women who need emergency abortions themselves.
And thus, thereafter, women in red states who need emergency abortions to save their life will simply die.
Louisiana
Louisiana insurance officials to host storm assistance event in Pointe Coupee Parish
POINTE COUPEE PARISH, La. (WAFB) – Representatives from the Louisiana Department of Insurance will host a pop-up event in Pointe Coupee Parish to provide storm-related assistance.
The event will take place between noon and 4 p.m. Tuesday, June 23, at the Pointe Coupee Parish Government offices on Main Street in New Roads.
Residents in Pointe Coupee Parish and surrounding areas will be able to get answers to questions about storm damage claims. Representatives from the Louisiana Department of Insurance will also help people with issues related to insurance and flooded homes or vehicles.
Anyone who can’t attend the pop-up event can reach out to their insurance agent or the Louisiana Department of Insurance by calling 800-259-5300.
Most Louisiana residents have flood insurance through the FEMA National Flood Insurance Program. However, many people may also have private flood insurance, state officials said. They added that flood insurance typically covers damage caused when water enters someone’s home from the ground up because of heavy rain, storm surge or flooding from a waterway.
The Louisiana Department of Insurance has put together a comprehensive document containing answers to questions that storm victims may have. Click here for more information.
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Louisiana
Insider loans? Audit raises red flags over Louisiana orphan well program
A private organization entrusted with money intended to protect Louisiana from the cost of abandoned oil and gas wells used funds to make below-market loans benefiting a senior state regulator, his re…
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