Dallas Cowboys fans were so adamant about this season being the best chance at a Super Bowl, and for good reason.
Dak Prescott was clearly the best passing quarterback in the NFC, and the teams with the best quarterbacks need to capitalize on that talent gap.
Unfortunately, the Cowboys could not capitalize, wilting at home to the 7th-seed Packers like Bluebonnets after a Texas frost.
One of the main reasons this was the year to strike is because of the list of players entering free agency.
The Cowboys have 16 players with expiring contracts, and many of them are key players for depth and rotation.
Today I’d like to play a little game.
Out of the 16 looming free agents, if we could only pick the top three we’d want to return, which three would they be?
Here are my top three.
Some of you may be rolling your eyes reading this one, but hear me out.
Would it shock you to find out that Tyron Smith earned 2nd-team All-Pro in 2023, marking the fifth time he’s been rewarded with that accolade?
It’s also the first time since 2016 that he’s earned that honor.
So what changed?
Mainly it’s been the fact that Dallas decided to give Tyron a veteran rest day from practice essentially the entire season.
This change in routine saved wear and tear on Tyron’s body so he could perform to the peak of his abilities when it mattered most, during games.
Tyron is getting a little long in the tooth, but he showed us this season he’s still capable of being an elite left tackle.
Tyler Smith also earned All-Pro honors this season playing left guard, and I’d prefer to leave him there instead of kicking him out to left tackle.
Bring Tyron back on a one-year deal and draft the left tackle of the future for him to mentor.
Another veteran who I’d like to see get another year in Dallas is CB Stephon Gilmore.
Gilmore played solid football in 2023 and was a much-needed veteran presence in a very young secondary room.
The former NFL Defensive Player of the Year did not earn the accolades this season, but he was a welcome addition to the defense.
This was especially evident when Dallas lost All-Pro CB Trevon Diggs to a torn ACL early in the season.
The Cowboys weren’t able to weather injuries to their cornerback room in 2022, and it was a big part of their exit from the playoffs.
Gilmore brings stability to one of the boundaries and will allow Diggs some time to make a full recovery from his torn ACL without a huge talent drop-off.
Maybe Gilmore will willing to accept a team-friendly deal to avoid moving to his fifth team in the past five years.
First-team All-Pro DaRon Bland could also use another year of tutoring from one of the best to ever lace up his cleats.
This one is perhaps the most controversial of my picks, but despite Tyler Biadasz’s flaws as a run-blocker, I think it’s important to maintain continuity for Prescott.
It’s easy to underestimate the connection between the center and the quarterback but just think about the history.
Troy Aikman played his best football taking snaps from Mark Stepnoski.
Tony Romo had his most successful years with Travis Frederick in the middle of the line making the calls.
Say what you want about Biadasz, but he’s been that constant for Prescott since he was drafted in 2020.
He didn’t get the nod for 2023, but Biadasz is just one season removed from his first and only Pro Bowl appearance.
That one accolade might drive his price up a bit, but Dallas should be able to swing a three-year deal to keep Dak comfortable under center.
The Memphis Grizzlies are hoping to bounce back as they take Cooper Flagg and the Dallas Mavericks.
To learn more about Flagg and the Mavs, we spoke with Dallas Mavericks On SI contributor Austin Veazey.
He’s been… fine? Jason Kidd tried rolling him out at point guard to start the season, which was leading to poor results for the entire offense, but specifically Flagg. He just isn’t a point guard. He may have good playmaking instincts, but he’s best as a secondary playmaker. It’s no surprise that he then turned in arguably his best performance on Wednesday night against the New Orleans Pelicans, because Kidd didn’t start him at point guard.
The question isn’t how much they miss Kyrie Irving, it’s how much do they miss Luka Doncic. And it’s a lot. Even Kyrie Irving has been at his best in his career when he has a better playmaker on the roster, and he can do what he does best: score. Even if Irving were here, there’s no guarantee this would even be a league-average offense, because the offense has no spacing as it’s designed right now.
I kind of doubt it, unless they were to move Irving as well. Doncic and Irving worked so well together because Doncic was a bigger body and could guard other teams’ power forwards. A backcourt of Morant and Irving probably wouldn’t work well, but that wouldn’t stop Nico Harrison from trying something crazy.
Maybe not being the worst offense in the NBA? Just an idea. But how they go about doing that is beyond me. This team just lacks the natural playmakers and shooters to survive in this era of the NBA.
The vibes around both of these teams are horrendous right now. Between the Ja Morant suspension, Anthony Davis’ calf strain, and the Mavs losing to teams such as the Pelicans and Wizards, I think most Mavs fans want a close loss with Cooper Flagg developing so it gets one step closer to firing Nico Harrison.
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In the hands of Chris Wolston, even the most ordinary object — a chair, lamp or credenza — becomes something more whimsical, playful and quirky.
The artist has built a stellar reputation in the design world for his anthropomorphic rattan chairs (complete with bums and feet). Yet the array of pieces on display in his first solo museum show at Dallas Contemporary reveals there’s much more to his oeuvre.
Displayed across four catwalks, reminiscent of a fashion show or drag ball, are sculpted chairs in terra-cotta adorned with metal insects, a bronze coffee table cast from leaves found in the artist’s garden and chairs inspired by the gestural limbs of supermodels. Handwoven carpets from Morocco on the walls are interspersed with video works highlighting Wolston’s process filmed by his husband, the filmmaker David Sierra. Together, they recall a fantasy world of objects both functional and sculptural.
“I always find that through humor, there’s an interesting entry point for people — it breaks down a barrier,” says artist Chris Wolston. “And I was always drawn to furniture as a medium because it’s accessible, it’s egalitarian.” Dallas Contemporary
Wolston has been walking the tightrope between craft and art with a humorous twist since he made his first terra-cotta chairs in 2014. Drawn to the relationship between materiality and everyday life, he naturally embraced furniture as his medium.
“I started working with the (contemporary design gallery) The Future Perfect, and then we started doing these body chairs for a chair show,” he says. “I always find that through humor, there’s an interesting entry point for people — it breaks down a barrier. And I was always drawn to furniture as a medium because it’s accessible, it’s egalitarian.”
Having initially studied glassmaking at the Rhode Island School of Design, Wolston earned a Fulbright to study pre-Columbian ceramics in Colombia, prompting him to settle his studio in the city of Medellín. He found his entry point into raw ingredients by working with natural terra-cotta clay found in the mountains surrounding the city, and has since cycled through bronze, rattan, anodized aluminum and shearling.
Curated by Glenn Adamson, former director of the Museum of Arts and Design in New York, Profile in Ecstasy highlights a decade-plus of work that led Wolston to discover the throughlines behind his various collections, whether they be nods to fashion and nature, Spanish modernism or subtle surrealism.
“These themes that exist in an artist’s practice emerge when a new collection emerges,” Wolston says. “It’s interesting to see how collections made at different times with totally different materials and thought processes at play resonate with one another.”
Chris Wolston: Profile in Ecstasy is on view at Dallas Contemporary from Nov. 7 through Feb. 1, 2026.
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