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Live Election Results: Dallas County

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Live Election Results: Dallas County


It is election day for the 2024 Texas primary runoffs in Dallas County.

Polls were supposed to close at 7 p.m., but due to this morning’s bad weather polls will stay open until 9 p.m. 

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Results will begin to come in shortly after.

Dallas County Election Results

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Click here for more election results.



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Dallas, TX

‘America’s Sweethearts: Dallas Cowboys Cheerleaders’ Review: Netflix’s ‘Cheer’ Team Struggles To Dig Deep

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‘America’s Sweethearts: Dallas Cowboys Cheerleaders’ Review: Netflix’s ‘Cheer’ Team Struggles To Dig Deep


Dating back to 2016’s Last Chance U, Greg Whiteley and a team of many of the same collaborators have been honing one of television’s most successful formulas at Netflix.

The combination of intimate, character-driven portraits and best-in-class sports photography has followed Last Chance U, with its initial focus on JUCO football, to three different schools and then over to basketball, as well. Then, without the Last Chance U banner, Whiteley and company somehow achieved even greater success with two seasons of Cheer, as well as 2023’s Wrestlers, one of my 10 favorite shows of last year.

America’s Sweethearts: Dallas Cowboys Cheerleaders

The Bottom Line

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Falls short of the ‘Cheer,’ ‘Wrestlers’ pinnacle.

Airdate: Thursday, June 20 (Netflix)
Creator: Greg Whiteley

In an odd way, Whiteley and company’s new Netflix seven-parter, America’s Sweethearts: Dallas Cowboys Cheerleaders, is the ultimate validation of the formula’s strength and the One Potato Productions craftspeople’s skills. It’s the worst of their Netflix series and, as it gets thoroughly and frustratingly caught up in the mythos surrounding its subjects, the first time of their shows that has ever felt more like a well-polished commercial than an eye-opening documentary.

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Yet for all the times you wish that the series were capable of digging deeper, that it feels like individual episodes and the entire season lack a cohesive storyline, it’s still almost impossible not to be entertained for the duration and to find a few characters and moments that make the journey generally worthwhile, if not fully satisfying.

America’s Sweethearts: Dallas Cowboys Cheerleaders presents a unique pair of challenges for EP and frequent director Whiteley, director-producer Chelsea Yarnell (Cheer) and the rest of the gang.

For one, this is the first time they’ve chronicled an institution that needs them and their spotlight significantly less than they need it. I was constantly aware of how the DCC — as everybody calls the cheerleaders — and the Cowboys Empire were controlling and limiting access and of the myriad ways that the DCC’s entire infrastructure is built around curbing individual candor in the name of collective messaging.

Secondly, this is the first time that this group has found itself making a series that has, honestly, already been made. From 2006 to 2022, CMT aired a series called Dallas Cowboys Cheerleaders: Making the Team which, as the title suggests, was all about the audition process for the DCC, built around Kelli Finglass, the DCC’s longtime director, and Judy Trammell, its veteran choreographer.

The gap in production quality between America’s Sweethearts and the CMT series is like the difference between Dizzy Gillespie and a child playing a kazoo, but for at least four of the seven episodes, America’s Sweethearts is a rerun of Making the Team.

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We follow Kelli, personality best defined as “Passionate about the DCC,” and Judy, personality best defined as “Passionate about the DCC,” as they weed through hundreds of online and in-person auditions with cheer contenders and then cut that field down to 45 training camp selections, and finally, the 36-woman squad.

Along the way, we learn the basics about what makes a Dallas Cowboys cheerleader — unlike Cheer, the conceit here isn’t proving that cheerleading is a sport, but rather positioning what the DCC does as occupying the intersection between high-octane dance and high-charm brand ambassadorship — and we meet maybe a dozen of the aspiring rookies and savvy veterans competing for those coveted slots.

The aspirants have personalities that can collectively be best defined as “Passionate about the DCC,” which doesn’t always give the storytellers clear pathways to make them distinctive.

There’s Kelcey, a rising team captain approaching her fifth and final season on the squad and definitely passionate about the DCC. There’s Reece, a former beauty queen hoping to make the team for the first time, whose passion for the DCC is second only to her passion for Jesus (she’s far from the only one). There’s Victoria, whose emotional elimination and subsequent success is a key Making the Team plot point and whose passion for the DCC was passed down from her mother.

We also spend time with Kelly, facing the geographic adversity of hailing from New Jersey; Anisha, an orthodontist by day, cheerleader by night; and Anna Kate, whose sister Caroline recently ended her DCC career and is now trying to figure out what comes next.

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Those early episodes stick closely to the conventions of the competition reality genre — choreography challenges, judging panels, catty commentary. Heck, there’s even a makeover episode in which the girls go to a salon and express terror that the judges might chop their hair off.

There are flaccid attempts to build stories within that structure, including trips home to meet the girls’ families and the revelation of various heartbreaking secrets. This absolutely allowed me to know a dozen of their names, though since nearly everybody’s name is “Kelly,” that’s hardly an achievement.

