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Dallas lead abatement fiasco raises questions about housing programs

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Dallas lead abatement fiasco raises questions about housing programs


A recent Dallas Morning News investigation revealed how Dallas failed to administer a lead abatement program, further eroding residents’ trust in their city government and leaving dozens of children exposed to a health hazard.

Dallas had the money and the applicants for house remediation using federal dollars. But even though it had actively sought the funds, City Hall couldn’t remove lead in dozens of homes where families had asked for help. Only four houses received lead abatement. Dallas had to return most of the $2.3 million grant.

The lead abatement fiasco should be a warning. The City Council must demand greater accountability from city management regarding the array of housing programs that Dallas administers.

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Exposure to lead, found in paint before 1978, can cause behavioral and developmental problems in young children. It is a sad state of affairs when low-income families have a problem that threatens their children, there is money to fix it, and yet they cannot get the help — not because they didn’t qualify for assistance but because the city can’t competently manage that money. No wonder some residents who had been promised assistance told our colleague María Ramos Pacheco that they feel cheated.

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More than 90 residents applied to the Dallas program, but only 53 homes were inspected and 27 children tested for lead exposure. After having contractors work on four homes, the city closed the program in 2023 and returned about $1.8 million to the feds.

Ramos Pacheco asked several city officials about the Healthy Homes Lead Reduction Program. The lack of transparency is troubling. The city quoted the newsroom $6,000 to redact and release records regarding the program. What few answers The News received were vague.

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Interim City Manager Kimberly Bizor Tolbert told The News that the grant was closed because it was “cumbersome to administer.” A follow-up contact with the city’s communications department mentioned “specific eligibility requirements” that were never fully explained.

Meanwhile, the housing department told residents that there weren’t enough lead abatement contractors. It’s a questionable explanation given that Waco and Fort Worth each were able to remediate dozens of homes under the same federal grant program.

This is the kind of boondoggle that makes some taxpayers skeptical about the city’s housing programs, no matter the good intentions behind them. It’s not council members’ job to micromanage those programs, but they should be asking more questions and holding city staff accountable for results.

City expenditures across the board merit scrutiny, even if they’re being paid with federal dollars.

It’s bad enough having to return federal money that the city requested and received. Worst of all is leaving children who could have been helped exposed to lead.

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Dallas, TX

Dallas Cowboys block Chicago Bears from interviewing Mike McCarthy: What does this mean for his future? | Speak

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Dallas Cowboys block Chicago Bears from interviewing Mike McCarthy: What does this mean for his future? | Speak


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Michael Irvin reacts to the Dallas Cowboys blocking the Chicago Bears from interviewing Mike McCarthy. He breaks down the implications of the decision for McCarthy’s future, the Cowboys’ coaching staff, and what this could mean for the Bears as they search for a new head coach.

1 HOUR AGO・speak・2:27



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New timeline, specs revealed for high-rises on KERA site in Uptown Dallas

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New timeline, specs revealed for high-rises on KERA site in Uptown Dallas


New state filings suggest construction could begin this summer on two Uptown Dallas high-rises slated to have office space, condos and a hotel. Learn more about this major partnership between prominent real estate firm Kaizen, public radio station KERA and deep-pocketed investment firm HN Capital in this story.



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Flowers and glass at Dallas’ Gallery 12.26

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Flowers and glass at Dallas’ Gallery 12.26


In “Minerva’s Web,” Sarah Ann Weber’s 18 colored-pencil and watercolor works are hung in a single row that wraps around three of the room’s four walls at Gallery 12.26, windows into a lush world that pulses with life.

Sarah Ann Weber’s “Lasting threads of gold” is on display at Dallas’ Gallery 12.26.(Diego Flores / Gallery 12.26)

A floral profusion (peonies, daffodils, tulips, amaryllis, sunflowers and more) covers the surface of each panel, while a few female figures delicately emerge from among the flowers, visible only upon a closer look. The whole series is tied together by a web of pale white vines that crisscross in front of the garden-like scenes in the background.

Minerva is both the Roman goddess of weaving (who, in the poet Ovid’s telling, turned the girl Arachne into a spider in a fit of anger) and the name of Weber’s young daughter; the show’s title hints at a specifically female experience of intimate, web-like interconnectedness to other people that can be either life-giving (toward daughters) or deadly (toward rivals).

The series is introduced by two new oil paintings in the front gallery on the same theme, but these are more fluid, even oceanic, offering an interesting contrast of mediums.

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Sarah Ann Weber's "She still spins" is on display at Dallas' Gallery 12.26.
Sarah Ann Weber’s “She still spins” is on display at Dallas’ Gallery 12.26.(Diego Flores / Gallery 12.26)

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Also on view is Rachel Marisa LaBine’s “Lockets,” a show of 13 collage and stained-glass works, whose title suggests the sentimental charge of special pictures kept safe inside small ornamental cases. LaBine’s reference to her teenage years as a source of inspiration, combined with the collages’ coy ambiguity, reminded me of the human urge to keep one’s most important secrets hidden from the wider world.

Feeling left somewhat on the outside of the collages’ full meaning, I engaged most easily with the gorgeous stained-glass pieces, which brought me back to the era of Louis Comfort Tiffany, one of the high points of American art. The two shows together also reminded me how much 12.26 has done to bring members of a younger generation of women artists to Dallas (Weber and LaBine are both Midwest-born millennials), helping to nurture our local connections to the national art scene. And, as a male viewer, I admired and somewhat envied the emotional openness and fluency with which these two artists constructed their artistic worlds.

Rachel Marisa LaBine's "Lockets" show features collage and stained-glass work at Dallas'...
Rachel Marisa LaBine’s “Lockets” show features collage and stained-glass work at Dallas’ Gallery 12.26.(Diego Flores / Gallery 12.26)

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Sarah Ann Weber’s “Minerva’s Web” and Rachel Marisa LaBine’s “Lockets” continue through Feb. 1 at 12.26, 150 Manufacturing St. No. 205, Dallas. Free. Open Wednesday through Friday from 11 a.m. to 5 p.m. and Saturday from noon to 5 p.m. 469-502-1710, gallery1226.com.

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