But once the squad is finally settled, there’s a bizarre “What do we do now?” confusion. The series races through the rest of the football season in its last two episodes with no objective at all. Is the drama supposed to come from whether or not the Cowboys make the Super Bowl? Because they don’t. Instead, there are brief spotlights on Dolly Parton performing at halftime in the Thanksgiving game and something bad that happens to one of the girls who hadn’t been featured for a single second previously, making her storyline both unfortunate and unfortunately arbitrary.

America’s Sweethearts is a series with very little conflict. This is a gathering of dozens of women between the ages of 20 and 31, in which there’s no fighting — or even minor disagreements — in which sex and drugs and alcohol are completely nonexistent, in which constant critiquing of their bodies leads to exactly one, nonspecific eating disorder.

Despite intense competition, there are no rivalries and despite intense physicality and references to a lifetime of subsequent degenerative conditions, we witness no injury worse than one twisted ankle. And maybe it’s all accurate! Maybe DCC Land is the most magical of magical kingdoms, but what are the chances that any storytellers would actually want to tell this conflict-free story?

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What’s frustrating is that the filmmakers know the things they should be more curious about, but those avenues prove to be dead ends. The very first episode, for example, introduces the idea that NFL cheerleaders are economically exploited, with references to how little the Cowboys cheerleaders used to be paid per game. At no point do we learn what they’re making now and if this is an active concern for anybody, those concerns aren’t ever expressed again. Too much satisfaction!

If you pay attention, you can see the cracks in the “Happiest Place on Earth” veneer — Victoria is introduced literally sobbing through a huge smile, while Caroline’s wheel-spinning approach to her life post-DCC is oddly poignant, if thoroughly sanitized. But the series is too frequently caught up in the veneer — and, I suppose, in the smiley white veneers — in marveling at the shiny silver belt buckles and impeccably tailored boots and the superficial gloss that comes with the DCC iconography.

I still found myself caring about a number of the cheerleaders and even investing in things like the precarious “Thunderstruck” jump-splits. But when the seventh episode concluded with several participants symbolically removing their thick layers of makeup and eyelashes with the camera as a mirror, I was very aware that the series hadn’t, in fact, actually taken us beneath any surfaces at all.

Whiteley’s previous shows have all felt like they were stories that he and his crew needed to tell. America’s Sweethearts: Dallas Cowboys Cheerleaders feels like a story that Netflix, aggressively diving into bed with both the Cowboys — a 10-part series about the Jerry Jones glory years is coming soon — and the NFL, wanted told. It’s not the same thing.

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A trip through time to the Dallas communities created by newly freed men

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A trip through time to the Dallas communities created by newly freed men


DALLAS — Juneteenth commemorates June 19, 1865, the day when more than 250,000 enslaved people in Texas were told they were free. 

It came two and a half years after the Emancipation Proclamation. To mark the day, one organization is highlighting the untold stories of the communities the newly emancipated created in Dallas.

Less than three miles from Downtown Dallas sits one of one of the most preserved Freedmen’s towns in the country.

“It’s kind of been dismissed, many do know but many have dismissed and just covered over it,” said Dr. Deborah Hopes, the president of Remembering Black Dallas.

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The Tenth Street historic district of Dallas is one of 12 Freedman communities founded in Dallas County following the Civil War. Dr. Sharron Wilkins Conrad is a historian and volunteer for the organization Remembering Black Dallas.

“We are at the corner of 9th Street and Cliff in the Tenth Street neighborhood of Dallas. This is the Greater El Bethel Baptist Church and this was one of the pivotal and important places in the Tenth Street neighborhood,” said Conrad.  

Land ownership and community were vital for the once enslaved and newly freed.

“The folks were kind of able to create a space and a place where they felt safe where they can educate their children, where they can get away from some of the ravages, the economic ravages of sharecropping and just kind of grow and thrive,” said Conrad.

Remembering Black Dallas was awarded a grant by the Library Of Congress to help document the stories of 10th Street.  Dr. Deborah Hopes, the organization’s president, sees Juneteenth as a moment to reflect and remember that history.

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“I get kind of emotional because when you think about it, they got it late, but they still got it and not only did they get it, but they honored it and celebrated it and because they celebrate, I celebrate,” said Hopes.

To celebrate the resilience of these communities they created the Ukunika Bus and Walking Tours named after the Zulu word meaning ‘to empower” or “give back.”  

The tours are supported by a City of Dallas Office of Arts and Culture Dallas ArtsActivate grant.

“It’s exciting to share these stories with the community because, again, it’s our history and in order to understand the way that Dallas looks and the way that Dallas feels today, it’s just vital that we hear from these voices that have kind of been overlooked for so long,” said Conrad.

Tenth Street was just one of the stops on their sold-out Juneteenth bus tour last weekend.

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But another Freedmen community in Dallas was also along the route.

“I was born and raised in Joppy, lived here most of my life,” said Kimberly High, the executive director of Joppy Momma’s Farm. “My parents grew up here as well, as a matter of fact, the property that we’re standing on is my great-grandmother’s who was one of the first settlers here in Joppy from slavery.”

The community known as Joppa or Joppy was founded by the Freedmen. High runs Joppy Momma’s farm on the land where her ancestors settled.

“We always felt like we were behind and forgotten so to see people come into our community and want to know more about our history. It’s exciting to me,” said High.

By educating neighbors about this land and the importance of healthy eating she’s helping keep the story of Joppy alive.

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“We ate off of this property, my grandmother. I used to stand in the door as a kid and watch her go out and harvest our food,” said High. “So it’s just a good feeling to know that I can come back home and do the things that she was doing and I know that she’s smiling on me.”

But she’s also making sure the seeds Freedmen communities planted all those years ago are still flourishing today.

For more information about Remembering Black Dallas’ upcoming Ukunika Bus Tours, click here.



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‘Juneteenth freed the people’: Opal Lee leads hundreds on freedom walk through Dallas

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‘Juneteenth freed the people’: Opal Lee leads hundreds on freedom walk through Dallas


Opal Lee walked outside and waved. That was all it took. Crowds clamored for a glimpse. People shouted her name and snapped photographs as television crews aimed their cameras at her.

Wearing sunglasses, a blue T-shirt and red tennis shoes, Lee led hundreds Wednesday on her annual Opal’s Walk for Freedom, a 2.5-mile trek to celebrate Juneteenth.

This year’s walk moved from Lee’s hometown of Fort Worth to Dallas, but the 97-year-old “grandmother of Juneteenth” drew the same big crowds and adoration. Supporters wore T-shirts and carried signs bearing her image, and many clapped and waved as she walked by.

Juneteenth recognizes the day in 1865 when Union troops arrived in Galveston to inform enslaved people of their freedom, about 2½ years after President Abraham Lincoln signed the Emancipation Proclamation.

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“July 4 freed the land,” Lee said before the walk. “But Juneteenth freed the people.”

Opal Lee, the Grandmother of Juneteenth, center, walks through Fair Park with her granddaughter Dione Sims, second from left and hundreds of participants during 2024 Opal’s Walk for Freedom honoring the U.S. federal holiday, Juneteenth, Wednesday, June 19, 2024, in Dallas. (Chitose Suzuki / Staff Photographer)
Opal Lee gets keys to new home on family’s Fort Worth lot

Black Americans, especially in Texas, have celebrated the day for decades, but interest in the holiday skyrocketed in recent years. In 2016, Lee made her way from Fort Worth to Washington, D.C., walking 2½ miles in several cities along the way to represent the 2½ years it took for news of emancipation to reach Galveston. In 2021, President Joe Biden, with Lee at his side, signed into law a bill declaring Juneteenth a national holiday.

Growing up, Tiffany Weaver, 45, said she celebrated the holiday with friends and family eating barbecue and playing outside. This year she joined Lee’s walk, which began at the African American Museum in Dallas’ Fair Park.

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Weaver, who lives in Dallas, said she loves that Juneteenth is now celebrated on a larger scale.

“We weren’t free until we were all free,” she said. “This has been a long time coming.”

Stanton Brown, 32, of McKinney, who brought his infant and 4-year-old daughters to the walk, said he long knew about Juneteenth but only began celebrating the day in recent years.

“Freedom is really a mindset,” Brown said. “I want to honor the people who came before me and fought for freedom. I’m here because of them.”

Opal Lee, the Grandmother of Juneteenth, speaks to participants in front of African American...
Opal Lee, the Grandmother of Juneteenth, speaks to participants in front of African American Museum in Fair Park after they finished walking in 2024 Opal’s Walk for Freedom honoring the U.S. federal holiday, Juneteenth, Wednesday, June 19, 2024, in Dallas. (Chitose Suzuki / Staff Photographer)

As they walked, marchers clasped hands and some sang “This Little Light of Mine.” Parents pushed young children in strollers or carried them on shoulders, and Dallas Cowboys cheerleaders walked alongside marching band drummers and members of a Girl Scouts troop.

Traditional African dancers and drummers lined the route and walked next to Lee, flanked by Fort Worth’s Miss Juneteenth and a cluster of police officers.

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Many fanned themselves from the heat, which hovered in the 80s for most of the walk, cooler than in past years.

Lee, who grew up in Texas, has recalled celebrating Juneteenth by picnicking with her family, first in Marshall and later in Fort Worth. In 1939, when she was 12, a mob of white supremacists set fire to her family’s home in Fort Worth and destroyed it. Lee and her family were forced to flee. The event shaped her life as an educator and activist.

Lee received a new home this month, courtesy of the community, on the same lot.

This year’s walk moved to Dallas to highlight the role Juneteenth has on other U.S. cities, Lee’s granddaughter, Dione Sims said. Cities around the world planned their own walks, including Los Angeles, Chicago, New York City and Tokyo. Next year, the march will return to Fort Worth before heading to Washington, D.C., in 2026.

On Wednesday, Lee, who rode in a golf cart for part of the walk, said her work is far from over, and she urged supporters to tackle homelessness and climate change.

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“If people can be taught to hate, they can be taught to love,” she said. “We are all our brother’s keeper. It behooves us to act like it.”

Are banks, post offices and grocery stores closed for Juneteenth? Here’s what to know



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